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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF45E it is the complementary color #610BA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF45E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF45E shade: #A3F459, #B4FF6C, #C5FF7F, #D6FF92 and #E7FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF45E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF45E shade: #9EF45E, #8DE24B, #7CD038, #6BBE25 and #5AAC12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF45E shade: #9DF35C, #C5F35C, #EEF35C, #F3D05C and #F3A75C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF45E shade: #9DF35C, #74F35C, #5CF36D, #5CF396 and #5CF3BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF45E shade matches the following richer shades: #9DF35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF45E shade: #9DF35C, #9FE56A, #A1D778, #A3C986 and #A5BB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF45E shade: #EEF35C, #C6F35C, #9EF35C, #76F35C and #5CF36B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF45E shade: #6EED10, #85F136, #9DF35C, #B4F683 and #CBF9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF45E shade: #9EF45E, #5CF3D0 and #F35CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF45E shade: #9EF45E, #5C9EF3 and #F35C9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF45E shade: #9EF45E, #5CF3D0, #B25CF3 and #F35C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF45E shade: #9EF45E, #5CE9F3, #B25CF3 and #F3665C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

Complementary color

CMYK 40 / 93 / 0 / 37

HEX #610BA1

RGB 97 11 161

HSL 274.4, 0.87%, 0.34%

LAB 27.72, 58.72, -60.5

 

CMYK 33 / 0 / 64 / 4

HEX #A3F459

RGB 163 244 89

HSL 91.35, 0.88%, 0.65%

LAB 88.55, -49.01, 64.73

 

CMYK 29 / 0 / 58 / 0

HEX #B4FF6C

RGB 180 255 108

HSL 90.61, 1%, 0.71%

LAB 92.71, -46.22, 61.7

 

CMYK 23 / 0 / 50 / 0

HEX #C5FF7F

RGB 197 255 127

HSL 87.19, 1%, 0.75%

LAB 93.85, -38.43, 54.82

 

CMYK 16 / 0 / 43 / 0

HEX #D6FF92

RGB 214 255 146

HSL 82.57, 1%, 0.79%

LAB 95.12, -30.27, 47.7

 

CMYK 9 / 0 / 35 / 0

HEX #E7FFA5

RGB 231 255 165

HSL 76, 1%, 0.82%

LAB 96.5, -21.85, 40.47

 

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 40 / 0 / 73 / 18

HEX #7CD038

RGB 124 208 56

HSL 93.16, 0.62%, 0.52%

LAB 75.87, -49.69, 63.41

 

CMYK 44 / 0 / 81 / 25

HEX #6BBE25

RGB 107 190 37

HSL 92.55, 0.67%, 0.45%

LAB 69.53, -49.12, 63.08

 

CMYK 48 / 0 / 90 / 33

HEX #5AAC12

RGB 90 172 18

HSL 91.95, 0.81%, 0.37%

LAB 63.11, -48.25, 61.63

 

CMYK 35 / 0 / 62 / 5

HEX #9DF35C

RGB 157 243 92

HSL 94.17, 0.86%, 0.66%

LAB 87.99, -50.37, 62.82

 

CMYK 19 / 0 / 62 / 5

HEX #C5F35C

RGB 197 243 92

HSL 78.28, 0.86%, 0.66%

LAB 90.2, -36.11, 65.87

 

CMYK 2 / 0 / 62 / 5

HEX #EEF35C

RGB 238 243 92

HSL 61.99, 0.86%, 0.66%

LAB 93.04, -20.09, 69.74

 

CMYK 0 / 14 / 62 / 5

HEX #F3D05C

RGB 243 208 92

HSL 46.09, 0.86%, 0.66%

LAB 84.45, -0.64, 60.61

 

CMYK 0 / 31 / 62 / 5

HEX #F3A75C

RGB 243 167 92

HSL 29.8, 0.86%, 0.66%

LAB 74.49, 20.77, 49.36

 

CMYK 35 / 0 / 62 / 5

HEX #9DF35C

RGB 157 243 92

HSL 94.17, 0.86%, 0.66%

LAB 87.99, -50.37, 62.82

 

CMYK 52 / 0 / 62 / 5

HEX #74F35C

RGB 116 243 92

HSL 110.46, 0.86%, 0.66%

LAB 86.3, -62.59, 60.47

 

CMYK 62 / 0 / 55 / 5

HEX #5CF36D

RGB 92 243 109

HSL 126.75, 0.86%, 0.66%

LAB 85.75, -66.3, 52.26

 

CMYK 62 / 0 / 38 / 5

HEX #5CF396

RGB 92 243 150

HSL 143.05, 0.86%, 0.66%

LAB 86.29, -60.18, 33.28

 

CMYK 62 / 0 / 21 / 5

HEX #5CF3BF

RGB 92 243 191

HSL 159.34, 0.86%, 0.66%

LAB 87.06, -52.06, 13.36

 

CMYK 35 / 0 / 62 / 5

HEX #9DF35C

RGB 157 243 92

HSL 94.17, 0.86%, 0.66%

LAB 87.99, -50.37, 62.82

 

CMYK 35 / 0 / 62 / 5

HEX #9DF35C

RGB 157 243 92

HSL 94.17, 0.86%, 0.66%

LAB 87.99, -50.37, 62.82

 

CMYK 31 / 0 / 54 / 10

HEX #9FE56A

RGB 159 229 106

HSL 94.15, 0.7%, 0.66%

LAB 84.2, -42.43, 52.44

 

CMYK 25 / 0 / 44 / 16

HEX #A1D778

RGB 161 215 120

HSL 94.11, 0.54%, 0.66%

LAB 80.48, -33.85, 41.25

 

CMYK 19 / 0 / 33 / 21

HEX #A3C986

RGB 163 201 134

HSL 94.03, 0.38%, 0.66%

LAB 76.85, -24.6, 29.47

 

CMYK 12 / 0 / 21 / 27

HEX #A5BB94

RGB 165 187 148

HSL 93.85, 0.22%, 0.66%

LAB 73.34, -14.69, 17.29

 

CMYK 2 / 0 / 62 / 5

HEX #EEF35C

RGB 238 243 92

HSL 61.99, 0.86%, 0.66%

LAB 93.04, -20.09, 69.74

 

CMYK 19 / 0 / 62 / 5

HEX #C6F35C

RGB 198 243 92

HSL 77.88, 0.86%, 0.66%

LAB 90.27, -35.73, 65.95

 

CMYK 35 / 0 / 62 / 5

HEX #9EF35C

RGB 158 243 92

HSL 93.77, 0.86%, 0.66%

LAB 88.04, -50.04, 62.88

 

CMYK 51 / 0 / 62 / 5

HEX #76F35C

RGB 118 243 92

HSL 109.67, 0.86%, 0.66%

LAB 86.37, -62.06, 60.57

 

CMYK 62 / 0 / 56 / 5

HEX #5CF36B

RGB 92 243 107

HSL 125.96, 0.86%, 0.66%

LAB 85.72, -66.55, 53.14

 

CMYK 54 / 0 / 93 / 7

HEX #6EED10

RGB 110 237 16

HSL 94.48, 0.87%, 0.5%

LAB 83.92, -66.26, 79.45

 

CMYK 45 / 0 / 78 / 5

HEX #85F136

RGB 133 241 54

HSL 94.65, 0.87%, 0.58%

LAB 86.09, -59.82, 74.01

 

CMYK 35 / 0 / 62 / 5

HEX #9DF35C

RGB 157 243 92

HSL 94.17, 0.86%, 0.66%

LAB 87.99, -50.37, 62.82

 

CMYK 27 / 0 / 47 / 4

HEX #B4F683

RGB 180 246 131

HSL 94.43, 0.86%, 0.74%

LAB 90.44, -39.93, 48.58

 

CMYK 18 / 0 / 32 / 2

HEX #CBF9AA

RGB 203 249 170

HSL 94.94, 0.87%, 0.82%

LAB 93.17, -28.32, 33.25

 

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

CMYK 62 / 0 / 14 / 5

HEX #5CF3D0

RGB 92 243 208

HSL 166.09, 0.86%, 0.66%

LAB 87.45, -48.16, 5.06

 

CMYK 0 / 62 / 10 / 5

HEX #F35CDA

RGB 243 92 218

HSL 309.93, 0.86%, 0.66%

LAB 63.15, 71.51, -35.85

 

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

CMYK 62 / 35 / 0 / 5

HEX #5C9EF3

RGB 92 158 243

HSL 213.77, 0.86%, 0.66%

LAB 64.32, 4.56, -48.84

 

CMYK 0 / 62 / 35 / 5

HEX #F35C9E

RGB 243 92 158

HSL 333.77, 0.86%, 0.66%

LAB 60.94, 63.65, -5.01

 

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

CMYK 62 / 0 / 14 / 5

HEX #5CF3D0

RGB 92 243 208

HSL 166.09, 0.86%, 0.66%

LAB 87.45, -48.16, 5.06

 

CMYK 27 / 62 / 0 / 5

HEX #B25CF3

RGB 178 92 243

HSL 274.17, 0.86%, 0.66%

LAB 55.68, 60.57, -62.24

 

CMYK 0 / 62 / 47 / 5

HEX #F35C80

RGB 243 92 128

HSL 345.7, 0.86%, 0.66%

LAB 60.13, 60.64, 11.25

 

CMYK 35 / 0 / 61 / 4

HEX #9EF45E

RGB 158 244 94

HSL 94.4, 0.87%, 0.66%

LAB 88.34, -50.28, 62.39

 

CMYK 62 / 4 / 0 / 5

HEX #5CE9F3

RGB 92 233 243

HSL 183.97, 0.86%, 0.66%

LAB 85.52, -34.67, -16.16

 

CMYK 27 / 62 / 0 / 5

HEX #B25CF3

RGB 178 92 243

HSL 274.17, 0.86%, 0.66%

LAB 55.68, 60.57, -62.24

 

CMYK 0 / 58 / 62 / 5

HEX #F3665C

RGB 243 102 92

HSL 3.97, 0.86%, 0.66%

LAB 61.07, 53.54, 33.19

 

Description

Color code: HEX #9EF45E | qconv.com Color code: HEX #9EF45E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 244 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 244 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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