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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBCDE it is the complementary color #604321. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBCDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBCDE shade: #A4BCD9, #B5CEEC, #C6E0FF, #D7F2FF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBCDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBCDE shade: #9FBCDE, #8EAACB, #7D98B8, #6C86A5 and #5B7492

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBCDE shade: #A0BCDE, #A0ABDE, #A4A0DE, #B5A0DE and #C6A0DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBCDE shade: #A0BCDE, #A0ABDE and #A0A0DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBCDE shade matches the following richer shades: #A0BCDE, #95BBE8, #8BBBF3 and #81BAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBCDE shade: #A0BCDE, #AABDD4, #B4BEC9, #BEBFBF and #C9C0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBCDE shade: #A0DEDE, #A0CDDE, #A0BDDE, #A0ACDE and #A4A0DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBCDE shade: #6291C9, #81A7D3, #A0BCDE, #BED2E9 and #DDE7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBCDE shade: #9FBCDE, #CDA0DE and #D6DEA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBCDE shade: #9FBCDE, #DEA0BD and #BDDEA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBCDE shade: #9FBCDE, #CDA0DE, #DEC1A0 and #B0DEA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBCDE shade: #9FBCDE, #DEA0DC, #DEC1A0 and #A0DEA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

Complementary color

CMYK 0 / 30 / 66 / 62

HEX #604321

RGB 96 67 33

HSL 32.38, 0.49%, 0.25%

LAB 30.9, 8.46, 25.26

 

CMYK 24 / 13 / 0 / 15

HEX #A4BCD9

RGB 164 188 217

HSL 212.83, 0.41%, 0.75%

LAB 75.37, -1.79, -17.24

 

CMYK 23 / 13 / 0 / 7

HEX #B5CEEC

RGB 181 206 236

HSL 212.73, 0.59%, 0.82%

LAB 81.85, -1.94, -17.57

 

CMYK 22 / 12 / 0 / 0

HEX #C6E0FF

RGB 198 224 255

HSL 212.63, 1%, 0.89%

LAB 88.23, -2.07, -17.91

 

CMYK 16 / 5 / 0 / 0

HEX #D7F2FF

RGB 215 242 255

HSL 199.5, 1%, 0.92%

LAB 93.96, -6.18, -9.23

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

CMYK 30 / 16 / 0 / 20

HEX #8EAACB

RGB 142 170 203

HSL 212.46, 0.37%, 0.68%

LAB 68.61, -1.92, -19.95

 

CMYK 32 / 17 / 0 / 28

HEX #7D98B8

RGB 125 152 184

HSL 212.54, 0.29%, 0.61%

LAB 61.89, -1.72, -19.69

 

CMYK 35 / 19 / 0 / 35

HEX #6C86A5

RGB 108 134 165

HSL 212.63, 0.24%, 0.54%

LAB 55.03, -1.49, -19.45

 

CMYK 38 / 21 / 0 / 43

HEX #5B7492

RGB 91 116 146

HSL 212.73, 0.23%, 0.46%

LAB 47.99, -1.22, -19.23

 

CMYK 28 / 15 / 0 / 13

HEX #A0BCDE

RGB 160 188 222

HSL 212.9, 0.48%, 0.75%

LAB 75.27, -1.81, -20.12

 

CMYK 28 / 23 / 0 / 13

HEX #A0ABDE

RGB 160 171 222

HSL 229.35, 0.48%, 0.75%

LAB 70.78, 7.51, -26.97

 

CMYK 26 / 28 / 0 / 13

HEX #A4A0DE

RGB 164 160 222

HSL 243.87, 0.48%, 0.75%

LAB 68.25, 14.86, -30.85

 

CMYK 18 / 28 / 0 / 13

HEX #B5A0DE

RGB 181 160 222

HSL 260.32, 0.48%, 0.75%

LAB 69.64, 20.02, -28.59

 

CMYK 11 / 28 / 0 / 13

HEX #C6A0DE

RGB 198 160 222

HSL 276.77, 0.48%, 0.75%

LAB 71.16, 25.35, -26.13

 

CMYK 28 / 15 / 0 / 13

HEX #A0BCDE

RGB 160 188 222

HSL 212.9, 0.48%, 0.75%

LAB 75.27, -1.81, -20.12

 

CMYK 28 / 23 / 0 / 13

HEX #A0ABDE

RGB 160 171 222

HSL 229.35, 0.48%, 0.75%

LAB 70.78, 7.51, -26.97

 

CMYK 28 / 28 / 0 / 13

HEX #A0A0DE

RGB 160 160 222

HSL 240, 0.48%, 0.75%

LAB 67.94, 13.68, -31.36

 

CMYK 28 / 15 / 0 / 13

HEX #A0BCDE

RGB 160 188 222

HSL 212.9, 0.48%, 0.75%

LAB 75.27, -1.81, -20.12

 

CMYK 36 / 19 / 0 / 9

HEX #95BBE8

RGB 149 187 232

HSL 212.53, 0.64%, 0.75%

LAB 74.67, -1.91, -26.52

 

CMYK 43 / 23 / 0 / 5

HEX #8BBBF3

RGB 139 187 243

HSL 212.31, 0.81%, 0.75%

LAB 74.51, -1.6, -32.76

 

CMYK 49 / 26 / 0 / 1

HEX #81BAFD

RGB 129 186 253

HSL 212.42, 0.97%, 0.75%

LAB 74.11, -0.62, -38.81

 

CMYK 28 / 15 / 0 / 13

HEX #A0BCDE

RGB 160 188 222

HSL 212.9, 0.48%, 0.75%

LAB 75.27, -1.81, -20.12

 

CMYK 20 / 11 / 0 / 17

HEX #AABDD4

RGB 170 189 212

HSL 212.86, 0.33%, 0.75%

LAB 75.88, -1.61, -13.72

 

CMYK 10 / 5 / 0 / 21

HEX #B4BEC9

RGB 180 190 201

HSL 211.43, 0.16%, 0.75%

LAB 76.53, -1.26, -6.72

 

CMYK 1 / 0 / 0 / 25

HEX #BEBFBF

RGB 190 191 191

HSL 180, 0.01%, 0.75%

LAB 77.26, -0.34, -0.13

 

CMYK 0 / 4 / 10 / 21

HEX #C9C0B5

RGB 201 192 181

HSL 33, 0.16%, 0.75%

LAB 78.14, 1.25, 6.66

 

CMYK 28 / 0 / 0 / 13

HEX #A0DEDE

RGB 160 222 222

HSL 180, 0.48%, 0.75%

LAB 84.48, -19.49, -6.34

 

CMYK 28 / 8 / 0 / 13

HEX #A0CDDE

RGB 160 205 222

HSL 196.45, 0.48%, 0.75%

LAB 79.85, -10.82, -13.23

 

CMYK 28 / 15 / 0 / 13

HEX #A0BDDE

RGB 160 189 222

HSL 211.94, 0.48%, 0.75%

LAB 75.54, -2.35, -19.72

 

CMYK 28 / 23 / 0 / 13

HEX #A0ACDE

RGB 160 172 222

HSL 228.39, 0.48%, 0.75%

LAB 71.04, 6.95, -26.57

 

CMYK 26 / 28 / 0 / 13

HEX #A4A0DE

RGB 164 160 222

HSL 243.87, 0.48%, 0.75%

LAB 68.25, 14.86, -30.85

 

CMYK 51 / 28 / 0 / 21

HEX #6291C9

RGB 98 145 201

HSL 212.62, 0.49%, 0.59%

LAB 59.03, -0.08, -33.8

 

CMYK 39 / 21 / 0 / 17

HEX #81A7D3

RGB 129 167 211

HSL 212.2, 0.48%, 0.67%

LAB 67.28, -1.86, -26.48

 

CMYK 28 / 15 / 0 / 13

HEX #A0BCDE

RGB 160 188 222

HSL 212.9, 0.48%, 0.75%

LAB 75.27, -1.81, -20.12

 

CMYK 18 / 10 / 0 / 9

HEX #BED2E9

RGB 190 210 233

HSL 212.09, 0.49%, 0.83%

LAB 83.4, -1.96, -13.58

 

CMYK 9 / 5 / 0 / 5

HEX #DDE7F3

RGB 221 231 243

HSL 212.73, 0.48%, 0.91%

LAB 91.23, -1.05, -6.97

 

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

CMYK 8 / 28 / 0 / 13

HEX #CDA0DE

RGB 205 160 222

HSL 283.55, 0.48%, 0.75%

LAB 71.82, 27.58, -25.05

 

CMYK 4 / 0 / 28 / 13

HEX #D6DEA0

RGB 214 222 160

HSL 67.74, 0.48%, 0.75%

LAB 86.54, -12.6, 29.59

 

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

CMYK 0 / 28 / 15 / 13

HEX #DEA0BD

RGB 222 160 189

HSL 331.94, 0.48%, 0.75%

LAB 72.46, 27.34, -5.76

 

CMYK 15 / 0 / 28 / 13

HEX #BDDEA0

RGB 189 222 160

HSL 91.94, 0.48%, 0.75%

LAB 84.79, -21.73, 26.93

 

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

CMYK 8 / 28 / 0 / 13

HEX #CDA0DE

RGB 205 160 222

HSL 283.55, 0.48%, 0.75%

LAB 71.82, 27.58, -25.05

 

CMYK 0 / 13 / 28 / 13

HEX #DEC1A0

RGB 222 193 160

HSL 31.94, 0.48%, 0.75%

LAB 79.73, 5.38, 20.42

 

CMYK 21 / 0 / 28 / 13

HEX #B0DEA0

RGB 176 222 160

HSL 104.52, 0.48%, 0.75%

LAB 83.97, -26.29, 25.68

 

CMYK 28 / 15 / 0 / 13

HEX #9FBCDE

RGB 159 188 222

HSL 212.38, 0.49%, 0.75%

LAB 75.21, -2.1, -20.23

 

CMYK 0 / 28 / 1 / 13

HEX #DEA0DC

RGB 222 160 220

HSL 301.94, 0.48%, 0.75%

LAB 73.44, 32.68, -21.34

 

CMYK 0 / 13 / 28 / 13

HEX #DEC1A0

RGB 222 193 160

HSL 31.94, 0.48%, 0.75%

LAB 79.73, 5.38, 20.42

 

CMYK 28 / 0 / 27 / 13

HEX #A0DEA2

RGB 160 222 162

HSL 121.94, 0.48%, 0.75%

LAB 83.09, -31.31, 23.28

 

Description

Color code: HEX #9FBCDE | qconv.com Color code: HEX #9FBCDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 188 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 188 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 15 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 15% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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