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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F4AF7 it is the complementary color #60B508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F4AF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F4AF7 shade: #A44AF2, #B55CFF, #C66EFF, #D780FF and #E892FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F4AF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F4AF7 shade: #9F4AF7, #8E38E4, #7D26D1, #6C14BE and #5B02AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F4AF7 shade: #9F49F7, #CD49F7, #F749F2, #F749C3 and #F74994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F4AF7 shade: #9F49F7, #7049F7 and #4949F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F4AF7 shade matches the following richer shades: #9F49F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F4AF7 shade: #9F49F7, #9F59E8, #9F68D8, #9F77C9 and #A086BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F4AF7 shade: #4952F7, #6F49F7, #9D49F7, #CC49F7 and #F749F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F4AF7 shade: #7509E5, #8A22F5, #9F49F7, #B471F9 and #C999FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F4AF7 shade: #9F4AF7, #F74980 and #49F758

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F4AF7 shade: #9F4AF7, #F79D49 and #49F79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F4AF7 shade: #9F4AF7, #F74980, #A3F749 and #49F7C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F4AF7 shade: #9F4AF7, #F7494C, #A3F749 and #49F7F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

Complementary color

CMYK 47 / 0 / 96 / 29

HEX #60B508

RGB 96 181 8

HSL 89.48, 0.92%, 0.37%

LAB 66.18, -50.07, 65.73

 

CMYK 32 / 69 / 0 / 5

HEX #A44AF2

RGB 164 74 242

HSL 272.14, 0.87%, 0.62%

LAB 50.92, 65.73, -69.44

 

CMYK 29 / 64 / 0 / 0

HEX #B55CFF

RGB 181 92 255

HSL 272.76, 1%, 0.68%

LAB 56.78, 63.88, -67.1

 

CMYK 22 / 57 / 0 / 0

HEX #C66EFF

RGB 198 110 255

HSL 276.41, 1%, 0.72%

LAB 61.98, 59.03, -58.65

 

CMYK 16 / 50 / 0 / 0

HEX #D780FF

RGB 215 128 255

HSL 281.1, 1%, 0.75%

LAB 67.36, 54.29, -50

 

CMYK 9 / 43 / 0 / 0

HEX #E892FF

RGB 232 146 255

HSL 287.34, 1%, 0.79%

LAB 72.85, 49.75, -41.24

 

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

CMYK 38 / 75 / 0 / 11

HEX #8E38E4

RGB 142 56 228

HSL 270, 0.76%, 0.56%

LAB 44.49, 66.21, -72.13

 

CMYK 40 / 82 / 0 / 18

HEX #7D26D1

RGB 125 38 209

HSL 270.53, 0.69%, 0.48%

LAB 38.46, 65.87, -71.18

 

CMYK 43 / 89 / 0 / 25

HEX #6C14BE

RGB 108 20 190

HSL 271.06, 0.81%, 0.41%

LAB 32.71, 64.53, -69.6

 

CMYK 47 / 99 / 0 / 33

HEX #5B02AB

RGB 91 2 171

HSL 271.6, 0.98%, 0.34%

LAB 27.32, 61.91, -67.25

 

CMYK 36 / 70 / 0 / 3

HEX #9F49F7

RGB 159 73 247

HSL 269.66, 0.92%, 0.63%

LAB 50.51, 66.39, -72.93

 

CMYK 17 / 70 / 0 / 3

HEX #CD49F7

RGB 205 73 247

HSL 285.52, 0.92%, 0.63%

LAB 56.55, 75.11, -62.88

 

CMYK 0 / 70 / 2 / 3

HEX #F749F2

RGB 247 73 242

HSL 301.72, 0.92%, 0.63%

LAB 62.47, 82.86, -50.29

 

CMYK 0 / 70 / 21 / 3

HEX #F749C3

RGB 247 73 195

HSL 317.93, 0.92%, 0.63%

LAB 60.32, 76.25, -27.17

 

CMYK 0 / 70 / 40 / 3

HEX #F74994

RGB 247 73 148

HSL 334.14, 0.92%, 0.63%

LAB 58.67, 70.93, -2.45

 

CMYK 36 / 70 / 0 / 3

HEX #9F49F7

RGB 159 73 247

HSL 269.66, 0.92%, 0.63%

LAB 50.51, 66.39, -72.93

 

CMYK 55 / 70 / 0 / 3

HEX #7049F7

RGB 112 73 247

HSL 253.45, 0.92%, 0.63%

LAB 45.53, 58.74, -81.27

 

CMYK 70 / 70 / 0 / 3

HEX #4949F7

RGB 73 73 247

HSL 240, 0.92%, 0.63%

LAB 42.61, 54, -86.18

 

CMYK 36 / 70 / 0 / 3

HEX #9F49F7

RGB 159 73 247

HSL 269.66, 0.92%, 0.63%

LAB 50.51, 66.39, -72.93

 

CMYK 36 / 70 / 0 / 3

HEX #9F49F7

RGB 159 73 247

HSL 269.66, 0.92%, 0.63%

LAB 50.51, 66.39, -72.93

 

CMYK 31 / 62 / 0 / 9

HEX #9F59E8

RGB 159 89 232

HSL 269.37, 0.76%, 0.63%

LAB 52.22, 55.35, -61.76

 

CMYK 26 / 52 / 0 / 15

HEX #9F68D8

RGB 159 104 216

HSL 269.46, 0.59%, 0.63%

LAB 54.27, 43.65, -49.45

 

CMYK 21 / 41 / 0 / 21

HEX #9F77C9

RGB 159 119 201

HSL 269.27, 0.43%, 0.63%

LAB 56.86, 31.72, -36.86

 

CMYK 14 / 28 / 0 / 27

HEX #A086BA

RGB 160 134 186

HSL 270, 0.27%, 0.63%

LAB 59.95, 20.04, -23.55

 

CMYK 70 / 67 / 0 / 3

HEX #4952F7

RGB 73 82 247

HSL 236.9, 0.92%, 0.63%

LAB 44.47, 48.9, -83.12

 

CMYK 55 / 70 / 0 / 3

HEX #6F49F7

RGB 111 73 247

HSL 253.1, 0.92%, 0.63%

LAB 45.44, 58.6, -81.42

 

CMYK 36 / 70 / 0 / 3

HEX #9D49F7

RGB 157 73 247

HSL 268.97, 0.92%, 0.63%

LAB 50.27, 66.03, -73.33

 

CMYK 17 / 70 / 0 / 3

HEX #CC49F7

RGB 204 73 247

HSL 285.17, 0.92%, 0.63%

LAB 56.4, 74.91, -63.12

 

CMYK 0 / 70 / 1 / 3

HEX #F749F4

RGB 247 73 244

HSL 301.03, 0.92%, 0.63%

LAB 62.57, 83.17, -51.24

 

CMYK 49 / 96 / 0 / 10

HEX #7509E5

RGB 117 9 229

HSL 269.45, 0.92%, 0.47%

LAB 37.18, 75.8, -84.83

 

CMYK 44 / 86 / 0 / 4

HEX #8A22F5

RGB 138 34 245

HSL 269.57, 0.91%, 0.55%

LAB 42.97, 76.64, -84.24

 

CMYK 36 / 70 / 0 / 3

HEX #9F49F7

RGB 159 73 247

HSL 269.66, 0.92%, 0.63%

LAB 50.51, 66.39, -72.93

 

CMYK 28 / 55 / 0 / 2

HEX #B471F9

RGB 180 113 249

HSL 269.56, 0.92%, 0.71%

LAB 60.21, 51.84, -58.3

 

CMYK 20 / 39 / 0 / 2

HEX #C999FA

RGB 201 153 250

HSL 269.69, 0.91%, 0.79%

LAB 70.94, 36.11, -41.74

 

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

CMYK 0 / 70 / 48 / 3

HEX #F74980

RGB 247 73 128

HSL 341.03, 0.92%, 0.63%

LAB 58.13, 69.12, 8.51

 

CMYK 70 / 0 / 64 / 3

HEX #49F758

RGB 73 247 88

HSL 125.17, 0.92%, 0.63%

LAB 86.33, -73.47, 61.81

 

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

CMYK 0 / 36 / 70 / 3

HEX #F79D49

RGB 247 157 73

HSL 28.97, 0.92%, 0.63%

LAB 72.47, 26.58, 56.26

 

CMYK 70 / 0 / 36 / 3

HEX #49F79D

RGB 73 247 157

HSL 148.97, 0.92%, 0.63%

LAB 87.18, -63.62, 30.86

 

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

CMYK 0 / 70 / 48 / 3

HEX #F74980

RGB 247 73 128

HSL 341.03, 0.92%, 0.63%

LAB 58.13, 69.12, 8.51

 

CMYK 34 / 0 / 70 / 3

HEX #A3F749

RGB 163 247 73

HSL 88.97, 0.92%, 0.63%

LAB 89.29, -51.39, 71.52

 

CMYK 70 / 0 / 22 / 3

HEX #49F7C0

RGB 73 247 192

HSL 161.03, 0.92%, 0.63%

LAB 87.85, -56.41, 13.88

 

CMYK 36 / 70 / 0 / 3

HEX #9F4AF7

RGB 159 74 247

HSL 269.48, 0.92%, 0.63%

LAB 50.67, 65.95, -72.68

 

CMYK 0 / 70 / 69 / 3

HEX #F7494C

RGB 247 73 76

HSL 358.97, 0.92%, 0.63%

LAB 57.13, 65.74, 37.52

 

CMYK 34 / 0 / 70 / 3

HEX #A3F749

RGB 163 247 73

HSL 88.97, 0.92%, 0.63%

LAB 89.29, -51.39, 71.52

 

CMYK 70 / 0 / 1 / 3

HEX #49F7F4

RGB 73 247 244

HSL 178.97, 0.92%, 0.63%

LAB 89.14, -43.39, -11.29

 

Description

Color code: HEX #9F4AF7 | qconv.com Color code: HEX #9F4AF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 74 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 74 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 70 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 70% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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