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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9B31 it is the complementary color #6064CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9B31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9B31 shade: #A49B2C, #B5AD3F, #C6BF52, #D7D165 and #E8E378

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9B31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9B31 shade: #9F9B31, #8E891E, #7D770B, #6C6500 and #5B5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9B31 shade: #9F9B31, #9F7E31, #9F6031, #9F4231 and #9F3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9B31 shade: #9F9B31, #869F31, #689F31, #4A9F31 and #319F35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9B31 shade matches the following richer shades: #9F9B31, #B0AB20 and #C1BB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9B31 shade: #9F9B31, #8F8C42, #7E7C52, #6D6C63 and #5C5D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9B31 shade: #9F5F31, #9F7C31, #9F9A31, #879F31 and #6A9F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9B31 shade: #605E1D, #807D27, #9F9B31, #BFBA3A and #CBC757

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9B31 shade: #9F9B31, #319F41 and #6E319F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9B31 shade: #9F9B31, #319F9A and #9A319F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9B31 shade: #9F9B31, #319F41, #31369F and #9F318F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9B31 shade: #9F9B31, #319F63, #31369F and #9F316E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

Complementary color

CMYK 53 / 51 / 0 / 19

HEX #6064CE

RGB 96 100 206

HSL 237.82, 0.53%, 0.59%

LAB 47.05, 28.19, -55.64

 

CMYK 0 / 5 / 73 / 36

HEX #A49B2C

RGB 164 155 44

HSL 55.5, 0.58%, 0.41%

LAB 62.94, -9.62, 55.92

 

CMYK 0 / 4 / 65 / 29

HEX #B5AD3F

RGB 181 173 63

HSL 55.93, 0.48%, 0.48%

LAB 69.52, -10.59, 55.45

 

CMYK 0 / 4 / 59 / 22

HEX #C6BF52

RGB 198 191 82

HSL 56.38, 0.5%, 0.55%

LAB 75.99, -11.37, 54.59

 

CMYK 0 / 3 / 53 / 16

HEX #D7D165

RGB 215 209 101

HSL 56.84, 0.59%, 0.62%

LAB 82.37, -12.02, 53.54

 

CMYK 0 / 2 / 48 / 9

HEX #E8E378

RGB 232 227 120

HSL 57.32, 0.71%, 0.69%

LAB 88.66, -12.57, 52.42

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 0 / 4 / 79 / 44

HEX #8E891E

RGB 142 137 30

HSL 57.32, 0.65%, 0.34%

LAB 55.82, -10.53, 53.49

 

CMYK 0 / 5 / 91 / 51

HEX #7D770B

RGB 125 119 11

HSL 56.84, 0.84%, 0.27%

LAB 48.98, -9.2, 52.22

 

CMYK 0 / 6 / 100 / 58

HEX #6C6500

RGB 108 101 0

HSL 56.11, 1%, 0.21%

LAB 41.99, -7.51, 48.66

 

CMYK 0 / 9 / 100 / 64

HEX #5B5300

RGB 91 83 0

HSL 54.73, 1%, 0.18%

LAB 34.82, -5.49, 42.72

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 0 / 21 / 69 / 38

HEX #9F7E31

RGB 159 126 49

HSL 42, 0.53%, 0.41%

LAB 54.57, 4.27, 45.25

 

CMYK 0 / 40 / 69 / 38

HEX #9F6031

RGB 159 96 49

HSL 25.64, 0.53%, 0.41%

LAB 46.92, 21.33, 36.95

 

CMYK 0 / 58 / 69 / 38

HEX #9F4231

RGB 159 66 49

HSL 9.27, 0.53%, 0.41%

LAB 40.39, 37.54, 29.45

 

CMYK 0 / 69 / 69 / 38

HEX #9F3131

RGB 159 49 49

HSL 0, 0.53%, 0.41%

LAB 37.46, 45.36, 25.94

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 16 / 0 / 69 / 38

HEX #869F31

RGB 134 159 49

HSL 73.64, 0.53%, 0.41%

LAB 61.73, -24.44, 51.99

 

CMYK 35 / 0 / 69 / 38

HEX #689F31

RGB 104 159 49

HSL 90, 0.53%, 0.41%

LAB 59.85, -36.35, 49.46

 

CMYK 53 / 0 / 69 / 38

HEX #4A9F31

RGB 74 159 49

HSL 106.36, 0.53%, 0.41%

LAB 58.48, -46.27, 47.6

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 0 / 3 / 82 / 31

HEX #B0AB20

RGB 176 171 32

HSL 57.92, 0.69%, 0.41%

LAB 68.36, -13.16, 65.08

 

CMYK 0 / 3 / 92 / 24

HEX #C1BB0F

RGB 193 187 15

HSL 57.98, 0.86%, 0.41%

LAB 74.13, -14.29, 73.76

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 0 / 2 / 54 / 44

HEX #8F8C42

RGB 143 140 66

HSL 57.66, 0.37%, 0.41%

LAB 57.06, -9.39, 39.39

 

CMYK 0 / 2 / 35 / 51

HEX #7E7C52

RGB 126 124 82

HSL 57.27, 0.21%, 0.41%

LAB 51.22, -6.2, 23.25

 

CMYK 0 / 1 / 9 / 57

HEX #6D6C63

RGB 109 108 99

HSL 54, 0.05%, 0.41%

LAB 45.47, -1.37, 5.17

 

CMYK 21 / 20 / 0 / 55

HEX #5C5D74

RGB 92 93 116

HSL 237.5, 0.12%, 0.41%

LAB 40.19, 4.97, -13.12

 

CMYK 0 / 40 / 69 / 38

HEX #9F5F31

RGB 159 95 49

HSL 25.09, 0.53%, 0.41%

LAB 46.68, 21.89, 36.68

 

CMYK 0 / 22 / 69 / 38

HEX #9F7C31

RGB 159 124 49

HSL 40.91, 0.53%, 0.41%

LAB 54.04, 5.4, 44.68

 

CMYK 0 / 3 / 69 / 38

HEX #9F9A31

RGB 159 154 49

HSL 57.27, 0.53%, 0.41%

LAB 62.26, -11.05, 53.16

 

CMYK 15 / 0 / 69 / 38

HEX #879F31

RGB 135 159 49

HSL 73.09, 0.53%, 0.41%

LAB 61.8, -24.02, 52.08

 

CMYK 33 / 0 / 69 / 38

HEX #6A9F31

RGB 106 159 49

HSL 88.91, 0.53%, 0.41%

LAB 59.96, -35.61, 49.61

 

CMYK 0 / 2 / 70 / 62

HEX #605E1D

RGB 96 94 29

HSL 58.21, 0.54%, 0.25%

LAB 38.87, -8.19, 36.07

 

CMYK 0 / 2 / 70 / 50

HEX #807D27

RGB 128 125 39

HSL 57.98, 0.53%, 0.33%

LAB 51.16, -9.97, 45.18

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 0 / 3 / 70 / 25

HEX #BFBA3A

RGB 191 186 58

HSL 57.74, 0.53%, 0.49%

LAB 73.87, -13.27, 62.14

 

CMYK 0 / 2 / 57 / 20

HEX #CBC757

RGB 203 199 87

HSL 57.93, 0.53%, 0.57%

LAB 78.6, -13, 55.36

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 69 / 0 / 59 / 38

HEX #319F41

RGB 49 159 65

HSL 128.73, 0.53%, 0.41%

LAB 57.88, -50.54, 39.56

 

CMYK 31 / 69 / 0 / 38

HEX #6E319F

RGB 110 49 159

HSL 273.27, 0.53%, 0.41%

LAB 34.01, 47.13, -48.95

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 69 / 0 / 3 / 38

HEX #319F9A

RGB 49 159 154

HSL 177.27, 0.53%, 0.41%

LAB 59.69, -31.37, -6.38

 

CMYK 3 / 69 / 0 / 38

HEX #9A319F

RGB 154 49 159

HSL 297.27, 0.53%, 0.41%

LAB 40.52, 57.1, -38.16

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 69 / 0 / 59 / 38

HEX #319F41

RGB 49 159 65

HSL 128.73, 0.53%, 0.41%

LAB 57.88, -50.54, 39.56

 

CMYK 69 / 66 / 0 / 38

HEX #31369F

RGB 49 54 159

HSL 237.27, 0.53%, 0.41%

LAB 28.89, 33.09, -57.56

 

CMYK 0 / 69 / 10 / 38

HEX #9F318F

RGB 159 49 143

HSL 308.73, 0.53%, 0.41%

LAB 40.49, 55.64, -28.47

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 69 / 0 / 38 / 38

HEX #319F63

RGB 49 159 99

HSL 147.27, 0.53%, 0.41%

LAB 58.37, -44.95, 22.57

 

CMYK 69 / 66 / 0 / 38

HEX #31369F

RGB 49 54 159

HSL 237.27, 0.53%, 0.41%

LAB 28.89, 33.09, -57.56

 

CMYK 0 / 69 / 31 / 38

HEX #9F316E

RGB 159 49 110

HSL 326.73, 0.53%, 0.41%

LAB 39.06, 50.92, -10.29

 

Description

Color code: HEX #9F9B31 | qconv.com Color code: HEX #9F9B31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 155 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 155 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 69 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 69% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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