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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #006809 it is the complementary color #FF97F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #006809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #006809 shade: #056804, #167A17, #278C2A, #389E3D and #49B050

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #006809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #006809 shade: #006809, #005600, #004400, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #006809 shade: #006608, #126600, #2E6600, #496600 and #656600

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #006809 shade: #006608, #006624, #00663F, #00665B and #005566

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #006809 shade matches the following richer shades: #006608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #006809 shade: #006608, #085D0F, #105516, #184D1D and #214424

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #006809 shade: #2D6600, #126600, #006608, #006623 and #00663E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #006809 shade: #001301, #003C05, #006608, #008F0C and #00B80F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #006809 shade: #006809, #004966 and #660020

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #006809 shade: #006809, #080066 and #660800

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #006809 shade: #006809, #004966, #66005D and #661C00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #006809 shade: #006809, #002A66, #66005D and #663B00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

Complementary color

CMYK 0 / 41 / 4 / 0

HEX #FF97F6

RGB 255 151 246

HSL 305.19, 1%, 0.8%

LAB 76.1, 52.27, -31.12

 

CMYK 95 / 0 / 96 / 59

HEX #056804

RGB 5 104 4

HSL 119.4, 0.93%, 0.21%

LAB 37.74, -43.85, 42

 

CMYK 82 / 0 / 81 / 52

HEX #167A17

RGB 22 122 23

HSL 120.6, 0.69%, 0.28%

LAB 44.45, -46.62, 42.83

 

CMYK 72 / 0 / 70 / 45

HEX #278C2A

RGB 39 140 42

HSL 121.78, 0.56%, 0.35%

LAB 51.1, -48.3, 42.36

 

CMYK 65 / 0 / 61 / 38

HEX #389E3D

RGB 56 158 61

HSL 122.94, 0.48%, 0.42%

LAB 57.69, -49.22, 41.27

 

CMYK 59 / 0 / 55 / 31

HEX #49B050

RGB 73 176 80

HSL 124.08, 0.41%, 0.49%

LAB 64.2, -49.68, 39.97

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 82 / 0 / 100 / 60

HEX #126600

RGB 18 102 0

HSL 109.41, 1%, 0.2%

LAB 37.17, -41.83, 42.74

 

CMYK 55 / 0 / 100 / 60

HEX #2E6600

RGB 46 102 0

HSL 92.94, 1%, 0.2%

LAB 37.99, -35, 43.73

 

CMYK 28 / 0 / 100 / 60

HEX #496600

RGB 73 102 0

HSL 77.06, 1%, 0.2%

LAB 39.44, -24.53, 45.48

 

CMYK 1 / 0 / 100 / 60

HEX #656600

RGB 101 102 0

HSL 60.59, 1%, 0.2%

LAB 41.64, -11.48, 48.1

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 100 / 0 / 65 / 60

HEX #006624

RGB 0 102 36

HSL 141.18, 1%, 0.2%

LAB 37.17, -40.97, 29.57

 

CMYK 100 / 0 / 38 / 60

HEX #00663F

RGB 0 102 63

HSL 157.06, 1%, 0.2%

LAB 37.59, -35.88, 15.01

 

CMYK 100 / 0 / 11 / 60

HEX #00665B

RGB 0 102 91

HSL 173.53, 1%, 0.2%

LAB 38.3, -28.14, -0.99

 

CMYK 100 / 17 / 0 / 60

HEX #005566

RGB 0 85 102

HSL 190, 1%, 0.2%

LAB 32.82, -15.35, -16.07

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 91 / 0 / 84 / 64

HEX #085D0F

RGB 8 93 15

HSL 124.94, 0.84%, 0.2%

LAB 33.8, -39.31, 35.27

 

CMYK 81 / 0 / 74 / 67

HEX #105516

RGB 16 85 22

HSL 125.22, 0.68%, 0.2%

LAB 31.03, -34.7, 29.62

 

CMYK 69 / 0 / 62 / 70

HEX #184D1D

RGB 24 77 29

HSL 125.66, 0.52%, 0.2%

LAB 28.36, -28.86, 23.1

 

CMYK 51 / 0 / 47 / 73

HEX #214424

RGB 33 68 36

HSL 125.14, 0.35%, 0.2%

LAB 25.52, -20.72, 15.54

 

CMYK 56 / 0 / 100 / 60

HEX #2D6600

RGB 45 102 0

HSL 93.53, 1%, 0.2%

LAB 37.95, -35.32, 43.68

 

CMYK 82 / 0 / 100 / 60

HEX #126600

RGB 18 102 0

HSL 109.41, 1%, 0.2%

LAB 37.17, -41.83, 42.74

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 100 / 0 / 66 / 60

HEX #006623

RGB 0 102 35

HSL 140.59, 1%, 0.2%

LAB 37.16, -41.11, 30.05

 

CMYK 100 / 0 / 39 / 60

HEX #00663E

RGB 0 102 62

HSL 156.47, 1%, 0.2%

LAB 37.57, -36.12, 15.58

 

CMYK 100 / 0 / 95 / 93

HEX #001301

RGB 0 19 1

HSL 123.16, 1%, 0.04%

LAB 4.23, -8.46, 5.76

 

CMYK 100 / 0 / 92 / 76

HEX #003C05

RGB 0 60 5

HSL 125, 1%, 0.12%

LAB 20.99, -30.15, 26.42

 

CMYK 100 / 0 / 92 / 60

HEX #006608

RGB 0 102 8

HSL 124.71, 1%, 0.2%

LAB 36.97, -43.55, 40.24

 

CMYK 100 / 0 / 92 / 44

HEX #008F0C

RGB 0 143 12

HSL 125.03, 1%, 0.28%

LAB 51.46, -55.63, 51.99

 

CMYK 100 / 0 / 92 / 28

HEX #00B80F

RGB 0 184 15

HSL 124.89, 1%, 0.36%

LAB 65.21, -67.09, 63.21

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 100 / 28 / 0 / 60

HEX #004966

RGB 0 73 102

HSL 197.06, 1%, 0.2%

LAB 28.71, -8.13, -22.46

 

CMYK 0 / 100 / 69 / 60

HEX #660020

RGB 102 0 32

HSL 341.18, 1%, 0.2%

LAB 19.76, 42.04, 12.37

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 92 / 100 / 0 / 60

HEX #080066

RGB 8 0 102

HSL 244.71, 1%, 0.2%

LAB 9.08, 40.55, -54.3

 

CMYK 0 / 92 / 100 / 60

HEX #660800

RGB 102 8 0

HSL 4.71, 1%, 0.2%

LAB 20.04, 38.83, 30.47

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 100 / 28 / 0 / 60

HEX #004966

RGB 0 73 102

HSL 197.06, 1%, 0.2%

LAB 28.71, -8.13, -22.46

 

CMYK 0 / 100 / 9 / 60

HEX #66005D

RGB 102 0 93

HSL 305.29, 1%, 0.2%

LAB 22.36, 48.71, -26.05

 

CMYK 0 / 73 / 100 / 60

HEX #661C00

RGB 102 28 0

HSL 16.47, 1%, 0.2%

LAB 22.5, 31.98, 33.14

 

CMYK 100 / 0 / 91 / 59

HEX #006809

RGB 0 104 9

HSL 125.19, 1%, 0.2%

LAB 37.7, -44.12, 40.62

 

CMYK 100 / 59 / 0 / 60

HEX #002A66

RGB 0 42 102

HSL 215.29, 1%, 0.2%

LAB 18.43, 13.48, -38.88

 

CMYK 0 / 100 / 9 / 60

HEX #66005D

RGB 102 0 93

HSL 305.29, 1%, 0.2%

LAB 22.36, 48.71, -26.05

 

CMYK 0 / 42 / 100 / 60

HEX #663B00

RGB 102 59 0

HSL 34.71, 1%, 0.2%

LAB 29.29, 14.79, 39.38

 

Description

Color code: HEX #006809 | qconv.com Color code: HEX #006809 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 104 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 104 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 91 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 91% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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