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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03FBEF it is the complementary color #FC0410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03FBEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03FBEF shade: #08FBEA, #19FFFD, #2AFFFF, #3BFFFF and #4CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03FBEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03FBEF shade: #03FBEF, #00E9DC, #00D7C9, #00C5B6 and #00B3A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03FBEF shade: #02FCF0, #02FCAC, #02FC69, #02FC26 and #22FC02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03FBEF shade: #02FCF0, #02C5FC, #0281FC, #023EFC and #0202FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03FBEF shade matches the following richer shades: #02FCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03FBEF shade: #02FCF0, #17E7DD, #2BD3CB, #40BEB8 and #55A9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03FBEF shade: #02FC6A, #02FCAD, #02FCEF, #02C6FC and #0283FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03FBEF shade: #01AAA2, #02D3C9, #02FCF0, #2BFCF2 and #54FDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03FBEF shade: #03FBEF, #2802FC and #FC8B02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03FBEF shade: #03FBEF, #EF02FC and #FCEF02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03FBEF shade: #03FBEF, #2802FC, #FC020F and #D6FC02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03FBEF shade: #03FBEF, #7302FC, #FC020F and #8BFC02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

Complementary color

CMYK 0 / 98 / 94 / 1

HEX #FC0410

RGB 252 4 16

HSL 357.1, 0.98%, 0.5%

LAB 52.75, 79.23, 62.57

 

CMYK 97 / 0 / 7 / 2

HEX #08FBEA

RGB 8 251 234

HSL 175.8, 0.97%, 0.51%

LAB 89.39, -52.11, -5.79

 

CMYK 90 / 0 / 1 / 0

HEX #19FFFD

RGB 25 255 253

HSL 179.48, 1%, 0.55%

LAB 91.15, -48.03, -13.04

 

CMYK 84 / 0 / 0 / 0

HEX #2AFFFF

RGB 42 255 255

HSL 180, 1%, 0.58%

LAB 91.34, -46.61, -13.78

 

CMYK 77 / 0 / 0 / 0

HEX #3BFFFF

RGB 59 255 255

HSL 180, 1%, 0.62%

LAB 91.54, -45.32, -13.47

 

CMYK 70 / 0 / 0 / 0

HEX #4CFFFF

RGB 76 255 255

HSL 180, 1%, 0.65%

LAB 91.81, -43.56, -13.03

 

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

CMYK 100 / 0 / 6 / 9

HEX #00E9DC

RGB 0 233 220

HSL 176.65, 1%, 0.46%

LAB 83.68, -48.63, -6.9

 

CMYK 100 / 0 / 7 / 16

HEX #00D7C9

RGB 0 215 201

HSL 176.09, 1%, 0.42%

LAB 77.77, -46.32, -5.53

 

CMYK 100 / 0 / 8 / 23

HEX #00C5B6

RGB 0 197 182

HSL 175.43, 1%, 0.39%

LAB 71.76, -43.99, -4.12

 

CMYK 100 / 0 / 9 / 30

HEX #00B3A3

RGB 0 179 163

HSL 174.64, 1%, 0.35%

LAB 65.66, -41.62, -2.67

 

CMYK 99 / 0 / 5 / 1

HEX #02FCF0

RGB 2 252 240

HSL 177.12, 0.98%, 0.5%

LAB 89.82, -51, -8.27

 

CMYK 99 / 0 / 32 / 1

HEX #02FCAC

RGB 2 252 172

HSL 160.8, 0.98%, 0.5%

LAB 88.26, -67.72, 24.63

 

CMYK 99 / 0 / 58 / 1

HEX #02FC69

RGB 2 252 105

HSL 144.72, 0.98%, 0.5%

LAB 87.32, -78.98, 55.61

 

CMYK 99 / 0 / 85 / 1

HEX #02FC26

RGB 2 252 38

HSL 128.64, 0.98%, 0.5%

LAB 86.89, -84.46, 77.79

 

CMYK 87 / 0 / 99 / 1

HEX #22FC02

RGB 34 252 2

HSL 112.32, 0.98%, 0.5%

LAB 86.98, -83.86, 82.49

 

CMYK 99 / 0 / 5 / 1

HEX #02FCF0

RGB 2 252 240

HSL 177.12, 0.98%, 0.5%

LAB 89.82, -51, -8.27

 

CMYK 99 / 22 / 0 / 1

HEX #02C5FC

RGB 2 197 252

HSL 193.2, 0.98%, 0.5%

LAB 74.17, -21.75, -38.4

 

CMYK 99 / 49 / 0 / 1

HEX #0281FC

RGB 2 129 252

HSL 209.52, 0.98%, 0.5%

LAB 54.81, 17.06, -69.13

 

CMYK 99 / 75 / 0 / 1

HEX #023EFC

RGB 2 62 252

HSL 225.6, 0.98%, 0.5%

LAB 38.7, 58.19, -95.52

 

CMYK 99 / 99 / 0 / 1

HEX #0202FC

RGB 2 2 252

HSL 240, 0.98%, 0.5%

LAB 32, 78.19, -106.69

 

CMYK 99 / 0 / 5 / 1

HEX #02FCF0

RGB 2 252 240

HSL 177.12, 0.98%, 0.5%

LAB 89.82, -51, -8.27

 

CMYK 99 / 0 / 5 / 1

HEX #02FCF0

RGB 2 252 240

HSL 177.12, 0.98%, 0.5%

LAB 89.82, -51, -8.27

 

CMYK 90 / 0 / 4 / 9

HEX #17E7DD

RGB 23 231 221

HSL 177.12, 0.82%, 0.5%

LAB 83.21, -46.84, -8.11

 

CMYK 80 / 0 / 4 / 17

HEX #2BD3CB

RGB 43 211 203

HSL 177.14, 0.66%, 0.5%

LAB 76.93, -41.94, -7.81

 

CMYK 66 / 0 / 3 / 25

HEX #40BEB8

RGB 64 190 184

HSL 177.14, 0.5%, 0.5%

LAB 70.44, -35.28, -7.09

 

CMYK 50 / 0 / 2 / 34

HEX #55A9A5

RGB 85 169 165

HSL 177.14, 0.33%, 0.5%

LAB 64.18, -26.42, -5.79

 

CMYK 99 / 0 / 58 / 1

HEX #02FC6A

RGB 2 252 106

HSL 144.96, 0.98%, 0.5%

LAB 87.33, -78.86, 55.19

 

CMYK 99 / 0 / 31 / 1

HEX #02FCAD

RGB 2 252 173

HSL 161.04, 0.98%, 0.5%

LAB 88.28, -67.51, 24.14

 

CMYK 99 / 0 / 5 / 1

HEX #02FCEF

RGB 2 252 239

HSL 176.88, 0.98%, 0.5%

LAB 89.8, -51.28, -7.79

 

CMYK 99 / 21 / 0 / 1

HEX #02C6FC

RGB 2 198 252

HSL 192.96, 0.98%, 0.5%

LAB 74.46, -22.27, -37.95

 

CMYK 99 / 48 / 0 / 1

HEX #0283FC

RGB 2 131 252

HSL 209.04, 0.98%, 0.5%

LAB 55.35, 15.82, -68.24

 

CMYK 99 / 0 / 5 / 33

HEX #01AAA2

RGB 1 170 162

HSL 177.16, 0.99%, 0.34%

LAB 62.81, -37.88, -6.31

 

CMYK 99 / 0 / 5 / 17

HEX #02D3C9

RGB 2 211 201

HSL 177.13, 0.98%, 0.42%

LAB 76.57, -44.55, -7.3

 

CMYK 99 / 0 / 5 / 1

HEX #02FCF0

RGB 2 252 240

HSL 177.12, 0.98%, 0.5%

LAB 89.82, -51, -8.27

 

CMYK 83 / 0 / 4 / 1

HEX #2BFCF2

RGB 43 252 242

HSL 177.13, 0.97%, 0.58%

LAB 90.11, -48.88, -8.86

 

CMYK 67 / 0 / 3 / 1

HEX #54FDF5

RGB 84 253 245

HSL 177.16, 0.98%, 0.66%

LAB 91.11, -44.37, -8.87

 

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

CMYK 84 / 99 / 0 / 1

HEX #2802FC

RGB 40 2 252

HSL 249.12, 0.98%, 0.5%

LAB 32.97, 78.52, -105.04

 

CMYK 0 / 45 / 99 / 1

HEX #FC8B02

RGB 252 139 2

HSL 32.88, 0.98%, 0.5%

LAB 68.87, 36.15, 74.64

 

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

CMYK 5 / 99 / 0 / 1

HEX #EF02FC

RGB 239 2 252

HSL 296.88, 0.98%, 0.5%

LAB 57.48, 95.29, -63.87

 

CMYK 0 / 5 / 99 / 1

HEX #FCEF02

RGB 252 239 2

HSL 56.88, 0.98%, 0.5%

LAB 92.77, -15.1, 91.04

 

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

CMYK 84 / 99 / 0 / 1

HEX #2802FC

RGB 40 2 252

HSL 249.12, 0.98%, 0.5%

LAB 32.97, 78.52, -105.04

 

CMYK 0 / 99 / 94 / 1

HEX #FC020F

RGB 252 2 15

HSL 356.88, 0.98%, 0.5%

LAB 52.7, 79.36, 62.84

 

CMYK 15 / 0 / 99 / 1

HEX #D6FC02

RGB 214 252 2

HSL 69.12, 0.98%, 0.5%

LAB 93.42, -36.71, 90.27

 

CMYK 99 / 0 / 5 / 2

HEX #03FBEF

RGB 3 251 239

HSL 177.1, 0.98%, 0.5%

LAB 89.51, -50.84, -8.22

 

CMYK 54 / 99 / 0 / 1

HEX #7302FC

RGB 115 2 252

HSL 267.12, 0.98%, 0.5%

LAB 39.1, 81.42, -94.67

 

CMYK 0 / 99 / 94 / 1

HEX #FC020F

RGB 252 2 15

HSL 356.88, 0.98%, 0.5%

LAB 52.7, 79.36, 62.84

 

CMYK 45 / 0 / 99 / 1

HEX #8BFC02

RGB 139 252 2

HSL 87.12, 0.98%, 0.5%

LAB 89.45, -63.46, 85.49

 

Description

Color code: HEX #03FBEF | qconv.com Color code: HEX #03FBEF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 251 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 251 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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