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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #007F66 it is the complementary color #FF8099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #007F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #007F66 shade: #057F61, #169174, #27A387, #38B59A and #49C7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #007F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #007F66 shade: #007F66, #006D53, #005B40, #00492D and #00371A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #007F66 shade: #007F66, #007F44, #007F21, #007F00 and #237F00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #007F66 shade: #007F66, #00767F, #00537F, #00317F and #000F7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #007F66 shade matches the following richer shades: #007F66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #007F66 shade: #007F66, #0A7560, #146A59, #1E6053 and #29564D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #007F66 shade: #007F21, #007F43, #007F65, #00767F and #00547F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #007F66 shade: #002C24, #005645, #007F66, #00A887 and #00D2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #007F66 shade: #007F66, #00007F and #7F3300

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #007F66 shade: #007F66, #65007F and #7F6600

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #007F66 shade: #007F66, #00007F, #7F0019 and #7F7F00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #007F66 shade: #007F66, #26007F, #7F0019 and #597F00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

Complementary color

CMYK 0 / 50 / 40 / 0

HEX #FF8099

RGB 255 128 153

HSL 348.19, 1%, 0.75%

LAB 68.75, 50.62, 9.4

 

CMYK 96 / 0 / 24 / 50

HEX #057F61

RGB 5 127 97

HSL 165.25, 0.92%, 0.26%

LAB 47.07, -37.32, 8.05

 

CMYK 85 / 0 / 20 / 43

HEX #169174

RGB 22 145 116

HSL 165.85, 0.74%, 0.33%

LAB 53.69, -38.81, 6.48

 

CMYK 76 / 0 / 17 / 36

HEX #27A387

RGB 39 163 135

HSL 166.45, 0.61%, 0.4%

LAB 60.23, -39.81, 5.1

 

CMYK 69 / 0 / 15 / 29

HEX #38B59A

RGB 56 181 154

HSL 167.04, 0.53%, 0.46%

LAB 66.69, -40.44, 3.89

 

CMYK 63 / 0 / 13 / 22

HEX #49C7AD

RGB 73 199 173

HSL 167.62, 0.53%, 0.53%

LAB 73.08, -40.84, 2.8

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 24 / 57

HEX #006D53

RGB 0 109 83

HSL 165.69, 1%, 0.21%

LAB 40.51, -33.7, 7.06

 

CMYK 100 / 0 / 30 / 64

HEX #005B40

RGB 0 91 64

HSL 162.2, 1%, 0.18%

LAB 33.67, -31.02, 9.03

 

CMYK 100 / 0 / 38 / 71

HEX #00492D

RGB 0 73 45

HSL 156.99, 1%, 0.14%

LAB 26.6, -28.19, 11.17

 

CMYK 100 / 0 / 53 / 78

HEX #00371A

RGB 0 55 26

HSL 148.36, 1%, 0.11%

LAB 19.25, -25.09, 13.52

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 46 / 50

HEX #007F44

RGB 0 127 68

HSL 152.13, 1%, 0.25%

LAB 46.44, -44.38, 23.8

 

CMYK 100 / 0 / 74 / 50

HEX #007F21

RGB 0 127 33

HSL 135.59, 1%, 0.25%

LAB 46.03, -49.48, 40.59

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 72 / 0 / 100 / 50

HEX #237F00

RGB 35 127 0

HSL 103.46, 1%, 0.25%

LAB 46.36, -47.12, 50.2

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 7 / 0 / 50

HEX #00767F

RGB 0 118 127

HSL 184.25, 1%, 0.25%

LAB 44.93, -24.16, -12.9

 

CMYK 100 / 35 / 0 / 50

HEX #00537F

RGB 0 83 127

HSL 200.79, 1%, 0.25%

LAB 33.39, -4.07, -30.77

 

CMYK 100 / 61 / 0 / 50

HEX #00317F

RGB 0 49 127

HSL 216.85, 1%, 0.25%

LAB 22.75, 19.41, -47.88

 

CMYK 100 / 88 / 0 / 50

HEX #000F7F

RGB 0 15 127

HSL 232.91, 1%, 0.25%

LAB 14.81, 41.13, -61

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 91 / 0 / 18 / 54

HEX #0A7560

RGB 10 117 96

HSL 168.22, 0.84%, 0.25%

LAB 43.7, -32.88, 3.84

 

CMYK 81 / 0 / 16 / 58

HEX #146A59

RGB 20 106 89

HSL 168.14, 0.68%, 0.25%

LAB 39.88, -28.85, 2.56

 

CMYK 69 / 0 / 14 / 62

HEX #1E6053

RGB 30 96 83

HSL 168.18, 0.52%, 0.25%

LAB 36.49, -24.13, 1.36

 

CMYK 52 / 0 / 10 / 66

HEX #29564D

RGB 41 86 77

HSL 168, 0.35%, 0.25%

LAB 33.27, -18.02, 0.47

 

CMYK 100 / 0 / 74 / 50

HEX #007F21

RGB 0 127 33

HSL 135.59, 1%, 0.25%

LAB 46.03, -49.48, 40.59

 

CMYK 100 / 0 / 47 / 50

HEX #007F43

RGB 0 127 67

HSL 151.65, 1%, 0.25%

LAB 46.42, -44.58, 24.33

 

CMYK 100 / 0 / 20 / 50

HEX #007F65

RGB 0 127 101

HSL 167.72, 1%, 0.25%

LAB 47.13, -36.55, 5.78

 

CMYK 100 / 7 / 0 / 50

HEX #00767F

RGB 0 118 127

HSL 184.25, 1%, 0.25%

LAB 44.93, -24.16, -12.9

 

CMYK 100 / 34 / 0 / 50

HEX #00547F

RGB 0 84 127

HSL 200.31, 1%, 0.25%

LAB 33.72, -4.7, -30.25

 

CMYK 100 / 0 / 18 / 83

HEX #002C24

RGB 0 44 36

HSL 169.09, 1%, 0.09%

LAB 15.11, -17.05, 1.07

 

CMYK 100 / 0 / 20 / 66

HEX #005645

RGB 0 86 69

HSL 168.14, 1%, 0.17%

LAB 32, -27.34, 3.54

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 0 / 20 / 34

HEX #00A887

RGB 0 168 135

HSL 168.21, 1%, 0.33%

LAB 61.44, -44.68, 6.8

 

CMYK 100 / 0 / 20 / 18

HEX #00D2A8

RGB 0 210 168

HSL 168, 1%, 0.41%

LAB 75.4, -53.11, 8.72

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 0 / 60 / 100 / 50

HEX #7F3300

RGB 127 51 0

HSL 24.09, 1%, 0.25%

LAB 31.53, 30.66, 42.86

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 20 / 100 / 0 / 50

HEX #65007F

RGB 101 0 127

HSL 287.72, 1%, 0.25%

LAB 24.64, 54.4, -44.42

 

CMYK 0 / 20 / 100 / 50

HEX #7F6600

RGB 127 102 0

HSL 48.19, 1%, 0.25%

LAB 44.25, 1.18, 51.17

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 0 / 100 / 80 / 50

HEX #7F0019

RGB 127 0 25

HSL 348.19, 1%, 0.25%

LAB 25.51, 48.37, 25.47

 

CMYK 0 / 0 / 100 / 50

HEX #7F7F00

RGB 127 127 0

HSL 60, 1%, 0.25%

LAB 51.49, -12.86, 56.36

 

CMYK 100 / 0 / 20 / 50

HEX #007F66

RGB 0 127 102

HSL 168.19, 1%, 0.25%

LAB 47.16, -36.27, 5.23

 

CMYK 70 / 100 / 0 / 50

HEX #26007F

RGB 38 0 127

HSL 257.95, 1%, 0.25%

LAB 15.19, 48.16, -60.31

 

CMYK 0 / 100 / 80 / 50

HEX #7F0019

RGB 127 0 25

HSL 348.19, 1%, 0.25%

LAB 25.51, 48.37, 25.47

 

CMYK 30 / 0 / 100 / 50

HEX #597F00

RGB 89 127 0

HSL 77.95, 1%, 0.25%

LAB 48.64, -29.83, 52.96

 

Description

Color code: HEX #007F66 | qconv.com Color code: HEX #007F66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 127 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 127 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 20 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 20% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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