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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00AC99 it is the complementary color #FF5366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00AC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00AC99 shade: #05AC94, #16BEA7, #27D0BA, #38E2CD and #49F4E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00AC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00AC99 shade: #00AC99, #009A86, #008873, #007660 and #00644D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00AC99 shade: #00AD9A, #00AD6B, #00AD3C, #00AD0D and #20AD00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00AC99 shade: #00AD9A, #0091AD, #0063AD, #0034AD and #0005AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00AC99 shade matches the following richer shades: #00AD9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00AC99 shade: #00AD9A, #0E9F8F, #1C9184, #2A8379 and #38756E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00AC99 shade: #00AD3C, #00AD6A, #00AD99, #0093AD and #0065AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00AC99 shade: #005A50, #008475, #00AD9A, #00D6BE and #00FFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00AC99 shade: #00AC99, #0E00AD and #AD5300

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00AC99 shade: #00AC99, #9900AD and #AD9900

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00AC99 shade: #00AC99, #0E00AD, #AD0014 and #9EAD00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00AC99 shade: #00AC99, #4200AD, #AD0014 and #6AAD00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

Complementary color

CMYK 0 / 67 / 60 / 0

HEX #FF5366

RGB 255 83 102

HSL 353.37, 1%, 0.66%

LAB 60.25, 65.95, 26.84

 

CMYK 97 / 0 / 14 / 33

HEX #05AC94

RGB 5 172 148

HSL 171.38, 0.94%, 0.35%

LAB 63.07, -42.65, 1.9

 

CMYK 88 / 0 / 12 / 25

HEX #16BEA7

RGB 22 190 167

HSL 171.79, 0.79%, 0.42%

LAB 69.32, -44.35, 0.5

 

CMYK 81 / 0 / 11 / 18

HEX #27D0BA

RGB 39 208 186

HSL 172.19, 0.68%, 0.48%

LAB 75.51, -45.66, -0.76

 

CMYK 75 / 0 / 9 / 11

HEX #38E2CD

RGB 56 226 205

HSL 172.59, 0.75%, 0.55%

LAB 81.64, -46.66, -1.91

 

CMYK 70 / 0 / 8 / 4

HEX #49F4E0

RGB 73 244 224

HSL 172.98, 0.89%, 0.62%

LAB 87.73, -47.4, -2.95

 

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

CMYK 100 / 0 / 13 / 40

HEX #009A86

RGB 0 154 134

HSL 172.21, 1%, 0.3%

LAB 56.91, -39.01, 0.82

 

CMYK 100 / 0 / 15 / 47

HEX #008873

RGB 0 136 115

HSL 170.74, 1%, 0.27%

LAB 50.51, -36.54, 2.46

 

CMYK 100 / 0 / 19 / 54

HEX #007660

RGB 0 118 96

HSL 168.81, 1%, 0.23%

LAB 43.95, -34.01, 4.18

 

CMYK 100 / 0 / 23 / 61

HEX #00644D

RGB 0 100 77

HSL 166.2, 1%, 0.2%

LAB 37.21, -31.4, 6.02

 

CMYK 100 / 0 / 11 / 32

HEX #00AD9A

RGB 0 173 154

HSL 173.41, 1%, 0.34%

LAB 63.52, -41.58, -0.79

 

CMYK 100 / 0 / 38 / 32

HEX #00AD6B

RGB 0 173 107

HSL 157.11, 1%, 0.34%

LAB 62.46, -53.23, 23.61

 

CMYK 100 / 0 / 65 / 32

HEX #00AD3C

RGB 0 173 60

HSL 140.81, 1%, 0.34%

LAB 61.84, -60.82, 46.2

 

CMYK 100 / 0 / 92 / 32

HEX #00AD0D

RGB 0 173 13

HSL 124.51, 1%, 0.34%

LAB 61.58, -64.11, 60.45

 

CMYK 82 / 0 / 100 / 32

HEX #20AD00

RGB 32 173 0

HSL 108.9, 1%, 0.34%

LAB 61.82, -62.04, 62.51

 

CMYK 100 / 0 / 11 / 32

HEX #00AD9A

RGB 0 173 154

HSL 173.41, 1%, 0.34%

LAB 63.52, -41.58, -0.79

 

CMYK 100 / 16 / 0 / 32

HEX #0091AD

RGB 0 145 173

HSL 189.71, 1%, 0.34%

LAB 55.35, -22.17, -23.83

 

CMYK 100 / 43 / 0 / 32

HEX #0063AD

RGB 0 99 173

HSL 205.66, 1%, 0.34%

LAB 41.12, 4.65, -46.18

 

CMYK 100 / 70 / 0 / 32

HEX #0034AD

RGB 0 52 173

HSL 221.97, 1%, 0.34%

LAB 28.04, 36.11, -67.46

 

CMYK 100 / 97 / 0 / 32

HEX #0005AD

RGB 0 5 173

HSL 238.27, 1%, 0.34%

LAB 20.54, 57.88, -79.93

 

CMYK 100 / 0 / 11 / 32

HEX #00AD9A

RGB 0 173 154

HSL 173.41, 1%, 0.34%

LAB 63.52, -41.58, -0.79

 

CMYK 100 / 0 / 11 / 32

HEX #00AD9A

RGB 0 173 154

HSL 173.41, 1%, 0.34%

LAB 63.52, -41.58, -0.79

 

CMYK 91 / 0 / 10 / 38

HEX #0E9F8F

RGB 14 159 143

HSL 173.38, 0.84%, 0.34%

LAB 58.86, -38.01, -1.44

 

CMYK 81 / 0 / 9 / 43

HEX #1C9184

RGB 28 145 132

HSL 173.33, 0.68%, 0.34%

LAB 54.2, -33.78, -1.97

 

CMYK 68 / 0 / 8 / 49

HEX #2A8379

RGB 42 131 121

HSL 173.26, 0.51%, 0.34%

LAB 49.62, -28.44, -2.27

 

CMYK 52 / 0 / 6 / 54

HEX #38756E

RGB 56 117 110

HSL 173.11, 0.35%, 0.34%

LAB 45.21, -21.59, -2.2

 

CMYK 100 / 0 / 65 / 32

HEX #00AD3C

RGB 0 173 60

HSL 140.81, 1%, 0.34%

LAB 61.84, -60.82, 46.2

 

CMYK 100 / 0 / 39 / 32

HEX #00AD6A

RGB 0 173 106

HSL 156.76, 1%, 0.34%

LAB 62.45, -53.44, 24.12

 

CMYK 100 / 0 / 12 / 32

HEX #00AD99

RGB 0 173 153

HSL 173.06, 1%, 0.34%

LAB 63.5, -41.87, -0.28

 

CMYK 100 / 15 / 0 / 32

HEX #0093AD

RGB 0 147 173

HSL 189.02, 1%, 0.34%

LAB 55.97, -23.22, -22.87

 

CMYK 100 / 42 / 0 / 32

HEX #0065AD

RGB 0 101 173

HSL 204.97, 1%, 0.34%

LAB 41.73, 3.37, -45.21

 

CMYK 100 / 0 / 11 / 65

HEX #005A50

RGB 0 90 80

HSL 173.33, 1%, 0.18%

LAB 33.76, -25.83, -0.83

 

CMYK 100 / 0 / 11 / 48

HEX #008475

RGB 0 132 117

HSL 173.18, 1%, 0.26%

LAB 49.24, -34.16, -0.56

 

CMYK 100 / 0 / 11 / 32

HEX #00AD9A

RGB 0 173 154

HSL 173.41, 1%, 0.34%

LAB 63.52, -41.58, -0.79

 

CMYK 100 / 0 / 11 / 16

HEX #00D6BE

RGB 0 214 190

HSL 173.27, 1%, 0.42%

LAB 77.17, -48.96, -0.52

 

CMYK 100 / 0 / 11 / 0

HEX #00FFE2

RGB 0 255 226

HSL 173.18, 1%, 0.5%

LAB 90.33, -56.06, -0.26

 

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

CMYK 92 / 100 / 0 / 32

HEX #0E00AD

RGB 14 0 173

HSL 244.86, 1%, 0.34%

LAB 20.48, 59.33, -80.02

 

CMYK 0 / 52 / 100 / 32

HEX #AD5300

RGB 173 83 0

HSL 28.79, 1%, 0.34%

LAB 45.73, 32.92, 55.13

 

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

CMYK 12 / 100 / 0 / 32

HEX #9900AD

RGB 153 0 173

HSL 293.06, 1%, 0.34%

LAB 37.46, 70.29, -51.46

 

CMYK 0 / 12 / 100 / 32

HEX #AD9900

RGB 173 153 0

HSL 53.06, 1%, 0.34%

LAB 63.07, -5.65, 66.65

 

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

CMYK 92 / 100 / 0 / 32

HEX #0E00AD

RGB 14 0 173

HSL 244.86, 1%, 0.34%

LAB 20.48, 59.33, -80.02

 

CMYK 0 / 100 / 88 / 32

HEX #AD0014

RGB 173 0 20

HSL 353.06, 1%, 0.34%

LAB 35.86, 60.16, 41.77

 

CMYK 9 / 0 / 100 / 32

HEX #9EAD00

RGB 158 173 0

HSL 65.2, 1%, 0.34%

LAB 67.39, -22.68, 69.22

 

CMYK 100 / 0 / 11 / 33

HEX #00AC99

RGB 0 172 153

HSL 173.37, 1%, 0.34%

LAB 63.18, -41.43, -0.74

 

CMYK 62 / 100 / 0 / 32

HEX #4200AD

RGB 66 0 173

HSL 262.89, 1%, 0.34%

LAB 24.24, 60.91, -73.65

 

CMYK 0 / 100 / 88 / 32

HEX #AD0014

RGB 173 0 20

HSL 353.06, 1%, 0.34%

LAB 35.86, 60.16, 41.77

 

CMYK 39 / 0 / 100 / 32

HEX #6AAD00

RGB 106 173 0

HSL 83.24, 1%, 0.34%

LAB 64.12, -43.62, 65.3

 

Description

Color code: HEX #00AC99 | qconv.com Color code: HEX #00AC99 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 172 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 172 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 11% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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