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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EEA52 it is the complementary color #6115AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EEA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EEA52 shade: #A3EA4D, #B4FC60, #C5FF73, #D6FF86 and #E7FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EEA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EEA52 shade: #9EEA52, #8DD83F, #7CC62C, #6BB419 and #5AA206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EEA52 shade: #9EE952, #C6E952, #E9E352, #E9BA52 and #E99252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EEA52 shade: #9EE952, #75E952, #52E958, #52E981 and #52E9A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EEA52 shade matches the following richer shades: #9EE952 and #9EF942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EEA52 shade: #9EE952, #9EDA62, #9ECA71, #9EBA81 and #9EAA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EEA52 shade: #E9E452, #C6E952, #9EE952, #75E952 and #52E957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EEA52 shade: #74CF19, #89E52D, #9EE952, #B2EE77 and #C7F29B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EEA52 shade: #9EEA52, #52E9BC and #E952DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EEA52 shade: #9EEA52, #529EE9 and #E9529E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EEA52 shade: #9EEA52, #52E9BC, #9E52E9 and #E9527F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EEA52 shade: #9EEA52, #52E9E9, #9E52E9 and #E95252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

Complementary color

CMYK 44 / 88 / 0 / 32

HEX #6115AD

RGB 97 21 173

HSL 270, 0.78%, 0.38%

LAB 29.65, 59.12, -64.58

 

CMYK 30 / 0 / 67 / 8

HEX #A3EA4D

RGB 163 234 77

HSL 87.13, 0.79%, 0.61%

LAB 85.59, -45.7, 66.27

 

CMYK 29 / 0 / 62 / 1

HEX #B4FC60

RGB 180 252 96

HSL 87.69, 0.96%, 0.68%

LAB 91.76, -45.96, 65.65

 

CMYK 23 / 0 / 55 / 0

HEX #C5FF73

RGB 197 255 115

HSL 84.86, 1%, 0.73%

LAB 93.72, -39.59, 60.07

 

CMYK 16 / 0 / 47 / 0

HEX #D6FF86

RGB 214 255 134

HSL 80.33, 1%, 0.76%

LAB 94.97, -31.56, 53.18

 

CMYK 9 / 0 / 40 / 0

HEX #E7FF99

RGB 231 255 153

HSL 74.12, 1%, 0.8%

LAB 96.33, -23.25, 46.1

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

CMYK 35 / 0 / 71 / 15

HEX #8DD83F

RGB 141 216 63

HSL 89.41, 0.66%, 0.55%

LAB 79.12, -46.77, 64.46

 

CMYK 37 / 0 / 78 / 22

HEX #7CC62C

RGB 124 198 44

HSL 88.83, 0.64%, 0.47%

LAB 72.8, -46.29, 64.35

 

CMYK 41 / 0 / 86 / 29

HEX #6BB419

RGB 107 180 25

HSL 88.26, 0.76%, 0.4%

LAB 66.4, -45.58, 63.31

 

CMYK 44 / 0 / 96 / 36

HEX #5AA206

RGB 90 162 6

HSL 87.69, 0.93%, 0.33%

LAB 59.91, -44.57, 60.84

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 15 / 0 / 65 / 9

HEX #C6E952

RGB 198 233 82

HSL 73.91, 0.77%, 0.62%

LAB 87.43, -31.84, 66.92

 

CMYK 0 / 3 / 65 / 9

HEX #E9E352

RGB 233 227 82

HSL 57.62, 0.77%, 0.62%

LAB 88.39, -14.92, 68.71

 

CMYK 0 / 20 / 65 / 9

HEX #E9BA52

RGB 233 186 82

HSL 41.32, 0.77%, 0.62%

LAB 77.9, 5.97, 57.6

 

CMYK 0 / 37 / 65 / 9

HEX #E99252

RGB 233 146 82

HSL 25.43, 0.77%, 0.62%

LAB 68.38, 27.16, 46.95

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 50 / 0 / 65 / 9

HEX #75E952

RGB 117 233 82

HSL 106.09, 0.77%, 0.62%

LAB 83.27, -59.54, 61.23

 

CMYK 65 / 0 / 62 / 9

HEX #52E958

RGB 82 233 88

HSL 122.38, 0.77%, 0.62%

LAB 82.26, -67.27, 57.35

 

CMYK 65 / 0 / 45 / 9

HEX #52E981

RGB 82 233 129

HSL 138.68, 0.77%, 0.62%

LAB 82.73, -61.86, 39.02

 

CMYK 65 / 0 / 27 / 9

HEX #52E9A9

RGB 82 233 169

HSL 154.57, 0.77%, 0.62%

LAB 83.41, -54.48, 19.62

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 37 / 0 / 73 / 2

HEX #9EF942

RGB 158 249 66

HSL 89.84, 0.94%, 0.62%

LAB 89.59, -54.31, 74.08

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 28 / 0 / 55 / 15

HEX #9EDA62

RGB 158 218 98

HSL 90, 0.62%, 0.62%

LAB 80.9, -38.74, 52.21

 

CMYK 22 / 0 / 44 / 21

HEX #9ECA71

RGB 158 202 113

HSL 89.66, 0.46%, 0.62%

LAB 76.5, -29.71, 39.69

 

CMYK 15 / 0 / 31 / 27

HEX #9EBA81

RGB 158 186 129

HSL 89.47, 0.29%, 0.62%

LAB 72.21, -19.72, 25.85

 

CMYK 7 / 0 / 15 / 33

HEX #9EAA91

RGB 158 170 145

HSL 88.8, 0.13%, 0.62%

LAB 68.07, -8.87, 11.47

 

CMYK 0 / 2 / 65 / 9

HEX #E9E452

RGB 233 228 82

HSL 58.01, 0.77%, 0.62%

LAB 88.65, -15.41, 68.98

 

CMYK 15 / 0 / 65 / 9

HEX #C6E952

RGB 198 233 82

HSL 73.91, 0.77%, 0.62%

LAB 87.43, -31.84, 66.92

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 50 / 0 / 65 / 9

HEX #75E952

RGB 117 233 82

HSL 106.09, 0.77%, 0.62%

LAB 83.27, -59.54, 61.23

 

CMYK 65 / 0 / 63 / 9

HEX #52E957

RGB 82 233 87

HSL 121.99, 0.77%, 0.62%

LAB 82.25, -67.38, 57.76

 

CMYK 44 / 0 / 88 / 19

HEX #74CF19

RGB 116 207 25

HSL 90, 0.78%, 0.45%

LAB 75.08, -53.34, 70.9

 

CMYK 40 / 0 / 80 / 10

HEX #89E52D

RGB 137 229 45

HSL 90, 0.78%, 0.54%

LAB 82.67, -54.37, 73.4

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 25 / 0 / 50 / 7

HEX #B2EE77

RGB 178 238 119

HSL 90.25, 0.78%, 0.7%

LAB 87.94, -38.4, 51.15

 

CMYK 18 / 0 / 36 / 5

HEX #C7F29B

RGB 199 242 155

HSL 89.66, 0.77%, 0.78%

LAB 90.79, -28.47, 37.56

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

CMYK 65 / 0 / 19 / 9

HEX #52E9BC

RGB 82 233 188

HSL 162.12, 0.77%, 0.62%

LAB 83.81, -50.3, 10.26

 

CMYK 0 / 65 / 6 / 9

HEX #E952DA

RGB 233 82 218

HSL 305.96, 0.77%, 0.62%

LAB 60.27, 72.94, -40.48

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

CMYK 65 / 32 / 0 / 9

HEX #529EE9

RGB 82 158 233

HSL 209.8, 0.77%, 0.62%

LAB 63.45, -0.47, -44.75

 

CMYK 0 / 65 / 32 / 9

HEX #E9529E

RGB 233 82 158

HSL 329.8, 0.77%, 0.62%

LAB 57.87, 64.81, -9.74

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

CMYK 65 / 0 / 19 / 9

HEX #52E9BC

RGB 82 233 188

HSL 162.12, 0.77%, 0.62%

LAB 83.81, -50.3, 10.26

 

CMYK 32 / 65 / 0 / 9

HEX #9E52E9

RGB 158 82 233

HSL 270.2, 0.77%, 0.62%

LAB 50.91, 58.82, -64.45

 

CMYK 0 / 65 / 45 / 9

HEX #E9527F

RGB 233 82 127

HSL 342.12, 0.77%, 0.62%

LAB 56.97, 61.58, 7.13

 

CMYK 32 / 0 / 65 / 8

HEX #9EEA52

RGB 158 234 82

HSL 90, 0.78%, 0.62%

LAB 85.36, -47.08, 64.02

 

CMYK 65 / 0 / 0 / 9

HEX #52E9E9

RGB 82 233 233

HSL 180, 0.77%, 0.62%

LAB 84.97, -38.93, -11.73

 

CMYK 32 / 65 / 0 / 9

HEX #9E52E9

RGB 158 82 233

HSL 270.2, 0.77%, 0.62%

LAB 50.91, 58.82, -64.45

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

Description

Color code: HEX #9EEA52 | qconv.com Color code: HEX #9EEA52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 234 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 234 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 65% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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