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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00A950 it is the complementary color #FF56AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00A950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00A950 shade: #05A94B, #16BB5E, #27CD71, #38DF84 and #49F197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00A950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00A950 shade: #00A950, #00973D, #00852A, #007317 and #006104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00A950 shade: #00A84F, #00A822, #0BA800, #38A800 and #65A800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00A950 shade: #00A84F, #00A87D, #00A6A8, #0078A8 and #004BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00A950 shade matches the following richer shades: #00A84F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00A950 shade: #00A84F, #0D9A50, #1B8D51, #287F51 and #367152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00A950 shade: #0BA800, #00A821, #00A84E, #00A87B and #00A8A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00A950 shade: #005528, #007F3C, #00A84F, #00D163 and #00FA76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00A950 shade: #00A950, #0038A8 and #A80B00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00A950 shade: #00A950, #4E00A8 and #A84E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00A950 shade: #00A950, #0038A8, #A80059 and #A87000

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00A950 shade: #00A950, #0005A8, #A80059 and #A8A200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

Complementary color

CMYK 0 / 66 / 31 / 0

HEX #FF56AF

RGB 255 86 175

HSL 328.4, 1%, 0.67%

LAB 62.52, 71.3, -12.25

 

CMYK 97 / 0 / 56 / 34

HEX #05A94B

RGB 5 169 75

HSL 145.61, 0.94%, 0.34%

LAB 60.71, -57.34, 37.94

 

CMYK 88 / 0 / 50 / 27

HEX #16BB5E

RGB 22 187 94

HSL 146.18, 0.79%, 0.41%

LAB 66.91, -59.4, 36.16

 

CMYK 81 / 0 / 45 / 20

HEX #27CD71

RGB 39 205 113

HSL 146.75, 0.68%, 0.48%

LAB 73.08, -60.86, 34.45

 

CMYK 75 / 0 / 41 / 13

HEX #38DF84

RGB 56 223 132

HSL 147.31, 0.72%, 0.55%

LAB 79.2, -61.86, 32.85

 

CMYK 70 / 0 / 37 / 5

HEX #49F197

RGB 73 241 151

HSL 147.86, 0.86%, 0.62%

LAB 85.28, -62.53, 31.35

 

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

CMYK 100 / 0 / 60 / 41

HEX #00973D

RGB 0 151 61

HSL 144.24, 1%, 0.3%

LAB 54.52, -53.78, 37.39

 

CMYK 100 / 0 / 68 / 48

HEX #00852A

RGB 0 133 42

HSL 138.95, 1%, 0.26%

LAB 48.19, -50.43, 39.06

 

CMYK 100 / 0 / 80 / 55

HEX #007317

RGB 0 115 23

HSL 132, 1%, 0.23%

LAB 41.73, -46.62, 40.09

 

CMYK 100 / 0 / 96 / 62

HEX #006104

RGB 0 97 4

HSL 122.47, 1%, 0.19%

LAB 35.12, -42.23, 39.77

 

CMYK 100 / 0 / 53 / 34

HEX #00A84F

RGB 0 168 79

HSL 148.21, 1%, 0.33%

LAB 60.4, -56.65, 35.57

 

CMYK 100 / 0 / 80 / 34

HEX #00A822

RGB 0 168 34

HSL 132.14, 1%, 0.33%

LAB 60, -61.7, 54.14

 

CMYK 93 / 0 / 100 / 34

HEX #0BA800

RGB 11 168 0

HSL 116.07, 1%, 0.33%

LAB 59.96, -62.46, 60.93

 

CMYK 67 / 0 / 100 / 34

HEX #38A800

RGB 56 168 0

HSL 100, 1%, 0.33%

LAB 60.65, -56.42, 61.77

 

CMYK 40 / 0 / 100 / 34

HEX #65A800

RGB 101 168 0

HSL 83.93, 1%, 0.33%

LAB 62.31, -43.33, 63.8

 

CMYK 100 / 0 / 53 / 34

HEX #00A84F

RGB 0 168 79

HSL 148.21, 1%, 0.33%

LAB 60.4, -56.65, 35.57

 

CMYK 100 / 0 / 26 / 34

HEX #00A87D

RGB 0 168 125

HSL 164.64, 1%, 0.33%

LAB 61.21, -47.24, 12.04

 

CMYK 100 / 1 / 0 / 34

HEX #00A6A8

RGB 0 166 168

HSL 180.71, 1%, 0.33%

LAB 61.74, -34.24, -11.28

 

CMYK 100 / 29 / 0 / 34

HEX #0078A8

RGB 0 120 168

HSL 197.14, 1%, 0.33%

LAB 47.31, -10.21, -33.43

 

CMYK 100 / 55 / 0 / 34

HEX #004BA8

RGB 0 75 168

HSL 213.21, 1%, 0.33%

LAB 33.69, 18.55, -55.21

 

CMYK 100 / 0 / 53 / 34

HEX #00A84F

RGB 0 168 79

HSL 148.21, 1%, 0.33%

LAB 60.4, -56.65, 35.57

 

CMYK 100 / 0 / 53 / 34

HEX #00A84F

RGB 0 168 79

HSL 148.21, 1%, 0.33%

LAB 60.4, -56.65, 35.57

 

CMYK 92 / 0 / 48 / 40

HEX #0D9A50

RGB 13 154 80

HSL 148.51, 0.84%, 0.33%

LAB 55.86, -51.02, 29.41

 

CMYK 81 / 0 / 43 / 45

HEX #1B8D51

RGB 27 141 81

HSL 148.42, 0.68%, 0.33%

LAB 51.7, -44.77, 23.52

 

CMYK 69 / 0 / 36 / 50

HEX #287F51

RGB 40 127 81

HSL 148.28, 0.52%, 0.33%

LAB 47.27, -37.06, 17.68

 

CMYK 52 / 0 / 27 / 56

HEX #367152

RGB 54 113 82

HSL 148.47, 0.35%, 0.33%

LAB 43.07, -27.14, 11.43

 

CMYK 93 / 0 / 100 / 34

HEX #0BA800

RGB 11 168 0

HSL 116.07, 1%, 0.33%

LAB 59.96, -62.46, 60.93

 

CMYK 100 / 0 / 80 / 34

HEX #00A821

RGB 0 168 33

HSL 131.79, 1%, 0.33%

LAB 59.99, -61.76, 54.44

 

CMYK 100 / 0 / 54 / 34

HEX #00A84E

RGB 0 168 78

HSL 147.86, 1%, 0.33%

LAB 60.39, -56.8, 36.06

 

CMYK 100 / 0 / 27 / 34

HEX #00A87B

RGB 0 168 123

HSL 163.93, 1%, 0.33%

LAB 61.16, -47.73, 13.08

 

CMYK 100 / 0 / 0 / 34

HEX #00A8A8

RGB 0 168 168

HSL 180, 1%, 0.33%

LAB 62.37, -35.17, -10.34

 

CMYK 100 / 0 / 53 / 67

HEX #005528

RGB 0 85 40

HSL 148.24, 1%, 0.17%

LAB 31, -34.17, 19.96

 

CMYK 100 / 0 / 53 / 50

HEX #007F3C

RGB 0 127 60

HSL 148.35, 1%, 0.25%

LAB 46.32, -45.85, 28

 

CMYK 100 / 0 / 53 / 34

HEX #00A84F

RGB 0 168 79

HSL 148.21, 1%, 0.33%

LAB 60.4, -56.65, 35.57

 

CMYK 100 / 0 / 53 / 18

HEX #00D163

RGB 0 209 99

HSL 148.42, 1%, 0.41%

LAB 73.87, -66.79, 42.29

 

CMYK 100 / 0 / 53 / 2

HEX #00FA76

RGB 0 250 118

HSL 148.32, 1%, 0.49%

LAB 86.84, -76.7, 49.2

 

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

CMYK 100 / 67 / 0 / 34

HEX #0038A8

RGB 0 56 168

HSL 220, 1%, 0.33%

LAB 28.53, 31.52, -63.66

 

CMYK 0 / 93 / 100 / 34

HEX #A80B00

RGB 168 11 0

HSL 3.93, 1%, 0.33%

LAB 35.13, 57.22, 49.19

 

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

CMYK 54 / 100 / 0 / 34

HEX #4E00A8

RGB 78 0 168

HSL 267.86, 1%, 0.33%

LAB 25.1, 60.54, -69.17

 

CMYK 0 / 54 / 100 / 34

HEX #A84E00

RGB 168 78 0

HSL 27.86, 1%, 0.33%

LAB 43.91, 33.48, 53.66

 

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

CMYK 100 / 67 / 0 / 34

HEX #0038A8

RGB 0 56 168

HSL 220, 1%, 0.33%

LAB 28.53, 31.52, -63.66

 

CMYK 0 / 100 / 47 / 34

HEX #A80059

RGB 168 0 89

HSL 328.21, 1%, 0.33%

LAB 36.07, 62.42, -1.2

 

CMYK 0 / 33 / 100 / 34

HEX #A87000

RGB 168 112 0

HSL 40, 1%, 0.33%

LAB 51.74, 14.75, 58.56

 

CMYK 100 / 0 / 53 / 34

HEX #00A950

RGB 0 169 80

HSL 148.4, 1%, 0.33%

LAB 60.74, -56.82, 35.49

 

CMYK 100 / 97 / 0 / 34

HEX #0005A8

RGB 0 5 168

HSL 238.21, 1%, 0.33%

LAB 19.78, 56.55, -78.17

 

CMYK 0 / 100 / 47 / 34

HEX #A80059

RGB 168 0 89

HSL 328.21, 1%, 0.33%

LAB 36.07, 62.42, -1.2

 

CMYK 0 / 4 / 100 / 34

HEX #A8A200

RGB 168 162 0

HSL 57.86, 1%, 0.33%

LAB 65.09, -12.67, 67.9

 

Description

Color code: HEX #00A950 | qconv.com Color code: HEX #00A950 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 169 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 169 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 53 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 53% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

78% - IPAM - IP Address Ma...
Link: http://www.bluecatnetworks.com

24% - MMA Home
Link: http://mimfg.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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