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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F6C41 it is the complementary color #6093BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F6C41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F6C41 shade: #A46C3C, #B57E4F, #C69062, #D7A275 and #E8B488

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F6C41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F6C41 shade: #9F6C41, #8E5A2E, #7D481B, #6C3608 and #5B2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F6C41 shade: #9F6C41, #9F5241 and #9F4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F6C41 shade: #9F6C41, #9F8541, #9F9F41, #869F41 and #6C9F41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F6C41 shade matches the following richer shades: #9F6C41, #B16A2E, #C3691C and #D5670A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F6C41 shade: #9F6C41, #8D6D53, #7B6F65, #687077 and #567289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F6C41 shade: #9F4148, #9F5241, #9F6B41, #9F8441 and #9F9D41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F6C41 shade: #644429, #825835, #9F6C41, #B88051 and #C4956E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F6C41 shade: #9F6C41, #629F41 and #45419F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F6C41 shade: #9F6C41, #419F6B and #6B419F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F6C41 shade: #9F6C41, #629F41, #41749F and #7E419F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F6C41 shade: #9F6C41, #459F41, #41749F and #9A419F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

Complementary color

CMYK 49 / 23 / 0 / 25

HEX #6093BE

RGB 96 147 190

HSL 207.45, 0.42%, 0.56%

LAB 59.04, -5.02, -27.6

 

CMYK 0 / 34 / 63 / 36

HEX #A46C3C

RGB 164 108 60

HSL 27.69, 0.46%, 0.44%

LAB 50.62, 17.43, 35.52

 

CMYK 0 / 30 / 56 / 29

HEX #B57E4F

RGB 181 126 79

HSL 27.65, 0.41%, 0.51%

LAB 57.38, 16.13, 33.9

 

CMYK 0 / 27 / 51 / 22

HEX #C69062

RGB 198 144 98

HSL 27.6, 0.47%, 0.58%

LAB 64.03, 15.03, 32.38

 

CMYK 0 / 25 / 46 / 16

HEX #D7A275

RGB 215 162 117

HSL 27.55, 0.55%, 0.65%

LAB 70.57, 14.08, 30.98

 

CMYK 0 / 22 / 41 / 9

HEX #E8B488

RGB 232 180 136

HSL 27.5, 0.68%, 0.72%

LAB 77.03, 13.25, 29.67

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 37 / 68 / 44

HEX #8E5A2E

RGB 142 90 46

HSL 27.5, 0.51%, 0.37%

LAB 43.15, 17.05, 33.68

 

CMYK 0 / 42 / 78 / 51

HEX #7D481B

RGB 125 72 27

HSL 27.55, 0.64%, 0.3%

LAB 36.13, 18.78, 35.32

 

CMYK 0 / 50 / 93 / 58

HEX #6C3608

RGB 108 54 8

HSL 27.6, 0.86%, 0.23%

LAB 29.02, 20.88, 36.3

 

CMYK 0 / 60 / 100 / 64

HEX #5B2400

RGB 91 36 0

HSL 23.74, 1%, 0.18%

LAB 21.89, 23.33, 31.85

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 48 / 59 / 38

HEX #9F5241

RGB 159 82 65

HSL 10.85, 0.42%, 0.44%

LAB 43.93, 30.26, 24.36

 

CMYK 0 / 59 / 59 / 38

HEX #9F4141

RGB 159 65 65

HSL 0, 0.42%, 0.44%

LAB 40.46, 39.12, 19.9

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 16 / 59 / 38

HEX #9F8541

RGB 159 133 65

HSL 43.4, 0.42%, 0.44%

LAB 56.61, 1.46, 39.75

 

CMYK 0 / 0 / 59 / 38

HEX #9F9F41

RGB 159 159 65

HSL 60, 0.42%, 0.44%

LAB 63.79, -12.64, 47.87

 

CMYK 16 / 0 / 59 / 38

HEX #869F41

RGB 134 159 65

HSL 75.96, 0.42%, 0.44%

LAB 61.87, -23.22, 45.18

 

CMYK 32 / 0 / 59 / 38

HEX #6C9F41

RGB 108 159 65

HSL 92.55, 0.42%, 0.44%

LAB 60.22, -33.45, 42.87

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 40 / 74 / 31

HEX #B16A2E

RGB 177 106 46

HSL 27.48, 0.59%, 0.44%

LAB 51.67, 23.37, 44.28

 

CMYK 0 / 46 / 86 / 24

HEX #C3691C

RGB 195 105 28

HSL 27.66, 0.75%, 0.44%

LAB 53.8, 30.89, 54.76

 

CMYK 0 / 52 / 95 / 16

HEX #D5670A

RGB 213 103 10

HSL 27.49, 0.91%, 0.44%

LAB 55.96, 38.93, 62.41

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 23 / 41 / 45

HEX #8D6D53

RGB 141 109 83

HSL 26.9, 0.26%, 0.44%

LAB 48.54, 9.01, 19.39

 

CMYK 0 / 10 / 18 / 52

HEX #7B6F65

RGB 123 111 101

HSL 27.27, 0.1%, 0.44%

LAB 47.65, 2.89, 7.26

 

CMYK 13 / 6 / 0 / 53

HEX #687077

RGB 104 112 119

HSL 208, 0.07%, 0.44%

LAB 46.79, -1.47, -4.91

 

CMYK 37 / 17 / 0 / 46

HEX #567289

RGB 86 114 137

HSL 207.06, 0.23%, 0.44%

LAB 46.74, -4.05, -15.85

 

CMYK 0 / 59 / 55 / 38

HEX #9F4148

RGB 159 65 72

HSL 355.53, 0.42%, 0.44%

LAB 40.6, 39.69, 15.76

 

CMYK 0 / 48 / 59 / 38

HEX #9F5241

RGB 159 82 65

HSL 10.85, 0.42%, 0.44%

LAB 43.93, 30.26, 24.36

 

CMYK 0 / 33 / 59 / 38

HEX #9F6B41

RGB 159 107 65

HSL 26.81, 0.42%, 0.44%

LAB 49.82, 16.2, 31.69

 

CMYK 0 / 17 / 59 / 38

HEX #9F8441

RGB 159 132 65

HSL 42.77, 0.42%, 0.44%

LAB 56.34, 2.01, 39.44

 

CMYK 0 / 1 / 59 / 38

HEX #9F9D41

RGB 159 157 65

HSL 58.72, 0.42%, 0.44%

LAB 63.23, -11.59, 47.25

 

CMYK 0 / 32 / 59 / 61

HEX #644429

RGB 100 68 41

HSL 27.46, 0.42%, 0.28%

LAB 31.82, 10.46, 21.75

 

CMYK 0 / 32 / 59 / 49

HEX #825835

RGB 130 88 53

HSL 27.27, 0.42%, 0.36%

LAB 41.19, 13.33, 27.09

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 0 / 30 / 56 / 28

HEX #B88051

RGB 184 128 81

HSL 27.38, 0.42%, 0.52%

LAB 58.25, 16.46, 33.97

 

CMYK 0 / 24 / 44 / 23

HEX #C4956E

RGB 196 149 110

HSL 27.21, 0.42%, 0.6%

LAB 65.24, 12.66, 27.4

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 38 / 0 / 59 / 38

HEX #629F41

RGB 98 159 65

HSL 98.94, 0.42%, 0.44%

LAB 59.68, -37.04, 42.12

 

CMYK 57 / 59 / 0 / 38

HEX #45419F

RGB 69 65 159

HSL 242.55, 0.42%, 0.44%

LAB 33.03, 29.38, -50.76

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 59 / 0 / 33 / 38

HEX #419F6B

RGB 65 159 107

HSL 146.81, 0.42%, 0.44%

LAB 58.96, -40.1, 19.05

 

CMYK 33 / 59 / 0 / 38

HEX #6B419F

RGB 107 65 159

HSL 266.81, 0.42%, 0.44%

LAB 36.76, 37.96, -44.54

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 38 / 0 / 59 / 38

HEX #629F41

RGB 98 159 65

HSL 98.94, 0.42%, 0.44%

LAB 59.68, -37.04, 42.12

 

CMYK 59 / 27 / 0 / 38

HEX #41749F

RGB 65 116 159

HSL 207.45, 0.42%, 0.44%

LAB 47.13, -3.82, -28.34

 

CMYK 21 / 59 / 0 / 38

HEX #7E419F

RGB 126 65 159

HSL 278.94, 0.42%, 0.44%

LAB 39.1, 42.82, -40.66

 

CMYK 0 / 32 / 59 / 38

HEX #9F6C41

RGB 159 108 65

HSL 27.45, 0.42%, 0.44%

LAB 50.07, 15.63, 32

 

CMYK 57 / 0 / 59 / 38

HEX #459F41

RGB 69 159 65

HSL 117.45, 0.42%, 0.44%

LAB 58.46, -45.97, 40.38

 

CMYK 59 / 27 / 0 / 38

HEX #41749F

RGB 65 116 159

HSL 207.45, 0.42%, 0.44%

LAB 47.13, -3.82, -28.34

 

CMYK 3 / 59 / 0 / 38

HEX #9A419F

RGB 154 65 159

HSL 296.81, 0.42%, 0.44%

LAB 42.99, 50.25, -34.25

 

Description

Color code: HEX #9F6C41 | qconv.com Color code: HEX #9F6C41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 108 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 108 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 59 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 59% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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