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Color name
HEX #9F980D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F980D it is the complementary color #6067F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F980D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F980D shade: #A49808, #B5AA1B, #C6BC2E, #D7CE41 and #E8E054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F980D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F980D shade: #9F980D, #8E8600, #7D7400, #6C6200 and #5B5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F980D shade: #A0990D, #A0710D, #A0490D, #A0220D and #A00D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F980D shade: #A0990D, #7FA00D, #57A00D, #30A00D and #0DA011

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F980D shade matches the following richer shades: #A0990D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F980D shade: #A0990D, #928C1B, #847F29, #767337 and #686645

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F980D shade: #A04A0D, #A0710D, #A0990D, #80A00D and #59A00D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F980D shade: #545006, #7A7409, #A0990D, #C6BD10 and #EBE113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F980D shade: #9F980D, #0DA023 and #5E0DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F980D shade: #9F980D, #0DA099 and #990DA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F980D shade: #9F980D, #0DA023, #0D14A0 and #A00D8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F980D shade: #9F980D, #0DA04F, #0D14A0 and #A00D5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

Complementary color

CMYK 60 / 57 / 0 / 5

HEX #6067F2

RGB 96 103 242

HSL 237.12, 0.85%, 0.66%

LAB 50.21, 37.92, -70.88

 

CMYK 0 / 7 / 95 / 36

HEX #A49808

RGB 164 152 8

HSL 55.38, 0.91%, 0.34%

LAB 61.97, -9.1, 64.32

 

CMYK 0 / 6 / 85 / 29

HEX #B5AA1B

RGB 181 170 27

HSL 55.71, 0.74%, 0.41%

LAB 68.5, -10.58, 66.63

 

CMYK 0 / 5 / 77 / 22

HEX #C6BC2E

RGB 198 188 46

HSL 56.05, 0.62%, 0.48%

LAB 74.93, -11.82, 67.51

 

CMYK 0 / 4 / 70 / 16

HEX #D7CE41

RGB 215 206 65

HSL 56.4, 0.65%, 0.55%

LAB 81.28, -12.86, 67.51

 

CMYK 0 / 3 / 64 / 9

HEX #E8E054

RGB 232 224 84

HSL 56.76, 0.76%, 0.62%

LAB 87.54, -13.74, 67.01

 

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

CMYK 0 / 6 / 100 / 44

HEX #8E8600

RGB 142 134 0

HSL 56.62, 1%, 0.28%

LAB 54.87, -9.66, 59.43

 

CMYK 0 / 7 / 100 / 51

HEX #7D7400

RGB 125 116 0

HSL 55.68, 1%, 0.25%

LAB 48.07, -7.76, 53.79

 

CMYK 0 / 9 / 100 / 58

HEX #6C6200

RGB 108 98 0

HSL 54.44, 1%, 0.21%

LAB 41.09, -5.79, 48.01

 

CMYK 0 / 12 / 100 / 64

HEX #5B5000

RGB 91 80 0

HSL 52.75, 1%, 0.18%

LAB 33.9, -3.7, 42.05

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 0 / 29 / 92 / 37

HEX #A0710D

RGB 160 113 13

HSL 40.82, 0.85%, 0.34%

LAB 51.05, 10.72, 55

 

CMYK 0 / 54 / 92 / 37

HEX #A0490D

RGB 160 73 13

HSL 24.49, 0.85%, 0.34%

LAB 41.64, 33.01, 47.91

 

CMYK 0 / 79 / 92 / 37

HEX #A0220D

RGB 160 34 13

HSL 8.57, 0.85%, 0.34%

LAB 35.29, 49.95, 43.3

 

CMYK 0 / 92 / 92 / 37

HEX #A00D0D

RGB 160 13 13

HSL 0, 0.85%, 0.34%

LAB 33.54, 54.93, 42.07

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 21 / 0 / 92 / 37

HEX #7FA00D

RGB 127 160 13

HSL 73.47, 0.85%, 0.34%

LAB 61.38, -29.37, 61.88

 

CMYK 46 / 0 / 92 / 37

HEX #57A00D

RGB 87 160 13

HSL 89.8, 0.85%, 0.34%

LAB 59.16, -44.61, 59.14

 

CMYK 70 / 0 / 92 / 37

HEX #30A00D

RGB 48 160 13

HSL 105.71, 0.85%, 0.34%

LAB 57.85, -55.11, 57.51

 

CMYK 92 / 0 / 89 / 37

HEX #0DA011

RGB 13 160 17

HSL 121.63, 0.85%, 0.34%

LAB 57.34, -59.56, 56.13

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 0 / 4 / 82 / 43

HEX #928C1B

RGB 146 140 27

HSL 56.97, 0.69%, 0.34%

LAB 57.02, -10.43, 55.63

 

CMYK 0 / 4 / 69 / 48

HEX #847F29

RGB 132 127 41

HSL 56.7, 0.53%, 0.34%

LAB 52.11, -9.11, 45.42

 

CMYK 0 / 3 / 53 / 54

HEX #767337

RGB 118 115 55

HSL 57.14, 0.36%, 0.34%

LAB 47.48, -7.74, 33.24

 

CMYK 0 / 2 / 34 / 59

HEX #686645

RGB 104 102 69

HSL 56.57, 0.2%, 0.34%

LAB 42.58, -4.93, 18.98

 

CMYK 0 / 54 / 92 / 37

HEX #A04A0D

RGB 160 74 13

HSL 24.9, 0.85%, 0.34%

LAB 41.85, 32.48, 48.07

 

CMYK 0 / 29 / 92 / 37

HEX #A0710D

RGB 160 113 13

HSL 40.82, 0.85%, 0.34%

LAB 51.05, 10.72, 55

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 20 / 0 / 92 / 37

HEX #80A00D

RGB 128 160 13

HSL 73.06, 0.85%, 0.34%

LAB 61.45, -28.95, 61.96

 

CMYK 44 / 0 / 92 / 37

HEX #59A00D

RGB 89 160 13

HSL 88.98, 0.85%, 0.34%

LAB 59.25, -43.94, 59.25

 

CMYK 0 / 5 / 93 / 67

HEX #545006

RGB 84 80 6

HSL 56.92, 0.87%, 0.18%

LAB 33.21, -7.05, 39.13

 

CMYK 0 / 5 / 93 / 52

HEX #7A7409

RGB 122 116 9

HSL 56.81, 0.86%, 0.26%

LAB 47.81, -9, 51.58

 

CMYK 0 / 4 / 92 / 37

HEX #A0990D

RGB 160 153 13

HSL 57.14, 0.85%, 0.34%

LAB 61.9, -11.36, 63.37

 

CMYK 0 / 5 / 92 / 22

HEX #C6BD10

RGB 198 189 16

HSL 57.03, 0.85%, 0.42%

LAB 75.1, -13.11, 74.55

 

CMYK 0 / 4 / 92 / 8

HEX #EBE113

RGB 235 225 19

HSL 57.22, 0.85%, 0.5%

LAB 87.76, -15.22, 85.19

 

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

CMYK 92 / 0 / 78 / 37

HEX #0DA023

RGB 13 160 35

HSL 128.98, 0.85%, 0.34%

LAB 57.41, -58.56, 51.34

 

CMYK 41 / 92 / 0 / 37

HEX #5E0DA0

RGB 94 13 160

HSL 273.06, 0.85%, 0.34%

LAB 27.31, 57.74, -60.58

 

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

CMYK 92 / 0 / 4 / 37

HEX #0DA099

RGB 13 160 153

HSL 177.14, 0.85%, 0.34%

LAB 59.46, -35.56, -6.21

 

CMYK 4 / 92 / 0 / 37

HEX #990DA0

RGB 153 13 160

HSL 297.14, 0.85%, 0.34%

LAB 37.11, 66.6, -44.22

 

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

CMYK 92 / 0 / 78 / 37

HEX #0DA023

RGB 13 160 35

HSL 128.98, 0.85%, 0.34%

LAB 57.41, -58.56, 51.34

 

CMYK 92 / 88 / 0 / 37

HEX #0D14A0

RGB 13 20 160

HSL 237.14, 0.85%, 0.34%

LAB 20.53, 49.7, -72.03

 

CMYK 0 / 92 / 14 / 37

HEX #A00D8A

RGB 160 13 138

HSL 308.98, 0.85%, 0.34%

LAB 37.11, 64.61, -30.71

 

CMYK 0 / 4 / 92 / 38

HEX #9F980D

RGB 159 152 13

HSL 57.12, 0.85%, 0.34%

LAB 61.53, -11.28, 63.05

 

CMYK 92 / 0 / 51 / 37

HEX #0DA04F

RGB 13 160 79

HSL 146.94, 0.85%, 0.34%

LAB 57.84, -53.28, 32.42

 

CMYK 92 / 88 / 0 / 37

HEX #0D14A0

RGB 13 20 160

HSL 237.14, 0.85%, 0.34%

LAB 20.53, 49.7, -72.03

 

CMYK 0 / 92 / 41 / 37

HEX #A00D5E

RGB 160 13 94

HSL 326.94, 0.85%, 0.34%

LAB 35.14, 59.39, -5.99

 

Description

Color code: HEX #9F980D | qconv.com Color code: HEX #9F980D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 152 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 152 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 92 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 92% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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