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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ED236 it is the complementary color #612DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ED236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ED236 shade: #A3D231, #B4E444, #C5F657, #D6FF6A and #E7FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ED236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ED236 shade: #9ED236, #8DC023, #7CAE10, #6B9C00 and #5A8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ED236 shade: #9ED137, #C7D137, #D1B137, #D18837 and #D15E37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ED236 shade: #9ED137, #74D137, #4BD137, #37D14D and #37D177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ED236 shade matches the following richer shades: #9ED137, #A4E523 and #ABF90F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ED236 shade: #9ED137, #97BD4B, #91AA5F, #8A9672 and #838286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ED236 shade: #D1B237, #C7D137, #9ED137, #75D137 and #4CD137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ED236 shade: #6E9421, #87B629, #9ED137, #AED959 and #BEE07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ED236 shade: #9ED236, #37D189 and #C737D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ED236 shade: #9ED236, #379ED1 and #D1379E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ED236 shade: #9ED236, #37D189, #6A37D1 and #D1377F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ED236 shade: #9ED236, #37D1B8, #6A37D1 and #D13751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

Complementary color

CMYK 52 / 78 / 0 / 21

HEX #612DC9

RGB 97 45 201

HSL 260, 0.63%, 0.48%

LAB 35.27, 57.42, -71.9

 

CMYK 22 / 0 / 77 / 18

HEX #A3D231

RGB 163 210 49

HSL 77.52, 0.64%, 0.51%

LAB 78.52, -36.81, 68.96

 

CMYK 21 / 0 / 70 / 11

HEX #B4E444

RGB 180 228 68

HSL 78, 0.75%, 0.58%

LAB 84.8, -37.38, 69.08

 

CMYK 20 / 0 / 65 / 4

HEX #C5F657

RGB 197 246 87

HSL 78.49, 0.9%, 0.65%

LAB 90.99, -37.81, 68.7

 

CMYK 16 / 0 / 58 / 0

HEX #D6FF6A

RGB 214 255 106

HSL 76.51, 1%, 0.71%

LAB 94.68, -34.09, 65.3

 

CMYK 9 / 0 / 51 / 0

HEX #E7FF7D

RGB 231 255 125

HSL 71.08, 1%, 0.75%

LAB 95.99, -26.06, 58.81

 

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

CMYK 27 / 0 / 82 / 25

HEX #8DC023

RGB 141 192 35

HSL 79.49, 0.69%, 0.45%

LAB 71.88, -37.85, 66.4

 

CMYK 29 / 0 / 91 / 32

HEX #7CAE10

RGB 124 174 16

HSL 78.99, 0.83%, 0.37%

LAB 65.43, -36.99, 64.6

 

CMYK 31 / 0 / 100 / 39

HEX #6B9C00

RGB 107 156 0

HSL 78.85, 1%, 0.31%

LAB 58.88, -35.9, 61.29

 

CMYK 35 / 0 / 100 / 46

HEX #5A8A00

RGB 90 138 0

HSL 80.87, 1%, 0.27%

LAB 52.23, -34.49, 55.75

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 5 / 0 / 74 / 18

HEX #C7D137

RGB 199 209 55

HSL 63.9, 0.63%, 0.52%

LAB 80.75, -21.51, 70.04

 

CMYK 0 / 15 / 74 / 18

HEX #D1B137

RGB 209 177 55

HSL 47.53, 0.63%, 0.52%

LAB 73.07, -0.97, 63.03

 

CMYK 0 / 35 / 74 / 18

HEX #D18837

RGB 209 136 55

HSL 31.56, 0.63%, 0.52%

LAB 62.88, 21.07, 52.94

 

CMYK 0 / 55 / 74 / 18

HEX #D15E37

RGB 209 94 55

HSL 15.19, 0.63%, 0.52%

LAB 53.85, 43.03, 43.51

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 44 / 0 / 74 / 18

HEX #74D137

RGB 116 209 55

HSL 96.23, 0.63%, 0.52%

LAB 75.82, -52.73, 63.58

 

CMYK 64 / 0 / 74 / 18

HEX #4BD137

RGB 75 209 55

HSL 112.21, 0.63%, 0.52%

LAB 74.43, -63.58, 61.74

 

CMYK 74 / 0 / 63 / 18

HEX #37D14D

RGB 55 209 77

HSL 128.57, 0.63%, 0.52%

LAB 74.16, -65.22, 52.78

 

CMYK 74 / 0 / 43 / 18

HEX #37D177

RGB 55 209 119

HSL 144.94, 0.63%, 0.52%

LAB 74.66, -59.27, 33.51

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 28 / 0 / 85 / 10

HEX #A4E523

RGB 164 229 35

HSL 80.1, 0.79%, 0.52%

LAB 83.99, -45.29, 77.44

 

CMYK 31 / 0 / 94 / 2

HEX #ABF90F

RGB 171 249 15

HSL 80, 0.95%, 0.52%

LAB 90.06, -51.52, 85.58

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 20 / 0 / 60 / 26

HEX #97BD4B

RGB 151 189 75

HSL 80, 0.46%, 0.52%

LAB 71.88, -30.13, 52.16

 

CMYK 15 / 0 / 44 / 33

HEX #91AA5F

RGB 145 170 95

HSL 80, 0.31%, 0.52%

LAB 66.21, -21.2, 35.73

 

CMYK 8 / 0 / 24 / 41

HEX #8A9672

RGB 138 150 114

HSL 80, 0.15%, 0.52%

LAB 60.28, -10.89, 17.59

 

CMYK 2 / 3 / 0 / 47

HEX #838286

RGB 131 130 134

HSL 255, 0.02%, 0.52%

LAB 54.57, 1.18, -2.03

 

CMYK 0 / 15 / 74 / 18

HEX #D1B237

RGB 209 178 55

HSL 47.92, 0.63%, 0.52%

LAB 73.33, -1.5, 63.28

 

CMYK 5 / 0 / 74 / 18

HEX #C7D137

RGB 199 209 55

HSL 63.9, 0.63%, 0.52%

LAB 80.75, -21.51, 70.04

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 44 / 0 / 74 / 18

HEX #75D137

RGB 117 209 55

HSL 95.84, 0.63%, 0.52%

LAB 75.86, -52.42, 63.63

 

CMYK 64 / 0 / 74 / 18

HEX #4CD137

RGB 76 209 55

HSL 111.82, 0.63%, 0.52%

LAB 74.45, -63.36, 61.77

 

CMYK 26 / 0 / 78 / 42

HEX #6E9421

RGB 110 148 33

HSL 79.83, 0.64%, 0.35%

LAB 56.69, -29.98, 52.41

 

CMYK 26 / 0 / 77 / 29

HEX #87B629

RGB 135 182 41

HSL 80, 0.63%, 0.44%

LAB 68.58, -35.41, 61.54

 

CMYK 24 / 0 / 74 / 18

HEX #9ED137

RGB 158 209 55

HSL 79.87, 0.63%, 0.52%

LAB 77.96, -37.99, 66.4

 

CMYK 20 / 0 / 59 / 15

HEX #AED959

RGB 174 217 89

HSL 80.16, 0.63%, 0.6%

LAB 81.48, -33.18, 57.13

 

CMYK 15 / 0 / 46 / 12

HEX #BEE07A

RGB 190 224 122

HSL 80, 0.62%, 0.68%

LAB 84.82, -27.22, 46.08

 

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

CMYK 74 / 0 / 34 / 18

HEX #37D189

RGB 55 209 137

HSL 151.95, 0.63%, 0.52%

LAB 74.96, -55.9, 24.63

 

CMYK 5 / 74 / 0 / 18

HEX #C737D1

RGB 199 55 209

HSL 296.1, 0.63%, 0.52%

LAB 51.24, 73.36, -49.98

 

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

CMYK 74 / 24 / 0 / 18

HEX #379ED1

RGB 55 158 209

HSL 199.87, 0.63%, 0.52%

LAB 61.54, -12.55, -34.5

 

CMYK 0 / 74 / 24 / 18

HEX #D1379E

RGB 209 55 158

HSL 319.87, 0.63%, 0.52%

LAB 50.4, 68.14, -21.45

 

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

CMYK 74 / 0 / 34 / 18

HEX #37D189

RGB 55 209 137

HSL 151.95, 0.63%, 0.52%

LAB 74.96, -55.9, 24.63

 

CMYK 49 / 74 / 0 / 18

HEX #6A37D1

RGB 106 55 209

HSL 259.87, 0.63%, 0.52%

LAB 38.55, 56.29, -71.12

 

CMYK 0 / 74 / 39 / 18

HEX #D1377F

RGB 209 55 127

HSL 331.95, 0.63%, 0.52%

LAB 49.28, 64.62, -4.56

 

CMYK 25 / 0 / 74 / 18

HEX #9ED236

RGB 158 210 54

HSL 80, 0.63%, 0.52%

LAB 78.24, -38.49, 67.01

 

CMYK 74 / 0 / 12 / 18

HEX #37D1B8

RGB 55 209 184

HSL 170.26, 0.63%, 0.52%

LAB 75.99, -45, 1.05

 

CMYK 49 / 74 / 0 / 18

HEX #6A37D1

RGB 106 55 209

HSL 259.87, 0.63%, 0.52%

LAB 38.55, 56.29, -71.12

 

CMYK 0 / 74 / 61 / 18

HEX #D13751

RGB 209 55 81

HSL 349.87, 0.63%, 0.52%

LAB 48.11, 60.83, 21.81

 

Description

Color code: HEX #9ED236 | qconv.com Color code: HEX #9ED236 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 210 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 210 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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