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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F49E8 it is the complementary color #60B617. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F49E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F49E8 shade: #A449E3, #B55BF6, #C66DFF, #D77FFF and #E891FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F49E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F49E8 shade: #9F49E8, #8E37D5, #7D25C2, #6C13AF and #5B019C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F49E8 shade: #9F49E8, #CA49E8, #E849DB, #E849B0 and #E84985

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F49E8 shade: #9F49E8, #7449E8, #4949E8 and #4949E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F49E8 shade matches the following richer shades: #9F49E8 and #A038F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F49E8 shade: #9F49E8, #9E59D8, #9C6AC7, #9B7AB7 and #9A8BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F49E8 shade: #4949E8, #7349E8, #9E49E8, #C849E8 and #E849DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F49E8 shade: #7618C6, #8C24E4, #9F49E8, #B26EED and #C692F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F49E8 shade: #9F49E8, #E84973 and #49E85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F49E8 shade: #9F49E8, #E89E49 and #49E89E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F49E8 shade: #9F49E8, #E84973, #93E849 and #49E8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F49E8 shade: #9F49E8, #E84E49, #93E849 and #49E3E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

Complementary color

CMYK 47 / 0 / 87 / 29

HEX #60B617

RGB 96 182 23

HSL 92.45, 0.78%, 0.4%

LAB 66.52, -50.08, 63.65

 

CMYK 28 / 68 / 0 / 11

HEX #A449E3

RGB 164 73 227

HSL 275.45, 0.73%, 0.59%

LAB 49.74, 62.85, -62.91

 

CMYK 26 / 63 / 0 / 4

HEX #B55BF6

RGB 181 91 246

HSL 274.84, 0.9%, 0.66%

LAB 56.05, 62.36, -63.29

 

CMYK 22 / 57 / 0 / 0

HEX #C66DFF

RGB 198 109 255

HSL 276.58, 1%, 0.71%

LAB 61.79, 59.52, -58.95

 

CMYK 16 / 50 / 0 / 0

HEX #D77FFF

RGB 215 127 255

HSL 281.25, 1%, 0.75%

LAB 67.16, 54.8, -50.3

 

CMYK 9 / 43 / 0 / 0

HEX #E891FF

RGB 232 145 255

HSL 287.45, 1%, 0.78%

LAB 72.65, 50.26, -41.56

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 33 / 74 / 0 / 16

HEX #8E37D5

RGB 142 55 213

HSL 273.04, 0.65%, 0.53%

LAB 43.19, 63.2, -65.67

 

CMYK 36 / 81 / 0 / 24

HEX #7D25C2

RGB 125 37 194

HSL 273.63, 0.68%, 0.45%

LAB 37.07, 62.85, -64.72

 

CMYK 38 / 89 / 0 / 31

HEX #6C13AF

RGB 108 19 175

HSL 274.23, 0.8%, 0.38%

LAB 31.23, 61.46, -63.13

 

CMYK 42 / 99 / 0 / 39

HEX #5B019C

RGB 91 1 156

HSL 274.84, 0.99%, 0.31%

LAB 25.7, 58.83, -60.8

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 13 / 69 / 0 / 9

HEX #CA49E8

RGB 202 73 232

HSL 288.68, 0.78%, 0.6%

LAB 55.22, 71.72, -56.64

 

CMYK 0 / 69 / 6 / 9

HEX #E849DB

RGB 232 73 219

HSL 304.91, 0.78%, 0.6%

LAB 59.01, 76.1, -43.03

 

CMYK 0 / 69 / 24 / 9

HEX #E849B0

RGB 232 73 176

HSL 321.13, 0.78%, 0.6%

LAB 57.13, 70.1, -21.35

 

CMYK 0 / 69 / 43 / 9

HEX #E84985

RGB 232 73 133

HSL 337.36, 0.78%, 0.6%

LAB 55.7, 65.32, 1.73

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 50 / 69 / 0 / 9

HEX #7449E8

RGB 116 73 232

HSL 256.23, 0.78%, 0.6%

LAB 44.67, 55.2, -74.23

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 36 / 78 / 0 / 2

HEX #A038F9

RGB 160 56 249

HSL 272.33, 0.94%, 0.6%

LAB 48.44, 73.71, -77.42

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 27 / 59 / 0 / 15

HEX #9E59D8

RGB 158 89 216

HSL 272.6, 0.62%, 0.6%

LAB 51.12, 51.38, -54.49

 

CMYK 22 / 47 / 0 / 22

HEX #9C6AC7

RGB 156 106 199

HSL 272.26, 0.45%, 0.6%

LAB 53.49, 37.74, -41.04

 

CMYK 15 / 33 / 0 / 28

HEX #9B7AB7

RGB 155 122 183

HSL 272.46, 0.3%, 0.6%

LAB 56.39, 24.66, -27.36

 

CMYK 7 / 16 / 0 / 35

HEX #9A8BA6

RGB 154 139 166

HSL 273.33, 0.13%, 0.6%

LAB 59.97, 10.86, -12.2

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 50 / 69 / 0 / 9

HEX #7349E8

RGB 115 73 232

HSL 255.85, 0.78%, 0.6%

LAB 44.57, 55.03, -74.39

 

CMYK 32 / 69 / 0 / 9

HEX #9E49E8

RGB 158 73 232

HSL 272.08, 0.78%, 0.6%

LAB 49.33, 62.77, -66.44

 

CMYK 14 / 69 / 0 / 9

HEX #C849E8

RGB 200 73 232

HSL 287.92, 0.78%, 0.6%

LAB 54.94, 71.3, -57.11

 

CMYK 0 / 69 / 5 / 9

HEX #E849DD

RGB 232 73 221

HSL 304.15, 0.78%, 0.6%

LAB 59.1, 76.4, -44

 

CMYK 40 / 88 / 0 / 22

HEX #7618C6

RGB 118 24 198

HSL 272.41, 0.78%, 0.44%

LAB 35.17, 66.54, -70.22

 

CMYK 39 / 84 / 0 / 11

HEX #8C24E4

RGB 140 36 228

HSL 272.5, 0.78%, 0.52%

LAB 41.9, 72.68, -76.37

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 25 / 54 / 0 / 7

HEX #B26EED

RGB 178 110 237

HSL 272.13, 0.78%, 0.68%

LAB 58.72, 50.16, -54.02

 

CMYK 18 / 39 / 0 / 5

HEX #C692F1

RGB 198 146 241

HSL 272.84, 0.77%, 0.76%

LAB 68.69, 37.09, -40.37

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 0 / 69 / 50 / 9

HEX #E84973

RGB 232 73 115

HSL 344.15, 0.78%, 0.6%

LAB 55.24, 63.72, 11.75

 

CMYK 69 / 0 / 59 / 9

HEX #49E85E

RGB 73 232 94

HSL 127.92, 0.78%, 0.6%

LAB 81.8, -67.95, 54.21

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 0 / 32 / 69 / 9

HEX #E89E49

RGB 232 158 73

HSL 32.08, 0.78%, 0.6%

LAB 70.93, 19.86, 54.09

 

CMYK 69 / 0 / 32 / 9

HEX #49E89E

RGB 73 232 158

HSL 152.08, 0.78%, 0.6%

LAB 82.7, -57.81, 24.3

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 0 / 69 / 50 / 9

HEX #E84973

RGB 232 73 115

HSL 344.15, 0.78%, 0.6%

LAB 55.24, 63.72, 11.75

 

CMYK 37 / 0 / 69 / 9

HEX #93E849

RGB 147 232 73

HSL 92.08, 0.78%, 0.6%

LAB 84.17, -50.66, 66.05

 

CMYK 69 / 0 / 18 / 9

HEX #49E8BE

RGB 73 232 190

HSL 164.15, 0.78%, 0.6%

LAB 83.36, -50.81, 8.55

 

CMYK 31 / 69 / 0 / 9

HEX #9F49E8

RGB 159 73 232

HSL 272.45, 0.78%, 0.6%

LAB 49.45, 62.97, -66.23

 

CMYK 0 / 66 / 69 / 9

HEX #E84E49

RGB 232 78 73

HSL 1.89, 0.78%, 0.6%

LAB 55.16, 59.03, 36.22

 

CMYK 37 / 0 / 69 / 9

HEX #93E849

RGB 147 232 73

HSL 92.08, 0.78%, 0.6%

LAB 84.17, -50.66, 66.05

 

CMYK 69 / 2 / 0 / 9

HEX #49E3E8

RGB 73 227 232

HSL 181.89, 0.78%, 0.6%

LAB 83.01, -37.7, -14.16

 

Description

Color code: HEX #9F49E8 | qconv.com Color code: HEX #9F49E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 73 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 73 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 69 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 69% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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