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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9BA4 it is the complementary color #60645B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9BA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9BA4 shade: #A49B9F, #B5ADB2, #C6BFC5, #D7D1D8 and #E8E3EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9BA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9BA4 shade: #9F9BA4, #8E8991, #7D777E, #6C656B and #5B5358

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9BA4 shade: #A09BA5, #A29BA5, #A59BA5, #A59BA2 and #A59BA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9BA4 shade: #A09BA5, #9D9BA5 and #9B9BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9BA4 shade matches the following richer shades: #A09BA5, #9E8CB4, #9C7DC3, #9B6ED3 and #995EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9BA4 shade: #A09BA5, #A1AB96, #A3BA86, #A5C977 and #A6D868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9BA4 shade: #9B9CA5, #9D9BA5, #A09BA5, #A29BA5 and #A59BA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9BA4 shade: #76717D, #8B8691, #A09BA5, #B4B1B8 and #C9C7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9BA4 shade: #9F9BA4, #A59B9F and #9BA59C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9BA4 shade: #9F9BA4, #A5A09B and #9BA5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9BA4 shade: #9F9BA4, #A59B9F, #A1A59B and #9BA5A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9BA4 shade: #9F9BA4, #A59B9C, #A1A59B and #9BA5A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

Complementary color

CMYK 4 / 0 / 9 / 61

HEX #60645B

RGB 96 100 91

HSL 86.67, 0.05%, 0.37%

LAB 41.78, -3.4, 4.56

 

CMYK 0 / 5 / 3 / 36

HEX #A49B9F

RGB 164 155 159

HSL 333.33, 0.05%, 0.63%

LAB 64.83, 4.02, -0.92

 

CMYK 0 / 4 / 2 / 29

HEX #B5ADB2

RGB 181 173 178

HSL 322.5, 0.05%, 0.69%

LAB 71.5, 3.77, -1.55

 

CMYK 0 / 4 / 1 / 22

HEX #C6BFC5

RGB 198 191 197

HSL 308.57, 0.06%, 0.76%

LAB 78.05, 3.54, -2.15

 

CMYK 0 / 3 / 0 / 15

HEX #D7D1D8

RGB 215 209 216

HSL 291.43, 0.08%, 0.83%

LAB 84.49, 3.32, -2.73

 

CMYK 1 / 3 / 0 / 8

HEX #E8E3EB

RGB 232 227 235

HSL 277.5, 0.17%, 0.91%

LAB 90.82, 3.12, -3.3

 

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

CMYK 2 / 6 / 0 / 43

HEX #8E8991

RGB 142 137 145

HSL 277.5, 0.04%, 0.55%

LAB 57.74, 3.42, -3.61

 

CMYK 1 / 6 / 0 / 51

HEX #7D777E

RGB 125 119 126

HSL 291.43, 0.03%, 0.48%

LAB 50.76, 3.68, -3.01

 

CMYK 0 / 6 / 1 / 58

HEX #6C656B

RGB 108 101 107

HSL 308.57, 0.03%, 0.41%

LAB 43.59, 3.97, -2.39

 

CMYK 0 / 9 / 3 / 64

HEX #5B5358

RGB 91 83 88

HSL 322.5, 0.05%, 0.34%

LAB 36.21, 4.29, -1.73

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 2 / 6 / 0 / 35

HEX #A29BA5

RGB 162 155 165

HSL 282, 0.05%, 0.63%

LAB 64.84, 4.45, -4.31

 

CMYK 0 / 6 / 0 / 35

HEX #A59BA5

RGB 165 155 165

HSL 300, 0.05%, 0.63%

LAB 65.09, 5.52, -3.9

 

CMYK 0 / 6 / 2 / 35

HEX #A59BA2

RGB 165 155 162

HSL 318, 0.05%, 0.63%

LAB 65, 4.95, -2.35

 

CMYK 0 / 6 / 3 / 35

HEX #A59BA0

RGB 165 155 160

HSL 330, 0.05%, 0.63%

LAB 64.95, 4.57, -1.31

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 5 / 6 / 0 / 35

HEX #9D9BA5

RGB 157 155 165

HSL 252, 0.05%, 0.63%

LAB 64.43, 2.68, -4.96

 

CMYK 6 / 6 / 0 / 35

HEX #9B9BA5

RGB 155 155 165

HSL 240, 0.05%, 0.63%

LAB 64.26, 1.98, -5.21

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 12 / 22 / 0 / 29

HEX #9E8CB4

RGB 158 140 180

HSL 267, 0.21%, 0.63%

LAB 61.06, 14.64, -18.46

 

CMYK 20 / 36 / 0 / 24

HEX #9C7DC3

RGB 156 125 195

HSL 266.57, 0.37%, 0.63%

LAB 57.73, 25.99, -32.12

 

CMYK 27 / 48 / 0 / 17

HEX #9B6ED3

RGB 155 110 211

HSL 266.73, 0.53%, 0.63%

LAB 54.89, 38.06, -45.66

 

CMYK 32 / 58 / 0 / 11

HEX #995EE2

RGB 153 94 226

HSL 266.82, 0.69%, 0.63%

LAB 52.14, 49.98, -58.55

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 6 / 0 / 12 / 33

HEX #A1AB96

RGB 161 171 150

HSL 88.57, 0.11%, 0.63%

LAB 68.68, -7.43, 9.61

 

CMYK 12 / 0 / 28 / 27

HEX #A3BA86

RGB 163 186 134

HSL 86.54, 0.27%, 0.63%

LAB 72.64, -17.12, 23.83

 

CMYK 18 / 0 / 41 / 21

HEX #A5C977

RGB 165 201 119

HSL 86.34, 0.43%, 0.63%

LAB 76.74, -25.89, 37.07

 

CMYK 23 / 0 / 52 / 15

HEX #A6D868

RGB 166 216 104

HSL 86.79, 0.59%, 0.63%

LAB 80.86, -34.32, 49.5

 

CMYK 6 / 5 / 0 / 35

HEX #9B9CA5

RGB 155 156 165

HSL 234, 0.05%, 0.63%

LAB 64.53, 1.42, -4.82

 

CMYK 5 / 6 / 0 / 35

HEX #9D9BA5

RGB 157 155 165

HSL 252, 0.05%, 0.63%

LAB 64.43, 2.68, -4.96

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 2 / 6 / 0 / 35

HEX #A29BA5

RGB 162 155 165

HSL 282, 0.05%, 0.63%

LAB 64.84, 4.45, -4.31

 

CMYK 0 / 6 / 0 / 35

HEX #A59BA5

RGB 165 155 165

HSL 300, 0.05%, 0.63%

LAB 65.09, 5.52, -3.9

 

CMYK 6 / 10 / 0 / 51

HEX #76717D

RGB 118 113 125

HSL 265, 0.05%, 0.47%

LAB 48.44, 4.39, -5.92

 

CMYK 4 / 8 / 0 / 43

HEX #8B8691

RGB 139 134 145

HSL 267.27, 0.05%, 0.55%

LAB 56.67, 4.05, -5.22

 

CMYK 3 / 6 / 0 / 35

HEX #A09BA5

RGB 160 155 165

HSL 270, 0.05%, 0.63%

LAB 64.67, 3.74, -4.57

 

CMYK 2 / 4 / 0 / 28

HEX #B4B1B8

RGB 180 177 184

HSL 265.71, 0.05%, 0.71%

LAB 72.63, 2.38, -3.19

 

CMYK 1 / 2 / 0 / 20

HEX #C9C7CC

RGB 201 199 204

HSL 264, 0.05%, 0.79%

LAB 80.53, 1.61, -2.26

 

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

CMYK 0 / 6 / 4 / 35

HEX #A59B9F

RGB 165 155 159

HSL 336, 0.05%, 0.63%

LAB 64.92, 4.39, -0.78

 

CMYK 6 / 0 / 5 / 35

HEX #9BA59C

RGB 155 165 156

HSL 126, 0.05%, 0.63%

LAB 66.73, -5.28, 3.43

 

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

CMYK 0 / 3 / 6 / 35

HEX #A5A09B

RGB 165 160 155

HSL 30, 0.05%, 0.63%

LAB 66.14, 0.89, 3.24

 

CMYK 6 / 0 / 3 / 35

HEX #9BA5A0

RGB 155 165 160

HSL 150, 0.05%, 0.63%

LAB 66.84, -4.51, 1.36

 

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

CMYK 0 / 6 / 4 / 35

HEX #A59B9F

RGB 165 155 159

HSL 336, 0.05%, 0.63%

LAB 64.92, 4.39, -0.78

 

CMYK 2 / 0 / 6 / 35

HEX #A1A59B

RGB 161 165 155

HSL 84, 0.05%, 0.63%

LAB 67.17, -3.3, 4.68

 

CMYK 6 / 0 / 2 / 35

HEX #9BA5A1

RGB 155 165 161

HSL 156, 0.05%, 0.63%

LAB 66.86, -4.32, 0.84

 

CMYK 3 / 5 / 0 / 36

HEX #9F9BA4

RGB 159 155 164

HSL 266.67, 0.05%, 0.63%

LAB 64.56, 3.19, -4.18

 

CMYK 0 / 6 / 5 / 35

HEX #A59B9C

RGB 165 155 156

HSL 354, 0.05%, 0.63%

LAB 64.84, 3.83, 0.78

 

CMYK 2 / 0 / 6 / 35

HEX #A1A59B

RGB 161 165 155

HSL 84, 0.05%, 0.63%

LAB 67.17, -3.3, 4.68

 

CMYK 6 / 0 / 1 / 35

HEX #9BA5A4

RGB 155 165 164

HSL 174, 0.05%, 0.63%

LAB 66.94, -3.72, -0.71

 

Description

Color code: HEX #9F9BA4 | qconv.com Color code: HEX #9F9BA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 155 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 155 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 5 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 5% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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