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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00A91F it is the complementary color #FF56E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00A91F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00A91F shade: #05A91A, #16BB2D, #27CD40, #38DF53 and #49F166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00A91F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00A91F shade: #00A91F, #00970C, #008500, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00A91F shade: #00A81E, #0EA800, #3BA800, #69A800 and #96A800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00A91F shade: #00A81E, #00A84C, #00A879, #00A8A7 and #007CA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00A91F shade matches the following richer shades: #00A81E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00A91F shade: #00A81E, #0D9A27, #1B8D30, #287F38 and #367141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00A91F shade: #3AA800, #0EA800, #00A81E, #00A84B and #00A878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00A91F shade: #00550F, #007F17, #00A81E, #00D126 and #00FA2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00A91F shade: #00A91F, #0067A8 and #A80024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00A91F shade: #00A91F, #1E00A8 and #A81E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00A91F shade: #00A91F, #0067A8, #A80089 and #A84000

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00A91F shade: #00A91F, #0035A8, #A80089 and #A87300

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

Complementary color

CMYK 0 / 66 / 12 / 0

HEX #FF56E0

RGB 255 86 224

HSL 311.01, 1%, 0.67%

LAB 64.4, 77.6, -37.13

 

CMYK 97 / 0 / 85 / 34

HEX #05A91A

RGB 5 169 26

HSL 127.68, 0.94%, 0.34%

LAB 60.32, -62.2, 56.71

 

CMYK 88 / 0 / 76 / 27

HEX #16BB2D

RGB 22 187 45

HSL 128.36, 0.79%, 0.41%

LAB 66.44, -65.21, 56.89

 

CMYK 81 / 0 / 69 / 20

HEX #27CD40

RGB 39 205 64

HSL 129.04, 0.68%, 0.48%

LAB 72.54, -67.39, 56.26

 

CMYK 75 / 0 / 63 / 13

HEX #38DF53

RGB 56 223 83

HSL 129.7, 0.72%, 0.55%

LAB 78.6, -68.93, 55.21

 

CMYK 70 / 0 / 58 / 5

HEX #49F166

RGB 73 241 102

HSL 130.36, 0.86%, 0.62%

LAB 84.63, -69.99, 53.97

 

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

CMYK 100 / 0 / 92 / 41

HEX #00970C

RGB 0 151 12

HSL 124.77, 1%, 0.3%

LAB 54.2, -57.93, 54.33

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 92 / 0 / 100 / 34

HEX #0EA800

RGB 14 168 0

HSL 115, 1%, 0.33%

LAB 59.98, -62.28, 60.96

 

CMYK 65 / 0 / 100 / 34

HEX #3BA800

RGB 59 168 0

HSL 98.93, 1%, 0.33%

LAB 60.72, -55.75, 61.87

 

CMYK 38 / 0 / 100 / 34

HEX #69A800

RGB 105 168 0

HSL 82.5, 1%, 0.33%

LAB 62.51, -41.88, 64.04

 

CMYK 11 / 0 / 100 / 34

HEX #96A800

RGB 150 168 0

HSL 66.43, 1%, 0.33%

LAB 65.35, -23.67, 67.43

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 100 / 0 / 55 / 34

HEX #00A84C

RGB 0 168 76

HSL 147.14, 1%, 0.33%

LAB 60.36, -57.11, 37.02

 

CMYK 100 / 0 / 28 / 34

HEX #00A879

RGB 0 168 121

HSL 163.21, 1%, 0.33%

LAB 61.12, -48.22, 14.13

 

CMYK 100 / 0 / 1 / 34

HEX #00A8A7

RGB 0 168 167

HSL 179.64, 1%, 0.33%

LAB 62.33, -35.48, -9.83

 

CMYK 100 / 26 / 0 / 34

HEX #007CA8

RGB 0 124 168

HSL 195.71, 1%, 0.33%

LAB 48.56, -12.51, -31.47

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 92 / 0 / 75 / 40

HEX #0D9A27

RGB 13 154 39

HSL 131.06, 0.84%, 0.33%

LAB 55.42, -56.42, 47.94

 

CMYK 81 / 0 / 66 / 45

HEX #1B8D30

RGB 27 141 48

HSL 131.05, 0.68%, 0.33%

LAB 51.26, -49.93, 39.84

 

CMYK 69 / 0 / 56 / 50

HEX #287F38

RGB 40 127 56

HSL 131.03, 0.52%, 0.33%

LAB 46.86, -41.57, 30.91

 

CMYK 52 / 0 / 42 / 56

HEX #367141

RGB 54 113 65

HSL 131.19, 0.35%, 0.33%

LAB 42.73, -30.59, 20.89

 

CMYK 65 / 0 / 100 / 34

HEX #3AA800

RGB 58 168 0

HSL 99.29, 1%, 0.33%

LAB 60.7, -55.98, 61.84

 

CMYK 92 / 0 / 100 / 34

HEX #0EA800

RGB 14 168 0

HSL 115, 1%, 0.33%

LAB 59.98, -62.28, 60.96

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 100 / 0 / 55 / 34

HEX #00A84B

RGB 0 168 75

HSL 146.79, 1%, 0.33%

LAB 60.35, -57.26, 37.5

 

CMYK 100 / 0 / 29 / 34

HEX #00A878

RGB 0 168 120

HSL 162.86, 1%, 0.33%

LAB 61.1, -48.46, 14.65

 

CMYK 100 / 0 / 82 / 67

HEX #00550F

RGB 0 85 15

HSL 130.59, 1%, 0.17%

LAB 30.72, -37.67, 32.21

 

CMYK 100 / 0 / 82 / 50

HEX #007F17

RGB 0 127 23

HSL 130.87, 1%, 0.25%

LAB 45.96, -50.32, 44.2

 

CMYK 100 / 0 / 82 / 34

HEX #00A81E

RGB 0 168 30

HSL 130.71, 1%, 0.33%

LAB 59.98, -61.95, 55.31

 

CMYK 100 / 0 / 82 / 18

HEX #00D126

RGB 0 209 38

HSL 130.91, 1%, 0.41%

LAB 73.38, -72.99, 65.57

 

CMYK 100 / 0 / 82 / 2

HEX #00FA2E

RGB 0 250 46

HSL 131.04, 1%, 0.49%

LAB 86.29, -83.62, 75.44

 

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

CMYK 100 / 39 / 0 / 34

HEX #0067A8

RGB 0 103 168

HSL 203.21, 1%, 0.33%

LAB 42.04, 0.08, -41.76

 

CMYK 0 / 100 / 79 / 34

HEX #A80024

RGB 168 0 36

HSL 347.14, 1%, 0.33%

LAB 34.91, 59.31, 31.44

 

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

CMYK 82 / 100 / 0 / 34

HEX #1E00A8

RGB 30 0 168

HSL 250.71, 1%, 0.33%

LAB 20.45, 58.32, -77.02

 

CMYK 0 / 82 / 100 / 34

HEX #A81E00

RGB 168 30 0

HSL 10.71, 1%, 0.33%

LAB 36.47, 53.4, 49.85

 

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

CMYK 100 / 39 / 0 / 34

HEX #0067A8

RGB 0 103 168

HSL 203.21, 1%, 0.33%

LAB 42.04, 0.08, -41.76

 

CMYK 0 / 100 / 18 / 34

HEX #A80089

RGB 168 0 137

HSL 311.07, 1%, 0.33%

LAB 38.08, 67.56, -28.47

 

CMYK 0 / 62 / 100 / 34

HEX #A84000

RGB 168 64 0

HSL 22.86, 1%, 0.33%

LAB 41.2, 40.47, 52.14

 

CMYK 100 / 0 / 82 / 34

HEX #00A91F

RGB 0 169 31

HSL 131.01, 1%, 0.33%

LAB 60.32, -62.18, 55.34

 

CMYK 100 / 68 / 0 / 34

HEX #0035A8

RGB 0 53 168

HSL 221.07, 1%, 0.33%

LAB 27.77, 33.52, -64.9

 

CMYK 0 / 100 / 18 / 34

HEX #A80089

RGB 168 0 137

HSL 311.07, 1%, 0.33%

LAB 38.08, 67.56, -28.47

 

CMYK 0 / 32 / 100 / 34

HEX #A87300

RGB 168 115 0

HSL 41.07, 1%, 0.33%

LAB 52.49, 13.06, 59.06

 

Description

Color code: HEX #00A91F | qconv.com Color code: HEX #00A91F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 169 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 169 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 82 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 82% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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