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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FC94E it is the complementary color #6036B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FC94E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FC94E shade: #A4C949, #B5DB5C, #C6ED6F, #D7FF82 and #E8FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FC94E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FC94E shade: #9FC94E, #8EB73B, #7DA528, #6C9315 and #5B8102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FC94E shade: #9FC94F, #C0C94F, #C9B14F, #C9904F and #C96F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FC94E shade: #9FC94F, #7EC94F, #5DC94F, #4FC961 and #4FC982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FC94E shade matches the following richer shades: #9FC94F, #A5DB3C and #ABEE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FC94E shade: #9FC94F, #99B661, #93A374, #8D9187 and #877E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FC94E shade: #C9B04F, #C0C94F, #A0C94F, #80C94F and #5FC94F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FC94E shade: #73972E, #8BB738, #9FC94F, #B0D26E and #C1DC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FC94E shade: #9FC94E, #4FC990 and #C04FC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FC94E shade: #9FC94E, #4FA0C9 and #C94FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FC94E shade: #9FC94E, #4FC990, #774FC9 and #C94F88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FC94E shade: #9FC94E, #4FC9B4, #774FC9 and #C94F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

Complementary color

CMYK 46 / 69 / 0 / 31

HEX #6036B1

RGB 96 54 177

HSL 260.49, 0.53%, 0.45%

LAB 34.6, 46.45, -58.87

 

CMYK 18 / 0 / 64 / 21

HEX #A4C949

RGB 164 201 73

HSL 77.34, 0.54%, 0.54%

LAB 76.16, -30.85, 57.92

 

CMYK 17 / 0 / 58 / 14

HEX #B5DB5C

RGB 181 219 92

HSL 77.95, 0.64%, 0.61%

LAB 82.52, -31.18, 57.11

 

CMYK 16 / 0 / 53 / 7

HEX #C6ED6F

RGB 198 237 111

HSL 78.57, 0.78%, 0.68%

LAB 88.79, -31.42, 56.13

 

CMYK 16 / 0 / 49 / 0

HEX #D7FF82

RGB 215 255 130

HSL 79.2, 1%, 0.75%

LAB 94.98, -31.59, 55.07

 

CMYK 9 / 0 / 42 / 0

HEX #E8FF95

RGB 232 255 149

HSL 73.02, 1%, 0.79%

LAB 96.35, -23.32, 48.06

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

CMYK 22 / 0 / 68 / 28

HEX #8EB73B

RGB 142 183 59

HSL 79.84, 0.51%, 0.47%

LAB 69.42, -32.06, 56.08

 

CMYK 24 / 0 / 76 / 35

HEX #7DA528

RGB 125 165 40

HSL 79.2, 0.61%, 0.4%

LAB 62.86, -31.56, 56.24

 

CMYK 27 / 0 / 86 / 42

HEX #6C9315

RGB 108 147 21

HSL 78.57, 0.75%, 0.33%

LAB 56.2, -30.85, 55.43

 

CMYK 29 / 0 / 98 / 49

HEX #5B8102

RGB 91 129 2

HSL 77.95, 0.97%, 0.26%

LAB 49.41, -29.89, 53.21

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94F

RGB 159 201 79

HSL 80.66, 0.53%, 0.55%

LAB 75.89, -32.33, 54.99

 

CMYK 4 / 0 / 61 / 21

HEX #C0C94F

RGB 192 201 79

HSL 64.43, 0.53%, 0.55%

LAB 78.2, -19.12, 58.18

 

CMYK 0 / 12 / 61 / 21

HEX #C9B14F

RGB 201 177 79

HSL 48.2, 0.53%, 0.55%

LAB 72.51, -3.05, 52.15

 

CMYK 0 / 28 / 61 / 21

HEX #C9904F

RGB 201 144 79

HSL 31.97, 0.53%, 0.55%

LAB 64.1, 14.71, 42.53

 

CMYK 0 / 45 / 61 / 21

HEX #C96F4F

RGB 201 111 79

HSL 15.74, 0.53%, 0.55%

LAB 56.44, 32.62, 33.31

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94F

RGB 159 201 79

HSL 80.66, 0.53%, 0.55%

LAB 75.89, -32.33, 54.99

 

CMYK 37 / 0 / 61 / 21

HEX #7EC94F

RGB 126 201 79

HSL 96.89, 0.53%, 0.55%

LAB 74.04, -44.31, 52.42

 

CMYK 54 / 0 / 61 / 21

HEX #5DC94F

RGB 93 201 79

HSL 113.11, 0.53%, 0.55%

LAB 72.67, -54.28, 50.5

 

CMYK 61 / 0 / 52 / 21

HEX #4FC961

RGB 79 201 97

HSL 128.85, 0.53%, 0.55%

LAB 72.43, -55.46, 41.74

 

CMYK 61 / 0 / 35 / 21

HEX #4FC982

RGB 79 201 130

HSL 145.08, 0.53%, 0.55%

LAB 72.92, -50.04, 25.63

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94F

RGB 159 201 79

HSL 80.66, 0.53%, 0.55%

LAB 75.89, -32.33, 54.99

 

CMYK 25 / 0 / 73 / 14

HEX #A5DB3C

RGB 165 219 60

HSL 80.38, 0.69%, 0.55%

LAB 81.29, -39.51, 68.09

 

CMYK 28 / 0 / 82 / 7

HEX #ABEE2A

RGB 171 238 42

HSL 80.51, 0.85%, 0.55%

LAB 86.98, -46.31, 78.63

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94F

RGB 159 201 79

HSL 80.66, 0.53%, 0.55%

LAB 75.89, -32.33, 54.99

 

CMYK 16 / 0 / 47 / 29

HEX #99B661

RGB 153 182 97

HSL 80.47, 0.37%, 0.55%

LAB 70.24, -23.81, 39.84

 

CMYK 10 / 0 / 29 / 36

HEX #93A374

RGB 147 163 116

HSL 80.43, 0.2%, 0.55%

LAB 64.69, -14, 22.61

 

CMYK 3 / 0 / 7 / 43

HEX #8D9187

RGB 141 145 135

HSL 84, 0.04%, 0.55%

LAB 59.58, -3.38, 4.79

 

CMYK 12 / 18 / 0 / 40

HEX #877E99

RGB 135 126 153

HSL 260, 0.12%, 0.55%

LAB 54.42, 8.95, -13.24

 

CMYK 0 / 12 / 61 / 21

HEX #C9B04F

RGB 201 176 79

HSL 47.7, 0.53%, 0.55%

LAB 72.25, -2.52, 51.85

 

CMYK 4 / 0 / 61 / 21

HEX #C0C94F

RGB 192 201 79

HSL 64.43, 0.53%, 0.55%

LAB 78.2, -19.12, 58.18

 

CMYK 20 / 0 / 61 / 21

HEX #A0C94F

RGB 160 201 79

HSL 80.16, 0.53%, 0.55%

LAB 75.95, -31.94, 55.08

 

CMYK 36 / 0 / 61 / 21

HEX #80C94F

RGB 128 201 79

HSL 95.9, 0.53%, 0.55%

LAB 74.14, -43.64, 52.56

 

CMYK 53 / 0 / 61 / 21

HEX #5FC94F

RGB 95 201 79

HSL 112.13, 0.53%, 0.55%

LAB 72.74, -53.75, 50.6

 

CMYK 24 / 0 / 70 / 41

HEX #73972E

RGB 115 151 46

HSL 80.57, 0.53%, 0.39%

LAB 58.01, -28.58, 48.98

 

CMYK 24 / 0 / 69 / 28

HEX #8BB738

RGB 139 183 56

HSL 80.79, 0.53%, 0.47%

LAB 69.21, -33.44, 56.98

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94F

RGB 159 201 79

HSL 80.66, 0.53%, 0.55%

LAB 75.89, -32.33, 54.99

 

CMYK 16 / 0 / 48 / 18

HEX #B0D26E

RGB 176 210 110

HSL 80.4, 0.53%, 0.63%

LAB 79.87, -27.13, 45.59

 

CMYK 12 / 0 / 35 / 14

HEX #C1DC8E

RGB 193 220 142

HSL 80.77, 0.53%, 0.71%

LAB 84.21, -21.79, 35.43

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

CMYK 61 / 0 / 28 / 21

HEX #4FC990

RGB 79 201 144

HSL 151.97, 0.53%, 0.55%

LAB 73.19, -47.26, 18.59

 

CMYK 4 / 61 / 0 / 21

HEX #C04FC9

RGB 192 79 201

HSL 295.57, 0.53%, 0.55%

LAB 52.97, 61.38, -42.72

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

CMYK 61 / 20 / 0 / 21

HEX #4FA0C9

RGB 79 160 201

HSL 200.16, 0.53%, 0.55%

LAB 62.53, -12.5, -28.45

 

CMYK 0 / 61 / 20 / 21

HEX #C94FA0

RGB 201 79 160

HSL 320.16, 0.53%, 0.55%

LAB 52.45, 57.18, -19.6

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

CMYK 61 / 0 / 28 / 21

HEX #4FC990

RGB 79 201 144

HSL 151.97, 0.53%, 0.55%

LAB 73.19, -47.26, 18.59

 

CMYK 41 / 61 / 0 / 21

HEX #774FC9

RGB 119 79 201

HSL 259.67, 0.53%, 0.55%

LAB 43.84, 44.06, -57.82

 

CMYK 0 / 61 / 32 / 21

HEX #C94F88

RGB 201 79 136

HSL 331.97, 0.53%, 0.55%

LAB 51.6, 54.02, -6.67

 

CMYK 21 / 0 / 61 / 21

HEX #9FC94E

RGB 159 201 78

HSL 80.49, 0.53%, 0.55%

LAB 75.88, -32.41, 55.42

 

CMYK 61 / 0 / 10 / 21

HEX #4FC9B4

RGB 79 201 180

HSL 169.67, 0.53%, 0.55%

LAB 74.02, -38.91, 0.39

 

CMYK 41 / 61 / 0 / 21

HEX #774FC9

RGB 119 79 201

HSL 259.67, 0.53%, 0.55%

LAB 43.84, 44.06, -57.82

 

CMYK 0 / 61 / 51 / 21

HEX #C94F63

RGB 201 79 99

HSL 350.16, 0.53%, 0.55%

LAB 50.58, 50.14, 14.05

 

Description

Color code: HEX #9FC94E | qconv.com Color code: HEX #9FC94E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 201 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 201 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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