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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EFD90 it is the complementary color #61026F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EFD90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EFD90 shade: #A3FD8B, #B4FF9E, #C5FFB1, #D6FFC4 and #E7FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EFD90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EFD90 shade: #9EFD90, #8DEB7D, #7CD96A, #6BC757 and #5AB544

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EFD90 shade: #9EFC91, #BBFC91, #D8FC91, #F6FC91 and #FCE691

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EFD90 shade: #9EFC91, #91FCA0, #91FCBD, #91FCDA and #91FCF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EFD90 shade matches the following richer shades: #9EFC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EFD90 shade: #9EFC91, #A5F39A, #ACEAA3, #B3E1AC and #B9D8B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EFD90 shade: #D8FC91, #BCFC91, #9FFC91, #91FC9F and #91FCBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EFD90 shade: #58FB40, #7BFB68, #9EFC91, #C2FDB9 and #E5FEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EFD90 shade: #9EFD90, #91F5FC and #FC91CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EFD90 shade: #9EFD90, #919FFC and #FC919F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EFD90 shade: #9EFD90, #91F5FC, #EE91FC and #FC9891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EFD90 shade: #9EFD90, #91D5FC, #EE91FC and #FCB891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

Complementary color

CMYK 13 / 98 / 0 / 56

HEX #61026F

RGB 97 2 111

HSL 292.29, 0.96%, 0.22%

LAB 22.77, 50.38, -37.25

 

CMYK 36 / 0 / 45 / 1

HEX #A3FD8B

RGB 163 253 139

HSL 107.37, 0.97%, 0.77%

LAB 91.64, -47.59, 46.08

 

CMYK 29 / 0 / 38 / 0

HEX #B4FF9E

RGB 180 255 158

HSL 106.39, 1%, 0.81%

LAB 93.32, -40.48, 39.17

 

CMYK 23 / 0 / 31 / 0

HEX #C5FFB1

RGB 197 255 177

HSL 104.62, 1%, 0.85%

LAB 94.55, -32.15, 31.53

 

CMYK 16 / 0 / 23 / 0

HEX #D6FFC4

RGB 214 255 196

HSL 101.69, 1%, 0.88%

LAB 95.91, -23.55, 23.96

 

CMYK 9 / 0 / 16 / 0

HEX #E7FFD7

RGB 231 255 215

HSL 96, 1%, 0.92%

LAB 97.4, -14.77, 16.52

 

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

CMYK 40 / 0 / 47 / 8

HEX #8DEB7D

RGB 141 235 125

HSL 111.27, 0.73%, 0.71%

LAB 85.28, -48.62, 44.61

 

CMYK 43 / 0 / 51 / 15

HEX #7CD96A

RGB 124 217 106

HSL 110.27, 0.59%, 0.63%

LAB 79.01, -48.69, 45.82

 

CMYK 46 / 0 / 56 / 22

HEX #6BC757

RGB 107 199 87

HSL 109.29, 0.5%, 0.56%

LAB 72.67, -48.68, 47.01

 

CMYK 50 / 0 / 62 / 29

HEX #5AB544

RGB 90 181 68

HSL 108.32, 0.45%, 0.49%

LAB 66.24, -48.51, 48.09

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC91

RGB 158 252 145

HSL 112.71, 0.95%, 0.78%

LAB 91.2, -47.92, 42.59

 

CMYK 26 / 0 / 42 / 1

HEX #BBFC91

RGB 187 252 145

HSL 96.45, 0.95%, 0.78%

LAB 92.68, -38.53, 44.76

 

CMYK 14 / 0 / 42 / 1

HEX #D8FC91

RGB 216 252 145

HSL 80.19, 0.95%, 0.78%

LAB 94.43, -28.25, 47.34

 

CMYK 2 / 0 / 42 / 1

HEX #F6FC91

RGB 246 252 145

HSL 63.36, 0.95%, 0.78%

LAB 96.52, -17.01, 50.4

 

CMYK 0 / 9 / 42 / 1

HEX #FCE691

RGB 252 230 145

HSL 47.66, 0.95%, 0.78%

LAB 91.38, -3.82, 44.06

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC91

RGB 158 252 145

HSL 112.71, 0.95%, 0.78%

LAB 91.2, -47.92, 42.59

 

CMYK 42 / 0 / 37 / 1

HEX #91FCA0

RGB 145 252 160

HSL 128.41, 0.95%, 0.78%

LAB 90.86, -49.5, 34.65

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBD

RGB 145 252 189

HSL 144.67, 0.95%, 0.78%

LAB 91.38, -44.48, 20.69

 

CMYK 42 / 0 / 13 / 1

HEX #91FCDA

RGB 145 252 218

HSL 160.93, 0.95%, 0.78%

LAB 92, -38.65, 6.65

 

CMYK 42 / 0 / 2 / 1

HEX #91FCF7

RGB 145 252 247

HSL 177.2, 0.95%, 0.78%

LAB 92.73, -32.08, -7.3

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC91

RGB 158 252 145

HSL 112.71, 0.95%, 0.78%

LAB 91.2, -47.92, 42.59

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC91

RGB 158 252 145

HSL 112.71, 0.95%, 0.78%

LAB 91.2, -47.92, 42.59

 

CMYK 32 / 0 / 37 / 5

HEX #A5F39A

RGB 165 243 154

HSL 112.58, 0.79%, 0.78%

LAB 89.13, -40.56, 35.52

 

CMYK 26 / 0 / 30 / 8

HEX #ACEAA3

RGB 172 234 163

HSL 112.39, 0.63%, 0.78%

LAB 87.12, -32.84, 28.37

 

CMYK 20 / 0 / 24 / 12

HEX #B3E1AC

RGB 179 225 172

HSL 112.08, 0.47%, 0.78%

LAB 85.21, -24.79, 21.17

 

CMYK 14 / 0 / 16 / 15

HEX #B9D8B5

RGB 185 216 181

HSL 113.14, 0.31%, 0.78%

LAB 83.32, -16.8, 13.87

 

CMYK 14 / 0 / 42 / 1

HEX #D8FC91

RGB 216 252 145

HSL 80.19, 0.95%, 0.78%

LAB 94.43, -28.25, 47.34

 

CMYK 25 / 0 / 42 / 1

HEX #BCFC91

RGB 188 252 145

HSL 95.89, 0.95%, 0.78%

LAB 92.73, -38.19, 44.84

 

CMYK 37 / 0 / 42 / 1

HEX #9FFC91

RGB 159 252 145

HSL 112.15, 0.95%, 0.78%

LAB 91.25, -47.61, 42.65

 

CMYK 42 / 0 / 37 / 1

HEX #91FC9F

RGB 145 252 159

HSL 127.85, 0.95%, 0.78%

LAB 90.85, -49.66, 35.13

 

CMYK 42 / 0 / 25 / 1

HEX #91FCBC

RGB 145 252 188

HSL 144.11, 0.95%, 0.78%

LAB 91.36, -44.67, 21.18

 

CMYK 65 / 0 / 75 / 2

HEX #58FB40

RGB 88 251 64

HSL 112.3, 0.96%, 0.62%

LAB 87.7, -74.01, 72.03

 

CMYK 51 / 0 / 59 / 2

HEX #7BFB68

RGB 123 251 104

HSL 112.24, 0.95%, 0.7%

LAB 89.02, -62.5, 58.54

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC91

RGB 158 252 145

HSL 112.71, 0.95%, 0.78%

LAB 91.2, -47.92, 42.59

 

CMYK 23 / 0 / 27 / 1

HEX #C2FDB9

RGB 194 253 185

HSL 112.06, 0.94%, 0.86%

LAB 93.98, -30.99, 26.69

 

CMYK 10 / 0 / 11 / 0

HEX #E5FEE1

RGB 229 254 225

HSL 111.72, 0.94%, 0.94%

LAB 97.22, -13.29, 11.13

 

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

CMYK 42 / 3 / 0 / 1

HEX #91F5FC

RGB 145 245 252

HSL 183.93, 0.95%, 0.78%

LAB 90.94, -27.55, -12.56

 

CMYK 0 / 42 / 20 / 1

HEX #FC91CA

RGB 252 145 202

HSL 328.04, 0.95%, 0.78%

LAB 73.03, 47.37, -11.73

 

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

CMYK 42 / 37 / 0 / 1

HEX #919FFC

RGB 145 159 252

HSL 232.15, 0.95%, 0.78%

LAB 67.91, 18.1, -47.91

 

CMYK 0 / 42 / 37 / 1

HEX #FC919F

RGB 252 145 159

HSL 352.15, 0.95%, 0.78%

LAB 71.86, 41.78, 10.41

 

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

CMYK 42 / 3 / 0 / 1

HEX #91F5FC

RGB 145 245 252

HSL 183.93, 0.95%, 0.78%

LAB 90.94, -27.55, -12.56

 

CMYK 6 / 42 / 0 / 1

HEX #EE91FC

RGB 238 145 252

HSL 292.15, 0.95%, 0.78%

LAB 73.19, 51.4, -39.03

 

CMYK 0 / 40 / 42 / 1

HEX #FC9891

RGB 252 152 145

HSL 3.93, 0.95%, 0.78%

LAB 73.02, 36.66, 19.78

 

CMYK 38 / 0 / 43 / 1

HEX #9EFD90

RGB 158 253 144

HSL 112.29, 0.96%, 0.78%

LAB 91.48, -48.48, 43.42

 

CMYK 42 / 15 / 0 / 1

HEX #91D5FC

RGB 145 213 252

HSL 201.87, 0.95%, 0.78%

LAB 82.18, -11.55, -25.77

 

CMYK 6 / 42 / 0 / 1

HEX #EE91FC

RGB 238 145 252

HSL 292.15, 0.95%, 0.78%

LAB 73.19, 51.4, -39.03

 

CMYK 0 / 27 / 42 / 1

HEX #FCB891

RGB 252 184 145

HSL 21.87, 0.95%, 0.78%

LAB 80.19, 19.94, 29.49

 

Description

Color code: HEX #9EFD90 | qconv.com Color code: HEX #9EFD90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 253 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 253 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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