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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E7686 it is the complementary color #618979. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E7686. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E7686 shade: #A37681, #B48894, #C59AA7, #D6ACBA and #E7BECD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E7686. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E7686 shade: #9E7686, #8D6473, #7C5260, #6B404D and #5A2E3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E7686 shade: #9D7585, #9D757A and #9D7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E7686 shade: #9D7585, #9D7590, #9D759B, #95759D and #8A759D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E7686 shade matches the following richer shades: #9D7585, #B06281, #C34F7E, #D63C7A and #E92976

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E7686 shade: #9D7585, #8A8889, #779B8D, #64AE91 and #51C194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E7686 shade: #9D759A, #9D7590, #9D7585, #9D757B and #9D7B75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E7686 shade: #70505D, #886171, #9D7585, #AE8D9B and #BFA6B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E7686 shade: #9E7686, #9D9575 and #75959D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E7686 shade: #9E7686, #859D75 and #75859D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E7686 shade: #9E7686, #9D9575, #759D8D and #757D9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E7686 shade: #9E7686, #999D75, #759D8D and #79759D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

Complementary color

CMYK 29 / 0 / 12 / 46

HEX #618979

RGB 97 137 121

HSL 156, 0.17%, 0.46%

LAB 53.83, -17.48, 4.14

 

CMYK 0 / 28 / 21 / 36

HEX #A37681

RGB 163 118 129

HSL 345.33, 0.2%, 0.55%

LAB 54.37, 19.34, 0.97

 

CMYK 0 / 24 / 18 / 29

HEX #B48894

RGB 180 136 148

HSL 343.64, 0.23%, 0.62%

LAB 61.18, 18.66, 0.14

 

CMYK 0 / 22 / 15 / 23

HEX #C59AA7

RGB 197 154 167

HSL 341.86, 0.27%, 0.69%

LAB 67.85, 18.06, -0.62

 

CMYK 0 / 20 / 13 / 16

HEX #D6ACBA

RGB 214 172 186

HSL 340, 0.34%, 0.76%

LAB 74.41, 17.52, -1.33

 

CMYK 0 / 18 / 11 / 9

HEX #E7BECD

RGB 231 190 205

HSL 338.05, 0.46%, 0.83%

LAB 80.86, 17.02, -2.01

 

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

CMYK 0 / 29 / 18 / 45

HEX #8D6473

RGB 141 100 115

HSL 338.05, 0.17%, 0.47%

LAB 46.99, 18.95, -1.82

 

CMYK 0 / 34 / 23 / 51

HEX #7C5260

RGB 124 82 96

HSL 340, 0.2%, 0.4%

LAB 39.86, 19.74, -0.93

 

CMYK 0 / 40 / 28 / 58

HEX #6B404D

RGB 107 64 77

HSL 341.86, 0.25%, 0.34%

LAB 32.54, 20.64, 0.11

 

CMYK 0 / 49 / 36 / 65

HEX #5A2E3A

RGB 90 46 58

HSL 343.64, 0.32%, 0.27%

LAB 25.05, 21.65, 1.41

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 25 / 22 / 38

HEX #9D757A

RGB 157 117 122

HSL 352.5, 0.17%, 0.54%

LAB 53.27, 16.47, 3.39

 

CMYK 0 / 25 / 25 / 38

HEX #9D7575

RGB 157 117 117

HSL 0, 0.17%, 0.54%

LAB 53.14, 15.7, 6.13

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 25 / 8 / 38

HEX #9D7590

RGB 157 117 144

HSL 319.5, 0.17%, 0.54%

LAB 53.93, 20.23, -8.53

 

CMYK 0 / 25 / 1 / 38

HEX #9D759B

RGB 157 117 155

HSL 303, 0.17%, 0.54%

LAB 54.3, 22.32, -14.38

 

CMYK 5 / 25 / 0 / 38

HEX #95759D

RGB 149 117 157

HSL 288, 0.17%, 0.54%

LAB 53.54, 19.93, -16.77

 

CMYK 12 / 25 / 0 / 38

HEX #8A759D

RGB 138 117 157

HSL 271.5, 0.17%, 0.54%

LAB 52.46, 16.15, -18.51

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 44 / 27 / 31

HEX #B06281

RGB 176 98 129

HSL 336.15, 0.33%, 0.54%

LAB 51.33, 35.35, -3.31

 

CMYK 0 / 59 / 35 / 24

HEX #C34F7E

RGB 195 79 126

HSL 335.69, 0.49%, 0.54%

LAB 50.33, 50.94, -2.66

 

CMYK 0 / 72 / 43 / 16

HEX #D63C7A

RGB 214 60 122

HSL 335.84, 0.65%, 0.54%

LAB 50.61, 63.82, 0.52

 

CMYK 0 / 82 / 49 / 9

HEX #E92976

RGB 233 41 118

HSL 335.94, 0.81%, 0.54%

LAB 52.08, 73.81, 5.51

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 1 / 1 / 46

HEX #8A8889

RGB 138 136 137

HSL 330, 0.01%, 0.54%

LAB 56.9, 0.94, -0.28

 

CMYK 23 / 0 / 9 / 39

HEX #779B8D

RGB 119 155 141

HSL 156.67, 0.15%, 0.54%

LAB 61.03, -15.42, 3.29

 

CMYK 43 / 0 / 17 / 32

HEX #64AE91

RGB 100 174 145

HSL 156.49, 0.31%, 0.54%

LAB 65.77, -29.96, 7.73

 

CMYK 58 / 0 / 23 / 24

HEX #51C194

RGB 81 193 148

HSL 155.89, 0.47%, 0.54%

LAB 70.89, -42.59, 13.25

 

CMYK 0 / 25 / 2 / 38

HEX #9D759A

RGB 157 117 154

HSL 304.5, 0.17%, 0.54%

LAB 54.26, 22.12, -13.85

 

CMYK 0 / 25 / 8 / 38

HEX #9D7590

RGB 157 117 144

HSL 319.5, 0.17%, 0.54%

LAB 53.93, 20.23, -8.53

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 25 / 22 / 38

HEX #9D757B

RGB 157 117 123

HSL 351, 0.17%, 0.54%

LAB 53.3, 16.63, 2.84

 

CMYK 0 / 22 / 25 / 38

HEX #9D7B75

RGB 157 123 117

HSL 9, 0.17%, 0.54%

LAB 54.68, 12.26, 8.32

 

CMYK 0 / 29 / 17 / 56

HEX #70505D

RGB 112 80 93

HSL 335.63, 0.17%, 0.38%

LAB 37.79, 15.62, -2.26

 

CMYK 0 / 29 / 17 / 47

HEX #886171

RGB 136 97 113

HSL 335.38, 0.17%, 0.46%

LAB 45.6, 18.43, -2.73

 

CMYK 0 / 25 / 15 / 38

HEX #9D7585

RGB 157 117 133

HSL 336, 0.17%, 0.54%

LAB 53.58, 18.28, -2.6

 

CMYK 0 / 19 / 11 / 32

HEX #AE8D9B

RGB 174 141 155

HSL 334.55, 0.17%, 0.62%

LAB 62.01, 14.8, -2.69

 

CMYK 0 / 13 / 8 / 25

HEX #BFA6B0

RGB 191 166 176

HSL 336, 0.16%, 0.7%

LAB 70.51, 10.81, -1.79

 

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

CMYK 0 / 5 / 25 / 38

HEX #9D9575

RGB 157 149 117

HSL 48, 0.17%, 0.54%

LAB 61.61, -2.37, 18

 

CMYK 25 / 5 / 0 / 38

HEX #75959D

RGB 117 149 157

HSL 192, 0.17%, 0.54%

LAB 59.63, -9.21, -7.87

 

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

CMYK 15 / 0 / 25 / 38

HEX #859D75

RGB 133 157 117

HSL 96, 0.17%, 0.54%

LAB 61.98, -16.04, 18.21

 

CMYK 25 / 15 / 0 / 38

HEX #75859D

RGB 117 133 157

HSL 216, 0.17%, 0.54%

LAB 55.06, -0.2, -14.72

 

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

CMYK 0 / 5 / 25 / 38

HEX #9D9575

RGB 157 149 117

HSL 48, 0.17%, 0.54%

LAB 61.61, -2.37, 18

 

CMYK 25 / 0 / 10 / 38

HEX #759D8D

RGB 117 157 141

HSL 156, 0.17%, 0.54%

LAB 61.5, -17.13, 3.94

 

CMYK 25 / 20 / 0 / 38

HEX #757D9D

RGB 117 125 157

HSL 228, 0.17%, 0.54%

LAB 52.82, 4.45, -18.13

 

CMYK 0 / 25 / 15 / 38

HEX #9E7686

RGB 158 118 134

HSL 336, 0.17%, 0.54%

LAB 53.97, 18.26, -2.61

 

CMYK 3 / 0 / 25 / 38

HEX #999D75

RGB 153 157 117

HSL 66, 0.17%, 0.54%

LAB 63.48, -8.31, 20.5

 

CMYK 25 / 0 / 10 / 38

HEX #759D8D

RGB 117 157 141

HSL 156, 0.17%, 0.54%

LAB 61.5, -17.13, 3.94

 

CMYK 23 / 25 / 0 / 38

HEX #79759D

RGB 121 117 157

HSL 246, 0.17%, 0.54%

LAB 50.95, 10.47, -20.97

 

Description

Color code: HEX #9E7686 | qconv.com Color code: HEX #9E7686 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 118 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 118 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 15 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 15% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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