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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E776B it is the complementary color #618894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E776B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E776B shade: #A37766, #B48979, #C59B8C, #D6AD9F and #E7BFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E776B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E776B shade: #9E776B, #8D6558, #7C5345, #6B4132 and #5A2F1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E776B shade: #9E766A and #9E6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E776B shade: #9E766A, #9E846A, #9E926A, #9C9E6A and #8E9E6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E776B shade matches the following richer shades: #9E766A, #B26C57, #C56243, #D9572F and #ED4D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E776B shade: #9E766A, #8A817E, #768B92, #6296A6 and #4FA0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E776B shade: #9E6A7A, #9E6A6C, #9E766A, #9E846A and #9E926A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E776B shade: #6E5148, #876358, #9E766A, #AE8D83 and #BEA49C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E776B shade: #9E776B, #889E6A and #6A739E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E776B shade: #9E776B, #6A9E76 and #766A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E776B shade: #9E776B, #889E6A, #6A929E and #816A9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E776B shade: #9E776B, #789E6A, #6A929E and #906A9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

Complementary color

CMYK 34 / 8 / 0 / 42

HEX #618894

RGB 97 136 148

HSL 194.12, 0.21%, 0.48%

LAB 54.33, -10.39, -10.75

 

CMYK 0 / 27 / 37 / 36

HEX #A37766

RGB 163 119 102

HSL 16.72, 0.25%, 0.52%

LAB 53.96, 14.9, 16.12

 

CMYK 0 / 24 / 33 / 29

HEX #B48979

RGB 180 137 121

HSL 16.27, 0.28%, 0.59%

LAB 60.76, 14.12, 14.92

 

CMYK 0 / 21 / 29 / 23

HEX #C59B8C

RGB 197 155 140

HSL 15.79, 0.33%, 0.66%

LAB 67.43, 13.45, 13.83

 

CMYK 0 / 19 / 26 / 16

HEX #D6AD9F

RGB 214 173 159

HSL 15.27, 0.4%, 0.73%

LAB 73.99, 12.85, 12.83

 

CMYK 0 / 17 / 23 / 9

HEX #E7BFB2

RGB 231 191 178

HSL 14.72, 0.52%, 0.8%

LAB 80.44, 12.32, 11.91

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 0 / 28 / 38 / 45

HEX #8D6558

RGB 141 101 88

HSL 14.72, 0.23%, 0.45%

LAB 46.54, 14.31, 13.73

 

CMYK 0 / 33 / 44 / 51

HEX #7C5345

RGB 124 83 69

HSL 15.27, 0.28%, 0.38%

LAB 39.41, 15.28, 15.13

 

CMYK 0 / 39 / 53 / 58

HEX #6B4132

RGB 107 65 50

HSL 15.79, 0.36%, 0.31%

LAB 32.12, 16.46, 16.78

 

CMYK 0 / 48 / 66 / 65

HEX #5A2F1F

RGB 90 47 31

HSL 16.27, 0.49%, 0.24%

LAB 24.66, 17.92, 18.79

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 33 / 33 / 38

HEX #9E6A6A

RGB 158 106 106

HSL 0, 0.21%, 0.52%

LAB 50.24, 20.82, 8.49

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 16 / 33 / 38

HEX #9E846A

RGB 158 132 106

HSL 30, 0.21%, 0.52%

LAB 56.89, 5.97, 17.75

 

CMYK 0 / 8 / 33 / 38

HEX #9E926A

RGB 158 146 106

HSL 46.15, 0.21%, 0.52%

LAB 60.66, -1.84, 22.85

 

CMYK 1 / 0 / 33 / 38

HEX #9C9E6A

RGB 156 158 106

HSL 62.31, 0.21%, 0.52%

LAB 63.8, -9.17, 26.99

 

CMYK 10 / 0 / 33 / 38

HEX #8E9E6A

RGB 142 158 106

HSL 78.46, 0.21%, 0.52%

LAB 62.71, -14.78, 25.35

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 39 / 51 / 30

HEX #B26C57

RGB 178 108 87

HSL 13.85, 0.37%, 0.52%

LAB 52.82, 25.62, 23.55

 

CMYK 0 / 50 / 66 / 23

HEX #C56243

RGB 197 98 67

HSL 14.31, 0.53%, 0.52%

LAB 52.96, 37.05, 35.59

 

CMYK 0 / 60 / 78 / 15

HEX #D9572F

RGB 217 87 47

HSL 14.12, 0.69%, 0.52%

LAB 53.79, 48.97, 47.86

 

CMYK 0 / 68 / 89 / 7

HEX #ED4D1B

RGB 237 77 27

HSL 14.29, 0.85%, 0.52%

LAB 55.47, 59.55, 59.27

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 7 / 9 / 46

HEX #8A817E

RGB 138 129 126

HSL 15, 0.05%, 0.52%

LAB 54.67, 2.84, 2.84

 

CMYK 19 / 5 / 0 / 43

HEX #768B92

RGB 118 139 146

HSL 195, 0.11%, 0.52%

LAB 56.48, -5.91, -6.25

 

CMYK 41 / 10 / 0 / 35

HEX #6296A6

RGB 98 150 166

HSL 194.12, 0.28%, 0.52%

LAB 59.12, -13.02, -13.85

 

CMYK 58 / 14 / 0 / 27

HEX #4FA0BA

RGB 79 160 186

HSL 194.58, 0.44%, 0.52%

LAB 61.95, -17.12, -20.93

 

CMYK 0 / 33 / 23 / 38

HEX #9E6A7A

RGB 158 106 122

HSL 341.54, 0.21%, 0.52%

LAB 50.67, 23.17, -0.38

 

CMYK 0 / 33 / 32 / 38

HEX #9E6A6C

RGB 158 106 108

HSL 357.69, 0.21%, 0.52%

LAB 50.29, 21.1, 7.38

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 16 / 33 / 38

HEX #9E846A

RGB 158 132 106

HSL 30, 0.21%, 0.52%

LAB 56.89, 5.97, 17.75

 

CMYK 0 / 8 / 33 / 38

HEX #9E926A

RGB 158 146 106

HSL 46.15, 0.21%, 0.52%

LAB 60.66, -1.84, 22.85

 

CMYK 0 / 26 / 35 / 57

HEX #6E5148

RGB 110 81 72

HSL 14.21, 0.21%, 0.36%

LAB 37.24, 10.76, 10.02

 

CMYK 0 / 27 / 35 / 47

HEX #876358

RGB 135 99 88

HSL 14.04, 0.21%, 0.44%

LAB 45.33, 12.95, 11.95

 

CMYK 0 / 25 / 33 / 38

HEX #9E766A

RGB 158 118 106

HSL 13.85, 0.21%, 0.52%

LAB 53.24, 13.94, 12.71

 

CMYK 0 / 19 / 25 / 32

HEX #AE8D83

RGB 174 141 131

HSL 13.95, 0.21%, 0.6%

LAB 61.38, 10.91, 10.04

 

CMYK 0 / 14 / 18 / 25

HEX #BEA49C

RGB 190 164 156

HSL 14.12, 0.21%, 0.68%

LAB 69.4, 8.19, 7.65

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 14 / 0 / 33 / 38

HEX #889E6A

RGB 136 158 106

HSL 85.38, 0.21%, 0.52%

LAB 62.28, -17.12, 24.69

 

CMYK 33 / 27 / 0 / 38

HEX #6A739E

RGB 106 115 158

HSL 229.62, 0.21%, 0.52%

LAB 49.25, 7.2, -24.28

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 33 / 0 / 25 / 38

HEX #6A9E76

RGB 106 158 118

HSL 133.85, 0.21%, 0.52%

LAB 60.63, -25.92, 15.52

 

CMYK 25 / 33 / 0 / 38

HEX #766A9E

RGB 118 106 158

HSL 253.85, 0.21%, 0.52%

LAB 47.79, 16.36, -26.46

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 14 / 0 / 33 / 38

HEX #889E6A

RGB 136 158 106

HSL 85.38, 0.21%, 0.52%

LAB 62.28, -17.12, 24.69

 

CMYK 33 / 8 / 0 / 38

HEX #6A929E

RGB 106 146 158

HSL 193.85, 0.21%, 0.52%

LAB 58.12, -10.68, -10.76

 

CMYK 18 / 33 / 0 / 38

HEX #816A9E

RGB 129 106 158

HSL 266.54, 0.21%, 0.52%

LAB 48.81, 19.89, -24.78

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 24 / 0 / 33 / 38

HEX #789E6A

RGB 120 158 106

HSL 103.85, 0.21%, 0.52%

LAB 61.21, -23.16, 23.07

 

CMYK 33 / 8 / 0 / 38

HEX #6A929E

RGB 106 146 158

HSL 193.85, 0.21%, 0.52%

LAB 58.12, -10.68, -10.76

 

CMYK 9 / 33 / 0 / 38

HEX #906A9E

RGB 144 106 158

HSL 283.85, 0.21%, 0.52%

LAB 50.34, 24.84, -22.3

 

Description

Color code: HEX #9E776B | qconv.com Color code: HEX #9E776B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 119 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 119 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 32 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 32% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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