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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E7829 it is the complementary color #6187D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E7829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E7829 shade: #A37824, #B48A37, #C59C4A, #D6AE5D and #E7C070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E7829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E7829 shade: #9E7829, #8D6616, #7C5403, #6B4200 and #5A3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E7829 shade: #9E7828, #9E5828, #9E3828 and #9E2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E7829 shade: #9E7828, #9E9728, #849E28, #659E28 and #459E28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E7829 shade matches the following richer shades: #9E7828, #AE7D18 and #BE8308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E7829 shade: #9E7828, #8E7238, #7D6C48, #6D6759 and #5D6169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E7829 shade: #9E3828, #9E5728, #9E7728, #9E9628 and #869E28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E7829 shade: #5C4617, #7D5F20, #9E7828, #BE9031 and #D0A449

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E7829 shade: #9E7829, #389E28 and #48289E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E7829 shade: #9E7829, #289E77 and #77289E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E7829 shade: #9E7829, #389E28, #284F9E and #8E289E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E7829 shade: #9E7829, #289E3C, #284F9E and #9E288A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

Complementary color

CMYK 55 / 37 / 0 / 16

HEX #6187D6

RGB 97 135 214

HSL 220.51, 0.59%, 0.61%

LAB 56.81, 9.63, -44.61

 

CMYK 0 / 26 / 78 / 36

HEX #A37824

RGB 163 120 36

HSL 39.69, 0.64%, 0.39%

LAB 53.33, 8.82, 49.76

 

CMYK 0 / 23 / 69 / 29

HEX #B48A37

RGB 180 138 55

HSL 39.84, 0.53%, 0.46%

LAB 60.03, 7.34, 48.95

 

CMYK 0 / 21 / 62 / 23

HEX #C59C4A

RGB 197 156 74

HSL 40, 0.51%, 0.53%

LAB 66.63, 6.11, 47.79

 

CMYK 0 / 19 / 57 / 16

HEX #D6AE5D

RGB 214 174 93

HSL 40.17, 0.6%, 0.6%

LAB 73.13, 5.08, 46.51

 

CMYK 0 / 17 / 52 / 9

HEX #E7C070

RGB 231 192 112

HSL 40.34, 0.71%, 0.67%

LAB 79.53, 4.19, 45.21

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 0 / 28 / 84 / 45

HEX #8D6616

RGB 141 102 22

HSL 40.34, 0.73%, 0.32%

LAB 45.94, 8.41, 47.34

 

CMYK 0 / 32 / 98 / 51

HEX #7C5403

RGB 124 84 3

HSL 40.17, 0.95%, 0.25%

LAB 38.95, 10.42, 46.46

 

CMYK 0 / 38 / 100 / 58

HEX #6B4200

RGB 107 66 0

HSL 37.01, 1%, 0.21%

LAB 31.86, 12.95, 41.58

 

CMYK 0 / 47 / 100 / 65

HEX #5A3000

RGB 90 48 0

HSL 32, 1%, 0.18%

LAB 24.6, 15.7, 34.55

 

CMYK 0 / 24 / 75 / 38

HEX #9E7828

RGB 158 120 40

HSL 40.68, 0.6%, 0.39%

LAB 52.79, 6.72, 47.39

 

CMYK 0 / 44 / 75 / 38

HEX #9E5828

RGB 158 88 40

HSL 24.41, 0.6%, 0.39%

LAB 44.8, 24.9, 39.25

 

CMYK 0 / 65 / 75 / 38

HEX #9E3828

RGB 158 56 40

HSL 8.14, 0.6%, 0.39%

LAB 38.29, 41.49, 32.22

 

CMYK 0 / 75 / 75 / 38

HEX #9E2828

RGB 158 40 40

HSL 0, 0.6%, 0.39%

LAB 35.87, 48.08, 29.5

 

CMYK 0 / 24 / 75 / 38

HEX #9E7828

RGB 158 120 40

HSL 40.68, 0.6%, 0.39%

LAB 52.79, 6.72, 47.39

 

CMYK 0 / 4 / 75 / 38

HEX #9E9728

RGB 158 151 40

HSL 56.44, 0.6%, 0.39%

LAB 61.27, -10.36, 55.6

 

CMYK 16 / 0 / 75 / 38

HEX #849E28

RGB 132 158 40

HSL 73.22, 0.6%, 0.39%

LAB 61.23, -25.32, 54.84

 

CMYK 36 / 0 / 75 / 38

HEX #659E28

RGB 101 158 40

HSL 88.98, 0.6%, 0.39%

LAB 59.32, -37.64, 52.33

 

CMYK 56 / 0 / 75 / 38

HEX #459E28

RGB 69 158 40

HSL 105.25, 0.6%, 0.39%

LAB 57.92, -48.02, 50.47

 

CMYK 0 / 24 / 75 / 38

HEX #9E7828

RGB 158 120 40

HSL 40.68, 0.6%, 0.39%

LAB 52.79, 6.72, 47.39

 

CMYK 0 / 28 / 86 / 32

HEX #AE7D18

RGB 174 125 24

HSL 40.4, 0.76%, 0.39%

LAB 55.82, 10.6, 56.63

 

CMYK 0 / 31 / 96 / 25

HEX #BE8308

RGB 190 131 8

HSL 40.55, 0.92%, 0.39%

LAB 59.16, 14.18, 63.48

 

CMYK 0 / 24 / 75 / 38

HEX #9E7828

RGB 158 120 40

HSL 40.68, 0.6%, 0.39%

LAB 52.79, 6.72, 47.39

 

CMYK 0 / 20 / 61 / 44

HEX #8E7238

RGB 142 114 56

HSL 40.47, 0.43%, 0.39%

LAB 49.58, 3.85, 35.77

 

CMYK 0 / 14 / 42 / 51

HEX #7D6C48

RGB 125 108 72

HSL 40.75, 0.27%, 0.39%

LAB 46.38, 1.25, 22.61

 

CMYK 0 / 6 / 18 / 57

HEX #6D6759

RGB 109 103 89

HSL 42, 0.1%, 0.39%

LAB 43.76, -0.24, 8.75

 

CMYK 11 / 8 / 0 / 59

HEX #5D6169

RGB 93 97 105

HSL 220, 0.06%, 0.39%

LAB 41.05, 0.23, -5.07

 

CMYK 0 / 65 / 75 / 38

HEX #9E3828

RGB 158 56 40

HSL 8.14, 0.6%, 0.39%

LAB 38.29, 41.49, 32.22

 

CMYK 0 / 45 / 75 / 38

HEX #9E5728

RGB 158 87 40

HSL 23.9, 0.6%, 0.39%

LAB 44.57, 25.46, 39

 

CMYK 0 / 25 / 75 / 38

HEX #9E7728

RGB 158 119 40

HSL 40.17, 0.6%, 0.39%

LAB 52.53, 7.28, 47.13

 

CMYK 0 / 5 / 75 / 38

HEX #9E9628

RGB 158 150 40

HSL 55.93, 0.6%, 0.39%

LAB 60.99, -9.83, 55.33

 

CMYK 15 / 0 / 75 / 38

HEX #869E28

RGB 134 158 40

HSL 72.2, 0.6%, 0.39%

LAB 61.37, -24.47, 55.03

 

CMYK 0 / 24 / 75 / 64

HEX #5C4617

RGB 92 70 23

HSL 40.87, 0.6%, 0.23%

LAB 31.15, 3.89, 30.82

 

CMYK 0 / 24 / 74 / 51

HEX #7D5F20

RGB 125 95 32

HSL 40.65, 0.59%, 0.31%

LAB 42.23, 5.37, 39.11

 

CMYK 0 / 24 / 75 / 38

HEX #9E7828

RGB 158 120 40

HSL 40.68, 0.6%, 0.39%

LAB 52.79, 6.72, 47.39

 

CMYK 0 / 24 / 74 / 25

HEX #BE9031

RGB 190 144 49

HSL 40.43, 0.59%, 0.47%

LAB 62.6, 8.16, 54.51

 

CMYK 0 / 21 / 65 / 18

HEX #D0A449

RGB 208 164 73

HSL 40.44, 0.59%, 0.55%

LAB 69.78, 6.46, 52.08

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 65 / 0 / 75 / 38

HEX #389E28

RGB 56 158 40

HSL 111.86, 0.6%, 0.39%

LAB 57.51, -51.29, 49.93

 

CMYK 54 / 75 / 0 / 38

HEX #48289E

RGB 72 40 158

HSL 256.27, 0.6%, 0.39%

LAB 27.75, 44.31, -58.75

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 75 / 0 / 25 / 38

HEX #289E77

RGB 40 158 119

HSL 160.17, 0.6%, 0.39%

LAB 58.26, -41.55, 11.3

 

CMYK 25 / 75 / 0 / 38

HEX #77289E

RGB 119 40 158

HSL 280.17, 0.6%, 0.39%

LAB 33.79, 52.78, -48.64

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 65 / 0 / 75 / 38

HEX #389E28

RGB 56 158 40

HSL 111.86, 0.6%, 0.39%

LAB 57.51, -51.29, 49.93

 

CMYK 75 / 50 / 0 / 38

HEX #284F9E

RGB 40 79 158

HSL 220.17, 0.6%, 0.39%

LAB 35.03, 14.86, -47

 

CMYK 10 / 75 / 0 / 38

HEX #8E289E

RGB 142 40 158

HSL 291.86, 0.6%, 0.39%

LAB 37.37, 57.56, -42.7

 

CMYK 0 / 24 / 74 / 38

HEX #9E7829

RGB 158 120 41

HSL 40.51, 0.59%, 0.39%

LAB 52.8, 6.77, 46.97

 

CMYK 75 / 0 / 62 / 38

HEX #289E3C

RGB 40 158 60

HSL 130.17, 0.6%, 0.39%

LAB 57.3, -52.41, 41.2

 

CMYK 75 / 50 / 0 / 38

HEX #284F9E

RGB 40 79 158

HSL 220.17, 0.6%, 0.39%

LAB 35.03, 14.86, -47

 

CMYK 0 / 75 / 13 / 38

HEX #9E288A

RGB 158 40 138

HSL 310.17, 0.6%, 0.39%

LAB 38.94, 57.84, -27.87

 

Description

Color code: HEX #9E7829 | qconv.com Color code: HEX #9E7829 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 120 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 120 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 74 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 74% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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