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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03B830 it is the complementary color #FC47CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03B830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03B830 shade: #08B82B, #19CA3E, #2ADC51, #3BEE64 and #4CFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03B830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03B830 shade: #03B830, #00A61D, #00940A, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03B830 shade: #02B930, #06B902, #38B902, #69B902 and #9AB902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03B830 shade: #02B930, #02B961, #02B993, #02AFB9 and #027DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03B830 shade matches the following richer shades: #02B930

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03B830 shade: #02B930, #12AA38, #219B3F, #308C47 and #3F7C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03B830 shade: #39B902, #08B902, #02B92D, #02B95E and #02B98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03B830 shade: #01681B, #029125, #02B930, #03E23A and #13FB4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03B830 shade: #03B830, #026AB9 and #B90221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03B830 shade: #03B830, #2D02B9 and #B92D02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03B830 shade: #03B830, #026AB9, #B9028F and #B95202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03B830 shade: #03B830, #0233B9, #B9028F and #B98902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

Complementary color

CMYK 0 / 72 / 18 / 1

HEX #FC47CF

RGB 252 71 207

HSL 314.92, 0.97%, 0.63%

LAB 61.4, 79.62, -32.27

 

CMYK 96 / 0 / 77 / 28

HEX #08B82B

RGB 8 184 43

HSL 131.93, 0.92%, 0.38%

LAB 65.36, -65.3, 56.46

 

CMYK 88 / 0 / 69 / 21

HEX #19CA3E

RGB 25 202 62

HSL 132.54, 0.78%, 0.45%

LAB 71.42, -67.99, 55.8

 

CMYK 81 / 0 / 63 / 14

HEX #2ADC51

RGB 42 220 81

HSL 133.15, 0.72%, 0.51%

LAB 77.44, -69.95, 54.7

 

CMYK 75 / 0 / 58 / 7

HEX #3BEE64

RGB 59 238 100

HSL 133.74, 0.84%, 0.58%

LAB 83.44, -71.35, 53.4

 

CMYK 70 / 0 / 53 / 0

HEX #4CFF77

RGB 76 255 119

HSL 134.41, 1%, 0.65%

LAB 89.11, -71.99, 51.66

 

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

CMYK 100 / 0 / 83 / 35

HEX #00A61D

RGB 0 166 29

HSL 130.48, 1%, 0.33%

LAB 59.31, -61.44, 54.96

 

CMYK 100 / 0 / 93 / 42

HEX #00940A

RGB 0 148 10

HSL 124.05, 1%, 0.29%

LAB 53.17, -57.13, 53.79

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 99 / 0 / 74 / 27

HEX #02B930

RGB 2 185 48

HSL 135.08, 0.98%, 0.37%

LAB 65.69, -65.47, 55.05

 

CMYK 97 / 0 / 99 / 27

HEX #06B902

RGB 6 185 2

HSL 118.69, 0.98%, 0.37%

LAB 65.55, -67.4, 65.15

 

CMYK 70 / 0 / 99 / 27

HEX #38B902

RGB 56 185 2

HSL 102.3, 0.98%, 0.37%

LAB 66.17, -61.87, 65.92

 

CMYK 43 / 0 / 99 / 27

HEX #69B902

RGB 105 185 2

HSL 86.23, 0.98%, 0.37%

LAB 67.8, -48.81, 67.9

 

CMYK 17 / 0 / 99 / 27

HEX #9AB902

RGB 154 185 2

HSL 70.16, 0.98%, 0.37%

LAB 70.58, -30.16, 71.25

 

CMYK 99 / 0 / 74 / 27

HEX #02B930

RGB 2 185 48

HSL 135.08, 0.98%, 0.37%

LAB 65.69, -65.47, 55.05

 

CMYK 99 / 0 / 48 / 27

HEX #02B961

RGB 2 185 97

HSL 151.15, 0.98%, 0.37%

LAB 66.19, -59.22, 33.71

 

CMYK 99 / 0 / 21 / 27

HEX #02B993

RGB 2 185 147

HSL 167.54, 0.98%, 0.37%

LAB 67.14, -48.42, 8.3

 

CMYK 99 / 5 / 0 / 27

HEX #02AFB9

RGB 2 175 185

HSL 183.28, 0.98%, 0.37%

LAB 65.1, -33.06, -15.72

 

CMYK 99 / 32 / 0 / 27

HEX #027DB9

RGB 2 125 185

HSL 199.67, 0.98%, 0.37%

LAB 49.72, -6.52, -39.5

 

CMYK 99 / 0 / 74 / 27

HEX #02B930

RGB 2 185 48

HSL 135.08, 0.98%, 0.37%

LAB 65.69, -65.47, 55.05

 

CMYK 99 / 0 / 74 / 27

HEX #02B930

RGB 2 185 48

HSL 135.08, 0.98%, 0.37%

LAB 65.69, -65.47, 55.05

 

CMYK 89 / 0 / 67 / 33

HEX #12AA38

RGB 18 170 56

HSL 135, 0.81%, 0.37%

LAB 60.93, -59.36, 46.95

 

CMYK 79 / 0 / 59 / 39

HEX #219B3F

RGB 33 155 63

HSL 134.75, 0.65%, 0.37%

LAB 56.21, -52.03, 38.49

 

CMYK 66 / 0 / 49 / 45

HEX #308C47

RGB 48 140 71

HSL 135, 0.49%, 0.37%

LAB 51.66, -42.65, 28.97

 

CMYK 49 / 0 / 36 / 51

HEX #3F7C4F

RGB 63 124 79

HSL 135.74, 0.33%, 0.37%

LAB 47.02, -30.46, 18.63

 

CMYK 69 / 0 / 99 / 27

HEX #39B902

RGB 57 185 2

HSL 101.97, 0.98%, 0.37%

LAB 66.19, -61.68, 65.94

 

CMYK 96 / 0 / 99 / 27

HEX #08B902

RGB 8 185 2

HSL 118.03, 0.98%, 0.37%

LAB 65.56, -67.31, 65.17

 

CMYK 99 / 0 / 76 / 27

HEX #02B92D

RGB 2 185 45

HSL 134.1, 0.98%, 0.37%

LAB 65.67, -65.71, 56.08

 

CMYK 99 / 0 / 49 / 27

HEX #02B95E

RGB 2 185 94

HSL 150.16, 0.98%, 0.37%

LAB 66.15, -59.74, 35.18

 

CMYK 99 / 0 / 23 / 27

HEX #02B98F

RGB 2 185 143

HSL 166.23, 0.98%, 0.37%

LAB 67.05, -49.43, 10.36

 

CMYK 99 / 0 / 74 / 59

HEX #01681B

RGB 1 104 27

HSL 135.15, 0.98%, 0.21%

LAB 37.82, -42.64, 34.52

 

CMYK 99 / 0 / 74 / 43

HEX #029125

RGB 2 145 37

HSL 134.69, 0.97%, 0.29%

LAB 52.28, -54.53, 45.47

 

CMYK 99 / 0 / 74 / 27

HEX #02B930

RGB 2 185 48

HSL 135.08, 0.98%, 0.37%

LAB 65.69, -65.47, 55.05

 

CMYK 99 / 0 / 74 / 11

HEX #03E23A

RGB 3 226 58

HSL 134.8, 0.97%, 0.45%

LAB 78.88, -76.27, 64.88

 

CMYK 92 / 0 / 69 / 2

HEX #13FB4D

RGB 19 251 77

HSL 135, 0.97%, 0.53%

LAB 86.83, -81.13, 66.4

 

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

CMYK 99 / 43 / 0 / 27

HEX #026AB9

RGB 2 106 185

HSL 205.9, 0.98%, 0.37%

LAB 43.98, 5.12, -48.63

 

CMYK 0 / 99 / 82 / 27

HEX #B90221

RGB 185 2 33

HSL 349.84, 0.98%, 0.37%

LAB 38.67, 63.25, 38.26

 

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

CMYK 76 / 99 / 0 / 27

HEX #2D02B9

RGB 45 2 185

HSL 254.1, 0.98%, 0.37%

LAB 24.01, 62.47, -81.27

 

CMYK 0 / 76 / 99 / 27

HEX #B92D02

RGB 185 45 2

HSL 14.1, 0.98%, 0.37%

LAB 41.53, 54.11, 53.39

 

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

CMYK 99 / 43 / 0 / 27

HEX #026AB9

RGB 2 106 185

HSL 205.9, 0.98%, 0.37%

LAB 43.98, 5.12, -48.63

 

CMYK 0 / 99 / 23 / 27

HEX #B9028F

RGB 185 2 143

HSL 313.77, 0.98%, 0.37%

LAB 41.75, 71.37, -26.16

 

CMYK 0 / 56 / 99 / 27

HEX #B95202

RGB 185 82 2

HSL 26.23, 0.98%, 0.37%

LAB 47.43, 38.31, 56.6

 

CMYK 98 / 0 / 74 / 28

HEX #03B830

RGB 3 184 48

HSL 134.92, 0.97%, 0.37%

LAB 65.37, -65.14, 54.73

 

CMYK 99 / 72 / 0 / 27

HEX #0233B9

RGB 2 51 185

HSL 223.93, 0.98%, 0.37%

LAB 29.12, 41.31, -72.84

 

CMYK 0 / 99 / 23 / 27

HEX #B9028F

RGB 185 2 143

HSL 313.77, 0.98%, 0.37%

LAB 41.75, 71.37, -26.16

 

CMYK 0 / 26 / 99 / 27

HEX #B98902

RGB 185 137 2

HSL 44.26, 0.98%, 0.37%

LAB 60.08, 8.55, 64.82

 

Description

Color code: HEX #03B830 | qconv.com Color code: HEX #03B830 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 184 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 184 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 74 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 74% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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