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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03D8A8 it is the complementary color #FC2757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03D8A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03D8A8 shade: #08D8A3, #19EAB6, #2AFCC9, #3BFFDC and #4CFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03D8A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03D8A8 shade: #03D8A8, #00C695, #00B482, #00A26F and #00905C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03D8A8 shade: #03D8A8, #03D86E, #03D835, #0AD803 and #43D803

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03D8A8 shade: #03D8A8, #03CED8, #0395D8, #035BD8 and #0322D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03D8A8 shade matches the following richer shades: #03D8A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03D8A8 shade: #03D8A8, #15C69E, #26B494, #38A28A and #4A9181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03D8A8 shade: #03D834, #03D86D, #03D8A6, #03D0D8 and #0398D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03D8A8 shade: #028668, #02AF88, #03D8A8, #09FBC4 and #31FBCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03D8A8 shade: #03D8A8, #030AD8 and #D85103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03D8A8 shade: #03D8A8, #A603D8 and #D8A603

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03D8A8 shade: #03D8A8, #030AD8, #D80334 and #D8D003

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03D8A8 shade: #03D8A8, #3C03D8, #D80334 and #9FD803

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

Complementary color

CMYK 0 / 85 / 65 / 1

HEX #FC2757

RGB 252 39 87

HSL 346.48, 0.97%, 0.57%

LAB 54.9, 77, 28.59

 

CMYK 96 / 0 / 25 / 15

HEX #08D8A3

RGB 8 216 163

HSL 164.71, 0.93%, 0.44%

LAB 77.17, -56.42, 13.89

 

CMYK 89 / 0 / 22 / 8

HEX #19EAB6

RGB 25 234 182

HSL 165.07, 0.83%, 0.51%

LAB 83.14, -58.13, 12.34

 

CMYK 83 / 0 / 20 / 1

HEX #2AFCC9

RGB 42 252 201

HSL 165.43, 0.97%, 0.58%

LAB 89.08, -59.49, 10.92

 

CMYK 77 / 0 / 14 / 0

HEX #3BFFDC

RGB 59 255 220

HSL 169.29, 1%, 0.62%

LAB 90.6, -54.58, 3.31

 

CMYK 70 / 0 / 6 / 0

HEX #4CFFEF

RGB 76 255 239

HSL 174.64, 1%, 0.65%

LAB 91.36, -47.85, -5.4

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 100 / 0 / 25 / 22

HEX #00C695

RGB 0 198 149

HSL 165.15, 1%, 0.39%

LAB 71.25, -53.11, 13.05

 

CMYK 100 / 0 / 28 / 29

HEX #00B482

RGB 0 180 130

HSL 163.33, 1%, 0.35%

LAB 65.16, -50.72, 14.82

 

CMYK 100 / 0 / 31 / 36

HEX #00A26F

RGB 0 162 111

HSL 161.11, 1%, 0.32%

LAB 58.96, -48.26, 16.68

 

CMYK 100 / 0 / 36 / 44

HEX #00905C

RGB 0 144 92

HSL 158.33, 1%, 0.28%

LAB 52.64, -45.7, 18.62

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 99 / 0 / 49 / 15

HEX #03D86E

RGB 3 216 110

HSL 150.14, 0.97%, 0.43%

LAB 76.23, -67.2, 39.89

 

CMYK 99 / 0 / 75 / 15

HEX #03D835

RGB 3 216 53

HSL 134.08, 0.97%, 0.43%

LAB 75.69, -73.86, 63.36

 

CMYK 95 / 0 / 99 / 15

HEX #0AD803

RGB 10 216 3

HSL 118.03, 0.97%, 0.43%

LAB 75.56, -75.61, 73.15

 

CMYK 69 / 0 / 99 / 15

HEX #43D803

RGB 67 216 3

HSL 101.97, 0.97%, 0.43%

LAB 76.26, -69.45, 74

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 99 / 5 / 0 / 15

HEX #03CED8

RGB 3 206 216

HSL 182.82, 0.97%, 0.43%

LAB 75.53, -37.83, -16.94

 

CMYK 99 / 31 / 0 / 15

HEX #0395D8

RGB 3 149 216

HSL 198.87, 0.97%, 0.43%

LAB 58.48, -8.66, -43.25

 

CMYK 99 / 58 / 0 / 15

HEX #035BD8

RGB 3 91 216

HSL 215.21, 0.97%, 0.43%

LAB 41.94, 27.34, -69.81

 

CMYK 99 / 84 / 0 / 15

HEX #0322D8

RGB 3 34 216

HSL 231.27, 0.97%, 0.43%

LAB 29.72, 60.59, -89.98

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 89 / 0 / 20 / 22

HEX #15C69E

RGB 21 198 158

HSL 166.44, 0.81%, 0.43%

LAB 71.57, -50.08, 8.64

 

CMYK 79 / 0 / 18 / 29

HEX #26B494

RGB 38 180 148

HSL 166.48, 0.65%, 0.43%

LAB 65.9, -43.86, 6.02

 

CMYK 65 / 0 / 15 / 36

HEX #38A28A

RGB 56 162 138

HSL 166.42, 0.49%, 0.43%

LAB 60.35, -36.04, 3.65

 

CMYK 49 / 0 / 11 / 43

HEX #4A9181

RGB 74 145 129

HSL 166.48, 0.32%, 0.43%

LAB 55.37, -26.41, 1.62

 

CMYK 99 / 0 / 76 / 15

HEX #03D834

RGB 3 216 52

HSL 133.8, 0.97%, 0.43%

LAB 75.69, -73.93, 63.68

 

CMYK 99 / 0 / 50 / 15

HEX #03D86D

RGB 3 216 109

HSL 149.86, 0.97%, 0.43%

LAB 76.21, -67.36, 40.36

 

CMYK 99 / 0 / 23 / 15

HEX #03D8A6

RGB 3 216 166

HSL 165.92, 0.97%, 0.43%

LAB 77.21, -55.85, 12.36

 

CMYK 99 / 4 / 0 / 15

HEX #03D0D8

RGB 3 208 216

HSL 182.25, 0.97%, 0.43%

LAB 76.12, -38.74, -16.04

 

CMYK 99 / 30 / 0 / 15

HEX #0398D8

RGB 3 152 216

HSL 198.03, 0.97%, 0.43%

LAB 59.37, -10.35, -41.85

 

CMYK 99 / 0 / 22 / 47

HEX #028668

RGB 2 134 104

HSL 166.36, 0.97%, 0.27%

LAB 49.57, -38.62, 7.51

 

CMYK 99 / 0 / 22 / 31

HEX #02AF88

RGB 2 175 136

HSL 166.47, 0.98%, 0.35%

LAB 63.71, -47.2, 9.48

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 96 / 0 / 22 / 2

HEX #09FBC4

RGB 9 251 196

HSL 166.36, 0.97%, 0.51%

LAB 88.47, -61.82, 12.6

 

CMYK 80 / 0 / 18 / 2

HEX #31FBCE

RGB 49 251 206

HSL 166.63, 0.96%, 0.59%

LAB 88.97, -57.34, 8.19

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 99 / 95 / 0 / 15

HEX #030AD8

RGB 3 10 216

HSL 238.03, 0.97%, 0.43%

LAB 27.28, 67.99, -94.04

 

CMYK 0 / 63 / 99 / 15

HEX #D85103

RGB 216 81 3

HSL 21.97, 0.97%, 0.43%

LAB 52.39, 50.43, 61.89

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 23 / 99 / 0 / 15

HEX #A603D8

RGB 166 3 216

HSL 285.92, 0.97%, 0.43%

LAB 42.96, 79.17, -67.62

 

CMYK 0 / 23 / 99 / 15

HEX #D8A603

RGB 216 166 3

HSL 45.92, 0.97%, 0.43%

LAB 70.79, 6.67, 73.71

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 99 / 95 / 0 / 15

HEX #030AD8

RGB 3 10 216

HSL 238.03, 0.97%, 0.43%

LAB 27.28, 67.99, -94.04

 

CMYK 0 / 99 / 76 / 15

HEX #D80334

RGB 216 3 52

HSL 346.2, 0.97%, 0.43%

LAB 45.51, 71.35, 36.4

 

CMYK 0 / 4 / 99 / 15

HEX #D8D003

RGB 216 208 3

HSL 57.75, 0.97%, 0.43%

LAB 81.68, -15.04, 81.52

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A8

RGB 3 216 168

HSL 166.48, 0.97%, 0.43%

LAB 77.26, -55.36, 11.36

 

CMYK 72 / 99 / 0 / 15

HEX #3C03D8

RGB 60 3 216

HSL 256.06, 0.97%, 0.43%

LAB 29.37, 70.31, -90.49

 

CMYK 0 / 99 / 76 / 15

HEX #D80334

RGB 216 3 52

HSL 346.2, 0.97%, 0.43%

LAB 45.51, 71.35, 36.4

 

CMYK 26 / 0 / 99 / 15

HEX #9FD803

RGB 159 216 3

HSL 76.06, 0.97%, 0.43%

LAB 79.89, -42.19, 78.4

 

Description

Color code: HEX #03D8A8 | qconv.com Color code: HEX #03D8A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 216 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 216 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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