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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5DD1 it is the complementary color #60A22E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5DD1 shade: #A45DCC, #B56FDF, #C681F2, #D793FF and #E8A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5DD1 shade: #9F5DD1, #8E4BBE, #7D39AB, #6C2798 and #5B1585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5DD1 shade: #9E5BD0, #BE5BD0, #D05BC4, #D05BA4 and #D05B85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5DD1 shade: #9E5BD0, #7E5BD0, #5F5BD0 and #5B5BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5DD1 shade matches the following richer shades: #9E5BD0, #A04AE1 and #A33AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5DD1 shade: #9E5BD0, #9C6CC0, #997DAF, #978E9E and #959F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5DD1 shade: #5F5BD0, #7F5BD0, #9E5BD0, #BD5BD0 and #D05BC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5DD1 shade: #7530AA, #8B3BC7, #9E5BD0, #B17CDA and #C49CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5DD1 shade: #9F5DD1, #D05B77 and #5BD06F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5DD1 shade: #9F5DD1, #D09E5B and #5BD09E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5DD1 shade: #9F5DD1, #D05B77, #8ED05B and #5BD0B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5DD1 shade: #9F5DD1, #D0635B, #8ED05B and #5BC9D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

Complementary color

CMYK 41 / 0 / 72 / 36

HEX #60A22E

RGB 96 162 46

HSL 94.14, 0.56%, 0.41%

LAB 60.36, -40.75, 51.04

 

CMYK 20 / 54 / 0 / 20

HEX #A45DCC

RGB 164 93 204

HSL 278.38, 0.52%, 0.58%

LAB 51.93, 48.1, -46.32

 

CMYK 19 / 50 / 0 / 13

HEX #B56FDF

RGB 181 111 223

HSL 277.5, 0.64%, 0.65%

LAB 58.53, 47.3, -46.49

 

CMYK 18 / 47 / 0 / 5

HEX #C681F2

RGB 198 129 242

HSL 276.64, 0.81%, 0.73%

LAB 65.06, 46.48, -46.62

 

CMYK 16 / 42 / 0 / 0

HEX #D793FF

RGB 215 147 255

HSL 277.78, 1%, 0.79%

LAB 71.24, 44.4, -43.89

 

CMYK 9 / 35 / 0 / 0

HEX #E8A5FF

RGB 232 165 255

HSL 284.67, 1%, 0.82%

LAB 76.85, 39.8, -35.02

 

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

CMYK 25 / 61 / 0 / 25

HEX #8E4BBE

RGB 142 75 190

HSL 274.96, 0.47%, 0.52%

LAB 44.94, 48.74, -49.54

 

CMYK 27 / 67 / 0 / 33

HEX #7D39AB

RGB 125 57 171

HSL 275.79, 0.5%, 0.45%

LAB 38.25, 49.38, -49.22

 

CMYK 29 / 74 / 0 / 40

HEX #6C2798

RGB 108 39 152

HSL 276.64, 0.59%, 0.37%

LAB 31.59, 49.65, -48.63

 

CMYK 32 / 84 / 0 / 48

HEX #5B1585

RGB 91 21 133

HSL 277.5, 0.73%, 0.3%

LAB 25.12, 49.1, -47.5

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 9 / 56 / 0 / 18

HEX #BE5BD0

RGB 190 91 208

HSL 290.77, 0.55%, 0.59%

LAB 55.06, 56.7, -43.43

 

CMYK 0 / 56 / 6 / 18

HEX #D05BC4

RGB 208 91 196

HSL 306.15, 0.55%, 0.59%

LAB 56.96, 59.34, -33.43

 

CMYK 0 / 56 / 21 / 18

HEX #D05BA4

RGB 208 91 164

HSL 322.56, 0.55%, 0.59%

LAB 55.66, 54.41, -16.96

 

CMYK 0 / 56 / 36 / 18

HEX #D05B85

RGB 208 91 133

HSL 338.46, 0.55%, 0.59%

LAB 54.64, 50.4, -0.27

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 39 / 56 / 0 / 18

HEX #7E5BD0

RGB 126 91 208

HSL 257.95, 0.55%, 0.59%

LAB 47.59, 40.76, -55.78

 

CMYK 54 / 56 / 0 / 18

HEX #5F5BD0

RGB 95 91 208

HSL 242.05, 0.55%, 0.59%

LAB 44.9, 34.13, -60.26

 

CMYK 56 / 56 / 0 / 18

HEX #5B5BD0

RGB 91 91 208

HSL 240, 0.55%, 0.59%

LAB 44.6, 33.37, -60.75

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 29 / 67 / 0 / 12

HEX #A04AE1

RGB 160 74 225

HSL 274.17, 0.72%, 0.59%

LAB 49.26, 61.15, -62.57

 

CMYK 33 / 76 / 0 / 5

HEX #A33AF2

RGB 163 58 242

HSL 274.24, 0.88%, 0.59%

LAB 48.54, 71.96, -73.32

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 19 / 44 / 0 / 25

HEX #9C6CC0

RGB 156 108 192

HSL 274.29, 0.4%, 0.59%

LAB 53.6, 35.01, -36.86

 

CMYK 13 / 29 / 0 / 31

HEX #997DAF

RGB 153 125 175

HSL 273.6, 0.24%, 0.59%

LAB 56.62, 20.5, -22.44

 

CMYK 4 / 10 / 0 / 38

HEX #978E9E

RGB 151 142 158

HSL 273.75, 0.08%, 0.59%

LAB 60.24, 6.45, -7.25

 

CMYK 6 / 0 / 11 / 38

HEX #959F8D

RGB 149 159 141

HSL 93.33, 0.09%, 0.59%

LAB 64.25, -6.99, 8.18

 

CMYK 54 / 56 / 0 / 18

HEX #5F5BD0

RGB 95 91 208

HSL 242.05, 0.55%, 0.59%

LAB 44.9, 34.13, -60.26

 

CMYK 39 / 56 / 0 / 18

HEX #7F5BD0

RGB 127 91 208

HSL 258.46, 0.55%, 0.59%

LAB 47.69, 40.99, -55.62

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 9 / 56 / 0 / 18

HEX #BD5BD0

RGB 189 91 208

HSL 290.26, 0.55%, 0.59%

LAB 54.92, 56.44, -43.65

 

CMYK 0 / 56 / 5 / 18

HEX #D05BC5

RGB 208 91 197

HSL 305.64, 0.55%, 0.59%

LAB 57, 59.51, -33.93

 

CMYK 31 / 72 / 0 / 33

HEX #7530AA

RGB 117 48 170

HSL 273.93, 0.56%, 0.43%

LAB 35.59, 51.66, -52.97

 

CMYK 30 / 70 / 0 / 22

HEX #8B3BC7

RGB 139 59 199

HSL 274.29, 0.56%, 0.51%

LAB 42.37, 57.8, -58.94

 

CMYK 24 / 56 / 0 / 18

HEX #9E5BD0

RGB 158 91 208

HSL 274.36, 0.55%, 0.59%

LAB 51.04, 48.51, -50.06

 

CMYK 19 / 43 / 0 / 15

HEX #B17CDA

RGB 177 124 218

HSL 273.83, 0.56%, 0.67%

LAB 60.63, 38.04, -40.41

 

CMYK 14 / 31 / 0 / 11

HEX #C49CE3

RGB 196 156 227

HSL 273.8, 0.56%, 0.75%

LAB 70.22, 27.98, -30.34

 

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

CMYK 0 / 56 / 43 / 18

HEX #D05B77

RGB 208 91 119

HSL 345.64, 0.55%, 0.59%

LAB 54.26, 48.86, 7.46

 

CMYK 56 / 0 / 47 / 18

HEX #5BD06F

RGB 91 208 111

HSL 130.26, 0.55%, 0.59%

LAB 75.13, -53.35, 38.3

 

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

CMYK 0 / 24 / 56 / 18

HEX #D09E5B

RGB 208 158 91

HSL 34.36, 0.55%, 0.59%

LAB 68.47, 10.98, 41.81

 

CMYK 56 / 0 / 24 / 18

HEX #5BD09E

RGB 91 208 158

HSL 154.36, 0.55%, 0.59%

LAB 75.95, -44.76, 15.03

 

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

CMYK 0 / 56 / 43 / 18

HEX #D05B77

RGB 208 91 119

HSL 345.64, 0.55%, 0.59%

LAB 54.26, 48.86, 7.46

 

CMYK 32 / 0 / 56 / 18

HEX #8ED05B

RGB 142 208 91

HSL 93.85, 0.55%, 0.59%

LAB 77.05, -40.67, 50.7

 

CMYK 56 / 0 / 13 / 18

HEX #5BD0B5

RGB 91 208 181

HSL 166.15, 0.55%, 0.59%

LAB 76.48, -39.52, 3.48

 

CMYK 24 / 56 / 0 / 18

HEX #9F5DD1

RGB 159 93 209

HSL 274.14, 0.56%, 0.59%

LAB 51.61, 47.94, -49.71

 

CMYK 0 / 52 / 56 / 18

HEX #D0635B

RGB 208 99 91

HSL 4.1, 0.55%, 0.59%

LAB 55.16, 42.4, 25.11

 

CMYK 32 / 0 / 56 / 18

HEX #8ED05B

RGB 142 208 91

HSL 93.85, 0.55%, 0.59%

LAB 77.05, -40.67, 50.7

 

CMYK 56 / 3 / 0 / 18

HEX #5BC9D0

RGB 91 201 208

HSL 183.59, 0.55%, 0.59%

LAB 75.17, -29.26, -13.02

 

Description

Color code: HEX #9F5DD1 | qconv.com Color code: HEX #9F5DD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 93 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 93 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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