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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F4069 it is the complementary color #60BF96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F4069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F4069 shade: #A44064, #B55277, #C6648A, #D7769D and #E888B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F4069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F4069 shade: #9F4069, #8E2E56, #7D1C43, #6C0A30 and #5B001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F4069 shade: #A03F69, #A03F4F and #A03F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F4069 shade: #A03F69, #A03F83, #A03F9D, #893FA0 and #6F3FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F4069 shade matches the following richer shades: #A03F69, #B22D67, #C41B64 and #D60962

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F4069 shade: #A03F69, #8E526C, #7C646E, #697671 and #578873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F4069 shade: #A03F9D, #A03F83, #A03F69, #A03F50 and #A0493F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F4069 shade: #652842, #823456, #A03F69, #B9507D and #C56D93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F4069 shade: #9F4069, #A0893F and #3F90A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F4069 shade: #9F4069, #69A03F and #3F69A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F4069 shade: #9F4069, #A0893F, #3FA076 and #3F56A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F4069 shade: #9F4069, #9AA03F, #3FA076 and #463FA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

Complementary color

CMYK 50 / 0 / 21 / 25

HEX #60BF96

RGB 96 191 150

HSL 154.11, 0.43%, 0.56%

LAB 70.84, -37.85, 12.16

 

CMYK 0 / 61 / 39 / 36

HEX #A44064

RGB 164 64 100

HSL 338.4, 0.44%, 0.45%

LAB 41.97, 44.75, 0.36

 

CMYK 0 / 55 / 34 / 29

HEX #B55277

RGB 181 82 119

HSL 337.58, 0.4%, 0.52%

LAB 48.5, 44.06, -1.4

 

CMYK 0 / 49 / 30 / 22

HEX #C6648A

RGB 198 100 138

HSL 336.73, 0.46%, 0.58%

LAB 55.03, 43.25, -2.83

 

CMYK 0 / 45 / 27 / 16

HEX #D7769D

RGB 215 118 157

HSL 335.88, 0.55%, 0.65%

LAB 61.51, 42.41, -4.03

 

CMYK 0 / 41 / 24 / 9

HEX #E888B0

RGB 232 136 176

HSL 335, 0.68%, 0.72%

LAB 67.95, 41.57, -5.07

 

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

CMYK 0 / 68 / 39 / 44

HEX #8E2E56

RGB 142 46 86

HSL 335, 0.51%, 0.37%

LAB 34.76, 44.1, -1.79

 

CMYK 0 / 78 / 46 / 51

HEX #7D1C43

RGB 125 28 67

HSL 335.88, 0.63%, 0.3%

LAB 28.37, 43.9, 0.95

 

CMYK 0 / 91 / 56 / 58

HEX #6C0A30

RGB 108 10 48

HSL 336.73, 0.83%, 0.23%

LAB 22.37, 42.46, 4.85

 

CMYK 0 / 100 / 68 / 64

HEX #5B001D

RGB 91 0 29

HSL 340.88, 1%, 0.18%

LAB 17.05, 38.91, 10.47

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 61 / 51 / 37

HEX #A03F4F

RGB 160 63 79

HSL 350.1, 0.43%, 0.44%

LAB 40.56, 41.65, 11.37

 

CMYK 0 / 61 / 61 / 37

HEX #A03F3F

RGB 160 63 63

HSL 0, 0.43%, 0.44%

LAB 40.23, 40.31, 20.85

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 61 / 18 / 37

HEX #A03F83

RGB 160 63 131

HSL 317.94, 0.43%, 0.44%

LAB 42.26, 48.11, -18.4

 

CMYK 0 / 61 / 2 / 37

HEX #A03F9D

RGB 160 63 157

HSL 301.86, 0.43%, 0.44%

LAB 43.45, 52.4, -32.27

 

CMYK 14 / 61 / 0 / 37

HEX #893FA0

RGB 137 63 160

HSL 285.77, 0.43%, 0.44%

LAB 40.26, 46.93, -39.32

 

CMYK 31 / 61 / 0 / 37

HEX #6F3FA0

RGB 111 63 160

HSL 269.69, 0.43%, 0.44%

LAB 36.88, 40.33, -44.93

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 75 / 42 / 30

HEX #B22D67

RGB 178 45 103

HSL 333.83, 0.6%, 0.44%

LAB 41.72, 57.01, -1.58

 

CMYK 0 / 86 / 49 / 23

HEX #C41B64

RGB 196 27 100

HSL 334.08, 0.76%, 0.44%

LAB 43.42, 66.19, 3.19

 

CMYK 0 / 96 / 54 / 16

HEX #D60962

RGB 214 9 98

HSL 333.95, 0.92%, 0.44%

LAB 46.14, 72.71, 8.81

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 42 / 24 / 44

HEX #8E526C

RGB 142 82 108

HSL 334, 0.27%, 0.44%

LAB 42.56, 28.62, -4.09

 

CMYK 0 / 19 / 11 / 51

HEX #7C646E

RGB 124 100 110

HSL 335, 0.11%, 0.44%

LAB 44.98, 11.41, -1.99

 

CMYK 11 / 0 / 4 / 54

HEX #697671

RGB 105 118 113

HSL 156.92, 0.06%, 0.44%

LAB 48.45, -5.91, 1.1

 

CMYK 36 / 0 / 15 / 47

HEX #578873

RGB 87 136 115

HSL 154.29, 0.22%, 0.44%

LAB 52.81, -21.5, 6.07

 

CMYK 0 / 61 / 2 / 37

HEX #A03F9D

RGB 160 63 157

HSL 301.86, 0.43%, 0.44%

LAB 43.45, 52.4, -32.27

 

CMYK 0 / 61 / 18 / 37

HEX #A03F83

RGB 160 63 131

HSL 317.94, 0.43%, 0.44%

LAB 42.26, 48.11, -18.4

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 61 / 50 / 37

HEX #A03F50

RGB 160 63 80

HSL 349.48, 0.43%, 0.44%

LAB 40.59, 41.75, 10.78

 

CMYK 0 / 54 / 61 / 37

HEX #A0493F

RGB 160 73 63

HSL 6.19, 0.43%, 0.44%

LAB 42.15, 35.29, 23.33

 

CMYK 0 / 60 / 35 / 60

HEX #652842

RGB 101 40 66

HSL 334.43, 0.43%, 0.28%

LAB 25.8, 30.51, -2.68

 

CMYK 0 / 60 / 34 / 49

HEX #823456

RGB 130 52 86

HSL 333.85, 0.43%, 0.36%

LAB 33.72, 37.32, -3.56

 

CMYK 0 / 61 / 34 / 37

HEX #A03F69

RGB 160 63 105

HSL 334.02, 0.43%, 0.44%

LAB 41.29, 44.5, -3.81

 

CMYK 0 / 57 / 32 / 27

HEX #B9507D

RGB 185 80 125

HSL 334.29, 0.43%, 0.52%

LAB 48.92, 47.12, -4.32

 

CMYK 0 / 45 / 25 / 23

HEX #C56D93

RGB 197 109 147

HSL 334.09, 0.43%, 0.6%

LAB 56.99, 39.48, -5.2

 

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

CMYK 0 / 14 / 61 / 37

HEX #A0893F

RGB 160 137 63

HSL 45.77, 0.43%, 0.44%

LAB 57.77, -0.48, 42.11

 

CMYK 61 / 10 / 0 / 37

HEX #3F90A0

RGB 63 144 160

HSL 189.9, 0.43%, 0.44%

LAB 55.63, -19.65, -15.86

 

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

CMYK 34 / 0 / 61 / 37

HEX #69A03F

RGB 105 160 63

HSL 94.02, 0.43%, 0.44%

LAB 60.34, -35.2, 43.9

 

CMYK 61 / 34 / 0 / 37

HEX #3F69A0

RGB 63 105 160

HSL 214.02, 0.43%, 0.44%

LAB 43.8, 2.79, -34.16

 

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

CMYK 0 / 14 / 61 / 37

HEX #A0893F

RGB 160 137 63

HSL 45.77, 0.43%, 0.44%

LAB 57.77, -0.48, 42.11

 

CMYK 61 / 0 / 26 / 37

HEX #3FA076

RGB 63 160 118

HSL 154.02, 0.43%, 0.44%

LAB 59.44, -38.62, 13.6

 

CMYK 61 / 46 / 0 / 37

HEX #3F56A0

RGB 63 86 160

HSL 225.77, 0.43%, 0.44%

LAB 38.29, 14.89, -42.9

 

CMYK 0 / 60 / 34 / 38

HEX #9F4069

RGB 159 64 105

HSL 334.11, 0.43%, 0.44%

LAB 41.31, 43.69, -3.81

 

CMYK 4 / 0 / 61 / 37

HEX #9AA03F

RGB 154 160 63

HSL 63.71, 0.43%, 0.44%

LAB 63.65, -15.46, 48.5

 

CMYK 61 / 0 / 26 / 37

HEX #3FA076

RGB 63 160 118

HSL 154.02, 0.43%, 0.44%

LAB 59.44, -38.62, 13.6

 

CMYK 56 / 61 / 0 / 37

HEX #463FA0

RGB 70 63 160

HSL 244.33, 0.43%, 0.44%

LAB 32.69, 31.17, -51.9

 

Description

Color code: HEX #9F4069 | qconv.com Color code: HEX #9F4069 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 64 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 64 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 34 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 34% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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