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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E188A it is the complementary color #61E775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E188A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E188A shade: #A31885, #B42A98, #C53CAB, #D64EBE and #E760D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E188A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E188A shade: #9E188A, #8D0677, #7C0064, #6B0051 and #5A003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E188A shade: #9F178B, #9F1766, #9F1742, #9F171D and #9F1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E188A shade: #9F178B, #8F179F, #6A179F, #46179F and #21179F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E188A shade matches the following richer shades: #9F178B and #AE0995

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E188A shade: #9F178B, #902681, #823576, #73446C and #645361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E188A shade: #69179F, #8D179F, #9F178D, #9F1769 and #9F1745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E188A shade: #570D4C, #7B126C, #9F178B, #C31DAA and #DF2AC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E188A shade: #9E188A, #9F4517 and #179F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E188A shade: #9E188A, #8D9F17 and #178D9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E188A shade: #9E188A, #9F4517, #179F29 and #17729F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E188A shade: #9E188A, #9F6D17, #179F29 and #17499F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

Complementary color

CMYK 58 / 0 / 49 / 9

HEX #61E775

RGB 97 231 117

HSL 128.96, 0.74%, 0.64%

LAB 82.37, -59.85, 44.47

 

CMYK 0 / 85 / 18 / 36

HEX #A31885

RGB 163 24 133

HSL 312.95, 0.74%, 0.37%

LAB 38.08, 62.62, -26.06

 

CMYK 0 / 77 / 16 / 29

HEX #B42A98

RGB 180 42 152

HSL 312.17, 0.62%, 0.44%

LAB 43.69, 64.42, -28.66

 

CMYK 0 / 70 / 13 / 23

HEX #C53CAB

RGB 197 60 171

HSL 311.39, 0.54%, 0.5%

LAB 49.55, 65.28, -30.61

 

CMYK 0 / 64 / 11 / 16

HEX #D64EBE

RGB 214 78 190

HSL 310.59, 0.62%, 0.57%

LAB 55.55, 65.53, -32.12

 

CMYK 0 / 58 / 10 / 9

HEX #E760D1

RGB 231 96 209

HSL 309.78, 0.74%, 0.64%

LAB 61.62, 65.39, -33.31

 

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

CMYK 0 / 96 / 16 / 45

HEX #8D0677

RGB 141 6 119

HSL 309.78, 0.92%, 0.29%

LAB 32.09, 59.14, -27

 

CMYK 0 / 100 / 19 / 51

HEX #7C0064

RGB 124 0 100

HSL 311.61, 1%, 0.24%

LAB 27.31, 54.08, -22.53

 

CMYK 0 / 100 / 24 / 58

HEX #6B0051

RGB 107 0 81

HSL 314.58, 1%, 0.21%

LAB 22.72, 48.01, -17.37

 

CMYK 0 / 100 / 31 / 65

HEX #5A003E

RGB 90 0 62

HSL 318.67, 1%, 0.18%

LAB 18.02, 41.8, -11.89

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 0 / 86 / 36 / 38

HEX #9F1766

RGB 159 23 102

HSL 325.15, 0.75%, 0.36%

LAB 35.87, 58.13, -10.04

 

CMYK 0 / 86 / 58 / 38

HEX #9F1742

RGB 159 23 66

HSL 341.03, 0.75%, 0.36%

LAB 34.76, 54.91, 11.62

 

CMYK 0 / 86 / 82 / 38

HEX #9F171D

RGB 159 23 29

HSL 357.35, 0.75%, 0.36%

LAB 34.13, 53.06, 34.21

 

CMYK 0 / 86 / 86 / 38

HEX #9F1717

RGB 159 23 23

HSL 0, 0.75%, 0.36%

LAB 34.08, 52.9, 37.5

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 10 / 86 / 0 / 38

HEX #8F179F

RGB 143 23 159

HSL 292.94, 0.75%, 0.36%

LAB 35.9, 62.86, -45.65

 

CMYK 33 / 86 / 0 / 38

HEX #6A179F

RGB 106 23 159

HSL 276.62, 0.75%, 0.36%

LAB 29.86, 56.64, -55.72

 

CMYK 56 / 86 / 0 / 38

HEX #46179F

RGB 70 23 159

HSL 260.74, 0.75%, 0.36%

LAB 25.01, 51.9, -63.88

 

CMYK 79 / 86 / 0 / 38

HEX #21179F

RGB 33 23 159

HSL 244.41, 0.75%, 0.36%

LAB 21.72, 48.88, -69.42

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 0 / 95 / 14 / 32

HEX #AE0995

RGB 174 9 149

HSL 309.09, 0.9%, 0.36%

LAB 40.19, 69.29, -32.42

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 0 / 74 / 10 / 44

HEX #902681

RGB 144 38 129

HSL 308.49, 0.58%, 0.36%

LAB 35.79, 53.74, -27.41

 

CMYK 0 / 59 / 9 / 49

HEX #823576

RGB 130 53 118

HSL 309.35, 0.42%, 0.36%

LAB 35.2, 41.77, -21.64

 

CMYK 0 / 41 / 6 / 55

HEX #73446C

RGB 115 68 108

HSL 308.94, 0.26%, 0.36%

LAB 35.72, 26.82, -14.75

 

CMYK 0 / 17 / 3 / 61

HEX #645361

RGB 100 83 97

HSL 310.59, 0.09%, 0.36%

LAB 37.41, 9.76, -5.48

 

CMYK 34 / 86 / 0 / 38

HEX #69179F

RGB 105 23 159

HSL 276.18, 0.75%, 0.36%

LAB 29.71, 56.49, -55.98

 

CMYK 11 / 86 / 0 / 38

HEX #8D179F

RGB 141 23 159

HSL 292.06, 0.75%, 0.36%

LAB 35.55, 62.49, -46.23

 

CMYK 0 / 86 / 11 / 38

HEX #9F178D

RGB 159 23 141

HSL 307.94, 0.75%, 0.36%

LAB 37.67, 63.1, -31.68

 

CMYK 0 / 86 / 34 / 38

HEX #9F1769

RGB 159 23 105

HSL 323.82, 0.75%, 0.36%

LAB 35.99, 58.46, -11.78

 

CMYK 0 / 86 / 57 / 38

HEX #9F1745

RGB 159 23 69

HSL 339.71, 0.75%, 0.36%

LAB 34.83, 55.12, 9.76

 

CMYK 0 / 85 / 13 / 66

HEX #570D4C

RGB 87 13 76

HSL 308.92, 0.74%, 0.2%

LAB 19.37, 39.49, -19.52

 

CMYK 0 / 85 / 12 / 52

HEX #7B126C

RGB 123 18 108

HSL 308.57, 0.74%, 0.28%

LAB 28.71, 51.62, -25.53

 

CMYK 0 / 86 / 13 / 38

HEX #9F178B

RGB 159 23 139

HSL 308.82, 0.75%, 0.36%

LAB 37.57, 62.81, -30.62

 

CMYK 0 / 85 / 13 / 24

HEX #C31DAA

RGB 195 29 170

HSL 309.04, 0.74%, 0.44%

LAB 46.15, 73.28, -35.37

 

CMYK 0 / 81 / 12 / 13

HEX #DF2AC4

RGB 223 42 196

HSL 308.95, 0.74%, 0.52%

LAB 53.31, 79.73, -38.98

 

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

CMYK 0 / 57 / 86 / 38

HEX #9F4517

RGB 159 69 23

HSL 20.29, 0.75%, 0.36%

LAB 40.72, 34.91, 43.37

 

CMYK 86 / 0 / 23 / 38

HEX #179F7B

RGB 23 159 123

HSL 164.12, 0.75%, 0.36%

LAB 58.42, -42.84, 9.25

 

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

CMYK 11 / 0 / 86 / 38

HEX #8D9F17

RGB 141 159 23

HSL 67.94, 0.75%, 0.36%

LAB 62.1, -22.66, 60.9

 

CMYK 86 / 11 / 0 / 38

HEX #178D9F

RGB 23 141 159

HSL 187.94, 0.75%, 0.36%

LAB 53.74, -23.77, -18.23

 

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

CMYK 0 / 57 / 86 / 38

HEX #9F4517

RGB 159 69 23

HSL 20.29, 0.75%, 0.36%

LAB 40.72, 34.91, 43.37

 

CMYK 86 / 0 / 74 / 38

HEX #179F29

RGB 23 159 41

HSL 127.94, 0.75%, 0.36%

LAB 57.21, -56.95, 49.05

 

CMYK 86 / 28 / 0 / 38

HEX #17729F

RGB 23 114 159

HSL 199.85, 0.75%, 0.36%

LAB 45.25, -8.86, -31.37

 

CMYK 0 / 85 / 13 / 38

HEX #9E188A

RGB 158 24 138

HSL 308.96, 0.74%, 0.36%

LAB 37.4, 62.24, -30.27

 

CMYK 0 / 31 / 86 / 38

HEX #9F6D17

RGB 159 109 23

HSL 37.94, 0.75%, 0.36%

LAB 49.94, 12.77, 51.3

 

CMYK 86 / 0 / 74 / 38

HEX #179F29

RGB 23 159 41

HSL 127.94, 0.75%, 0.36%

LAB 57.21, -56.95, 49.05

 

CMYK 86 / 54 / 0 / 38

HEX #17499F

RGB 23 73 159

HSL 217.94, 0.75%, 0.36%

LAB 32.81, 17.45, -51.22

 

Description

Color code: HEX #9E188A | qconv.com Color code: HEX #9E188A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 24 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 24 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 13 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 13% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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