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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00D772 it is the complementary color #FF288D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00D772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00D772 shade: #05D76D, #16E980, #27FB93, #38FFA6 and #49FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00D772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00D772 shade: #00D772, #00C55F, #00B34C, #00A139 and #008F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00D772 shade: #00D671, #00D637, #01D600, #3BD600 and #75D600

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00D772 shade: #00D671, #00D6AB, #00C7D6, #008DD6 and #0053D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00D772 shade matches the following richer shades: #00D671

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00D772 shade: #00D671, #11C470, #22B36F, #33A26E and #45906D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00D772 shade: #03D600, #00D635, #00D66E, #00D6A7 and #00CBD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00D772 shade: #008345, #00AC5B, #00D671, #00FF87 and #29FF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00D772 shade: #00D772, #003CD6 and #D61800

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00D772 shade: #00D772, #6E00D6 and #D66E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00D772 shade: #00D772, #003CD6, #D60067 and #D69900

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00D772 shade: #00D772, #0300D6, #D60067 and #D2D600

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

Complementary color

CMYK 0 / 84 / 45 / 0

HEX #FF288D

RGB 255 40 141

HSL 331.81, 1%, 0.58%

LAB 56.78, 81.13, -0.93

 

CMYK 98 / 0 / 49 / 16

HEX #05D76D

RGB 5 215 109

HSL 149.71, 0.95%, 0.43%

LAB 75.91, -66.97, 39.98

 

CMYK 91 / 0 / 45 / 9

HEX #16E980

RGB 22 233 128

HSL 150.14, 0.83%, 0.5%

LAB 81.84, -69.02, 38.2

 

CMYK 84 / 0 / 41 / 2

HEX #27FB93

RGB 39 251 147

HSL 150.57, 0.96%, 0.57%

LAB 87.74, -70.61, 36.5

 

CMYK 78 / 0 / 35 / 0

HEX #38FFA6

RGB 56 255 166

HSL 153.17, 1%, 0.61%

LAB 89.45, -66.92, 29.33

 

CMYK 71 / 0 / 27 / 0

HEX #49FFB9

RGB 73 255 185

HSL 156.92, 1%, 0.64%

LAB 90.06, -61.04, 20.59

 

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

CMYK 100 / 0 / 52 / 23

HEX #00C55F

RGB 0 197 95

HSL 148.93, 1%, 0.39%

LAB 70.01, -63.57, 39.48

 

CMYK 100 / 0 / 58 / 30

HEX #00B34C

RGB 0 179 76

HSL 145.47, 1%, 0.35%

LAB 63.97, -60.65, 41.34

 

CMYK 100 / 0 / 65 / 37

HEX #00A139

RGB 0 161 57

HSL 141.24, 1%, 0.32%

LAB 57.83, -57.47, 43.05

 

CMYK 100 / 0 / 73 / 44

HEX #008F26

RGB 0 143 38

HSL 135.94, 1%, 0.28%

LAB 51.59, -53.96, 44.37

 

CMYK 100 / 0 / 47 / 16

HEX #00D671

RGB 0 214 113

HSL 151.68, 1%, 0.42%

LAB 75.63, -66.16, 37.65

 

CMYK 100 / 0 / 74 / 16

HEX #00D637

RGB 0 214 55

HSL 135.42, 1%, 0.42%

LAB 75.06, -73.26, 62.06

 

CMYK 100 / 0 / 100 / 16

HEX #01D600

RGB 1 214 0

HSL 119.72, 1%, 0.42%

LAB 74.89, -75.47, 72.88

 

CMYK 72 / 0 / 100 / 16

HEX #3BD600

RGB 59 214 0

HSL 103.46, 1%, 0.42%

LAB 75.47, -70.3, 73.58

 

CMYK 45 / 0 / 100 / 16

HEX #75D600

RGB 117 214 0

HSL 87.2, 1%, 0.42%

LAB 77.21, -56.17, 75.7

 

CMYK 100 / 0 / 47 / 16

HEX #00D671

RGB 0 214 113

HSL 151.68, 1%, 0.42%

LAB 75.63, -66.16, 37.65

 

CMYK 100 / 0 / 20 / 16

HEX #00D6AB

RGB 0 214 171

HSL 167.94, 1%, 0.42%

LAB 76.7, -53.93, 8.97

 

CMYK 100 / 7 / 0 / 16

HEX #00C7D6

RGB 0 199 214

HSL 184.21, 1%, 0.42%

LAB 73.35, -35.28, -19.15

 

CMYK 100 / 34 / 0 / 16

HEX #008DD6

RGB 0 141 214

HSL 200.47, 1%, 0.42%

LAB 55.99, -4.89, -46.06

 

CMYK 100 / 61 / 0 / 16

HEX #0053D6

RGB 0 83 214

HSL 216.73, 1%, 0.42%

LAB 39.65, 31.71, -72.41

 

CMYK 100 / 0 / 47 / 16

HEX #00D671

RGB 0 214 113

HSL 151.68, 1%, 0.42%

LAB 75.63, -66.16, 37.65

 

CMYK 100 / 0 / 47 / 16

HEX #00D671

RGB 0 214 113

HSL 151.68, 1%, 0.42%

LAB 75.63, -66.16, 37.65

 

CMYK 91 / 0 / 43 / 23

HEX #11C470

RGB 17 196 112

HSL 151.84, 0.84%, 0.42%

LAB 70.01, -59.64, 30.95

 

CMYK 81 / 0 / 38 / 30

HEX #22B36F

RGB 34 179 111

HSL 151.86, 0.68%, 0.42%

LAB 64.75, -52.4, 24.56

 

CMYK 69 / 0 / 32 / 36

HEX #33A26E

RGB 51 162 110

HSL 151.89, 0.52%, 0.42%

LAB 59.59, -43.55, 18.19

 

CMYK 52 / 0 / 24 / 44

HEX #45906D

RGB 69 144 109

HSL 152, 0.35%, 0.42%

LAB 54.36, -31.95, 11.6

 

CMYK 99 / 0 / 100 / 16

HEX #03D600

RGB 3 214 0

HSL 119.16, 1%, 0.42%

LAB 74.9, -75.39, 72.89

 

CMYK 100 / 0 / 75 / 16

HEX #00D635

RGB 0 214 53

HSL 134.86, 1%, 0.42%

LAB 75.05, -73.41, 62.71

 

CMYK 100 / 0 / 49 / 16

HEX #00D66E

RGB 0 214 110

HSL 150.84, 1%, 0.42%

LAB 75.59, -66.65, 39.08

 

CMYK 100 / 0 / 22 / 16

HEX #00D6A7

RGB 0 214 167

HSL 166.82, 1%, 0.42%

LAB 76.61, -54.92, 10.98

 

CMYK 100 / 5 / 0 / 16

HEX #00CBD6

RGB 0 203 214

HSL 183.08, 1%, 0.42%

LAB 74.55, -37.14, -17.34

 

CMYK 100 / 0 / 47 / 49

HEX #008345

RGB 0 131 69

HSL 151.6, 1%, 0.26%

LAB 47.83, -45.64, 25.04

 

CMYK 100 / 0 / 47 / 33

HEX #00AC5B

RGB 0 172 91

HSL 151.74, 1%, 0.34%

LAB 61.88, -55.97, 31.3

 

CMYK 100 / 0 / 47 / 16

HEX #00D671

RGB 0 214 113

HSL 151.68, 1%, 0.42%

LAB 75.63, -66.16, 37.65

 

CMYK 100 / 0 / 47 / 0

HEX #00FF87

RGB 0 255 135

HSL 151.76, 1%, 0.5%

LAB 88.58, -75.65, 43.37

 

CMYK 84 / 0 / 40 / 0

HEX #29FF9A

RGB 41 255 154

HSL 151.68, 1%, 0.58%

LAB 89.08, -70.55, 34.8

 

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

CMYK 100 / 72 / 0 / 16

HEX #003CD6

RGB 0 60 214

HSL 223.18, 1%, 0.42%

LAB 34.16, 46.28, -81.44

 

CMYK 0 / 89 / 100 / 16

HEX #D61800

RGB 214 24 0

HSL 6.73, 1%, 0.42%

LAB 45.56, 67.56, 59.22

 

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

CMYK 49 / 100 / 0 / 16

HEX #6E00D6

RGB 110 0 214

HSL 270.84, 1%, 0.42%

LAB 34.33, 73.16, -80.94

 

CMYK 0 / 49 / 100 / 16

HEX #D66E00

RGB 214 110 0

HSL 30.84, 1%, 0.42%

LAB 57.51, 35.66, 65.3

 

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

CMYK 100 / 72 / 0 / 16

HEX #003CD6

RGB 0 60 214

HSL 223.18, 1%, 0.42%

LAB 34.16, 46.28, -81.44

 

CMYK 0 / 100 / 52 / 16

HEX #D60067

RGB 214 0 103

HSL 331.12, 1%, 0.42%

LAB 46.01, 73.83, 5.51

 

CMYK 0 / 29 / 100 / 16

HEX #D69900

RGB 214 153 0

HSL 42.9, 1%, 0.42%

LAB 67.34, 12.73, 71.61

 

CMYK 100 / 0 / 47 / 16

HEX #00D772

RGB 0 215 114

HSL 151.81, 1%, 0.42%

LAB 75.96, -66.31, 37.57

 

CMYK 99 / 100 / 0 / 16

HEX #0300D6

RGB 3 0 214

HSL 240.84, 1%, 0.42%

LAB 26.37, 69.4, -94.4

 

CMYK 0 / 100 / 52 / 16

HEX #D60067

RGB 214 0 103

HSL 331.12, 1%, 0.42%

LAB 46.01, 73.83, 5.51

 

CMYK 2 / 0 / 100 / 16

HEX #D2D600

RGB 210 214 0

HSL 61.12, 1%, 0.42%

LAB 82.8, -20.58, 82.4

 

Description

Color code: HEX #00D772 | qconv.com Color code: HEX #00D772 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 215 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 215 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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