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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EC652 it is the complementary color #6139AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EC652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EC652 shade: #A3C64D, #B4D860, #C5EA73, #D6FC86 and #E7FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EC652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EC652 shade: #9EC652, #8DB43F, #7CA22C, #6B9019 and #5A7E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EC652 shade: #9EC552, #BCC552, #C5AF52, #C59052 and #C57152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EC652 shade: #9EC552, #7FC552, #60C552, #52C564 and #52C583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EC652 shade matches the following richer shades: #9EC552, #A3D840, #A9EA2D and #AFFD1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EC652 shade: #9EC552, #98B365, #92A078, #8C8D8A and #877B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EC652 shade: #C5AE52, #BDC552, #9FC552, #80C552 and #62C552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EC652 shade: #729431, #8AB33B, #9EC552, #AFCF71 and #C0DA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EC652 shade: #9EC652, #52C590 and #BD52C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EC652 shade: #9EC652, #529FC5 and #C5529F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EC652 shade: #9EC652, #52C590, #7952C5 and #C55288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EC652 shade: #9EC652, #52C5B2, #7952C5 and #C55266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

Complementary color

CMYK 44 / 67 / 0 / 32

HEX #6139AD

RGB 97 57 173

HSL 260.69, 0.5%, 0.45%

LAB 34.97, 43.94, -55.88

 

CMYK 18 / 0 / 61 / 22

HEX #A3C64D

RGB 163 198 77

HSL 77.36, 0.51%, 0.54%

LAB 75.27, -29.52, 55.25

 

CMYK 17 / 0 / 56 / 15

HEX #B4D860

RGB 180 216 96

HSL 78, 0.61%, 0.61%

LAB 81.65, -29.81, 54.33

 

CMYK 16 / 0 / 51 / 8

HEX #C5EA73

RGB 197 234 115

HSL 78.66, 0.74%, 0.68%

LAB 87.95, -30.02, 53.29

 

CMYK 15 / 0 / 47 / 1

HEX #D6FC86

RGB 214 252 134

HSL 79.32, 0.95%, 0.76%

LAB 94.16, -30.17, 52.19

 

CMYK 9 / 0 / 40 / 0

HEX #E7FF99

RGB 231 255 153

HSL 74.12, 1%, 0.8%

LAB 96.33, -23.25, 46.1

 

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

CMYK 22 / 0 / 65 / 29

HEX #8DB43F

RGB 141 180 63

HSL 80, 0.48%, 0.48%

LAB 68.51, -30.76, 53.47

 

CMYK 23 / 0 / 73 / 36

HEX #7CA22C

RGB 124 162 44

HSL 79.32, 0.57%, 0.4%

LAB 61.92, -30.32, 53.88

 

CMYK 26 / 0 / 83 / 44

HEX #6B9019

RGB 107 144 25

HSL 78.66, 0.7%, 0.33%

LAB 55.22, -29.69, 53.48

 

CMYK 29 / 0 / 95 / 51

HEX #5A7E06

RGB 90 126 6

HSL 78, 0.91%, 0.26%

LAB 48.4, -28.77, 51.59

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 5 / 0 / 58 / 23

HEX #BCC552

RGB 188 197 82

HSL 64.7, 0.5%, 0.55%

LAB 76.82, -18.56, 55.28

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 0 / 27 / 58 / 23

HEX #C59052

RGB 197 144 82

HSL 32.35, 0.5%, 0.55%

LAB 63.69, 13.24, 40.4

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 36 / 0 / 58 / 23

HEX #7FC552

RGB 127 197 82

HSL 96.52, 0.5%, 0.55%

LAB 72.93, -41.96, 49.83

 

CMYK 51 / 0 / 58 / 23

HEX #60C552

RGB 96 197 82

HSL 112.7, 0.5%, 0.55%

LAB 71.57, -51.6, 47.92

 

CMYK 58 / 0 / 49 / 23

HEX #52C564

RGB 82 197 100

HSL 129.39, 0.5%, 0.55%

LAB 71.31, -52.84, 38.91

 

CMYK 58 / 0 / 34 / 23

HEX #52C583

RGB 82 197 131

HSL 145.57, 0.5%, 0.55%

LAB 71.8, -47.59, 23.61

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 25 / 0 / 70 / 15

HEX #A3D840

RGB 163 216 64

HSL 80.92, 0.66%, 0.55%

LAB 80.33, -38.7, 65.71

 

CMYK 28 / 0 / 81 / 8

HEX #A9EA2D

RGB 169 234 45

HSL 80.63, 0.82%, 0.55%

LAB 85.74, -45.24, 76.76

 

CMYK 31 / 0 / 89 / 1

HEX #AFFD1B

RGB 175 253 27

HSL 80.71, 0.98%, 0.55%

LAB 91.43, -51.53, 85.31

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 15 / 0 / 44 / 30

HEX #98B365

RGB 152 179 101

HSL 80.77, 0.34%, 0.55%

LAB 69.37, -22.24, 36.71

 

CMYK 9 / 0 / 25 / 37

HEX #92A078

RGB 146 160 120

HSL 81, 0.17%, 0.55%

LAB 63.84, -12.19, 19.25

 

CMYK 1 / 0 / 2 / 45

HEX #8C8D8A

RGB 140 141 138

HSL 80, 0.01%, 0.55%

LAB 58.47, -0.95, 1.46

 

CMYK 14 / 22 / 0 / 38

HEX #877B9D

RGB 135 123 157

HSL 261.18, 0.15%, 0.55%

LAB 53.76, 11.6, -16.56

 

CMYK 0 / 12 / 58 / 23

HEX #C5AE52

RGB 197 174 82

HSL 48, 0.5%, 0.55%

LAB 71.39, -2.96, 49.38

 

CMYK 4 / 0 / 58 / 23

HEX #BDC552

RGB 189 197 82

HSL 64.17, 0.5%, 0.55%

LAB 76.9, -18.15, 55.39

 

CMYK 19 / 0 / 58 / 23

HEX #9FC552

RGB 159 197 82

HSL 79.83, 0.5%, 0.55%

LAB 74.77, -30.2, 52.42

 

CMYK 35 / 0 / 58 / 23

HEX #80C552

RGB 128 197 82

HSL 96, 0.5%, 0.55%

LAB 72.98, -41.62, 49.91

 

CMYK 50 / 0 / 58 / 23

HEX #62C552

RGB 98 197 82

HSL 111.65, 0.5%, 0.55%

LAB 71.65, -51.05, 48.03

 

CMYK 23 / 0 / 67 / 42

HEX #729431

RGB 114 148 49

HSL 80.61, 0.5%, 0.39%

LAB 57.05, -27.32, 46.71

 

CMYK 23 / 0 / 67 / 30

HEX #8AB33B

RGB 138 179 59

HSL 80.5, 0.5%, 0.47%

LAB 67.99, -31.77, 54.51

 

CMYK 20 / 0 / 58 / 23

HEX #9EC552

RGB 158 197 82

HSL 80.35, 0.5%, 0.55%

LAB 74.71, -30.59, 52.33

 

CMYK 15 / 0 / 45 / 19

HEX #AFCF71

RGB 175 207 113

HSL 80.43, 0.49%, 0.63%

LAB 79, -25.74, 43.05

 

CMYK 12 / 0 / 34 / 15

HEX #C0DA90

RGB 192 218 144

HSL 81.08, 0.5%, 0.71%

LAB 83.63, -20.92, 33.63

 

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

CMYK 58 / 0 / 27 / 23

HEX #52C590

RGB 82 197 144

HSL 152.35, 0.5%, 0.55%

LAB 72.05, -44.96, 17.03

 

CMYK 4 / 58 / 0 / 23

HEX #BD52C5

RGB 189 82 197

HSL 295.83, 0.5%, 0.55%

LAB 52.82, 58.57, -40.68

 

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

CMYK 58 / 19 / 0 / 23

HEX #529FC5

RGB 82 159 197

HSL 199.83, 0.5%, 0.55%

LAB 62.19, -12.62, -26.73

 

CMYK 0 / 58 / 19 / 23

HEX #C5529F

RGB 197 82 159

HSL 319.83, 0.5%, 0.55%

LAB 52.3, 54.55, -19.3

 

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

CMYK 58 / 0 / 27 / 23

HEX #52C590

RGB 82 197 144

HSL 152.35, 0.5%, 0.55%

LAB 72.05, -44.96, 17.03

 

CMYK 39 / 58 / 0 / 23

HEX #7952C5

RGB 121 82 197

HSL 260.35, 0.5%, 0.55%

LAB 44.42, 41.75, -54.57

 

CMYK 0 / 58 / 31 / 23

HEX #C55288

RGB 197 82 136

HSL 331.83, 0.5%, 0.55%

LAB 51.48, 51.42, -6.92

 

CMYK 20 / 0 / 59 / 22

HEX #9EC652

RGB 158 198 82

HSL 80.69, 0.5%, 0.55%

LAB 74.99, -31.06, 52.65

 

CMYK 58 / 0 / 10 / 23

HEX #52C5B2

RGB 82 197 178

HSL 170.09, 0.5%, 0.55%

LAB 72.85, -37.04, -0.21

 

CMYK 39 / 58 / 0 / 23

HEX #7952C5

RGB 121 82 197

HSL 260.35, 0.5%, 0.55%

LAB 44.42, 41.75, -54.57

 

CMYK 0 / 58 / 48 / 23

HEX #C55266

RGB 197 82 102

HSL 349.57, 0.5%, 0.55%

LAB 50.53, 47.67, 12.07

 

Description

Color code: HEX #9EC652 | qconv.com Color code: HEX #9EC652 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 198 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 198 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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