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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF380 it is the complementary color #620C7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF380 shade: #A2F37B, #B3FF8E, #C4FFA1, #D5FFB4 and #E6FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF380 shade: #9DF380, #8CE16D, #7BCF5A, #6ABD47 and #59AB34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF380 shade: #9DF381, #BCF381, #DBF381, #F3EC81 and #F3CD81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF380 shade: #9DF381, #81F383, #81F3A1, #81F3C0 and #81F3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF380 shade matches the following richer shades: #9DF381 and #98FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF380 shade: #9DF381, #A3E88C, #A8DD97, #AED1A2 and #B3C6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF380 shade: #DCF381, #BDF381, #9FF381, #81F381 and #81F39F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF380 shade: #63EC35, #80EF5B, #9DF381, #BAF6A6 and #D8FACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF380 shade: #9DF380, #81F3EB and #F381CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF380 shade: #9DF380, #819FF3 and #F3819F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF380 shade: #9DF380, #81F3EB, #D481F3 and #F38188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF380 shade: #9DF380, #81D8F3, #D481F3 and #F39B81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

Complementary color

CMYK 23 / 91 / 0 / 50

HEX #620C7F

RGB 98 12 127

HSL 284.87, 0.83%, 0.27%

LAB 24.93, 51.48, -43.98

 

CMYK 33 / 0 / 49 / 5

HEX #A2F37B

RGB 162 243 123

HSL 100.5, 0.83%, 0.72%

LAB 88.55, -45.6, 49.82

 

CMYK 30 / 0 / 44 / 0

HEX #B3FF8E

RGB 179 255 142

HSL 100.35, 1%, 0.78%

LAB 93.04, -42.91, 46.57

 

CMYK 23 / 0 / 37 / 0

HEX #C4FFA1

RGB 196 255 161

HSL 97.66, 1%, 0.82%

LAB 94.24, -34.75, 39.07

 

CMYK 16 / 0 / 29 / 0

HEX #D5FFB4

RGB 213 255 180

HSL 93.6, 1%, 0.85%

LAB 95.56, -26.27, 31.55

 

CMYK 10 / 0 / 22 / 0

HEX #E6FFC7

RGB 230 255 199

HSL 86.79, 1%, 0.89%

LAB 97.01, -17.6, 24.12

 

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

CMYK 38 / 0 / 52 / 12

HEX #8CE16D

RGB 140 225 109

HSL 103.97, 0.66%, 0.65%

LAB 82.13, -46.7, 48.34

 

CMYK 41 / 0 / 57 / 19

HEX #7BCF5A

RGB 123 207 90

HSL 103.08, 0.55%, 0.58%

LAB 75.81, -46.71, 49.47

 

CMYK 44 / 0 / 62 / 26

HEX #6ABD47

RGB 106 189 71

HSL 102.2, 0.47%, 0.51%

LAB 69.41, -46.59, 50.49

 

CMYK 48 / 0 / 70 / 33

HEX #59AB34

RGB 89 171 52

HSL 101.34, 0.53%, 0.44%

LAB 62.93, -46.3, 51.24

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 23 / 0 / 47 / 5

HEX #BCF381

RGB 188 243 129

HSL 88.95, 0.83%, 0.73%

LAB 90.03, -36.01, 49.13

 

CMYK 10 / 0 / 47 / 5

HEX #DBF381

RGB 219 243 129

HSL 72.63, 0.83%, 0.73%

LAB 92.02, -24.57, 52.01

 

CMYK 0 / 3 / 47 / 5

HEX #F3EC81

RGB 243 236 129

HSL 56.32, 0.83%, 0.73%

LAB 91.97, -11.87, 52.36

 

CMYK 0 / 16 / 47 / 5

HEX #F3CD81

RGB 243 205 129

HSL 40, 0.83%, 0.73%

LAB 84.12, 3.82, 42.67

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 47 / 0 / 46 / 5

HEX #81F383

RGB 129 243 131

HSL 121.05, 0.83%, 0.73%

LAB 87.2, -54.53, 44.02

 

CMYK 47 / 0 / 34 / 5

HEX #81F3A1

RGB 129 243 161

HSL 136.84, 0.83%, 0.73%

LAB 87.65, -49.88, 29.75

 

CMYK 47 / 0 / 21 / 5

HEX #81F3C0

RGB 129 243 192

HSL 153.16, 0.83%, 0.73%

LAB 88.24, -44.04, 14.67

 

CMYK 47 / 0 / 8 / 5

HEX #81F3DF

RGB 129 243 223

HSL 169.47, 0.83%, 0.73%

LAB 88.97, -37.25, -0.42

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 40 / 0 / 54 / 0

HEX #98FE75

RGB 152 254 117

HSL 104.67, 0.99%, 0.73%

LAB 91.16, -54.02, 55.6

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 30 / 0 / 40 / 9

HEX #A3E88C

RGB 163 232 140

HSL 105, 0.67%, 0.73%

LAB 85.7, -38.29, 38.02

 

CMYK 24 / 0 / 32 / 13

HEX #A8DD97

RGB 168 221 151

HSL 105.43, 0.51%, 0.73%

LAB 83.06, -29.94, 29.01

 

CMYK 17 / 0 / 22 / 18

HEX #AED1A2

RGB 174 209 162

HSL 104.68, 0.34%, 0.73%

LAB 80.3, -20.31, 19.57

 

CMYK 10 / 0 / 13 / 22

HEX #B3C6AD

RGB 179 198 173

HSL 105.6, 0.18%, 0.73%

LAB 77.87, -11.11, 10.35

 

CMYK 9 / 0 / 47 / 5

HEX #DCF381

RGB 220 243 129

HSL 72.11, 0.83%, 0.73%

LAB 92.09, -24.19, 52.11

 

CMYK 22 / 0 / 47 / 5

HEX #BDF381

RGB 189 243 129

HSL 88.42, 0.83%, 0.73%

LAB 90.09, -35.65, 49.22

 

CMYK 35 / 0 / 47 / 5

HEX #9FF381

RGB 159 243 129

HSL 104.21, 0.83%, 0.73%

LAB 88.47, -45.86, 46.86

 

CMYK 47 / 0 / 47 / 5

HEX #81F381

RGB 129 243 129

HSL 120, 0.83%, 0.73%

LAB 87.17, -54.81, 44.94

 

CMYK 47 / 0 / 35 / 5

HEX #81F39F

RGB 129 243 159

HSL 135.79, 0.83%, 0.73%

LAB 87.62, -50.22, 30.72

 

CMYK 58 / 0 / 78 / 7

HEX #63EC35

RGB 99 236 53

HSL 104.92, 0.83%, 0.57%

LAB 83.39, -67.37, 71.33

 

CMYK 46 / 0 / 62 / 6

HEX #80EF5B

RGB 128 239 91

HSL 105, 0.82%, 0.65%

LAB 85.54, -57.89, 60.17

 

CMYK 35 / 0 / 47 / 5

HEX #9DF381

RGB 157 243 129

HSL 105.26, 0.83%, 0.73%

LAB 88.38, -46.5, 46.71

 

CMYK 24 / 0 / 33 / 4

HEX #BAF6A6

RGB 186 246 166

HSL 105, 0.82%, 0.81%

LAB 91.28, -33.29, 32.56

 

CMYK 14 / 0 / 18 / 2

HEX #D8FACC

RGB 216 250 204

HSL 104.35, 0.82%, 0.89%

LAB 94.88, -19.19, 18.46

 

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

CMYK 47 / 0 / 3 / 5

HEX #81F3EB

RGB 129 243 235

HSL 175.79, 0.83%, 0.73%

LAB 89.28, -34.39, -6.22

 

CMYK 0 / 47 / 16 / 5

HEX #F381CD

RGB 243 129 205

HSL 320, 0.83%, 0.73%

LAB 68.87, 52.93, -19.78

 

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

CMYK 47 / 35 / 0 / 5

HEX #819FF3

RGB 129 159 243

HSL 224.21, 0.83%, 0.73%

LAB 66.47, 11.67, -45.33

 

CMYK 0 / 47 / 35 / 5

HEX #F3819F

RGB 243 129 159

HSL 344.21, 0.83%, 0.73%

LAB 67.47, 46.7, 3.97

 

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

CMYK 47 / 0 / 3 / 5

HEX #81F3EB

RGB 129 243 235

HSL 175.79, 0.83%, 0.73%

LAB 89.28, -34.39, -6.22

 

CMYK 13 / 47 / 0 / 5

HEX #D481F3

RGB 212 129 243

HSL 283.68, 0.83%, 0.73%

LAB 66.65, 50.53, -44.56

 

CMYK 0 / 47 / 44 / 5

HEX #F38188

RGB 243 129 136

HSL 356.32, 0.83%, 0.73%

LAB 66.93, 44.18, 16.17

 

CMYK 35 / 0 / 47 / 5

HEX #9DF380

RGB 157 243 128

HSL 104.87, 0.83%, 0.73%

LAB 88.37, -46.62, 47.17

 

CMYK 47 / 11 / 0 / 5

HEX #81D8F3

RGB 129 216 243

HSL 194.21, 0.83%, 0.73%

LAB 81.97, -19.25, -21.38

 

CMYK 13 / 47 / 0 / 5

HEX #D481F3

RGB 212 129 243

HSL 283.68, 0.83%, 0.73%

LAB 66.65, 50.53, -44.56

 

CMYK 0 / 36 / 47 / 5

HEX #F39B81

RGB 243 155 129

HSL 13.68, 0.83%, 0.73%

LAB 72.28, 30.09, 27.34

 

Description

Color code: HEX #9DF380 | qconv.com Color code: HEX #9DF380 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 243 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 243 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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