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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E1C2F it is the complementary color #61E3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E1C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E1C2F shade: #A31C2A, #B42E3D, #C54050, #D65263 and #E76476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E1C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E1C2F shade: #9E1C2F, #8D0A1C, #7C0009, #6B0000 and #5A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E1C2F shade: #9C1B2E and #9C1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E1C2F shade: #9C1B2E, #9C1B50, #9C1B73, #9C1B96 and #7F1B9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E1C2F shade matches the following richer shades: #9C1B2E and #AA0C23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E1C2F shade: #9C1B2E, #8D2A38, #7E3943, #6F484D and #605658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E1C2F shade: #9C1B73, #9C1B51, #9C1B2E, #9C2A1B and #9C4C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E1C2F shade: #550F19, #781523, #9C1B2E, #BF2138 and #DA2F48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E1C2F shade: #9E1C2F, #959C1B and #1B629C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E1C2F shade: #9E1C2F, #2E9C1B and #1B2E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E1C2F shade: #9E1C2F, #959C1B, #1B9C88 and #211B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E1C2F shade: #9E1C2F, #6F9C1B, #1B9C88 and #481B9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

Complementary color

CMYK 57 / 0 / 8 / 11

HEX #61E3D0

RGB 97 227 208

HSL 171.23, 0.7%, 0.64%

LAB 82.93, -40.27, -1.5

 

CMYK 0 / 83 / 74 / 36

HEX #A31C2A

RGB 163 28 42

HSL 353.78, 0.71%, 0.37%

LAB 35.57, 53.45, 28.19

 

CMYK 0 / 74 / 66 / 29

HEX #B42E3D

RGB 180 46 61

HSL 353.28, 0.59%, 0.44%

LAB 41.21, 53.96, 24.07

 

CMYK 0 / 68 / 59 / 23

HEX #C54050

RGB 197 64 80

HSL 352.78, 0.53%, 0.51%

LAB 47.13, 53.75, 20.72

 

CMYK 0 / 62 / 54 / 16

HEX #D65263

RGB 214 82 99

HSL 352.27, 0.62%, 0.58%

LAB 53.2, 53.14, 17.98

 

CMYK 0 / 57 / 49 / 9

HEX #E76476

RGB 231 100 118

HSL 351.76, 0.73%, 0.65%

LAB 59.35, 52.32, 15.7

 

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

CMYK 0 / 93 / 80 / 45

HEX #8D0A1C

RGB 141 10 28

HSL 351.76, 0.87%, 0.3%

LAB 29.32, 50.53, 28.61

 

CMYK 0 / 100 / 93 / 51

HEX #7C0009

RGB 124 0 9

HSL 355.65, 1%, 0.24%

LAB 24.65, 47.14, 33.23

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 83 / 83 / 39

HEX #9C1B1B

RGB 156 27 27

HSL 0, 0.7%, 0.36%

LAB 33.84, 51.11, 34.85

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 83 / 49 / 39

HEX #9C1B50

RGB 156 27 80

HSL 335.35, 0.7%, 0.36%

LAB 34.86, 54.22, 2.57

 

CMYK 0 / 83 / 26 / 39

HEX #9C1B73

RGB 156 27 115

HSL 319.07, 0.7%, 0.36%

LAB 36.16, 57.98, -17.91

 

CMYK 0 / 83 / 4 / 39

HEX #9C1B96

RGB 156 27 150

HSL 302.79, 0.7%, 0.36%

LAB 37.94, 62.94, -36.8

 

CMYK 19 / 83 / 0 / 39

HEX #7F1B9C

RGB 127 27 156

HSL 286.51, 0.7%, 0.36%

LAB 33.34, 58.39, -48.09

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 93 / 79 / 33

HEX #AA0C23

RGB 170 12 35

HSL 351.27, 0.87%, 0.36%

LAB 35.85, 58.29, 33.19

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 70 / 60 / 45

HEX #8D2A38

RGB 141 42 56

HSL 351.52, 0.54%, 0.36%

LAB 33.14, 42.62, 15.33

 

CMYK 0 / 55 / 47 / 51

HEX #7E3943

RGB 126 57 67

HSL 351.3, 0.38%, 0.36%

LAB 33.49, 30.92, 8.28

 

CMYK 0 / 35 / 31 / 56

HEX #6F484D

RGB 111 72 77

HSL 352.31, 0.21%, 0.36%

LAB 35.1, 17.43, 3.88

 

CMYK 0 / 10 / 8 / 62

HEX #605658

RGB 96 86 88

HSL 348, 0.05%, 0.36%

LAB 37.57, 4.47, 0.32

 

CMYK 0 / 83 / 26 / 39

HEX #9C1B73

RGB 156 27 115

HSL 319.07, 0.7%, 0.36%

LAB 36.16, 57.98, -17.91

 

CMYK 0 / 83 / 48 / 39

HEX #9C1B51

RGB 156 27 81

HSL 334.88, 0.7%, 0.36%

LAB 34.89, 54.31, 1.96

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 73 / 83 / 39

HEX #9C2A1B

RGB 156 42 27

HSL 6.98, 0.7%, 0.36%

LAB 35.6, 46.18, 36.56

 

CMYK 0 / 51 / 83 / 39

HEX #9C4C1B

RGB 156 76 27

HSL 22.79, 0.7%, 0.36%

LAB 41.71, 30.11, 42.32

 

CMYK 0 / 82 / 71 / 67

HEX #550F19

RGB 85 15 25

HSL 351.43, 0.7%, 0.2%

LAB 17.19, 32.17, 13.27

 

CMYK 0 / 83 / 71 / 53

HEX #781523

RGB 120 21 35

HSL 351.52, 0.7%, 0.28%

LAB 25.72, 42.17, 18.72

 

CMYK 0 / 83 / 71 / 39

HEX #9C1B2E

RGB 156 27 46

HSL 351.16, 0.7%, 0.36%

LAB 34.08, 51.87, 23.56

 

CMYK 0 / 83 / 71 / 25

HEX #BF2138

RGB 191 33 56

HSL 351.27, 0.71%, 0.44%

LAB 41.92, 60.75, 28.51

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

CMYK 4 / 0 / 83 / 39

HEX #959C1B

RGB 149 156 27

HSL 63.26, 0.7%, 0.36%

LAB 61.87, -17.5, 59.94

 

CMYK 83 / 37 / 0 / 39

HEX #1B629C

RGB 27 98 156

HSL 206.98, 0.7%, 0.36%

LAB 40.19, 0.11, -37.56

 

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

CMYK 71 / 0 / 83 / 39

HEX #2E9C1B

RGB 46 156 27

HSL 111.16, 0.7%, 0.36%

LAB 56.52, -53.58, 53.15

 

CMYK 83 / 71 / 0 / 39

HEX #1B2E9C

RGB 27 46 156

HSL 231.16, 0.7%, 0.36%

LAB 25.53, 34.8, -61.3

 

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

CMYK 4 / 0 / 83 / 39

HEX #959C1B

RGB 149 156 27

HSL 63.26, 0.7%, 0.36%

LAB 61.87, -17.5, 59.94

 

CMYK 83 / 0 / 13 / 39

HEX #1B9C88

RGB 27 156 136

HSL 170.7, 0.7%, 0.36%

LAB 57.83, -37.74, 1.06

 

CMYK 79 / 83 / 0 / 39

HEX #211B9C

RGB 33 27 156

HSL 242.79, 0.7%, 0.36%

LAB 21.97, 46.11, -67.17

 

CMYK 0 / 82 / 70 / 38

HEX #9E1C2F

RGB 158 28 47

HSL 351.23, 0.7%, 0.36%

LAB 34.61, 52.23, 23.67

 

CMYK 29 / 0 / 83 / 39

HEX #6F9C1B

RGB 111 156 27

HSL 80.93, 0.7%, 0.36%

LAB 59.19, -33.6, 56.56

 

CMYK 83 / 0 / 13 / 39

HEX #1B9C88

RGB 27 156 136

HSL 170.7, 0.7%, 0.36%

LAB 57.83, -37.74, 1.06

 

CMYK 54 / 83 / 0 / 39

HEX #481B9C

RGB 72 27 156

HSL 260.93, 0.7%, 0.36%

LAB 25.45, 49.79, -61.31

 

Description

Color code: HEX #9E1C2F | qconv.com Color code: HEX #9E1C2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 28 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 28 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 70 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 70% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

70% - a
Link: http://www.escentsjapan.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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