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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FD2D6 it is the complementary color #602D29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FD2D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FD2D6 shade: #A4D2D1, #B5E4E4, #C6F6F7, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FD2D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FD2D6 shade: #9FD2D6, #8EC0C3, #7DAEB0, #6C9C9D and #5B8A8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FD2D6 shade: #9ED1D5, #9EC2D5, #9EB3D5, #9EA5D5 and #A69ED5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FD2D6 shade: #9ED1D5, #9EC2D5, #9EB3D5, #9EA5D5 and #9E9ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FD2D6 shade matches the following richer shades: #9ED1D5, #93DBE0, #88E4EB and #7DEEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FD2D6 shade: #9ED1D5, #A9C8CA, #B4BEBF, #C0B5B4 and #CBABA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FD2D6 shade: #9ED5BB, #9ED5CA, #9ED2D5, #9EC3D5 and #9EB4D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FD2D6 shade: #64B6BC, #81C4C9, #9ED1D5, #BBDFE2 and #D8ECEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FD2D6 shade: #9FD2D6, #AD9ED5 and #D5C39E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FD2D6 shade: #9FD2D6, #D59ED2 and #D2D59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FD2D6 shade: #9FD2D6, #AD9ED5, #D5A29E and #C7D59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FD2D6 shade: #9FD2D6, #BD9ED5, #D5A29E and #B6D59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

Complementary color

CMYK 0 / 53 / 57 / 62

HEX #602D29

RGB 96 45 41

HSL 4.36, 0.4%, 0.27%

LAB 25.33, 22.71, 13.33

 

CMYK 22 / 0 / 0 / 18

HEX #A4D2D1

RGB 164 210 209

HSL 178.7, 0.34%, 0.73%

LAB 81.07, -15.12, -4.44

 

CMYK 21 / 0 / 0 / 11

HEX #B5E4E4

RGB 181 228 228

HSL 180, 0.47%, 0.8%

LAB 87.44, -15.05, -4.99

 

CMYK 20 / 0 / 0 / 3

HEX #C6F6F7

RGB 198 246 247

HSL 181.22, 0.75%, 0.87%

LAB 93.72, -14.99, -5.54

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 27 / 2 / 0 / 24

HEX #8EC0C3

RGB 142 192 195

HSL 183.4, 0.31%, 0.66%

LAB 74.44, -15.58, -6.83

 

CMYK 29 / 1 / 0 / 31

HEX #7DAEB0

RGB 125 174 176

HSL 182.35, 0.24%, 0.59%

LAB 67.85, -15.66, -6.27

 

CMYK 31 / 1 / 0 / 38

HEX #6C9C9D

RGB 108 156 157

HSL 181.22, 0.2%, 0.52%

LAB 61.13, -15.74, -5.69

 

CMYK 34 / 0 / 0 / 46

HEX #5B8A8A

RGB 91 138 138

HSL 180, 0.21%, 0.45%

LAB 54.28, -15.84, -5.08

 

CMYK 26 / 2 / 0 / 16

HEX #9ED1D5

RGB 158 209 213

HSL 184.36, 0.4%, 0.73%

LAB 80.56, -15.52, -7.36

 

CMYK 26 / 9 / 0 / 16

HEX #9EC2D5

RGB 158 194 213

HSL 200.73, 0.4%, 0.73%

LAB 76.47, -7.72, -13.46

 

CMYK 26 / 16 / 0 / 16

HEX #9EB3D5

RGB 158 179 213

HSL 217.09, 0.4%, 0.73%

LAB 72.44, 0.34, -19.54

 

CMYK 26 / 23 / 0 / 16

HEX #9EA5D5

RGB 158 165 213

HSL 232.36, 0.4%, 0.73%

LAB 68.74, 8.08, -25.18

 

CMYK 22 / 26 / 0 / 16

HEX #A69ED5

RGB 166 158 213

HSL 248.73, 0.4%, 0.73%

LAB 67.55, 14.45, -26.95

 

CMYK 26 / 2 / 0 / 16

HEX #9ED1D5

RGB 158 209 213

HSL 184.36, 0.4%, 0.73%

LAB 80.56, -15.52, -7.36

 

CMYK 26 / 9 / 0 / 16

HEX #9EC2D5

RGB 158 194 213

HSL 200.73, 0.4%, 0.73%

LAB 76.47, -7.72, -13.46

 

CMYK 26 / 16 / 0 / 16

HEX #9EB3D5

RGB 158 179 213

HSL 217.09, 0.4%, 0.73%

LAB 72.44, 0.34, -19.54

 

CMYK 26 / 23 / 0 / 16

HEX #9EA5D5

RGB 158 165 213

HSL 232.36, 0.4%, 0.73%

LAB 68.74, 8.08, -25.18

 

CMYK 26 / 26 / 0 / 16

HEX #9E9ED5

RGB 158 158 213

HSL 240, 0.4%, 0.73%

LAB 66.92, 12.01, -27.97

 

CMYK 26 / 2 / 0 / 16

HEX #9ED1D5

RGB 158 209 213

HSL 184.36, 0.4%, 0.73%

LAB 80.56, -15.52, -7.36

 

CMYK 34 / 2 / 0 / 12

HEX #93DBE0

RGB 147 219 224

HSL 183.9, 0.55%, 0.73%

LAB 83.05, -21.1, -9.6

 

CMYK 42 / 3 / 0 / 8

HEX #88E4EB

RGB 136 228 235

HSL 184.24, 0.71%, 0.73%

LAB 85.36, -25.64, -12.02

 

CMYK 49 / 4 / 0 / 3

HEX #7DEEF7

RGB 125 238 247

HSL 184.43, 0.88%, 0.73%

LAB 88.08, -29.89, -14.31

 

CMYK 26 / 2 / 0 / 16

HEX #9ED1D5

RGB 158 209 213

HSL 184.36, 0.4%, 0.73%

LAB 80.56, -15.52, -7.36

 

CMYK 16 / 1 / 0 / 21

HEX #A9C8CA

RGB 169 200 202

HSL 183.64, 0.24%, 0.73%

LAB 78.47, -9.9, -4.48

 

CMYK 6 / 1 / 0 / 25

HEX #B4BEBF

RGB 180 190 191

HSL 185.45, 0.08%, 0.73%

LAB 76.25, -3.25, -1.71

 

CMYK 0 / 6 / 6 / 25

HEX #C0B5B4

RGB 192 181 180

HSL 5, 0.09%, 0.73%

LAB 74.54, 3.72, 1.9

 

CMYK 0 / 16 / 17 / 20

HEX #CBABA9

RGB 203 171 169

HSL 3.53, 0.25%, 0.73%

LAB 72.69, 11.3, 5.36

 

CMYK 26 / 0 / 12 / 16

HEX #9ED5BB

RGB 158 213 187

HSL 151.64, 0.4%, 0.73%

LAB 80.99, -23.04, 7.14

 

CMYK 26 / 0 / 5 / 16

HEX #9ED5CA

RGB 158 213 202

HSL 168, 0.4%, 0.73%

LAB 81.36, -19.95, -0.31

 

CMYK 26 / 1 / 0 / 16

HEX #9ED2D5

RGB 158 210 213

HSL 183.27, 0.4%, 0.73%

LAB 80.83, -16.03, -6.96

 

CMYK 26 / 8 / 0 / 16

HEX #9EC3D5

RGB 158 195 213

HSL 199.64, 0.4%, 0.73%

LAB 76.74, -8.25, -13.05

 

CMYK 26 / 15 / 0 / 16

HEX #9EB4D5

RGB 158 180 213

HSL 216, 0.4%, 0.73%

LAB 72.7, -0.21, -19.14

 

CMYK 47 / 3 / 0 / 26

HEX #64B6BC

RGB 100 182 188

HSL 184.09, 0.4%, 0.56%

LAB 69.32, -23.38, -10.83

 

CMYK 36 / 2 / 0 / 21

HEX #81C4C9

RGB 129 196 201

HSL 184.17, 0.4%, 0.65%

LAB 75.05, -19.87, -9.24

 

CMYK 26 / 2 / 0 / 16

HEX #9ED1D5

RGB 158 209 213

HSL 184.36, 0.4%, 0.73%

LAB 80.56, -15.52, -7.36

 

CMYK 17 / 1 / 0 / 11

HEX #BBDFE2

RGB 187 223 226

HSL 184.62, 0.4%, 0.81%

LAB 86.42, -11.1, -5.41

 

CMYK 9 / 1 / 0 / 7

HEX #D8ECEE

RGB 216 236 238

HSL 185.45, 0.39%, 0.89%

LAB 92.03, -6.18, -3.23

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 19 / 26 / 0 / 16

HEX #AD9ED5

RGB 173 158 213

HSL 256.36, 0.4%, 0.73%

LAB 68.13, 16.62, -26.02

 

CMYK 0 / 8 / 26 / 16

HEX #D5C39E

RGB 213 195 158

HSL 40.36, 0.4%, 0.73%

LAB 79.41, 0.62, 20.92

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 0 / 26 / 1 / 16

HEX #D59ED2

RGB 213 158 210

HSL 303.27, 0.4%, 0.73%

LAB 71.73, 28.97, -18.54

 

CMYK 1 / 0 / 26 / 16

HEX #D2D59E

RGB 210 213 158

HSL 63.27, 0.4%, 0.73%

LAB 83.84, -9.83, 26.93

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 19 / 26 / 0 / 16

HEX #AD9ED5

RGB 173 158 213

HSL 256.36, 0.4%, 0.73%

LAB 68.13, 16.62, -26.02

 

CMYK 0 / 24 / 26 / 16

HEX #D5A29E

RGB 213 162 158

HSL 4.36, 0.4%, 0.73%

LAB 71.18, 18.28, 9.39

 

CMYK 7 / 0 / 26 / 16

HEX #C7D59E

RGB 199 213 158

HSL 75.27, 0.4%, 0.73%

LAB 83.02, -13.92, 25.68

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 11 / 26 / 0 / 16

HEX #BD9ED5

RGB 189 158 213

HSL 273.82, 0.4%, 0.73%

LAB 69.52, 21.7, -23.75

 

CMYK 0 / 24 / 26 / 16

HEX #D5A29E

RGB 213 162 158

HSL 4.36, 0.4%, 0.73%

LAB 71.18, 18.28, 9.39

 

CMYK 15 / 0 / 26 / 16

HEX #B6D59E

RGB 182 213 158

HSL 93.82, 0.4%, 0.73%

LAB 81.84, -20.1, 23.87

 

Description

Color code: HEX #9FD2D6 | qconv.com Color code: HEX #9FD2D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 210 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 210 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 2 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 2% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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