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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E26E2 it is the complementary color #61D91D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E26E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E26E2 shade: #A326DD, #B438F0, #C54AFF, #D65CFF and #E76EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E26E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E26E2 shade: #9E26E2, #8D14CF, #7C02BC, #6B00A9 and #5A0096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E26E2 shade: #9E27E1, #D027E1, #E127C0, #E1278E and #E1275C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E26E2 shade: #9E27E1, #6C27E1, #3927E1 and #2727E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E26E2 shade matches the following richer shades: #9E27E1 and #A313F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E26E2 shade: #9E27E1, #983BCD, #934FBA, #8D62A6 and #887692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E26E2 shade: #3A27E1, #6B27E1, #9D27E1, #CF27E1 and #E127C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E26E2 shade: #6E15A0, #871AC5, #9E27E1, #AE4BE6 and #BE70EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E26E2 shade: #9E26E2, #E12746 and #27E152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E26E2 shade: #9E26E2, #E19D27 and #27E19D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E26E2 shade: #9E26E2, #E12746, #6BE127 and #27E1C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E26E2 shade: #9E26E2, #E14027, #6BE127 and #27C8E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

Complementary color

CMYK 55 / 0 / 87 / 15

HEX #61D91D

RGB 97 217 29

HSL 98.3, 0.76%, 0.48%

LAB 77.43, -62.43, 71.86

 

CMYK 26 / 83 / 0 / 13

HEX #A326DD

RGB 163 38 221

HSL 280.98, 0.73%, 0.51%

LAB 44.79, 73.99, -67.52

 

CMYK 25 / 77 / 0 / 6

HEX #B438F0

RGB 180 56 240

HSL 280.43, 0.86%, 0.58%

LAB 50.48, 75.1, -68.94

 

CMYK 23 / 71 / 0 / 0

HEX #C54AFF

RGB 197 74 255

HSL 280.77, 1%, 0.65%

LAB 56.08, 74.72, -68.14

 

CMYK 16 / 64 / 0 / 0

HEX #D65CFF

RGB 214 92 255

HSL 284.91, 1%, 0.68%

LAB 60.93, 70.97, -60.21

 

CMYK 9 / 57 / 0 / 0

HEX #E76EFF

RGB 231 110 255

HSL 290.07, 1%, 0.72%

LAB 66.03, 67.04, -51.97

 

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

CMYK 32 / 90 / 0 / 19

HEX #8D14CF

RGB 141 20 207

HSL 278.82, 0.82%, 0.45%

LAB 39.02, 72.15, -69.03

 

CMYK 34 / 99 / 0 / 26

HEX #7C02BC

RGB 124 2 188

HSL 279.35, 0.98%, 0.37%

LAB 33.9, 68.89, -66.39

 

CMYK 37 / 100 / 0 / 34

HEX #6B00A9

RGB 107 0 169

HSL 277.99, 1%, 0.33%

LAB 29.39, 63.45, -62.55

 

CMYK 40 / 100 / 0 / 41

HEX #5A0096

RGB 90 0 150

HSL 276, 1%, 0.29%

LAB 24.88, 57.64, -58.48

 

CMYK 30 / 83 / 0 / 12

HEX #9E27E1

RGB 158 39 225

HSL 278.39, 0.76%, 0.52%

LAB 44.46, 73.75, -70.38

 

CMYK 8 / 83 / 0 / 12

HEX #D027E1

RGB 208 39 225

HSL 294.52, 0.76%, 0.52%

LAB 52.17, 81.87, -57.53

 

CMYK 0 / 83 / 15 / 12

HEX #E127C0

RGB 225 39 192

HSL 310.65, 0.76%, 0.52%

LAB 53.24, 80.25, -36.75

 

CMYK 0 / 83 / 37 / 12

HEX #E1278E

RGB 225 39 142

HSL 326.77, 0.76%, 0.52%

LAB 51.17, 74.45, -10.47

 

CMYK 0 / 83 / 59 / 12

HEX #E1275C

RGB 225 39 92

HSL 342.9, 0.76%, 0.52%

LAB 49.78, 70.4, 17.87

 

CMYK 30 / 83 / 0 / 12

HEX #9E27E1

RGB 158 39 225

HSL 278.39, 0.76%, 0.52%

LAB 44.46, 73.75, -70.38

 

CMYK 52 / 83 / 0 / 12

HEX #6C27E1

RGB 108 39 225

HSL 262.26, 0.76%, 0.52%

LAB 37.98, 67.19, -81.26

 

CMYK 75 / 83 / 0 / 12

HEX #3927E1

RGB 57 39 225

HSL 245.81, 0.76%, 0.52%

LAB 33.47, 62.86, -88.86

 

CMYK 83 / 83 / 0 / 12

HEX #2727E1

RGB 39 39 225

HSL 240, 0.76%, 0.52%

LAB 32.52, 61.97, -90.46

 

CMYK 30 / 83 / 0 / 12

HEX #9E27E1

RGB 158 39 225

HSL 278.39, 0.76%, 0.52%

LAB 44.46, 73.75, -70.38

 

CMYK 33 / 92 / 0 / 4

HEX #A313F5

RGB 163 19 245

HSL 278.23, 0.92%, 0.52%

LAB 45.42, 82.43, -80.1

 

CMYK 30 / 83 / 0 / 12

HEX #9E27E1

RGB 158 39 225

HSL 278.39, 0.76%, 0.52%

LAB 44.46, 73.75, -70.38

 

CMYK 26 / 71 / 0 / 20

HEX #983BCD

RGB 152 59 205

HSL 278.22, 0.59%, 0.52%

LAB 44.53, 61.69, -58.83

 

CMYK 21 / 58 / 0 / 27

HEX #934FBA

RGB 147 79 186

HSL 278.13, 0.44%, 0.52%

LAB 46.1, 47.01, -45.33

 

CMYK 15 / 41 / 0 / 35

HEX #8D62A6

RGB 141 98 166

HSL 277.94, 0.28%, 0.52%

LAB 48.45, 30.28, -29.96

 

CMYK 7 / 19 / 0 / 43

HEX #887692

RGB 136 118 146

HSL 278.57, 0.11%, 0.52%

LAB 52.14, 12.46, -12.6

 

CMYK 74 / 83 / 0 / 12

HEX #3A27E1

RGB 58 39 225

HSL 246.13, 0.76%, 0.52%

LAB 33.53, 62.92, -88.75

 

CMYK 52 / 83 / 0 / 12

HEX #6B27E1

RGB 107 39 225

HSL 261.94, 0.76%, 0.52%

LAB 37.87, 67.08, -81.45

 

CMYK 30 / 83 / 0 / 12

HEX #9D27E1

RGB 157 39 225

HSL 278.06, 0.76%, 0.52%

LAB 44.31, 73.6, -70.63

 

CMYK 8 / 83 / 0 / 12

HEX #CF27E1

RGB 207 39 225

HSL 294.19, 0.76%, 0.52%

LAB 52.01, 81.7, -57.8

 

CMYK 0 / 83 / 14 / 12

HEX #E127C2

RGB 225 39 194

HSL 310, 0.76%, 0.52%

LAB 53.33, 80.51, -37.76

 

CMYK 31 / 87 / 0 / 37

HEX #6E15A0

RGB 110 21 160

HSL 278.42, 0.77%, 0.35%

LAB 30.37, 58.01, -55.47

 

CMYK 31 / 87 / 0 / 23

HEX #871AC5

RGB 135 26 197

HSL 278.25, 0.77%, 0.44%

LAB 37.7, 68.09, -65.39

 

CMYK 30 / 83 / 0 / 12

HEX #9E27E1

RGB 158 39 225

HSL 278.39, 0.76%, 0.52%

LAB 44.46, 73.75, -70.38

 

CMYK 24 / 67 / 0 / 10

HEX #AE4BE6

RGB 174 75 230

HSL 278.32, 0.76%, 0.6%

LAB 51.55, 64.67, -61.62

 

CMYK 19 / 52 / 0 / 8

HEX #BE70EB

RGB 190 112 235

HSL 278.05, 0.75%, 0.68%

LAB 60.37, 51.74, -50.21

 

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

CMYK 0 / 83 / 69 / 12

HEX #E12746

RGB 225 39 70

HSL 350, 0.76%, 0.52%

LAB 49.38, 69.21, 30.67

 

CMYK 83 / 0 / 64 / 12

HEX #27E152

RGB 39 225 82

HSL 133.87, 0.76%, 0.52%

LAB 78.98, -71.68, 55.99

 

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

CMYK 0 / 30 / 83 / 12

HEX #E19D27

RGB 225 157 39

HSL 38.06, 0.76%, 0.52%

LAB 69.66, 16.02, 66.07

 

CMYK 83 / 0 / 30 / 12

HEX #27E19D

RGB 39 225 157

HSL 158.06, 0.76%, 0.52%

LAB 80.02, -59.47, 21.06

 

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

CMYK 0 / 83 / 69 / 12

HEX #E12746

RGB 225 39 70

HSL 350, 0.76%, 0.52%

LAB 49.38, 69.21, 30.67

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 83 / 0 / 14 / 12

HEX #27E1C2

RGB 39 225 194

HSL 170, 0.76%, 0.52%

LAB 80.84, -50.68, 2.73

 

CMYK 30 / 83 / 0 / 11

HEX #9E26E2

RGB 158 38 226

HSL 278.3, 0.76%, 0.52%

LAB 44.44, 74.22, -70.98

 

CMYK 0 / 72 / 83 / 12

HEX #E14027

RGB 225 64 39

HSL 8.06, 0.76%, 0.52%

LAB 51.63, 60.78, 50.16

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 83 / 11 / 0 / 12

HEX #27C8E1

RGB 39 200 225

HSL 188.06, 0.76%, 0.52%

LAB 74.3, -30.57, -23.64

 

Description

Color code: HEX #9E26E2 | qconv.com Color code: HEX #9E26E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 38 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 38 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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