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Color name
HEX #9F9E9A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9E9A it is the complementary color #606165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9E9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9E9A shade: #A49E95, #B5B0A8, #C6C2BB, #D7D4CE and #E8E6E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9E9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9E9A shade: #9F9E9A, #8E8C87, #7D7A74, #6C6861 and #5B564E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9E9A shade: #9E9D98, #9E9B98, #9E9A98 and #9E9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9E9A shade: #9E9D98, #9E9E98, #9C9E98, #9A9E98 and #999E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9E9A shade matches the following richer shades: #9E9D98, #AEA688, #BEB078, #CEBA68 and #DEC358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9E9A shade: #9E9D98, #8E93A8, #7E8AB8, #6E80C8 and #5E76D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9E9A shade: #9E9A98, #9E9B98, #9E9D98, #9E9E98 and #9C9E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9E9A shade: #75746E, #8A8983, #9E9D98, #B2B1AD and #C6C5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9E9A shade: #9F9E9A, #989E98 and #9A989E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9E9A shade: #9F9E9A, #989E9D and #9D989E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9E9A shade: #9F9E9A, #989E98, #98999E and #9E989E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9E9A shade: #9F9E9A, #989E9A, #98999E and #9E989C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

Complementary color

CMYK 5 / 4 / 0 / 60

HEX #606165

RGB 96 97 101

HSL 228, 0.03%, 0.39%

LAB 41.18, 0.47, -2.41

 

CMYK 0 / 4 / 9 / 36

HEX #A49E95

RGB 164 158 149

HSL 36, 0.08%, 0.61%

LAB 65.37, 0.55, 5.47

 

CMYK 0 / 3 / 7 / 29

HEX #B5B0A8

RGB 181 176 168

HSL 36.92, 0.08%, 0.68%

LAB 72.03, 0.34, 4.71

 

CMYK 0 / 2 / 6 / 22

HEX #C6C2BB

RGB 198 194 187

HSL 38.18, 0.09%, 0.75%

LAB 78.56, 0.15, 4

 

CMYK 0 / 1 / 4 / 16

HEX #D7D4CE

RGB 215 212 206

HSL 40, 0.1%, 0.83%

LAB 84.99, -0.03, 3.32

 

CMYK 0 / 1 / 3 / 9

HEX #E8E6E1

RGB 232 230 225

HSL 42.86, 0.13%, 0.9%

LAB 91.32, -0.2, 2.66

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 0 / 1 / 5 / 44

HEX #8E8C87

RGB 142 140 135

HSL 42.86, 0.03%, 0.54%

LAB 58.28, -0.21, 2.92

 

CMYK 0 / 2 / 7 / 51

HEX #7D7A74

RGB 125 122 116

HSL 40, 0.04%, 0.47%

LAB 51.31, -0.01, 3.68

 

CMYK 0 / 4 / 10 / 58

HEX #6C6861

RGB 108 104 97

HSL 38.18, 0.05%, 0.4%

LAB 44.16, 0.21, 4.49

 

CMYK 0 / 5 / 14 / 64

HEX #5B564E

RGB 91 86 78

HSL 36.92, 0.08%, 0.33%

LAB 36.8, 0.46, 5.38

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 2 / 4 / 38

HEX #9E9B98

RGB 158 155 152

HSL 30, 0.03%, 0.61%

LAB 64.14, 0.53, 1.95

 

CMYK 0 / 3 / 4 / 38

HEX #9E9A98

RGB 158 154 152

HSL 20, 0.03%, 0.61%

LAB 63.87, 1.08, 1.56

 

CMYK 0 / 4 / 4 / 38

HEX #9E9898

RGB 158 152 152

HSL 0, 0.03%, 0.61%

LAB 63.34, 2.19, 0.77

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 0 / 4 / 38

HEX #9E9E98

RGB 158 158 152

HSL 60, 0.03%, 0.61%

LAB 64.95, -1.12, 3.12

 

CMYK 1 / 0 / 4 / 38

HEX #9C9E98

RGB 156 158 152

HSL 80, 0.03%, 0.61%

LAB 64.79, -1.85, 2.87

 

CMYK 3 / 0 / 4 / 38

HEX #9A9E98

RGB 154 158 152

HSL 100, 0.03%, 0.61%

LAB 64.64, -2.58, 2.62

 

CMYK 3 / 0 / 4 / 38

HEX #999E98

RGB 153 158 152

HSL 110, 0.03%, 0.61%

LAB 64.56, -2.94, 2.5

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 5 / 22 / 32

HEX #AEA688

RGB 174 166 136

HSL 47.37, 0.19%, 0.61%

LAB 68.06, -2.11, 16.6

 

CMYK 0 / 7 / 37 / 25

HEX #BEB078

RGB 190 176 120

HSL 48, 0.35%, 0.61%

LAB 71.79, -3.26, 30.52

 

CMYK 0 / 10 / 50 / 19

HEX #CEBA68

RGB 206 186 104

HSL 48.24, 0.51%, 0.61%

LAB 75.6, -3.66, 43.86

 

CMYK 0 / 12 / 60 / 13

HEX #DEC358

RGB 222 195 88

HSL 47.91, 0.67%, 0.61%

LAB 79.19, -2.95, 56.03

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 15 / 13 / 0 / 34

HEX #8E93A8

RGB 142 147 168

HSL 228.46, 0.13%, 0.61%

LAB 61.17, 2.63, -11.62

 

CMYK 32 / 25 / 0 / 28

HEX #7E8AB8

RGB 126 138 184

HSL 227.59, 0.29%, 0.61%

LAB 58.11, 6.58, -25.49

 

CMYK 45 / 36 / 0 / 22

HEX #6E80C8

RGB 110 128 200

HSL 228, 0.45%, 0.61%

LAB 54.99, 12.53, -39.51

 

CMYK 56 / 45 / 0 / 15

HEX #5E76D8

RGB 94 118 216

HSL 228.2, 0.61%, 0.61%

LAB 52.17, 19.94, -53.12

 

CMYK 0 / 3 / 4 / 38

HEX #9E9A98

RGB 158 154 152

HSL 20, 0.03%, 0.61%

LAB 63.87, 1.08, 1.56

 

CMYK 0 / 2 / 4 / 38

HEX #9E9B98

RGB 158 155 152

HSL 30, 0.03%, 0.61%

LAB 64.14, 0.53, 1.95

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 0 / 4 / 38

HEX #9E9E98

RGB 158 158 152

HSL 60, 0.03%, 0.61%

LAB 64.95, -1.12, 3.12

 

CMYK 1 / 0 / 4 / 38

HEX #9C9E98

RGB 156 158 152

HSL 80, 0.03%, 0.61%

LAB 64.79, -1.85, 2.87

 

CMYK 0 / 1 / 6 / 54

HEX #75746E

RGB 117 116 110

HSL 51.43, 0.03%, 0.45%

LAB 48.76, -0.79, 3.44

 

CMYK 0 / 1 / 5 / 46

HEX #8A8983

RGB 138 137 131

HSL 51.43, 0.03%, 0.53%

LAB 57.01, -0.78, 3.34

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 1 / 3 / 30

HEX #B2B1AD

RGB 178 177 173

HSL 48, 0.03%, 0.69%

LAB 72.18, -0.38, 2.16

 

CMYK 0 / 1 / 2 / 22

HEX #C6C5C3

RGB 198 197 195

HSL 40, 0.03%, 0.77%

LAB 79.54, -0.01, 1.11

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 3 / 4 / 0 / 38

HEX #9A989E

RGB 154 152 158

HSL 260, 0.03%, 0.61%

LAB 63.17, 1.89, -2.89

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 1 / 38

HEX #989E9D

RGB 152 158 157

HSL 170, 0.03%, 0.61%

LAB 64.61, -2.34, -0.23

 

CMYK 1 / 4 / 0 / 38

HEX #9D989E

RGB 157 152 158

HSL 290, 0.03%, 0.61%

LAB 63.42, 2.97, -2.5

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 4 / 3 / 0 / 38

HEX #98999E

RGB 152 153 158

HSL 230, 0.03%, 0.61%

LAB 63.28, 0.62, -2.75

 

CMYK 0 / 4 / 0 / 38

HEX #9E989E

RGB 158 152 158

HSL 300, 0.03%, 0.61%

LAB 63.5, 3.33, -2.37

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 3 / 38

HEX #989E9A

RGB 152 158 154

HSL 140, 0.03%, 0.61%

LAB 64.53, -2.92, 1.33

 

CMYK 4 / 3 / 0 / 38

HEX #98999E

RGB 152 153 158

HSL 230, 0.03%, 0.61%

LAB 63.28, 0.62, -2.75

 

CMYK 0 / 4 / 1 / 38

HEX #9E989C

RGB 158 152 156

HSL 320, 0.03%, 0.61%

LAB 63.45, 2.95, -1.32

 

Description

Color code: HEX #9F9E9A | qconv.com Color code: HEX #9F9E9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 158 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 158 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 3 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 3% 38% C M Y K

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Provide designers and agencies with accurate color values.

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