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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F0980 it is the complementary color #60F67F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F0980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F0980 shade: #A4097B, #B51B8E, #C62DA1, #D73FB4 and #E851C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F0980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F0980 shade: #9F0980, #8E006D, #7D005A, #6C0047 and #5B0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F0980 shade: #9F0980, #9F0957, #9F092F and #9F0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F0980 shade: #9F0980, #95099F, #6D099F, #44099F and #1C099F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F0980 shade matches the following richer shades: #9F0980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F0980 shade: #9F0980, #911678, #832470, #763268 and #683F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F0980 shade: #6D099F, #95099F, #9F0981, #9F0959 and #9F0931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F0980 shade: #510441, #780660, #9F0980, #C60B9F and #ED0DBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F0980 shade: #9F0980, #9F4509 and #099F81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F0980 shade: #9F0980, #819F09 and #09819F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F0980 shade: #9F0980, #9F4509, #099F27 and #09639F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F0980 shade: #9F0980, #9F7209, #099F27 and #09369F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

Complementary color

CMYK 61 / 0 / 48 / 4

HEX #60F67F

RGB 96 246 127

HSL 132.4, 0.89%, 0.67%

LAB 86.96, -64.15, 45.41

 

CMYK 0 / 95 / 25 / 36

HEX #A4097B

RGB 164 9 123

HSL 315.87, 0.9%, 0.34%

LAB 36.96, 63.98, -21.56

 

CMYK 0 / 85 / 22 / 29

HEX #B51B8E

RGB 181 27 142

HSL 315.19, 0.74%, 0.41%

LAB 42.09, 67.07, -25.07

 

CMYK 0 / 77 / 19 / 22

HEX #C62DA1

RGB 198 45 161

HSL 314.51, 0.63%, 0.48%

LAB 47.57, 68.92, -27.77

 

CMYK 0 / 71 / 16 / 16

HEX #D73FB4

RGB 215 63 180

HSL 313.82, 0.66%, 0.55%

LAB 53.27, 69.88, -29.85

 

CMYK 0 / 65 / 14 / 9

HEX #E851C7

RGB 232 81 199

HSL 313.11, 0.77%, 0.61%

LAB 59.13, 70.25, -31.49

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 100 / 23 / 44

HEX #8E006D

RGB 142 0 109

HSL 313.94, 1%, 0.28%

LAB 31.47, 58.9, -21.57

 

CMYK 0 / 100 / 28 / 51

HEX #7D005A

RGB 125 0 90

HSL 316.8, 1%, 0.25%

LAB 27.01, 53, -16.42

 

CMYK 0 / 100 / 34 / 58

HEX #6C0047

RGB 108 0 71

HSL 320.56, 1%, 0.21%

LAB 22.45, 46.99, -10.97

 

CMYK 0 / 100 / 43 / 64

HEX #5B0034

RGB 91 0 52

HSL 325.71, 1%, 0.18%

LAB 17.79, 40.87, -5.12

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 94 / 45 / 38

HEX #9F0957

RGB 159 9 87

HSL 328.8, 0.89%, 0.33%

LAB 34.51, 59.04, -2.43

 

CMYK 0 / 94 / 70 / 38

HEX #9F092F

RGB 159 9 47

HSL 344.8, 0.89%, 0.33%

LAB 33.5, 56.28, 22.35

 

CMYK 0 / 94 / 94 / 38

HEX #9F0909

RGB 159 9 9

HSL 0, 0.89%, 0.33%

LAB 33.11, 55.17, 43.33

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 6 / 94 / 0 / 38

HEX #95099F

RGB 149 9 159

HSL 296, 0.89%, 0.33%

LAB 36.15, 66.27, -45.19

 

CMYK 31 / 94 / 0 / 38

HEX #6D099F

RGB 109 9 159

HSL 280, 0.89%, 0.33%

LAB 29.29, 60.17, -56.65

 

CMYK 57 / 94 / 0 / 38

HEX #44099F

RGB 68 9 159

HSL 263.6, 0.89%, 0.33%

LAB 23.43, 55.72, -66.49

 

CMYK 82 / 94 / 0 / 38

HEX #1C099F

RGB 28 9 159

HSL 247.6, 0.89%, 0.33%

LAB 19.82, 53.5, -72.59

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 85 / 17 / 43

HEX #911678

RGB 145 22 120

HSL 312.2, 0.74%, 0.33%

LAB 33.88, 57.32, -24.77

 

CMYK 0 / 73 / 15 / 49

HEX #832470

RGB 131 36 112

HSL 312, 0.57%, 0.33%

LAB 32.38, 48.5, -22.23

 

CMYK 0 / 58 / 12 / 54

HEX #763268

RGB 118 50 104

HSL 312.35, 0.4%, 0.33%

LAB 32.11, 37.12, -17.73

 

CMYK 0 / 39 / 8 / 59

HEX #683F60

RGB 104 63 96

HSL 311.71, 0.25%, 0.33%

LAB 32.57, 23.46, -12.08

 

CMYK 31 / 94 / 0 / 38

HEX #6D099F

RGB 109 9 159

HSL 280, 0.89%, 0.33%

LAB 29.29, 60.17, -56.65

 

CMYK 6 / 94 / 0 / 38

HEX #95099F

RGB 149 9 159

HSL 296, 0.89%, 0.33%

LAB 36.15, 66.27, -45.19

 

CMYK 0 / 94 / 19 / 38

HEX #9F0981

RGB 159 9 129

HSL 312, 0.89%, 0.33%

LAB 36.27, 63.71, -26.46

 

CMYK 0 / 94 / 44 / 38

HEX #9F0959

RGB 159 9 89

HSL 328, 0.89%, 0.33%

LAB 34.57, 59.22, -3.63

 

CMYK 0 / 94 / 69 / 38

HEX #9F0931

RGB 159 9 49

HSL 344, 0.89%, 0.33%

LAB 33.54, 56.38, 21.09

 

CMYK 0 / 95 / 20 / 68

HEX #510441

RGB 81 4 65

HSL 312.47, 0.91%, 0.17%

LAB 16.59, 38.93, -16.36

 

CMYK 0 / 95 / 20 / 53

HEX #780660

RGB 120 6 96

HSL 312.63, 0.9%, 0.25%

LAB 26.64, 51.62, -21.02

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 94 / 20 / 22

HEX #C60B9F

RGB 198 11 159

HSL 312.51, 0.89%, 0.41%

LAB 45.29, 75, -30.13

 

CMYK 0 / 95 / 20 / 7

HEX #ED0DBE

RGB 237 13 190

HSL 312.59, 0.9%, 0.49%

LAB 54.04, 85.96, -34.19

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 57 / 94 / 38

HEX #9F4509

RGB 159 69 9

HSL 24, 0.89%, 0.33%

LAB 40.65, 34.61, 48.3

 

CMYK 94 / 0 / 19 / 38

HEX #099F81

RGB 9 159 129

HSL 168, 0.89%, 0.33%

LAB 58.45, -42.14, 5.89

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 19 / 0 / 94 / 38

HEX #819F09

RGB 129 159 9

HSL 72, 0.89%, 0.33%

LAB 61.21, -28.13, 62.38

 

CMYK 94 / 19 / 0 / 38

HEX #09819F

RGB 9 129 159

HSL 192, 0.89%, 0.33%

LAB 49.81, -18.23, -24.28

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 57 / 94 / 38

HEX #9F4509

RGB 159 69 9

HSL 24, 0.89%, 0.33%

LAB 40.65, 34.61, 48.3

 

CMYK 94 / 0 / 75 / 38

HEX #099F27

RGB 9 159 39

HSL 132, 0.89%, 0.33%

LAB 57.08, -58.18, 49.61

 

CMYK 94 / 38 / 0 / 38

HEX #09639F

RGB 9 99 159

HSL 204, 0.89%, 0.33%

LAB 40.39, -0.62, -39.06

 

CMYK 0 / 94 / 19 / 38

HEX #9F0980

RGB 159 9 128

HSL 312.4, 0.89%, 0.33%

LAB 36.22, 63.58, -25.91

 

CMYK 0 / 28 / 94 / 38

HEX #9F7209

RGB 159 114 9

HSL 42, 0.89%, 0.33%

LAB 51.18, 9.62, 55.87

 

CMYK 94 / 0 / 75 / 38

HEX #099F27

RGB 9 159 39

HSL 132, 0.89%, 0.33%

LAB 57.08, -58.18, 49.61

 

CMYK 94 / 66 / 0 / 38

HEX #09369F

RGB 9 54 159

HSL 222, 0.89%, 0.33%

LAB 27.3, 29.63, -60.23

 

Description

Color code: HEX #9F0980 | qconv.com Color code: HEX #9F0980 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 9 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 9 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 19 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 19% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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