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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F861D it is the complementary color #6079E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F861D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F861D shade: #A48618, #B5982B, #C6AA3E, #D7BC51 and #E8CE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F861D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F861D shade: #9F861D, #8E740A, #7D6200, #6C5000 and #5B3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F861D shade: #9F861D, #9F631D, #9F401D and #9F1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F861D shade: #9F861D, #959F1D, #729F1D, #4F9F1D and #2C9F1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F861D shade matches the following richer shades: #9F861D and #AE8F0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F861D shade: #9F861D, #907D2C, #80733B, #716A4B and #62605A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F861D shade: #9F3F1D, #9F621D, #9F851D, #969F1D and #749F1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F861D shade: #594B10, #7C6916, #9F861D, #C2A323 and #D9BA35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F861D shade: #9F861D, #1D9F1D and #511D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F861D shade: #9F861D, #1D9F85 and #851D9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F861D shade: #9F861D, #1D9F1D, #1D379F and #9F1D9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F861D shade: #9F861D, #1D9F44, #1D379F and #9F1D78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

Complementary color

CMYK 58 / 46 / 0 / 11

HEX #6079E2

RGB 96 121 226

HSL 228.46, 0.69%, 0.63%

LAB 53.66, 21.77, -56.37

 

CMYK 0 / 18 / 85 / 36

HEX #A48618

RGB 164 134 24

HSL 47.14, 0.74%, 0.37%

LAB 57.08, 1.01, 57.24

 

CMYK 0 / 16 / 76 / 29

HEX #B5982B

RGB 181 152 43

HSL 47.39, 0.62%, 0.44%

LAB 63.72, -0.47, 57.59

 

CMYK 0 / 14 / 69 / 22

HEX #C6AA3E

RGB 198 170 62

HSL 47.65, 0.54%, 0.51%

LAB 70.25, -1.7, 57.1

 

CMYK 0 / 13 / 62 / 16

HEX #D7BC51

RGB 215 188 81

HSL 47.91, 0.63%, 0.58%

LAB 76.68, -2.73, 56.22

 

CMYK 0 / 11 / 57 / 9

HEX #E8CE64

RGB 232 206 100

HSL 48.18, 0.74%, 0.65%

LAB 83.03, -3.61, 55.14

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 0 / 18 / 93 / 44

HEX #8E740A

RGB 142 116 10

HSL 48.18, 0.87%, 0.3%

LAB 49.81, 0.53, 53.8

 

CMYK 0 / 22 / 100 / 51

HEX #7D6200

RGB 125 98 0

HSL 47.04, 1%, 0.25%

LAB 42.91, 2.55, 50.13

 

CMYK 0 / 26 / 100 / 58

HEX #6C5000

RGB 108 80 0

HSL 44.44, 1%, 0.21%

LAB 35.84, 4.89, 44.31

 

CMYK 0 / 32 / 100 / 64

HEX #5B3E00

RGB 91 62 0

HSL 40.88, 1%, 0.18%

LAB 28.56, 7.41, 38.14

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 0 / 38 / 82 / 38

HEX #9F631D

RGB 159 99 29

HSL 32.31, 0.69%, 0.37%

LAB 47.47, 18.67, 46.93

 

CMYK 0 / 60 / 82 / 38

HEX #9F401D

RGB 159 64 29

HSL 16.15, 0.69%, 0.37%

LAB 39.79, 37.61, 39.75

 

CMYK 0 / 82 / 82 / 38

HEX #9F1D1D

RGB 159 29 29

HSL 0, 0.69%, 0.37%

LAB 34.68, 51.52, 34.75

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 6 / 0 / 82 / 38

HEX #959F1D

RGB 149 159 29

HSL 64.62, 0.69%, 0.37%

LAB 62.74, -18.97, 60.16

 

CMYK 28 / 0 / 82 / 38

HEX #729F1D

RGB 114 159 29

HSL 80.77, 0.69%, 0.37%

LAB 60.3, -33.7, 57.07

 

CMYK 50 / 0 / 82 / 38

HEX #4F9F1D

RGB 79 159 29

HSL 96.92, 0.69%, 0.37%

LAB 58.55, -46.17, 54.83

 

CMYK 72 / 0 / 82 / 38

HEX #2C9F1D

RGB 44 159 29

HSL 113.08, 0.69%, 0.37%

LAB 57.48, -54.84, 53.44

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 0 / 18 / 93 / 32

HEX #AE8F0D

RGB 174 143 13

HSL 48.45, 0.86%, 0.37%

LAB 60.49, 0.4, 62.87

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 0 / 13 / 69 / 44

HEX #907D2C

RGB 144 125 44

HSL 48.6, 0.53%, 0.37%

LAB 52.71, -2.31, 45.08

 

CMYK 0 / 10 / 54 / 50

HEX #80733B

RGB 128 115 59

HSL 48.7, 0.37%, 0.37%

LAB 48.47, -2.83, 32.52

 

CMYK 0 / 6 / 34 / 56

HEX #716A4B

RGB 113 106 75

HSL 48.95, 0.2%, 0.37%

LAB 44.7, -2.48, 18.43

 

CMYK 0 / 2 / 8 / 62

HEX #62605A

RGB 98 96 90

HSL 45, 0.04%, 0.37%

LAB 40.74, -0.41, 3.7

 

CMYK 0 / 60 / 82 / 38

HEX #9F3F1D

RGB 159 63 29

HSL 15.69, 0.69%, 0.37%

LAB 39.61, 38.1, 39.57

 

CMYK 0 / 38 / 82 / 38

HEX #9F621D

RGB 159 98 29

HSL 31.85, 0.69%, 0.37%

LAB 47.23, 19.24, 46.7

 

CMYK 0 / 16 / 82 / 38

HEX #9F851D

RGB 159 133 29

HSL 48, 0.69%, 0.37%

LAB 56.32, -0.57, 54.87

 

CMYK 6 / 0 / 82 / 38

HEX #969F1D

RGB 150 159 29

HSL 64.15, 0.69%, 0.37%

LAB 62.82, -18.53, 60.26

 

CMYK 27 / 0 / 82 / 38

HEX #749F1D

RGB 116 159 29

HSL 79.85, 0.69%, 0.37%

LAB 60.43, -32.91, 57.22

 

CMYK 0 / 16 / 82 / 65

HEX #594B10

RGB 89 75 16

HSL 48.49, 0.7%, 0.21%

LAB 32.24, -1.1, 34.98

 

CMYK 0 / 15 / 82 / 51

HEX #7C6916

RGB 124 105 22

HSL 48.82, 0.7%, 0.29%

LAB 44.87, -1.42, 45.66

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 0 / 16 / 82 / 24

HEX #C2A323

RGB 194 163 35

HSL 48.3, 0.69%, 0.45%

LAB 67.86, -0.89, 64.45

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA35

RGB 217 186 53

HSL 48.66, 0.68%, 0.53%

LAB 76.15, -2.31, 66.94

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 82 / 0 / 82 / 38

HEX #1D9F1D

RGB 29 159 29

HSL 120, 0.69%, 0.37%

LAB 57.22, -57.14, 53.1

 

CMYK 49 / 82 / 0 / 38

HEX #511D9F

RGB 81 29 159

HSL 264, 0.69%, 0.37%

LAB 27.11, 50.95, -60.37

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 82 / 0 / 16 / 38

HEX #1D9F85

RGB 29 159 133

HSL 168, 0.69%, 0.37%

LAB 58.74, -39.69, 4.08

 

CMYK 16 / 82 / 0 / 38

HEX #851D9F

RGB 133 29 159

HSL 288, 0.69%, 0.37%

LAB 34.74, 59.49, -47.61

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 82 / 0 / 82 / 38

HEX #1D9F1D

RGB 29 159 29

HSL 120, 0.69%, 0.37%

LAB 57.22, -57.14, 53.1

 

CMYK 82 / 65 / 0 / 38

HEX #1D379F

RGB 29 55 159

HSL 228, 0.69%, 0.37%

LAB 28.11, 30.2, -58.88

 

CMYK 0 / 82 / 0 / 38

HEX #9F1D9F

RGB 159 29 159

HSL 300, 0.69%, 0.37%

LAB 39.16, 64.49, -40.27

 

CMYK 0 / 16 / 82 / 38

HEX #9F861D

RGB 159 134 29

HSL 48.46, 0.69%, 0.37%

LAB 56.59, -1.13, 55.11

 

CMYK 82 / 0 / 57 / 38

HEX #1D9F44

RGB 29 159 68

HSL 138, 0.69%, 0.37%

LAB 57.54, -53.23, 37.61

 

CMYK 82 / 65 / 0 / 38

HEX #1D379F

RGB 29 55 159

HSL 228, 0.69%, 0.37%

LAB 28.11, 30.2, -58.88

 

CMYK 0 / 82 / 25 / 38

HEX #9F1D78

RGB 159 29 120

HSL 318, 0.69%, 0.37%

LAB 37.13, 58.82, -19.51

 

Description

Color code: HEX #9F861D | qconv.com Color code: HEX #9F861D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 134 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 134 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 82% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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