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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2164 it is the complementary color #60DE9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2164 shade: #A4215F, #B53372, #C64585, #D75798 and #E869AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2164 shade: #9F2164, #8E0F51, #7D003E, #6C002B and #5B0018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2164 shade: #A02064, #A02042 and #A02020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2164 shade: #A02064, #A02087, #9720A0, #7520A0 and #5220A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2164 shade matches the following richer shades: #A02064, #B01165 and #C00166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2164 shade: #A02064, #913063, #814062, #714F61 and #625F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2164 shade: #9820A0, #A02087, #A02065, #A02043 and #A02020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2164 shade: #5C1239, #7E194F, #A02064, #C3277A and #D73D8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2164 shade: #9F2164, #A07620 and #2098A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2164 shade: #9F2164, #65A020 and #2065A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2164 shade: #9F2164, #A07620, #20A05C and #204BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2164 shade: #9F2164, #A09C20, #20A05C and #2025A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

Complementary color

CMYK 57 / 0 / 30 / 13

HEX #60DE9B

RGB 96 222 155

HSL 148.1, 0.66%, 0.62%

LAB 80.23, -50.17, 22.58

 

CMYK 0 / 80 / 42 / 36

HEX #A4215F

RGB 164 33 95

HSL 331.6, 0.66%, 0.39%

LAB 37.49, 56.13, -3.06

 

CMYK 0 / 72 / 37 / 29

HEX #B53372

RGB 181 51 114

HSL 330.92, 0.56%, 0.45%

LAB 43.37, 56.92, -5.92

 

CMYK 0 / 65 / 33 / 22

HEX #C64585

RGB 198 69 133

HSL 330.23, 0.53%, 0.52%

LAB 49.44, 57.03, -8.14

 

CMYK 0 / 60 / 29 / 16

HEX #D75798

RGB 215 87 152

HSL 329.53, 0.62%, 0.59%

LAB 55.61, 56.73, -9.9

 

CMYK 0 / 55 / 26 / 9

HEX #E869AB

RGB 232 105 171

HSL 328.82, 0.73%, 0.66%

LAB 61.83, 56.2, -11.35

 

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

CMYK 0 / 89 / 43 / 44

HEX #8E0F51

RGB 142 15 81

HSL 328.82, 0.81%, 0.31%

LAB 31.08, 53.42, -3.96

 

CMYK 0 / 100 / 50 / 51

HEX #7D003E

RGB 125 0 62

HSL 330.24, 1%, 0.25%

LAB 25.89, 50.08, 0.72

 

CMYK 0 / 100 / 60 / 58

HEX #6C002B

RGB 108 0 43

HSL 336.11, 1%, 0.21%

LAB 21.44, 44.34, 7.07

 

CMYK 0 / 100 / 74 / 64

HEX #5B0018

RGB 91 0 24

HSL 344.18, 1%, 0.18%

LAB 16.94, 38.61, 13.96

 

CMYK 0 / 80 / 38 / 37

HEX #A02064

RGB 160 32 100

HSL 328.13, 0.67%, 0.38%

LAB 36.79, 55.88, -7.37

 

CMYK 0 / 80 / 59 / 37

HEX #A02042

RGB 160 32 66

HSL 344.06, 0.67%, 0.38%

LAB 35.79, 52.82, 13.06

 

CMYK 0 / 80 / 80 / 37

HEX #A02020

RGB 160 32 32

HSL 0, 0.67%, 0.38%

LAB 35.22, 51.05, 33.65

 

CMYK 0 / 80 / 38 / 37

HEX #A02064

RGB 160 32 100

HSL 328.13, 0.67%, 0.38%

LAB 36.79, 55.88, -7.37

 

CMYK 0 / 80 / 16 / 37

HEX #A02087

RGB 160 32 135

HSL 311.72, 0.67%, 0.38%

LAB 38.3, 60.28, -26.99

 

CMYK 6 / 80 / 0 / 37

HEX #9720A0

RGB 151 32 160

HSL 295.78, 0.67%, 0.38%

LAB 38.11, 62.28, -42.63

 

CMYK 27 / 80 / 0 / 37

HEX #7520A0

RGB 117 32 160

HSL 279.84, 0.67%, 0.38%

LAB 32.6, 55.82, -51.8

 

CMYK 49 / 80 / 0 / 37

HEX #5220A0

RGB 82 32 160

HSL 263.44, 0.67%, 0.38%

LAB 27.75, 50.12, -59.92

 

CMYK 0 / 80 / 38 / 37

HEX #A02064

RGB 160 32 100

HSL 328.13, 0.67%, 0.38%

LAB 36.79, 55.88, -7.37

 

CMYK 0 / 90 / 43 / 31

HEX #B01165

RGB 176 17 101

HSL 328.3, 0.82%, 0.38%

LAB 38.85, 63.22, -4.6

 

CMYK 0 / 99 / 47 / 25

HEX #C00166

RGB 192 1 102

HSL 328.27, 0.99%, 0.38%

LAB 41.51, 68.78, -0.94

 

CMYK 0 / 80 / 38 / 37

HEX #A02064

RGB 160 32 100

HSL 328.13, 0.67%, 0.38%

LAB 36.79, 55.88, -7.37

 

CMYK 0 / 67 / 32 / 43

HEX #913063

RGB 145 48 99

HSL 328.45, 0.5%, 0.38%

LAB 36.05, 45.76, -8.13

 

CMYK 0 / 50 / 24 / 49

HEX #814062

RGB 129 64 98

HSL 328.62, 0.34%, 0.38%

LAB 36.4, 32.37, -7.24

 

CMYK 0 / 30 / 14 / 56

HEX #714F61

RGB 113 79 97

HSL 328.24, 0.18%, 0.38%

LAB 37.78, 17.36, -4.77

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 5 / 80 / 0 / 37

HEX #9820A0

RGB 152 32 160

HSL 296.25, 0.67%, 0.38%

LAB 38.28, 62.48, -42.35

 

CMYK 0 / 80 / 16 / 37

HEX #A02087

RGB 160 32 135

HSL 311.72, 0.67%, 0.38%

LAB 38.3, 60.28, -26.99

 

CMYK 0 / 80 / 37 / 37

HEX #A02065

RGB 160 32 101

HSL 327.66, 0.67%, 0.38%

LAB 36.83, 55.99, -7.95

 

CMYK 0 / 80 / 58 / 37

HEX #A02043

RGB 160 32 67

HSL 343.59, 0.67%, 0.38%

LAB 35.81, 52.9, 12.45

 

CMYK 0 / 80 / 80 / 37

HEX #A02020

RGB 160 32 32

HSL 0, 0.67%, 0.38%

LAB 35.22, 51.05, 33.65

 

CMYK 0 / 80 / 38 / 64

HEX #5C1239

RGB 92 18 57

HSL 328.38, 0.67%, 0.22%

LAB 20.06, 36.42, -5.23

 

CMYK 0 / 80 / 37 / 51

HEX #7E194F

RGB 126 25 79

HSL 327.92, 0.67%, 0.3%

LAB 28.63, 46.49, -6.64

 

CMYK 0 / 80 / 38 / 37

HEX #A02064

RGB 160 32 100

HSL 328.13, 0.67%, 0.38%

LAB 36.79, 55.88, -7.37

 

CMYK 0 / 80 / 37 / 24

HEX #C3277A

RGB 195 39 122

HSL 328.08, 0.67%, 0.46%

LAB 44.88, 65.21, -8.33

 

CMYK 0 / 72 / 33 / 16

HEX #D73D8F

RGB 215 61 143

HSL 328.05, 0.66%, 0.54%

LAB 51.57, 65.92, -10.64

 

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

CMYK 0 / 26 / 80 / 37

HEX #A07620

RGB 160 118 32

HSL 40.31, 0.67%, 0.38%

LAB 52.44, 8.42, 50.36

 

CMYK 80 / 5 / 0 / 37

HEX #2098A0

RGB 32 152 160

HSL 183.75, 0.67%, 0.38%

LAB 57.37, -28.21, -13.3

 

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

CMYK 37 / 0 / 80 / 37

HEX #65A020

RGB 101 160 32

HSL 87.66, 0.67%, 0.38%

LAB 59.9, -38.97, 55.55

 

CMYK 80 / 37 / 0 / 37

HEX #2065A0

RGB 32 101 160

HSL 207.66, 0.67%, 0.38%

LAB 41.46, 0.31, -37.93

 

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

CMYK 0 / 26 / 80 / 37

HEX #A07620

RGB 160 118 32

HSL 40.31, 0.67%, 0.38%

LAB 52.44, 8.42, 50.36

 

CMYK 80 / 0 / 43 / 37

HEX #20A05C

RGB 32 160 92

HSL 148.13, 0.67%, 0.38%

LAB 58.25, -49.24, 26.14

 

CMYK 80 / 53 / 0 / 37

HEX #204BA0

RGB 32 75 160

HSL 219.84, 0.67%, 0.38%

LAB 33.73, 17.35, -50.32

 

CMYK 0 / 79 / 37 / 38

HEX #9F2164

RGB 159 33 100

HSL 328.1, 0.66%, 0.38%

LAB 36.7, 55.33, -7.52

 

CMYK 0 / 2 / 80 / 37

HEX #A09C20

RGB 160 156 32

HSL 58.13, 0.67%, 0.38%

LAB 62.81, -12.44, 59.71

 

CMYK 80 / 0 / 43 / 37

HEX #20A05C

RGB 32 160 92

HSL 148.13, 0.67%, 0.38%

LAB 58.25, -49.24, 26.14

 

CMYK 80 / 77 / 0 / 37

HEX #2025A0

RGB 32 37 160

HSL 237.66, 0.67%, 0.38%

LAB 24.22, 42.07, -65.89

 

Description

Color code: HEX #9F2164 | qconv.com Color code: HEX #9F2164 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 33 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 33 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 37 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 37% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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