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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2AD2 it is the complementary color #60D52D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2AD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2AD2 shade: #A42ACD, #B53CE0, #C64EF3, #D760FF and #E872FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2AD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2AD2 shade: #9F2AD2, #8E18BF, #7D06AC, #6C0099 and #5B0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2AD2 shade: #9D29D0, #CB29D0, #D029A9, #D0297C and #D0294E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2AD2 shade: #9D29D0, #7029D0, #4329D0 and #2929D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2AD2 shade matches the following richer shades: #9D29D0, #A515E4 and #AD00F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2AD2 shade: #9D29D0, #953DBC, #8D51A8, #866594 and #7E7A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2AD2 shade: #4229D0, #6E29D0, #9B29D0, #C829D0 and #D029AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2AD2 shade: #691B8B, #8322AE, #9D29D0, #AE48DA and #BD6AE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2AD2 shade: #9F2AD2, #D0293C and #29D058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2AD2 shade: #9F2AD2, #D09B29 and #29D09B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2AD2 shade: #9F2AD2, #D0293C, #5ED029 and #29D0BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2AD2 shade: #9F2AD2, #D04729, #5ED029 and #29B1D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

Complementary color

CMYK 55 / 0 / 79 / 16

HEX #60D52D

RGB 96 213 45

HSL 101.79, 0.67%, 0.51%

LAB 76.23, -60.59, 66.87

 

CMYK 20 / 80 / 0 / 20

HEX #A42ACD

RGB 164 42 205

HSL 284.91, 0.66%, 0.48%

LAB 44.17, 69.97, -59.33

 

CMYK 19 / 73 / 0 / 12

HEX #B53CE0

RGB 181 60 224

HSL 284.27, 0.73%, 0.56%

LAB 50.02, 70.8, -60.64

 

CMYK 19 / 68 / 0 / 5

HEX #C64EF3

RGB 198 78 243

HSL 283.64, 0.87%, 0.63%

LAB 56.01, 71.01, -61.56

 

CMYK 16 / 62 / 0 / 0

HEX #D760FF

RGB 215 96 255

HSL 284.91, 1%, 0.69%

LAB 61.68, 69.48, -59.01

 

CMYK 9 / 55 / 0 / 0

HEX #E872FF

RGB 232 114 255

HSL 290.21, 1%, 0.72%

LAB 66.83, 65.46, -50.69

 

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

CMYK 26 / 87 / 0 / 25

HEX #8E18BF

RGB 142 24 191

HSL 282.4, 0.78%, 0.42%

LAB 38.14, 68.37, -61.11

 

CMYK 27 / 97 / 0 / 33

HEX #7D06AC

RGB 125 6 172

HSL 283.01, 0.93%, 0.35%

LAB 32.85, 65.33, -58.57

 

CMYK 29 / 100 / 0 / 40

HEX #6C0099

RGB 108 0 153

HSL 282.35, 1%, 0.3%

LAB 28.08, 60.36, -54.95

 

CMYK 32 / 100 / 0 / 47

HEX #5B0086

RGB 91 0 134

HSL 280.75, 1%, 0.26%

LAB 23.49, 54.41, -50.79

 

CMYK 25 / 80 / 0 / 18

HEX #9D29D0

RGB 157 41 208

HSL 281.68, 0.67%, 0.49%

LAB 43.22, 69.64, -62.65

 

CMYK 2 / 80 / 0 / 18

HEX #CB29D0

RGB 203 41 208

HSL 298.2, 0.67%, 0.49%

LAB 50.5, 77.83, -50.56

 

CMYK 0 / 80 / 19 / 18

HEX #D029A9

RGB 208 41 169

HSL 314.01, 0.67%, 0.49%

LAB 49.33, 73.24, -29.64

 

CMYK 0 / 80 / 40 / 18

HEX #D0297C

RGB 208 41 124

HSL 330.18, 0.67%, 0.49%

LAB 47.56, 68.13, -5.3

 

CMYK 0 / 80 / 63 / 18

HEX #D0294E

RGB 208 41 78

HSL 346.71, 0.67%, 0.49%

LAB 46.37, 64.56, 21.32

 

CMYK 25 / 80 / 0 / 18

HEX #9D29D0

RGB 157 41 208

HSL 281.68, 0.67%, 0.49%

LAB 43.22, 69.64, -62.65

 

CMYK 46 / 80 / 0 / 18

HEX #7029D0

RGB 112 41 208

HSL 265.51, 0.67%, 0.49%

LAB 37.09, 62.81, -72.92

 

CMYK 68 / 80 / 0 / 18

HEX #4329D0

RGB 67 41 208

HSL 249.34, 0.67%, 0.49%

LAB 32.55, 57.84, -80.55

 

CMYK 80 / 80 / 0 / 18

HEX #2929D0

RGB 41 41 208

HSL 240, 0.67%, 0.49%

LAB 30.91, 56.05, -83.33

 

CMYK 25 / 80 / 0 / 18

HEX #9D29D0

RGB 157 41 208

HSL 281.68, 0.67%, 0.49%

LAB 43.22, 69.64, -62.65

 

CMYK 28 / 91 / 0 / 11

HEX #A515E4

RGB 165 21 228

HSL 281.74, 0.83%, 0.49%

LAB 44.43, 79.16, -72.09

 

CMYK 31 / 100 / 0 / 2

HEX #AD00F9

RGB 173 0 249

HSL 281.69, 1%, 0.49%

LAB 46.61, 86.22, -80.34

 

CMYK 25 / 80 / 0 / 18

HEX #9D29D0

RGB 157 41 208

HSL 281.68, 0.67%, 0.49%

LAB 43.22, 69.64, -62.65

 

CMYK 21 / 68 / 0 / 26

HEX #953DBC

RGB 149 61 188

HSL 281.57, 0.51%, 0.49%

LAB 43.3, 56.62, -50.96

 

CMYK 16 / 52 / 0 / 34

HEX #8D51A8

RGB 141 81 168

HSL 281.38, 0.35%, 0.49%

LAB 44.77, 40.33, -36.92

 

CMYK 9 / 32 / 0 / 42

HEX #866594

RGB 134 101 148

HSL 282.13, 0.19%, 0.49%

LAB 47.64, 22.24, -20.65

 

CMYK 1 / 4 / 0 / 50

HEX #7E7A7F

RGB 126 122 127

HSL 288, 0.02%, 0.49%

LAB 51.71, 2.51, -2.19

 

CMYK 68 / 80 / 0 / 18

HEX #4229D0

RGB 66 41 208

HSL 248.98, 0.67%, 0.49%

LAB 32.48, 57.75, -80.68

 

CMYK 47 / 80 / 0 / 18

HEX #6E29D0

RGB 110 41 208

HSL 264.79, 0.67%, 0.49%

LAB 36.85, 62.55, -73.33

 

CMYK 25 / 80 / 0 / 18

HEX #9B29D0

RGB 155 41 208

HSL 280.96, 0.67%, 0.49%

LAB 42.93, 69.31, -63.14

 

CMYK 4 / 80 / 0 / 18

HEX #C829D0

RGB 200 41 208

HSL 297.13, 0.67%, 0.49%

LAB 50, 77.27, -51.38

 

CMYK 0 / 80 / 17 / 18

HEX #D029AC

RGB 208 41 172

HSL 312.93, 0.67%, 0.49%

LAB 49.46, 73.63, -31.19

 

CMYK 24 / 81 / 0 / 45

HEX #691B8B

RGB 105 27 139

HSL 281.79, 0.67%, 0.33%

LAB 28.51, 50.88, -45.63

 

CMYK 25 / 80 / 0 / 32

HEX #8322AE

RGB 131 34 174

HSL 281.57, 0.67%, 0.41%

LAB 36.03, 60.56, -54.55

 

CMYK 25 / 80 / 0 / 18

HEX #9D29D0

RGB 157 41 208

HSL 281.68, 0.67%, 0.49%

LAB 43.22, 69.64, -62.65

 

CMYK 20 / 67 / 0 / 15

HEX #AE48DA

RGB 174 72 218

HSL 281.92, 0.66%, 0.57%

LAB 50.33, 63.48, -56.79

 

CMYK 16 / 53 / 0 / 12

HEX #BD6AE1

RGB 189 106 225

HSL 281.85, 0.66%, 0.65%

LAB 58.57, 52.44, -47.49

 

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

CMYK 0 / 80 / 71 / 18

HEX #D0293C

RGB 208 41 60

HSL 353.17, 0.67%, 0.49%

LAB 46.07, 63.63, 31.87

 

CMYK 80 / 0 / 58 / 18

HEX #29D058

RGB 41 208 88

HSL 136.89, 0.67%, 0.49%

LAB 73.73, -65.43, 47.36

 

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

CMYK 0 / 25 / 80 / 18

HEX #D09B29

RGB 208 155 41

HSL 40.96, 0.67%, 0.49%

LAB 67.29, 9.78, 62.6

 

CMYK 80 / 0 / 25 / 18

HEX #29D09B

RGB 41 208 155

HSL 160.96, 0.67%, 0.49%

LAB 74.79, -53.25, 14.85

 

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

CMYK 0 / 80 / 71 / 18

HEX #D0293C

RGB 208 41 60

HSL 353.17, 0.67%, 0.49%

LAB 46.07, 63.63, 31.87

 

CMYK 55 / 0 / 80 / 18

HEX #5ED029

RGB 94 208 41

HSL 100.96, 0.67%, 0.49%

LAB 74.6, -59.55, 66.46

 

CMYK 80 / 0 / 9 / 18

HEX #29D0BD

RGB 41 208 189

HSL 173.17, 0.67%, 0.49%

LAB 75.61, -44.68, -2.22

 

CMYK 24 / 80 / 0 / 18

HEX #9F2AD2

RGB 159 42 210

HSL 281.79, 0.67%, 0.49%

LAB 43.77, 70.07, -62.9

 

CMYK 0 / 66 / 80 / 18

HEX #D04729

RGB 208 71 41

HSL 10.78, 0.67%, 0.49%

LAB 49.59, 52.6, 46.18

 

CMYK 55 / 0 / 80 / 18

HEX #5ED029

RGB 94 208 41

HSL 100.96, 0.67%, 0.49%

LAB 74.6, -59.55, 66.46

 

CMYK 80 / 15 / 0 / 18

HEX #29B1D0

RGB 41 177 208

HSL 191.14, 0.67%, 0.49%

LAB 66.88, -24.45, -25.71

 

Description

Color code: HEX #9F2AD2 | qconv.com Color code: HEX #9F2AD2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 42 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 42 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 80 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 80% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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