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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E1499 it is the complementary color #61EB66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E1499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E1499 shade: #A31494, #B426A7, #C538BA, #D64ACD and #E75CE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E1499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E1499 shade: #9E1499, #8D0286, #7C0073, #6B0060 and #5A004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E1499 shade: #9E1399, #9E1374, #9E134E, #9E1329 and #9E1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E1499 shade: #9E1399, #7E139E, #58139E, #33139E and #13139E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E1499 shade matches the following richer shades: #9E1399 and #AD05A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E1499 shade: #9E1399, #90228C, #81307F, #733E71 and #654D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E1499 shade: #59139E, #7E139E, #9E139A, #9E1375 and #9E134F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E1499 shade: #550A52, #7A0F76, #9E1399, #C318BD and #E321DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E1499 shade: #9E1499, #9E3413 and #139E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E1499 shade: #9E1499, #9A9E13 and #139A9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E1499 shade: #9E1499, #9E3413, #139E18 and #137E9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E1499 shade: #9E1499, #9E5D13, #139E18 and #13549E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

Complementary color

CMYK 59 / 0 / 57 / 8

HEX #61EB66

RGB 97 235 102

HSL 122.17, 0.78%, 0.65%

LAB 83.4, -63.24, 52.68

 

CMYK 0 / 88 / 9 / 36

HEX #A31494

RGB 163 20 148

HSL 306.29, 0.78%, 0.36%

LAB 38.59, 65.5, -34.46

 

CMYK 0 / 79 / 7 / 29

HEX #B426A7

RGB 180 38 167

HSL 305.49, 0.65%, 0.43%

LAB 44.06, 67.73, -37.06

 

CMYK 0 / 72 / 6 / 23

HEX #C538BA

RGB 197 56 186

HSL 304.68, 0.56%, 0.5%

LAB 49.79, 68.91, -39.02

 

CMYK 0 / 65 / 4 / 16

HEX #D64ACD

RGB 214 74 205

HSL 303.86, 0.63%, 0.56%

LAB 55.69, 69.41, -40.5

 

CMYK 0 / 60 / 3 / 9

HEX #E75CE0

RGB 231 92 224

HSL 303.02, 0.74%, 0.63%

LAB 61.68, 69.45, -41.65

 

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

CMYK 0 / 99 / 5 / 45

HEX #8D0286

RGB 141 2 134

HSL 303.02, 0.97%, 0.28%

LAB 32.76, 61.87, -35.35

 

CMYK 0 / 100 / 7 / 51

HEX #7C0073

RGB 124 0 115

HSL 304.35, 1%, 0.24%

LAB 28.18, 56.22, -30.86

 

CMYK 0 / 100 / 10 / 58

HEX #6B0060

RGB 107 0 96

HSL 306.17, 1%, 0.21%

LAB 23.57, 50.13, -26.04

 

CMYK 0 / 100 / 14 / 65

HEX #5A004D

RGB 90 0 77

HSL 308.67, 1%, 0.18%

LAB 18.84, 43.87, -21

 

CMYK 0 / 88 / 3 / 38

HEX #9E1399

RGB 158 19 153

HSL 302.16, 0.79%, 0.35%

LAB 37.9, 65.46, -38.65

 

CMYK 0 / 88 / 27 / 38

HEX #9E1374

RGB 158 19 116

HSL 318.13, 0.79%, 0.35%

LAB 35.98, 60.34, -18.79

 

CMYK 0 / 88 / 51 / 38

HEX #9E134E

RGB 158 19 78

HSL 334.53, 0.79%, 0.35%

LAB 34.57, 56.42, 3.49

 

CMYK 0 / 88 / 74 / 38

HEX #9E1329

RGB 158 19 41

HSL 350.5, 0.79%, 0.35%

LAB 33.76, 54.1, 26.45

 

CMYK 0 / 88 / 88 / 38

HEX #9E1313

RGB 158 19 19

HSL 0, 0.79%, 0.35%

LAB 33.52, 53.4, 39.02

 

CMYK 0 / 88 / 3 / 38

HEX #9E1399

RGB 158 19 153

HSL 302.16, 0.79%, 0.35%

LAB 37.9, 65.46, -38.65

 

CMYK 20 / 88 / 0 / 38

HEX #7E139E

RGB 126 19 158

HSL 286.19, 0.79%, 0.35%

LAB 32.63, 60.62, -50.46

 

CMYK 44 / 88 / 0 / 38

HEX #58139E

RGB 88 19 158

HSL 269.78, 0.79%, 0.35%

LAB 26.76, 55.06, -60.3

 

CMYK 68 / 88 / 0 / 38

HEX #33139E

RGB 51 19 158

HSL 253.81, 0.79%, 0.35%

LAB 22.44, 51.32, -67.58

 

CMYK 88 / 88 / 0 / 38

HEX #13139E

RGB 19 19 158

HSL 240, 0.79%, 0.35%

LAB 20.33, 49.66, -71.14

 

CMYK 0 / 88 / 3 / 38

HEX #9E1399

RGB 158 19 153

HSL 302.16, 0.79%, 0.35%

LAB 37.9, 65.46, -38.65

 

CMYK 0 / 97 / 3 / 32

HEX #AD05A7

RGB 173 5 167

HSL 302.14, 0.94%, 0.35%

LAB 40.87, 72.06, -42.21

 

CMYK 0 / 88 / 3 / 38

HEX #9E1399

RGB 158 19 153

HSL 302.16, 0.79%, 0.35%

LAB 37.9, 65.46, -38.65

 

CMYK 0 / 76 / 3 / 44

HEX #90228C

RGB 144 34 140

HSL 302.18, 0.62%, 0.35%

LAB 35.92, 56.85, -34.01

 

CMYK 0 / 63 / 2 / 49

HEX #81307F

RGB 129 48 127

HSL 301.48, 0.46%, 0.35%

LAB 34.63, 45.47, -28.17

 

CMYK 0 / 46 / 2 / 55

HEX #733E71

RGB 115 62 113

HSL 302.26, 0.3%, 0.35%

LAB 34.56, 31.3, -19.67

 

CMYK 0 / 24 / 1 / 60

HEX #654D64

RGB 101 77 100

HSL 302.5, 0.13%, 0.35%

LAB 35.97, 14.52, -9.5

 

CMYK 44 / 88 / 0 / 38

HEX #59139E

RGB 89 19 158

HSL 270.22, 0.79%, 0.35%

LAB 26.9, 55.18, -60.06

 

CMYK 20 / 88 / 0 / 38

HEX #7E139E

RGB 126 19 158

HSL 286.19, 0.79%, 0.35%

LAB 32.63, 60.62, -50.46

 

CMYK 0 / 88 / 3 / 38

HEX #9E139A

RGB 158 19 154

HSL 301.73, 0.79%, 0.35%

LAB 37.96, 65.61, -39.17

 

CMYK 0 / 88 / 26 / 38

HEX #9E1375

RGB 158 19 117

HSL 317.7, 0.79%, 0.35%

LAB 36.02, 60.46, -19.35

 

CMYK 0 / 88 / 50 / 38

HEX #9E134F

RGB 158 19 79

HSL 334.1, 0.79%, 0.35%

LAB 34.6, 56.5, 2.89

 

CMYK 0 / 88 / 4 / 67

HEX #550A52

RGB 85 10 82

HSL 302.4, 0.79%, 0.19%

LAB 19.05, 40.89, -24.14

 

CMYK 0 / 88 / 3 / 52

HEX #7A0F76

RGB 122 15 118

HSL 302.24, 0.78%, 0.27%

LAB 28.87, 53.66, -31.69

 

CMYK 0 / 88 / 3 / 38

HEX #9E1399

RGB 158 19 153

HSL 302.16, 0.79%, 0.35%

LAB 37.9, 65.46, -38.65

 

CMYK 0 / 88 / 3 / 24

HEX #C318BD

RGB 195 24 189

HSL 302.11, 0.78%, 0.43%

LAB 46.88, 76.86, -45.4

 

CMYK 0 / 85 / 3 / 11

HEX #E321DC

RGB 227 33 220

HSL 302.16, 0.78%, 0.51%

LAB 54.64, 85.61, -50.56

 

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

CMYK 0 / 67 / 88 / 38

HEX #9E3413

RGB 158 52 19

HSL 14.24, 0.79%, 0.35%

LAB 37.43, 42.55, 42.25

 

CMYK 88 / 0 / 32 / 38

HEX #139E6B

RGB 19 158 107

HSL 157.99, 0.79%, 0.35%

LAB 57.71, -46.61, 17.19

 

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

CMYK 3 / 0 / 88 / 38

HEX #9A9E13

RGB 154 158 19

HSL 61.73, 0.79%, 0.35%

LAB 62.82, -16.54, 62.79

 

CMYK 88 / 3 / 0 / 38

HEX #139A9E

RGB 19 154 158

HSL 181.73, 0.79%, 0.35%

LAB 57.77, -30.86, -11.57

 

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

CMYK 0 / 67 / 88 / 38

HEX #9E3413

RGB 158 52 19

HSL 14.24, 0.79%, 0.35%

LAB 37.43, 42.55, 42.25

 

CMYK 88 / 0 / 85 / 38

HEX #139E18

RGB 19 158 24

HSL 122.16, 0.79%, 0.35%

LAB 56.74, -58.19, 54

 

CMYK 88 / 20 / 0 / 38

HEX #137E9E

RGB 19 126 158

HSL 193.81, 0.79%, 0.35%

LAB 48.92, -16.39, -25.07

 

CMYK 0 / 87 / 3 / 38

HEX #9E1499

RGB 158 20 153

HSL 302.17, 0.78%, 0.35%

LAB 37.97, 65.28, -38.56

 

CMYK 0 / 41 / 88 / 38

HEX #9E5D13

RGB 158 93 19

HSL 31.94, 0.79%, 0.35%

LAB 45.83, 21.32, 49.13

 

CMYK 88 / 0 / 85 / 38

HEX #139E18

RGB 19 158 24

HSL 122.16, 0.79%, 0.35%

LAB 56.74, -58.19, 54

 

CMYK 88 / 47 / 0 / 38

HEX #13549E

RGB 19 84 158

HSL 211.94, 0.79%, 0.35%

LAB 35.88, 9.3, -45.66

 

Description

Color code: HEX #9E1499 | qconv.com Color code: HEX #9E1499 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 20 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 20 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 3 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 3% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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