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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00FA66 it is the complementary color #FF0599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00FA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00FA66 shade: #05FA61, #16FF74, #27FF87, #38FF9A and #49FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00FA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00FA66 shade: #00FA66, #00E853, #00D640, #00C42D and #00B21A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00FA66 shade: #00F965, #00F922, #20F900, #64F900 and #A7F900

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00FA66 shade: #00F965, #00F9A9, #00F9EC, #00C3F9 and #0080F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00FA66 shade matches the following richer shades: #00F965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00FA66 shade: #00F965, #14E569, #28D16D, #3CBD71 and #50A974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00FA66 shade: #21F900, #00F921, #00F963, #00F9A6 and #00F9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00FA66 shade: #00A744, #00D055, #00F965, #24FF7D and #4DFF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00FA66 shade: #00FA66, #0063F9 and #F90000

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00FA66 shade: #00FA66, #6300F9 and #F96300

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00FA66 shade: #00FA66, #0063F9, #F90095 and #F99500

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00FA66 shade: #00FA66, #0018F9, #F90095 and #F9E000

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

Complementary color

CMYK 0 / 98 / 40 / 0

HEX #FF0599

RGB 255 5 153

HSL 324.48, 1%, 0.51%

LAB 55.75, 86.23, -9.57

 

CMYK 98 / 0 / 61 / 2

HEX #05FA61

RGB 5 250 97

HSL 142.53, 0.96%, 0.5%

LAB 86.64, -79.28, 58.26

 

CMYK 91 / 0 / 55 / 0

HEX #16FF74

RGB 22 255 116

HSL 144.21, 1%, 0.54%

LAB 88.42, -77.79, 52.05

 

CMYK 85 / 0 / 47 / 0

HEX #27FF87

RGB 39 255 135

HSL 146.67, 1%, 0.58%

LAB 88.78, -73.94, 43.67

 

CMYK 78 / 0 / 40 / 0

HEX #38FF9A

RGB 56 255 154

HSL 149.55, 1%, 0.61%

LAB 89.25, -69.16, 35.06

 

CMYK 71 / 0 / 32 / 0

HEX #49FFAD

RGB 73 255 173

HSL 152.97, 1%, 0.64%

LAB 89.84, -63.49, 26.38

 

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

CMYK 100 / 0 / 64 / 9

HEX #00E853

RGB 0 232 83

HSL 141.47, 1%, 0.45%

LAB 80.93, -75.78, 57.67

 

CMYK 100 / 0 / 70 / 16

HEX #00D640

RGB 0 214 64

HSL 137.94, 1%, 0.42%

LAB 75.12, -72.5, 58.9

 

CMYK 100 / 0 / 77 / 23

HEX #00C42D

RGB 0 196 45

HSL 133.78, 1%, 0.38%

LAB 69.23, -68.94, 59.59

 

CMYK 100 / 0 / 85 / 30

HEX #00B21A

RGB 0 178 26

HSL 128.76, 1%, 0.35%

LAB 63.27, -65, 59.37

 

CMYK 100 / 0 / 59 / 2

HEX #00F965

RGB 0 249 101

HSL 144.34, 1%, 0.49%

LAB 86.35, -78.65, 56.22

 

CMYK 100 / 0 / 86 / 2

HEX #00F922

RGB 0 249 34

HSL 128.19, 1%, 0.49%

LAB 85.94, -83.89, 77.75

 

CMYK 87 / 0 / 100 / 2

HEX #20F900

RGB 32 249 0

HSL 112.29, 1%, 0.49%

LAB 86.04, -83.24, 81.88

 

CMYK 60 / 0 / 100 / 2

HEX #64F900

RGB 100 249 0

HSL 95.9, 1%, 0.49%

LAB 87.22, -72.96, 83.33

 

CMYK 33 / 0 / 100 / 2

HEX #A7F900

RGB 167 249 0

HSL 79.76, 1%, 0.49%

LAB 89.84, -53.1, 86.5

 

CMYK 100 / 0 / 59 / 2

HEX #00F965

RGB 0 249 101

HSL 144.34, 1%, 0.49%

LAB 86.35, -78.65, 56.22

 

CMYK 100 / 0 / 32 / 2

HEX #00F9A9

RGB 0 249 169

HSL 160.72, 1%, 0.49%

LAB 87.3, -67.35, 24.83

 

CMYK 100 / 0 / 5 / 2

HEX #00F9EC

RGB 0 249 236

HSL 176.87, 1%, 0.49%

LAB 88.83, -50.9, -7.66

 

CMYK 100 / 22 / 0 / 2

HEX #00C3F9

RGB 0 195 249

HSL 193.01, 1%, 0.49%

LAB 73.46, -21.8, -37.9

 

CMYK 100 / 49 / 0 / 2

HEX #0080F9

RGB 0 128 249

HSL 209.16, 1%, 0.49%

LAB 54.32, 16.47, -68.25

 

CMYK 100 / 0 / 59 / 2

HEX #00F965

RGB 0 249 101

HSL 144.34, 1%, 0.49%

LAB 86.35, -78.65, 56.22

 

CMYK 100 / 0 / 59 / 2

HEX #00F965

RGB 0 249 101

HSL 144.34, 1%, 0.49%

LAB 86.35, -78.65, 56.22

 

CMYK 91 / 0 / 54 / 10

HEX #14E569

RGB 20 229 105

HSL 144.4, 0.84%, 0.49%

LAB 80.3, -71.42, 47.3

 

CMYK 81 / 0 / 48 / 18

HEX #28D16D

RGB 40 209 109

HSL 144.5, 0.68%, 0.49%

LAB 74.29, -62.8, 38

 

CMYK 68 / 0 / 40 / 26

HEX #3CBD71

RGB 60 189 113

HSL 144.65, 0.52%, 0.49%

LAB 68.42, -52.12, 28.47

 

CMYK 53 / 0 / 31 / 34

HEX #50A974

RGB 80 169 116

HSL 144.27, 0.36%, 0.49%

LAB 62.8, -39.06, 19.42

 

CMYK 87 / 0 / 100 / 2

HEX #21F900

RGB 33 249 0

HSL 112.05, 1%, 0.49%

LAB 86.04, -83.17, 81.89

 

CMYK 100 / 0 / 87 / 2

HEX #00F921

RGB 0 249 33

HSL 127.95, 1%, 0.49%

LAB 85.94, -83.93, 77.94

 

CMYK 100 / 0 / 60 / 2

HEX #00F963

RGB 0 249 99

HSL 143.86, 1%, 0.49%

LAB 86.33, -78.89, 57.06

 

CMYK 100 / 0 / 33 / 2

HEX #00F9A6

RGB 0 249 166

HSL 160, 1%, 0.49%

LAB 87.24, -67.97, 26.28

 

CMYK 100 / 0 / 6 / 2

HEX #00F9E9

RGB 0 249 233

HSL 176.14, 1%, 0.49%

LAB 88.75, -51.73, -6.22

 

CMYK 100 / 0 / 59 / 35

HEX #00A744

RGB 0 167 68

HSL 144.43, 1%, 0.33%

LAB 59.94, -57.95, 40.39

 

CMYK 100 / 0 / 59 / 18

HEX #00D055

RGB 0 208 85

HSL 144.52, 1%, 0.41%

LAB 73.39, -68.44, 48.25

 

CMYK 100 / 0 / 59 / 2

HEX #00F965

RGB 0 249 101

HSL 144.34, 1%, 0.49%

LAB 86.35, -78.65, 56.22

 

CMYK 86 / 0 / 51 / 0

HEX #24FF7D

RGB 36 255 125

HSL 144.38, 1%, 0.57%

LAB 88.63, -75.69, 48.19

 

CMYK 70 / 0 / 42 / 0

HEX #4DFF95

RGB 77 255 149

HSL 144.27, 1%, 0.65%

LAB 89.52, -67.31, 37.94

 

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

CMYK 100 / 60 / 0 / 2

HEX #0063F9

RGB 0 99 249

HSL 216.14, 1%, 0.49%

LAB 46.66, 34.84, -80.72

 

CMYK 0 / 100 / 100 / 2

HEX #F90000

RGB 249 0 0

HSL 0, 1%, 0.49%

LAB 51.99, 78.68, 66.02

 

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

CMYK 60 / 100 / 0 / 2

HEX #6300F9

RGB 99 0 249

HSL 263.86, 1%, 0.49%

LAB 36.92, 80.05, -96.66

 

CMYK 0 / 60 / 100 / 2

HEX #F96300

RGB 249 99 0

HSL 23.86, 1%, 0.49%

LAB 60.84, 54.21, 70.02

 

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

CMYK 100 / 60 / 0 / 2

HEX #0063F9

RGB 0 99 249

HSL 216.14, 1%, 0.49%

LAB 46.66, 34.84, -80.72

 

CMYK 0 / 100 / 40 / 2

HEX #F90095

RGB 249 0 149

HSL 324.1, 1%, 0.49%

LAB 54.35, 84.97, -9.41

 

CMYK 0 / 40 / 100 / 2

HEX #F99500

RGB 249 149 0

HSL 35.9, 1%, 0.49%

LAB 70.62, 29.77, 75.81

 

CMYK 100 / 0 / 59 / 2

HEX #00FA66

RGB 0 250 102

HSL 144.48, 1%, 0.49%

LAB 86.67, -78.82, 56.16

 

CMYK 100 / 90 / 0 / 2

HEX #0018F9

RGB 0 24 249

HSL 234.22, 1%, 0.49%

LAB 32.9, 73.25, -103.49

 

CMYK 0 / 100 / 40 / 2

HEX #F90095

RGB 249 0 149

HSL 324.1, 1%, 0.49%

LAB 54.35, 84.97, -9.41

 

CMYK 0 / 10 / 100 / 2

HEX #F9E000

RGB 249 224 0

HSL 53.98, 1%, 0.49%

LAB 88.66, -8.99, 88.12

 

Description

Color code: HEX #00FA66 | qconv.com Color code: HEX #00FA66 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 250 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 250 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 59 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 59% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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