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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E7116 it is the complementary color #618EE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E7116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E7116 shade: #A37111, #B48324, #C59537, #D6A74A and #E7B95D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E7116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E7116 shade: #9E7116, #8D5F03, #7C4D00, #6B3B00 and #5A2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E7116 shade: #9D7015, #9D4B15, #9D2715 and #9D1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E7116 shade: #9D7015, #9D9415, #809D15, #5C9D15 and #379D15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E7116 shade matches the following richer shades: #9D7015 and #AB7506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E7116 shade: #9D7015, #8E6B23, #806632, #716140 and #635C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E7116 shade: #9D2715, #9D4B15, #9D6F15, #9D9415 and #819D15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E7116 shade: #543C0B, #785610, #9D7015, #C18A1A and #E1A223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E7116 shade: #9E7116, #279D15 and #39159D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E7116 shade: #9E7116, #159D6F and #6F159D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E7116 shade: #9E7116, #279D15, #15429D and #8A159D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E7116 shade: #9E7116, #159D2C, #15429D and #9D1586

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

Complementary color

CMYK 58 / 39 / 0 / 9

HEX #618EE9

RGB 97 142 233

HSL 220.15, 0.76%, 0.65%

LAB 59.68, 11.59, -50.67

 

CMYK 0 / 31 / 90 / 36

HEX #A37111

RGB 163 113 17

HSL 39.45, 0.81%, 0.35%

LAB 51.42, 12.18, 54.48

 

CMYK 0 / 27 / 80 / 29

HEX #B48324

RGB 180 131 36

HSL 39.58, 0.67%, 0.42%

LAB 58.1, 10.34, 54.9

 

CMYK 0 / 24 / 72 / 23

HEX #C59537

RGB 197 149 55

HSL 39.72, 0.56%, 0.49%

LAB 64.68, 8.8, 54.33

 

CMYK 0 / 22 / 65 / 16

HEX #D6A74A

RGB 214 167 74

HSL 39.86, 0.63%, 0.56%

LAB 71.16, 7.49, 53.31

 

CMYK 0 / 20 / 60 / 9

HEX #E7B95D

RGB 231 185 93

HSL 40, 0.74%, 0.64%

LAB 77.57, 6.37, 52.11

 

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

CMYK 0 / 33 / 98 / 45

HEX #8D5F03

RGB 141 95 3

HSL 40, 0.96%, 0.28%

LAB 44.02, 12.04, 51.03

 

CMYK 0 / 38 / 100 / 51

HEX #7C4D00

RGB 124 77 0

HSL 37.26, 1%, 0.24%

LAB 37.1, 14.53, 46.15

 

CMYK 0 / 45 / 100 / 58

HEX #6B3B00

RGB 107 59 0

HSL 33.08, 1%, 0.21%

LAB 30.04, 17.2, 40.28

 

CMYK 0 / 54 / 100 / 65

HEX #5A2900

RGB 90 41 0

HSL 27.33, 1%, 0.18%

LAB 22.86, 19.96, 32.81

 

CMYK 0 / 29 / 87 / 38

HEX #9D7015

RGB 157 112 21

HSL 40.15, 0.76%, 0.35%

LAB 50.46, 10.08, 52.27

 

CMYK 0 / 52 / 87 / 38

HEX #9D4B15

RGB 157 75 21

HSL 23.82, 0.76%, 0.35%

LAB 41.62, 30.89, 44.85

 

CMYK 0 / 75 / 87 / 38

HEX #9D2715

RGB 157 39 21

HSL 7.94, 0.76%, 0.35%

LAB 35.35, 47.46, 39.49

 

CMYK 0 / 87 / 87 / 38

HEX #9D1515

RGB 157 21 21

HSL 0, 0.76%, 0.35%

LAB 33.47, 52.73, 37.86

 

CMYK 0 / 29 / 87 / 38

HEX #9D7015

RGB 157 112 21

HSL 40.15, 0.76%, 0.35%

LAB 50.46, 10.08, 52.27

 

CMYK 0 / 6 / 87 / 38

HEX #9D9415

RGB 157 148 21

HSL 56.03, 0.76%, 0.35%

LAB 60.25, -9.89, 60.36

 

CMYK 18 / 0 / 87 / 38

HEX #809D15

RGB 128 157 21

HSL 72.79, 0.76%, 0.35%

LAB 60.57, -27.31, 59.69

 

CMYK 41 / 0 / 87 / 38

HEX #5C9D15

RGB 92 157 21

HSL 88.68, 0.76%, 0.35%

LAB 58.46, -41.41, 57.05

 

CMYK 65 / 0 / 87 / 38

HEX #379D15

RGB 55 157 21

HSL 105, 0.76%, 0.35%

LAB 57.06, -52.31, 55.28

 

CMYK 0 / 29 / 87 / 38

HEX #9D7015

RGB 157 112 21

HSL 40.15, 0.76%, 0.35%

LAB 50.46, 10.08, 52.27

 

CMYK 0 / 32 / 96 / 33

HEX #AB7506

RGB 171 117 6

HSL 40.36, 0.93%, 0.35%

LAB 53.38, 13.39, 58.68

 

CMYK 0 / 29 / 87 / 38

HEX #9D7015

RGB 157 112 21

HSL 40.15, 0.76%, 0.35%

LAB 50.46, 10.08, 52.27

 

CMYK 0 / 25 / 75 / 44

HEX #8E6B23

RGB 142 107 35

HSL 40.37, 0.6%, 0.35%

LAB 47.48, 6.52, 43.68

 

CMYK 0 / 20 / 61 / 50

HEX #806632

RGB 128 102 50

HSL 40, 0.44%, 0.35%

LAB 44.69, 3.89, 32.87

 

CMYK 0 / 14 / 43 / 56

HEX #716140

RGB 113 97 64

HSL 40.41, 0.28%, 0.35%

LAB 41.89, 1.37, 21.18

 

CMYK 0 / 7 / 20 / 61

HEX #635C4F

RGB 99 92 79

HSL 39, 0.11%, 0.35%

LAB 39.36, 0.39, 8.5

 

CMYK 0 / 75 / 87 / 38

HEX #9D2715

RGB 157 39 21

HSL 7.94, 0.76%, 0.35%

LAB 35.35, 47.46, 39.49

 

CMYK 0 / 52 / 87 / 38

HEX #9D4B15

RGB 157 75 21

HSL 23.82, 0.76%, 0.35%

LAB 41.62, 30.89, 44.85

 

CMYK 0 / 29 / 87 / 38

HEX #9D6F15

RGB 157 111 21

HSL 39.71, 0.76%, 0.35%

LAB 50.21, 10.65, 52.05

 

CMYK 0 / 6 / 87 / 38

HEX #9D9415

RGB 157 148 21

HSL 56.03, 0.76%, 0.35%

LAB 60.25, -9.89, 60.36

 

CMYK 18 / 0 / 87 / 38

HEX #819D15

RGB 129 157 21

HSL 72.35, 0.76%, 0.35%

LAB 60.64, -26.88, 59.78

 

CMYK 0 / 29 / 87 / 67

HEX #543C0B

RGB 84 60 11

HSL 40.27, 0.77%, 0.19%

LAB 27.13, 5.5, 32.1

 

CMYK 0 / 28 / 87 / 53

HEX #785610

RGB 120 86 16

HSL 40.38, 0.76%, 0.27%

LAB 39.05, 7.62, 42.45

 

CMYK 0 / 29 / 87 / 38

HEX #9D7015

RGB 157 112 21

HSL 40.15, 0.76%, 0.35%

LAB 50.46, 10.08, 52.27

 

CMYK 0 / 28 / 87 / 24

HEX #C18A1A

RGB 193 138 26

HSL 40.24, 0.76%, 0.43%

LAB 61.3, 11.98, 61.46

 

CMYK 0 / 28 / 84 / 12

HEX #E1A223

RGB 225 162 35

HSL 40.11, 0.76%, 0.51%

LAB 70.85, 13.24, 68.28

 

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

CMYK 75 / 0 / 87 / 38

HEX #279D15

RGB 39 157 21

HSL 112.06, 0.76%, 0.35%

LAB 56.68, -55.48, 54.81

 

CMYK 64 / 87 / 0 / 38

HEX #39159D

RGB 57 21 157

HSL 255.88, 0.76%, 0.35%

LAB 23.14, 50.81, -65.79

 

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

CMYK 87 / 0 / 29 / 38

HEX #159D6F

RGB 21 157 111

HSL 159.71, 0.76%, 0.35%

LAB 57.48, -45.13, 14.65

 

CMYK 29 / 87 / 0 / 38

HEX #6F159D

RGB 111 21 157

HSL 279.71, 0.76%, 0.35%

LAB 30.28, 57.54, -53.79

 

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

CMYK 75 / 0 / 87 / 38

HEX #279D15

RGB 39 157 21

HSL 112.06, 0.76%, 0.35%

LAB 56.68, -55.48, 54.81

 

CMYK 87 / 58 / 0 / 38

HEX #15429D

RGB 21 66 157

HSL 220.15, 0.76%, 0.35%

LAB 30.62, 21.28, -53.58

 

CMYK 12 / 87 / 0 / 38

HEX #8A159D

RGB 138 21 157

HSL 291.62, 0.76%, 0.35%

LAB 34.75, 62.05, -46.34

 

CMYK 0 / 28 / 86 / 38

HEX #9E7116

RGB 158 113 22

HSL 40.15, 0.76%, 0.35%

LAB 50.85, 10, 52.33

 

CMYK 87 / 0 / 72 / 38

HEX #159D2C

RGB 21 157 44

HSL 130.15, 0.76%, 0.35%

LAB 56.54, -56.25, 47.2

 

CMYK 87 / 58 / 0 / 38

HEX #15429D

RGB 21 66 157

HSL 220.15, 0.76%, 0.35%

LAB 30.62, 21.28, -53.58

 

CMYK 0 / 87 / 15 / 38

HEX #9D1586

RGB 157 21 134

HSL 310.15, 0.76%, 0.35%

LAB 36.79, 62.09, -28.78

 

Description

Color code: HEX #9E7116 | qconv.com Color code: HEX #9E7116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 113 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 113 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 86 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 86% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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