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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FFE8F it is the complementary color #600170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FFE8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FFE8F shade: #A4FE8A, #B5FF9D, #C6FFB0, #D7FFC3 and #E8FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FFE8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FFE8F shade: #9FFE8F, #8EEC7C, #7DDA69, #6CC856 and #5BB643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FFE8F shade: #9FFD8F, #BDFD8F, #DBFD8F, #F8FD8F and #FDE58F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FFE8F shade: #9FFD8F, #8FFD9D, #8FFDBB, #8FFDD9 and #8FFDF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FFE8F shade matches the following richer shades: #9FFD8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FFE8F shade: #9FFD8F, #A6F498, #ACEBA2, #B3E2AB and #B9D9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FFE8F shade: #DBFD8F, #BDFD8F, #A0FD8F, #8FFD9C and #8FFDBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FFE8F shade: #59FD3E, #7CFD67, #9FFD8F, #C2FEB8 and #E5FEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FFE8F shade: #9FFE8F, #8FF8FD and #FD8FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FFE8F shade: #9FFE8F, #8FA0FD and #FD8FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FFE8F shade: #9FFE8F, #8FF8FD, #ED8FFD and #FD958F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FFE8F shade: #9FFE8F, #8FD7FD, #ED8FFD and #FDB68F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

Complementary color

CMYK 14 / 99 / 0 / 56

HEX #600170

RGB 96 1 112

HSL 291.35, 0.98%, 0.22%

LAB 22.58, 50.62, -38.21

 

CMYK 35 / 0 / 46 / 0

HEX #A4FE8A

RGB 164 254 138

HSL 106.55, 0.98%, 0.77%

LAB 91.96, -47.83, 46.96

 

CMYK 29 / 0 / 38 / 0

HEX #B5FF9D

RGB 181 255 157

HSL 105.31, 1%, 0.81%

LAB 93.35, -40.3, 39.72

 

CMYK 22 / 0 / 31 / 0

HEX #C6FFB0

RGB 198 255 176

HSL 103.29, 1%, 0.85%

LAB 94.59, -31.96, 32.1

 

CMYK 16 / 0 / 24 / 0

HEX #D7FFC3

RGB 215 255 195

HSL 100, 1%, 0.88%

LAB 95.96, -23.36, 24.54

 

CMYK 9 / 0 / 16 / 0

HEX #E8FFD6

RGB 232 255 214

HSL 93.66, 1%, 0.92%

LAB 97.44, -14.59, 17.1

 

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

CMYK 40 / 0 / 47 / 7

HEX #8EEC7C

RGB 142 236 124

HSL 110.36, 0.75%, 0.71%

LAB 85.6, -48.86, 45.5

 

CMYK 43 / 0 / 52 / 15

HEX #7DDA69

RGB 125 218 105

HSL 109.38, 0.6%, 0.63%

LAB 79.34, -48.93, 46.7

 

CMYK 46 / 0 / 57 / 22

HEX #6CC856

RGB 108 200 86

HSL 108.42, 0.51%, 0.56%

LAB 73, -48.9, 47.87

 

CMYK 50 / 0 / 63 / 29

HEX #5BB643

RGB 91 182 67

HSL 107.48, 0.46%, 0.49%

LAB 66.59, -48.72, 48.92

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD8F

RGB 159 253 143

HSL 111.27, 0.96%, 0.78%

LAB 91.51, -48.3, 43.95

 

CMYK 25 / 0 / 43 / 1

HEX #BDFD8F

RGB 189 253 143

HSL 94.91, 0.96%, 0.78%

LAB 93.04, -38.54, 46.2

 

CMYK 13 / 0 / 43 / 1

HEX #DBFD8F

RGB 219 253 143

HSL 78.55, 0.96%, 0.78%

LAB 94.86, -27.84, 48.88

 

CMYK 2 / 0 / 43 / 1

HEX #F8FD8F

RGB 248 253 143

HSL 62.73, 0.96%, 0.78%

LAB 96.9, -16.93, 51.86

 

CMYK 0 / 9 / 43 / 1

HEX #FDE58F

RGB 253 229 143

HSL 46.91, 0.96%, 0.78%

LAB 91.19, -3.12, 44.82

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD8F

RGB 159 253 143

HSL 111.27, 0.96%, 0.78%

LAB 91.51, -48.3, 43.95

 

CMYK 43 / 0 / 38 / 1

HEX #8FFD9D

RGB 143 253 157

HSL 127.64, 0.96%, 0.78%

LAB 91.02, -50.94, 36.33

 

CMYK 43 / 0 / 26 / 1

HEX #8FFDBB

RGB 143 253 187

HSL 144, 0.96%, 0.78%

LAB 91.54, -45.81, 21.93

 

CMYK 43 / 0 / 14 / 1

HEX #8FFDD9

RGB 143 253 217

HSL 160.36, 0.96%, 0.78%

LAB 92.18, -39.81, 7.41

 

CMYK 43 / 0 / 3 / 1

HEX #8FFDF6

RGB 143 253 246

HSL 176.18, 0.96%, 0.78%

LAB 92.9, -33.25, -6.54

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD8F

RGB 159 253 143

HSL 111.27, 0.96%, 0.78%

LAB 91.51, -48.3, 43.95

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD8F

RGB 159 253 143

HSL 111.27, 0.96%, 0.78%

LAB 91.51, -48.3, 43.95

 

CMYK 32 / 0 / 38 / 4

HEX #A6F498

RGB 166 244 152

HSL 110.87, 0.81%, 0.78%

LAB 89.43, -40.97, 36.92

 

CMYK 27 / 0 / 31 / 8

HEX #ACEBA2

RGB 172 235 162

HSL 111.78, 0.65%, 0.78%

LAB 87.39, -33.46, 29.23

 

CMYK 21 / 0 / 24 / 11

HEX #B3E2AB

RGB 179 226 171

HSL 111.27, 0.49%, 0.78%

LAB 85.46, -25.44, 22.04

 

CMYK 15 / 0 / 17 / 15

HEX #B9D9B4

RGB 185 217 180

HSL 111.89, 0.33%, 0.78%

LAB 83.57, -17.47, 14.75

 

CMYK 13 / 0 / 43 / 1

HEX #DBFD8F

RGB 219 253 143

HSL 78.55, 0.96%, 0.78%

LAB 94.86, -27.84, 48.88

 

CMYK 25 / 0 / 43 / 1

HEX #BDFD8F

RGB 189 253 143

HSL 94.91, 0.96%, 0.78%

LAB 93.04, -38.54, 46.2

 

CMYK 37 / 0 / 43 / 1

HEX #A0FD8F

RGB 160 253 143

HSL 110.73, 0.96%, 0.78%

LAB 91.55, -48, 44.02

 

CMYK 43 / 0 / 38 / 1

HEX #8FFD9C

RGB 143 253 156

HSL 127.09, 0.96%, 0.78%

LAB 91, -51.1, 36.81

 

CMYK 43 / 0 / 26 / 1

HEX #8FFDBA

RGB 143 253 186

HSL 143.45, 0.96%, 0.78%

LAB 91.52, -46, 22.41

 

CMYK 65 / 0 / 75 / 1

HEX #59FD3E

RGB 89 253 62

HSL 111.52, 0.98%, 0.62%

LAB 88.32, -74.58, 73.27

 

CMYK 51 / 0 / 59 / 1

HEX #7CFD67

RGB 124 253 103

HSL 111.6, 0.97%, 0.7%

LAB 89.63, -63.08, 59.68

 

CMYK 37 / 0 / 43 / 1

HEX #9FFD8F

RGB 159 253 143

HSL 111.27, 0.96%, 0.78%

LAB 91.51, -48.3, 43.95

 

CMYK 24 / 0 / 28 / 0

HEX #C2FEB8

RGB 194 254 184

HSL 111.43, 0.97%, 0.86%

LAB 94.23, -31.61, 27.54

 

CMYK 10 / 0 / 11 / 0

HEX #E5FEE1

RGB 229 254 225

HSL 111.72, 0.94%, 0.94%

LAB 97.22, -13.29, 11.13

 

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

CMYK 43 / 2 / 0 / 1

HEX #8FF8FD

RGB 143 248 253

HSL 182.73, 0.96%, 0.78%

LAB 91.71, -29.2, -11.93

 

CMYK 0 / 43 / 19 / 1

HEX #FD8FCC

RGB 253 143 204

HSL 326.73, 0.96%, 0.78%

LAB 72.82, 48.99, -13.14

 

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

CMYK 43 / 37 / 0 / 1

HEX #8FA0FD

RGB 143 160 253

HSL 230.73, 0.96%, 0.78%

LAB 68.07, 17.32, -48.2

 

CMYK 0 / 43 / 37 / 1

HEX #FD8FA0

RGB 253 143 160

HSL 350.73, 0.96%, 0.78%

LAB 71.6, 43.26, 9.51

 

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

CMYK 43 / 2 / 0 / 1

HEX #8FF8FD

RGB 143 248 253

HSL 182.73, 0.96%, 0.78%

LAB 91.71, -29.2, -11.93

 

CMYK 6 / 43 / 0 / 1

HEX #ED8FFD

RGB 237 143 253

HSL 291.27, 0.96%, 0.78%

LAB 72.72, 52.32, -40.31

 

CMYK 0 / 41 / 43 / 1

HEX #FD958F

RGB 253 149 143

HSL 3.27, 0.96%, 0.78%

LAB 72.47, 38.37, 20.14

 

CMYK 37 / 0 / 44 / 0

HEX #9FFE8F

RGB 159 254 143

HSL 111.35, 0.98%, 0.78%

LAB 91.79, -48.73, 44.31

 

CMYK 43 / 15 / 0 / 1

HEX #8FD7FD

RGB 143 215 253

HSL 200.73, 0.96%, 0.78%

LAB 82.66, -12.81, -25.58

 

CMYK 6 / 43 / 0 / 1

HEX #ED8FFD

RGB 237 143 253

HSL 291.27, 0.96%, 0.78%

LAB 72.72, 52.32, -40.31

 

CMYK 0 / 28 / 43 / 1

HEX #FDB68F

RGB 253 182 143

HSL 21.27, 0.96%, 0.78%

LAB 79.8, 21.17, 30.04

 

Description

Color code: HEX #9FFE8F | qconv.com Color code: HEX #9FFE8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 254 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 254 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 44 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 44% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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