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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF4D6 it is the complementary color #620B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF4D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF4D6 shade: #A2F4D1, #B3FFE4, #C4FFF7, #D5FFFF and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF4D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF4D6 shade: #9DF4D6, #8CE2C3, #7BD0B0, #6ABE9D and #59AC8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF4D6 shade: #9EF4D6, #9EF4BF, #9EF4A8, #ABF49E and #C2F49E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF4D6 shade: #9EF4D6, #9EF4ED, #9EE3F4, #9ECCF4 and #9EB5F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF4D6 shade matches the following richer shades: #9EF4D6 and #95FCD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF4D6 shade: #9EF4D6, #A7EBD4, #AFE2D1, #B8DACE and #C1D1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF4D6 shade: #9EF4A8, #9EF4BF, #9EF4D6, #9EF4ED and #9EE4F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF4D6 shade: #54ECB7, #79F0C7, #9EF4D6, #C3F8E6 and #E8FCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF4D6 shade: #9DF4D6, #9EABF4 and #F4B49E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF4D6 shade: #9DF4D6, #D69EF4 and #F4D69E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF4D6 shade: #9DF4D6, #9EABF4, #F49EBC and #F4E79E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF4D6 shade: #9DF4D6, #AB9EF4, #F49EBC and #E7F49E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

Complementary color

CMYK 0 / 89 / 58 / 62

HEX #620B29

RGB 98 11 41

HSL 339.31, 0.8%, 0.21%

LAB 20.03, 38.77, 6.17

 

CMYK 34 / 0 / 14 / 4

HEX #A2F4D1

RGB 162 244 209

HSL 154.39, 0.79%, 0.8%

LAB 90.32, -32.31, 8.99

 

CMYK 30 / 0 / 11 / 0

HEX #B3FFE4

RGB 179 255 228

HSL 158.68, 1%, 0.85%

LAB 94.61, -28.81, 5.46

 

CMYK 23 / 0 / 3 / 0

HEX #C4FFF7

RGB 196 255 247

HSL 171.86, 1%, 0.88%

LAB 95.98, -20.01, -2.23

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

CMYK 38 / 0 / 14 / 11

HEX #8CE2C3

RGB 140 226 195

HSL 158.37, 0.6%, 0.72%

LAB 83.92, -32.89, 7

 

CMYK 41 / 0 / 15 / 18

HEX #7BD0B0

RGB 123 208 176

HSL 157.41, 0.47%, 0.65%

LAB 77.55, -33.1, 7.86

 

CMYK 44 / 0 / 17 / 25

HEX #6ABE9D

RGB 106 190 157

HSL 156.43, 0.39%, 0.58%

LAB 71.09, -33.31, 8.78

 

CMYK 48 / 0 / 20 / 33

HEX #59AC8A

RGB 89 172 138

HSL 155.42, 0.33%, 0.51%

LAB 64.53, -33.49, 9.78

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 35 / 0 / 22 / 4

HEX #9EF4BF

RGB 158 244 191

HSL 143.02, 0.8%, 0.79%

LAB 89.73, -36.95, 17.46

 

CMYK 35 / 0 / 31 / 4

HEX #9EF4A8

RGB 158 244 168

HSL 126.98, 0.8%, 0.79%

LAB 89.3, -40.99, 28.64

 

CMYK 30 / 0 / 35 / 4

HEX #ABF49E

RGB 171 244 158

HSL 110.93, 0.8%, 0.79%

LAB 89.78, -38.49, 34.44

 

CMYK 20 / 0 / 35 / 4

HEX #C2F49E

RGB 194 244 158

HSL 94.88, 0.8%, 0.79%

LAB 91.07, -30.77, 36.38

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 35 / 0 / 3 / 4

HEX #9EF4ED

RGB 158 244 237

HSL 175.12, 0.8%, 0.79%

LAB 90.82, -27.41, -4.87

 

CMYK 35 / 7 / 0 / 4

HEX #9EE3F4

RGB 158 227 244

HSL 191.86, 0.8%, 0.79%

LAB 86.37, -17.42, -15.14

 

CMYK 35 / 16 / 0 / 4

HEX #9ECCF4

RGB 158 204 244

HSL 207.91, 0.8%, 0.79%

LAB 80.17, -5.54, -24.52

 

CMYK 35 / 26 / 0 / 4

HEX #9EB5F4

RGB 158 181 244

HSL 223.95, 0.8%, 0.79%

LAB 74.09, 6.93, -33.85

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 41 / 0 / 14 / 1

HEX #95FCD9

RGB 149 252 217

HSL 159.61, 0.94%, 0.79%

LAB 92.14, -37.85, 7.39

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 29 / 0 / 10 / 8

HEX #A7EBD4

RGB 167 235 212

HSL 159.71, 0.63%, 0.79%

LAB 88.15, -25.99, 4.35

 

CMYK 23 / 0 / 8 / 11

HEX #AFE2D1

RGB 175 226 209

HSL 160, 0.47%, 0.79%

LAB 86.06, -19.8, 2.95

 

CMYK 16 / 0 / 6 / 15

HEX #B8DACE

RGB 184 218 206

HSL 158.82, 0.31%, 0.79%

LAB 84.38, -13.54, 2.15

 

CMYK 8 / 0 / 3 / 18

HEX #C1D1CB

RGB 193 209 203

HSL 157.5, 0.15%, 0.79%

LAB 82.51, -6.53, 1.11

 

CMYK 35 / 0 / 31 / 4

HEX #9EF4A8

RGB 158 244 168

HSL 126.98, 0.8%, 0.79%

LAB 89.3, -40.99, 28.64

 

CMYK 35 / 0 / 22 / 4

HEX #9EF4BF

RGB 158 244 191

HSL 143.02, 0.8%, 0.79%

LAB 89.73, -36.95, 17.46

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 35 / 0 / 3 / 4

HEX #9EF4ED

RGB 158 244 237

HSL 175.12, 0.8%, 0.79%

LAB 90.82, -27.41, -4.87

 

CMYK 35 / 7 / 0 / 4

HEX #9EE4F4

RGB 158 228 244

HSL 191.16, 0.8%, 0.79%

LAB 86.65, -17.92, -14.73

 

CMYK 64 / 0 / 22 / 7

HEX #54ECB7

RGB 84 236 183

HSL 159.08, 0.8%, 0.63%

LAB 84.64, -52.33, 14.06

 

CMYK 50 / 0 / 17 / 6

HEX #79F0C7

RGB 121 240 199

HSL 159.33, 0.8%, 0.71%

LAB 87.25, -43.14, 9.57

 

CMYK 35 / 0 / 12 / 4

HEX #9EF4D6

RGB 158 244 214

HSL 159.07, 0.8%, 0.79%

LAB 90.24, -32.41, 6.26

 

CMYK 21 / 0 / 7 / 3

HEX #C3F8E6

RGB 195 248 230

HSL 159.62, 0.79%, 0.87%

LAB 93.65, -20.31, 3.13

 

CMYK 8 / 0 / 3 / 1

HEX #E8FCF5

RGB 232 252 245

HSL 159, 0.77%, 0.95%

LAB 97.38, -7.79, 1.1

 

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

CMYK 35 / 30 / 0 / 4

HEX #9EABF4

RGB 158 171 244

HSL 230.93, 0.8%, 0.79%

LAB 71.51, 12.5, -37.86

 

CMYK 0 / 26 / 35 / 4

HEX #F4B49E

RGB 244 180 158

HSL 15.35, 0.8%, 0.79%

LAB 78.66, 20.42, 20.35

 

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

CMYK 12 / 35 / 0 / 4

HEX #D69EF4

RGB 214 158 244

HSL 279.07, 0.8%, 0.79%

LAB 73.08, 35.93, -35.06

 

CMYK 0 / 12 / 35 / 4

HEX #F4D69E

RGB 244 214 158

HSL 39.07, 0.8%, 0.79%

LAB 86.9, 2.63, 31.52

 

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

CMYK 35 / 30 / 0 / 4

HEX #9EABF4

RGB 158 171 244

HSL 230.93, 0.8%, 0.79%

LAB 71.51, 12.5, -37.86

 

CMYK 0 / 35 / 23 / 4

HEX #F49EBC

RGB 244 158 188

HSL 339.07, 0.8%, 0.79%

LAB 74.39, 35.96, -2.09

 

CMYK 0 / 5 / 35 / 4

HEX #F4E79E

RGB 244 231 158

HSL 50.93, 0.8%, 0.79%

LAB 91.17, -6.02, 37.17

 

CMYK 36 / 0 / 12 / 4

HEX #9DF4D6

RGB 157 244 214

HSL 159.31, 0.8%, 0.79%

LAB 90.19, -32.68, 6.19

 

CMYK 30 / 35 / 0 / 4

HEX #AB9EF4

RGB 171 158 244

HSL 249.07, 0.8%, 0.79%

LAB 69.21, 23.4, -41.36

 

CMYK 0 / 35 / 23 / 4

HEX #F49EBC

RGB 244 158 188

HSL 339.07, 0.8%, 0.79%

LAB 74.39, 35.96, -2.09

 

CMYK 5 / 0 / 35 / 4

HEX #E7F49E

RGB 231 244 158

HSL 69.07, 0.8%, 0.79%

LAB 93.52, -17.38, 40.05

 

Description

Color code: HEX #9DF4D6 | qconv.com Color code: HEX #9DF4D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 244 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 244 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 12% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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