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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FB9DC it is the complementary color #604623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FB9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FB9DC shade: #A4B9D7, #B5CBEA, #C6DDFD, #D7EFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FB9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FB9DC shade: #9FB9DC, #8EA7C9, #7D95B6, #6C83A3 and #5B7190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FB9DC shade: #9DB8DB, #9DA7DB, #A49DDB, #B59DDB and #C69DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FB9DC shade: #9DB8DB, #9DA7DB and #9D9DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FB9DC shade matches the following richer shades: #9DB8DB, #92B6E6, #88B4F1 and #7DB3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FB9DC shade: #9DB8DB, #A8B9D1, #B2BBC6, #BDBCBB and #C8BEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FB9DC shade: #9DD9DB, #9DC9DB, #9DB8DB, #9DA7DB and #A39DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FB9DC shade: #608BC5, #7FA2D0, #9DB8DB, #BBCEE6 and #DAE4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FB9DC shade: #9FB9DC, #CD9DDB and #D1DB9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FB9DC shade: #9FB9DC, #DB9DB8 and #B8DB9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FB9DC shade: #9FB9DC, #CD9DDB, #DBC09D and #ACDB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FB9DC shade: #9FB9DC, #DB9DD7, #DBC09D and #9DDBA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

Complementary color

CMYK 0 / 27 / 64 / 62

HEX #604623

RGB 96 70 35

HSL 34.43, 0.47%, 0.26%

LAB 31.78, 6.75, 25.13

 

CMYK 24 / 14 / 0 / 16

HEX #A4B9D7

RGB 164 185 215

HSL 215.29, 0.39%, 0.74%

LAB 74.51, -0.63, -17.46

 

CMYK 23 / 13 / 0 / 8

HEX #B5CBEA

RGB 181 203 234

HSL 215.09, 0.56%, 0.81%

LAB 81, -0.8, -17.78

 

CMYK 22 / 13 / 0 / 1

HEX #C6DDFD

RGB 198 221 253

HSL 214.91, 0.93%, 0.88%

LAB 87.39, -0.95, -18.11

 

CMYK 16 / 6 / 0 / 0

HEX #D7EFFF

RGB 215 239 255

HSL 204, 1%, 0.92%

LAB 93.19, -4.65, -10.37

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

CMYK 29 / 17 / 0 / 21

HEX #8EA7C9

RGB 142 167 201

HSL 214.58, 0.35%, 0.67%

LAB 67.73, -0.76, -20.19

 

CMYK 31 / 18 / 0 / 29

HEX #7D95B6

RGB 125 149 182

HSL 214.74, 0.28%, 0.6%

LAB 60.99, -0.54, -19.95

 

CMYK 34 / 20 / 0 / 36

HEX #6C83A3

RGB 108 131 163

HSL 214.91, 0.23%, 0.53%

LAB 54.1, -0.29, -19.72

 

CMYK 37 / 22 / 0 / 44

HEX #5B7190

RGB 91 113 144

HSL 215.09, 0.23%, 0.46%

LAB 47.04, 0, -19.52

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 28 / 24 / 0 / 14

HEX #9DA7DB

RGB 157 167 219

HSL 230.32, 0.46%, 0.74%

LAB 69.41, 8.12, -27.45

 

CMYK 25 / 28 / 0 / 14

HEX #A49DDB

RGB 164 157 219

HSL 246.77, 0.46%, 0.74%

LAB 67.37, 15.83, -30.56

 

CMYK 17 / 28 / 0 / 14

HEX #B59DDB

RGB 181 157 219

HSL 263.23, 0.46%, 0.74%

LAB 68.79, 21.02, -28.25

 

CMYK 10 / 28 / 0 / 14

HEX #C69DDB

RGB 198 157 219

HSL 279.68, 0.46%, 0.74%

LAB 70.34, 26.38, -25.74

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 28 / 24 / 0 / 14

HEX #9DA7DB

RGB 157 167 219

HSL 230.32, 0.46%, 0.74%

LAB 69.41, 8.12, -27.45

 

CMYK 28 / 28 / 0 / 14

HEX #9D9DDB

RGB 157 157 219

HSL 240, 0.46%, 0.74%

LAB 66.82, 13.75, -31.45

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 37 / 21 / 0 / 10

HEX #92B6E6

RGB 146 182 230

HSL 214.29, 0.63%, 0.74%

LAB 73.08, -0.51, -27.9

 

CMYK 44 / 25 / 0 / 5

HEX #88B4F1

RGB 136 180 241

HSL 214.86, 0.79%, 0.74%

LAB 72.38, 0.95, -34.99

 

CMYK 50 / 29 / 0 / 1

HEX #7DB3FC

RGB 125 179 252

HSL 214.49, 0.95%, 0.74%

LAB 71.98, 2.06, -41.61

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 20 / 11 / 0 / 18

HEX #A8B9D1

RGB 168 185 209

HSL 215.12, 0.31%, 0.74%

LAB 74.59, -0.75, -14.05

 

CMYK 10 / 6 / 0 / 22

HEX #B2BBC6

RGB 178 187 198

HSL 213, 0.15%, 0.74%

LAB 75.5, -0.93, -6.62

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBB

RGB 189 188 187

HSL 30, 0.01%, 0.74%

LAB 76.3, 0.17, 0.62

 

CMYK 0 / 5 / 12 / 22

HEX #C8BEB0

RGB 200 190 176

HSL 35, 0.18%, 0.74%

LAB 77.42, 1.12, 8.32

 

CMYK 28 / 1 / 0 / 14

HEX #9DD9DB

RGB 157 217 219

HSL 181.94, 0.46%, 0.74%

LAB 82.86, -18.51, -7.15

 

CMYK 28 / 8 / 0 / 14

HEX #9DC9DB

RGB 157 201 219

HSL 197.42, 0.46%, 0.74%

LAB 78.49, -10.3, -13.66

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 28 / 24 / 0 / 14

HEX #9DA7DB

RGB 157 167 219

HSL 230.32, 0.46%, 0.74%

LAB 69.41, 8.12, -27.45

 

CMYK 26 / 28 / 0 / 14

HEX #A39DDB

RGB 163 157 219

HSL 245.81, 0.46%, 0.74%

LAB 67.29, 15.53, -30.69

 

CMYK 51 / 29 / 0 / 23

HEX #608BC5

RGB 96 139 197

HSL 214.46, 0.47%, 0.57%

LAB 57.06, 1.71, -34.63

 

CMYK 39 / 22 / 0 / 18

HEX #7FA2D0

RGB 127 162 208

HSL 214.07, 0.46%, 0.66%

LAB 65.68, -0.42, -27.3

 

CMYK 28 / 16 / 0 / 14

HEX #9DB8DB

RGB 157 184 219

HSL 213.87, 0.46%, 0.74%

LAB 73.91, -1.25, -20.58

 

CMYK 19 / 10 / 0 / 10

HEX #BBCEE6

RGB 187 206 230

HSL 213.49, 0.46%, 0.82%

LAB 82.07, -1.43, -14.01

 

CMYK 10 / 5 / 0 / 5

HEX #DAE4F1

RGB 218 228 241

HSL 213.91, 0.45%, 0.9%

LAB 90.2, -0.86, -7.47

 

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

CMYK 6 / 28 / 0 / 14

HEX #CD9DDB

RGB 205 157 219

HSL 286.45, 0.46%, 0.74%

LAB 71.01, 28.62, -24.64

 

CMYK 5 / 0 / 28 / 14

HEX #D1DB9D

RGB 209 219 157

HSL 69.68, 0.46%, 0.74%

LAB 85.33, -13.36, 29.44

 

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

CMYK 0 / 28 / 16 / 14

HEX #DB9DB8

RGB 219 157 184

HSL 333.87, 0.46%, 0.74%

LAB 71.31, 27.1, -4.74

 

CMYK 16 / 0 / 28 / 14

HEX #B8DB9D

RGB 184 219 157

HSL 93.87, 0.46%, 0.74%

LAB 83.59, -22.49, 26.8

 

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

CMYK 6 / 28 / 0 / 14

HEX #CD9DDB

RGB 205 157 219

HSL 286.45, 0.46%, 0.74%

LAB 71.01, 28.62, -24.64

 

CMYK 0 / 12 / 28 / 14

HEX #DBC09D

RGB 219 192 157

HSL 33.87, 0.46%, 0.74%

LAB 79.15, 4.36, 21.18

 

CMYK 21 / 0 / 28 / 14

HEX #ACDB9D

RGB 172 219 157

HSL 105.48, 0.46%, 0.74%

LAB 82.84, -26.69, 25.66

 

CMYK 28 / 16 / 0 / 14

HEX #9FB9DC

RGB 159 185 220

HSL 214.43, 0.47%, 0.74%

LAB 74.34, -0.96, -20.46

 

CMYK 0 / 28 / 2 / 14

HEX #DB9DD7

RGB 219 157 215

HSL 303.87, 0.46%, 0.74%

LAB 72.28, 32.4, -20.38

 

CMYK 0 / 12 / 28 / 14

HEX #DBC09D

RGB 219 192 157

HSL 33.87, 0.46%, 0.74%

LAB 79.15, 4.36, 21.18

 

CMYK 28 / 0 / 26 / 14

HEX #9DDBA1

RGB 157 219 161

HSL 123.87, 0.46%, 0.74%

LAB 82.06, -31.04, 22.36

 

Description

Color code: HEX #9FB9DC | qconv.com Color code: HEX #9FB9DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 185 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 185 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 16 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 16% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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