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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03B41A it is the complementary color #FC4BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03B41A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03B41A shade: #08B415, #19C628, #2AD83B, #3BEA4E and #4CFC61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03B41A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03B41A shade: #03B41A, #00A207, #009000, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03B41A shade: #02B419, #1BB402, #4BB402, #7BB402 and #ABB402

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03B41A shade: #02B419, #02B449, #02B479, #02B4A9 and #028FB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03B41A shade matches the following richer shades: #02B419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03B41A shade: #02B419, #11A524, #20972F, #2F883A and #3E7945

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03B41A shade: #4CB402, #1DB402, #02B417, #02B447 and #02B476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03B41A shade: #01630E, #028C14, #02B419, #03DD1F and #0EFB2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03B41A shade: #03B41A, #027CB4 and #B40235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03B41A shade: #03B41A, #1702B4 and #B41702

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03B41A shade: #03B41A, #027CB4, #B402A0 and #B43B02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03B41A shade: #03B41A, #0247B4, #B402A0 and #B47002

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

Complementary color

CMYK 0 / 70 / 9 / 1

HEX #FC4BE5

RGB 252 75 229

HSL 307.8, 0.97%, 0.64%

LAB 62.83, 81.37, -42.42

 

CMYK 96 / 0 / 88 / 29

HEX #08B415

RGB 8 180 21

HSL 124.53, 0.91%, 0.37%

LAB 63.96, -65.4, 61.09

 

CMYK 87 / 0 / 80 / 22

HEX #19C628

RGB 25 198 40

HSL 125.2, 0.78%, 0.44%

LAB 70, -68.52, 61.91

 

CMYK 81 / 0 / 73 / 15

HEX #2AD83B

RGB 42 216 59

HSL 125.86, 0.69%, 0.51%

LAB 76.02, -70.82, 61.75

 

CMYK 75 / 0 / 67 / 8

HEX #3BEA4E

RGB 59 234 78

HSL 126.51, 0.81%, 0.57%

LAB 82.01, -72.48, 61.02

 

CMYK 70 / 0 / 62 / 1

HEX #4CFC61

RGB 76 252 97

HSL 127.16, 0.97%, 0.64%

LAB 87.98, -73.65, 59.98

 

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

CMYK 100 / 0 / 96 / 36

HEX #00A207

RGB 0 162 7

HSL 122.59, 1%, 0.32%

LAB 57.9, -61.19, 58.22

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 99 / 0 / 86 / 29

HEX #02B419

RGB 2 180 25

HSL 127.75, 0.98%, 0.36%

LAB 63.94, -65.51, 60.2

 

CMYK 85 / 0 / 99 / 29

HEX #1BB402

RGB 27 180 2

HSL 111.57, 0.98%, 0.36%

LAB 64.06, -64.59, 64.02

 

CMYK 58 / 0 / 99 / 29

HEX #4BB402

RGB 75 180 2

HSL 95.39, 0.98%, 0.36%

LAB 65.08, -55.92, 65.26

 

CMYK 32 / 0 / 99 / 29

HEX #7BB402

RGB 123 180 2

HSL 79.21, 0.98%, 0.36%

LAB 67.17, -40.28, 67.8

 

CMYK 5 / 0 / 99 / 29

HEX #ABB402

RGB 171 180 2

HSL 63.03, 0.98%, 0.36%

LAB 70.39, -20.5, 71.66

 

CMYK 99 / 0 / 86 / 29

HEX #02B419

RGB 2 180 25

HSL 127.75, 0.98%, 0.36%

LAB 63.94, -65.51, 60.2

 

CMYK 99 / 0 / 59 / 29

HEX #02B449

RGB 2 180 73

HSL 143.93, 0.98%, 0.36%

LAB 64.27, -61.28, 43.11

 

CMYK 99 / 0 / 33 / 29

HEX #02B479

RGB 2 180 121

HSL 160.11, 0.98%, 0.36%

LAB 64.99, -52.71, 19.48

 

CMYK 99 / 0 / 6 / 29

HEX #02B4A9

RGB 2 180 169

HSL 176.29, 0.98%, 0.36%

LAB 66.15, -40.25, -5.27

 

CMYK 99 / 21 / 0 / 29

HEX #028FB4

RGB 2 143 180

HSL 192.47, 0.98%, 0.36%

LAB 55.02, -18.55, -28.33

 

CMYK 99 / 0 / 86 / 29

HEX #02B419

RGB 2 180 25

HSL 127.75, 0.98%, 0.36%

LAB 63.94, -65.51, 60.2

 

CMYK 99 / 0 / 86 / 29

HEX #02B419

RGB 2 180 25

HSL 127.75, 0.98%, 0.36%

LAB 63.94, -65.51, 60.2

 

CMYK 90 / 0 / 78 / 35

HEX #11A524

RGB 17 165 36

HSL 127.7, 0.81%, 0.36%

LAB 59.12, -59.7, 52.68

 

CMYK 79 / 0 / 69 / 41

HEX #20972F

RGB 32 151 47

HSL 127.56, 0.65%, 0.36%

LAB 54.71, -52.72, 44.07

 

CMYK 65 / 0 / 57 / 47

HEX #2F883A

RGB 47 136 58

HSL 127.42, 0.49%, 0.36%

LAB 50.12, -43.27, 33.83

 

CMYK 49 / 0 / 43 / 53

HEX #3E7945

RGB 62 121 69

HSL 127.12, 0.32%, 0.36%

LAB 45.81, -31.18, 22.7

 

CMYK 58 / 0 / 99 / 29

HEX #4CB402

RGB 76 180 2

HSL 95.06, 0.98%, 0.36%

LAB 65.11, -55.65, 65.3

 

CMYK 84 / 0 / 99 / 29

HEX #1DB402

RGB 29 180 2

HSL 110.9, 0.98%, 0.36%

LAB 64.09, -64.38, 64.05

 

CMYK 99 / 0 / 87 / 29

HEX #02B417

RGB 2 180 23

HSL 127.08, 0.98%, 0.36%

LAB 63.93, -65.6, 60.64

 

CMYK 99 / 0 / 61 / 29

HEX #02B447

RGB 2 180 71

HSL 143.26, 0.98%, 0.36%

LAB 64.25, -61.55, 44.01

 

CMYK 99 / 0 / 34 / 29

HEX #02B476

RGB 2 180 118

HSL 159.1, 0.98%, 0.36%

LAB 64.93, -53.37, 21.02

 

CMYK 99 / 0 / 86 / 61

HEX #01630E

RGB 1 99 14

HSL 127.96, 0.98%, 0.2%

LAB 35.91, -42.16, 37.58

 

CMYK 99 / 0 / 86 / 45

HEX #028C14

RGB 2 140 20

HSL 127.83, 0.97%, 0.28%

LAB 50.48, -54.25, 49.3

 

CMYK 99 / 0 / 86 / 29

HEX #02B419

RGB 2 180 25

HSL 127.75, 0.98%, 0.36%

LAB 63.94, -65.51, 60.2

 

CMYK 99 / 0 / 86 / 13

HEX #03DD1F

RGB 3 221 31

HSL 127.71, 0.97%, 0.44%

LAB 77.18, -76.48, 70.65

 

CMYK 94 / 0 / 82 / 2

HEX #0EFB2D

RGB 14 251 45

HSL 127.85, 0.97%, 0.52%

LAB 86.64, -83.52, 76.02

 

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

CMYK 99 / 31 / 0 / 29

HEX #027CB4

RGB 2 124 180

HSL 198.88, 0.98%, 0.36%

LAB 49.16, -7.86, -37.49

 

CMYK 0 / 99 / 71 / 29

HEX #B40235

RGB 180 2 53

HSL 342.81, 0.98%, 0.36%

LAB 37.85, 62.72, 24.88

 

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

CMYK 87 / 99 / 0 / 29

HEX #1702B4

RGB 23 2 180

HSL 247.08, 0.98%, 0.36%

LAB 22.02, 60.71, -81.64

 

CMYK 0 / 87 / 99 / 29

HEX #B41702

RGB 180 23 2

HSL 7.08, 0.98%, 0.36%

LAB 38.41, 58.54, 51.37

 

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

CMYK 99 / 31 / 0 / 29

HEX #027CB4

RGB 2 124 180

HSL 198.88, 0.98%, 0.36%

LAB 49.16, -7.86, -37.49

 

CMYK 0 / 99 / 11 / 29

HEX #B402A0

RGB 180 2 160

HSL 306.74, 0.98%, 0.36%

LAB 41.67, 72.61, -36.66

 

CMYK 0 / 67 / 99 / 29

HEX #B43B02

RGB 180 59 2

HSL 19.21, 0.98%, 0.36%

LAB 42.51, 47.13, 53.37

 

CMYK 98 / 0 / 86 / 29

HEX #03B41A

RGB 3 180 26

HSL 127.8, 0.97%, 0.36%

LAB 63.95, -65.42, 59.98

 

CMYK 99 / 61 / 0 / 29

HEX #0247B4

RGB 2 71 180

HSL 216.74, 0.98%, 0.36%

LAB 33.59, 26.27, -62.51

 

CMYK 0 / 99 / 11 / 29

HEX #B402A0

RGB 180 2 160

HSL 306.74, 0.98%, 0.36%

LAB 41.67, 72.61, -36.66

 

CMYK 0 / 38 / 99 / 29

HEX #B47002

RGB 180 112 2

HSL 37.08, 0.98%, 0.36%

LAB 53.27, 20.17, 59.91

 

Description

Color code: HEX #03B41A | qconv.com Color code: HEX #03B41A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 180 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 180 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 86 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 86% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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