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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E5B5F it is the complementary color #61A4A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E5B5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E5B5F shade: #A35B5A, #B46D6D, #C57F80, #D69193 and #E7A3A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E5B5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E5B5F shade: #9E5B5F, #8D494C, #7C3739, #6B2526 and #5A1313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E5B5F shade: #9E5B5F and #9E5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E5B5F shade: #9E5B5F, #9E5B71, #9E5B83, #9E5B95 and #955B9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E5B5F shade matches the following richer shades: #9E5B5F, #B2464D, #C7323B, #DB1E29 and #EF0A18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E5B5F shade: #9E5B5F, #8A6F71, #768382, #629794 and #4DACA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E5B5F shade: #9E5B83, #9E5B71, #9E5B5F, #9E685B and #9E7A5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E5B5F shade: #6A3D3F, #844C4F, #9E5B5F, #AF7477 and #BE8E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E5B5F shade: #9E5B5F, #959E5B and #5B7A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E5B5F shade: #9E5B5F, #5F9E5B and #5B5F9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E5B5F shade: #9E5B5F, #959E5B, #5B9E9A and #645B9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E5B5F shade: #9E5B5F, #819E5B, #5B9E9A and #785B9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

Complementary color

CMYK 41 / 0 / 2 / 36

HEX #61A4A0

RGB 97 164 160

HSL 176.42, 0.27%, 0.51%

LAB 63.04, -22.25, -4.63

 

CMYK 0 / 44 / 45 / 36

HEX #A35B5A

RGB 163 91 90

HSL 0.82, 0.29%, 0.5%

LAB 46.98, 29.3, 13.58

 

CMYK 0 / 39 / 39 / 29

HEX #B46D6D

RGB 180 109 109

HSL 0, 0.32%, 0.57%

LAB 53.76, 28.22, 12.07

 

CMYK 0 / 36 / 35 / 23

HEX #C57F80

RGB 197 127 128

HSL 359.14, 0.38%, 0.64%

LAB 60.43, 27.25, 10.76

 

CMYK 0 / 32 / 31 / 16

HEX #D69193

RGB 214 145 147

HSL 358.26, 0.46%, 0.7%

LAB 67.02, 26.37, 9.6

 

CMYK 0 / 29 / 28 / 9

HEX #E7A3A6

RGB 231 163 166

HSL 357.35, 0.59%, 0.77%

LAB 73.5, 25.58, 8.55

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 48 / 46 / 45

HEX #8D494C

RGB 141 73 76

HSL 357.35, 0.32%, 0.42%

LAB 39.5, 29.01, 11.3

 

CMYK 0 / 56 / 54 / 51

HEX #7C3739

RGB 124 55 57

HSL 358.26, 0.39%, 0.35%

LAB 32.51, 30.19, 13.31

 

CMYK 0 / 65 / 64 / 58

HEX #6B2526

RGB 107 37 38

HSL 359.14, 0.49%, 0.28%

LAB 25.53, 31.32, 15.95

 

CMYK 0 / 79 / 79 / 65

HEX #5A1313

RGB 90 19 19

HSL 0, 0.65%, 0.21%

LAB 18.74, 32.03, 19.53

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 42 / 42 / 38

HEX #9E5B5B

RGB 158 91 91

HSL 0, 0.27%, 0.49%

LAB 46.32, 27.43, 11.96

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 42 / 28 / 38

HEX #9E5B71

RGB 158 91 113

HSL 340.3, 0.27%, 0.49%

LAB 46.9, 30.29, -0.5

 

CMYK 0 / 42 / 17 / 38

HEX #9E5B83

RGB 158 91 131

HSL 324.18, 0.27%, 0.49%

LAB 47.48, 33.08, -10.48

 

CMYK 0 / 42 / 6 / 38

HEX #9E5B95

RGB 158 91 149

HSL 308.06, 0.27%, 0.49%

LAB 48.16, 36.22, -20.2

 

CMYK 6 / 42 / 0 / 38

HEX #955B9E

RGB 149 91 158

HSL 291.94, 0.27%, 0.49%

LAB 47.42, 35.06, -26.78

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 61 / 57 / 30

HEX #B2464D

RGB 178 70 77

HSL 356.11, 0.44%, 0.49%

LAB 44.77, 44.52, 18.83

 

CMYK 0 / 75 / 70 / 22

HEX #C7323B

RGB 199 50 59

HSL 356.38, 0.6%, 0.49%

LAB 45.27, 58.29, 31.09

 

CMYK 0 / 86 / 81 / 14

HEX #DB1E29

RGB 219 30 41

HSL 356.51, 0.76%, 0.49%

LAB 47.17, 68.45, 44.55

 

CMYK 0 / 96 / 90 / 6

HEX #EF0A18

RGB 239 10 24

HSL 356.33, 0.92%, 0.49%

LAB 50.26, 75.74, 56.86

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 20 / 18 / 46

HEX #8A6F71

RGB 138 111 113

HSL 355.56, 0.11%, 0.49%

LAB 49.45, 10.98, 2.92

 

CMYK 10 / 0 / 1 / 49

HEX #768382

RGB 118 131 130

HSL 175.38, 0.05%, 0.49%

LAB 53.7, -4.96, -1.09

 

CMYK 35 / 0 / 2 / 41

HEX #629794

RGB 98 151 148

HSL 176.6, 0.21%, 0.49%

LAB 58.85, -18.23, -4.02

 

CMYK 55 / 0 / 3 / 33

HEX #4DACA6

RGB 77 172 166

HSL 176.21, 0.38%, 0.49%

LAB 64.83, -29.36, -5.42

 

CMYK 0 / 42 / 17 / 38

HEX #9E5B83

RGB 158 91 131

HSL 324.18, 0.27%, 0.49%

LAB 47.48, 33.08, -10.48

 

CMYK 0 / 42 / 28 / 38

HEX #9E5B71

RGB 158 91 113

HSL 340.3, 0.27%, 0.49%

LAB 46.9, 30.29, -0.5

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 34 / 42 / 38

HEX #9E685B

RGB 158 104 91

HSL 11.64, 0.27%, 0.49%

LAB 49.41, 20.06, 16.21

 

CMYK 0 / 23 / 42 / 38

HEX #9E7A5B

RGB 158 122 91

HSL 27.76, 0.27%, 0.49%

LAB 53.97, 9.76, 22.34

 

CMYK 0 / 42 / 41 / 58

HEX #6A3D3F

RGB 106 61 63

HSL 357.33, 0.27%, 0.33%

LAB 31.26, 19.99, 7.28

 

CMYK 0 / 42 / 40 / 48

HEX #844C4F

RGB 132 76 79

HSL 356.79, 0.27%, 0.41%

LAB 38.97, 24.03, 8.5

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 0 / 34 / 32 / 31

HEX #AF7477

RGB 175 116 119

HSL 356.95, 0.27%, 0.57%

LAB 55.01, 23.65, 7.9

 

CMYK 0 / 25 / 24 / 25

HEX #BE8E91

RGB 190 142 145

HSL 356.25, 0.27%, 0.65%

LAB 63.62, 18.63, 5.52

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 6 / 0 / 42 / 38

HEX #959E5B

RGB 149 158 91

HSL 68.06, 0.27%, 0.49%

LAB 63.01, -13.88, 33.86

 

CMYK 42 / 23 / 0 / 38

HEX #5B7A9E

RGB 91 122 158

HSL 212.24, 0.27%, 0.49%

LAB 50.23, -1.32, -22.84

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 40 / 0 / 42 / 38

HEX #5F9E5B

RGB 95 158 91

HSL 116.42, 0.27%, 0.49%

LAB 59.56, -34.2, 28.76

 

CMYK 42 / 40 / 0 / 38

HEX #5B5F9E

RGB 91 95 158

HSL 236.42, 0.27%, 0.49%

LAB 42.58, 15.15, -34.78

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 6 / 0 / 42 / 38

HEX #959E5B

RGB 149 158 91

HSL 68.06, 0.27%, 0.49%

LAB 63.01, -13.88, 33.86

 

CMYK 42 / 0 / 3 / 38

HEX #5B9E9A

RGB 91 158 154

HSL 176.42, 0.27%, 0.49%

LAB 60.79, -22.27, -4.59

 

CMYK 37 / 42 / 0 / 38

HEX #645B9E

RGB 100 91 158

HSL 248.06, 0.27%, 0.49%

LAB 42.25, 20.14, -35.25

 

CMYK 0 / 42 / 40 / 38

HEX #9E5B5F

RGB 158 91 95

HSL 356.42, 0.27%, 0.49%

LAB 46.42, 27.9, 9.68

 

CMYK 18 / 0 / 42 / 38

HEX #819E5B

RGB 129 158 91

HSL 85.97, 0.27%, 0.49%

LAB 61.55, -21.92, 31.7

 

CMYK 42 / 0 / 3 / 38

HEX #5B9E9A

RGB 91 158 154

HSL 176.42, 0.27%, 0.49%

LAB 60.79, -22.27, -4.59

 

CMYK 24 / 42 / 0 / 38

HEX #785B9E

RGB 120 91 158

HSL 265.97, 0.27%, 0.49%

LAB 44.15, 26.03, -32.12

 

Description

Color code: HEX #9E5B5F | qconv.com Color code: HEX #9E5B5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 91 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 91 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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