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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DE392 it is the complementary color #621C6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DE392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DE392 shade: #A2E38D, #B3F5A0, #C4FFB3, #D5FFC6 and #E6FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DE392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DE392 shade: #9DE392, #8CD17F, #7BBF6C, #6AAD59 and #599B46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DE392 shade: #9CE291, #B2E291, #C8E291, #DEE291 and #E2D191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DE392 shade: #9CE291, #91E29C, #91E2B2, #91E2C8 and #91E2DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DE392 shade matches the following richer shades: #9CE291, #94ED86 and #8CF97B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DE392 shade: #9CE291, #A4D79C, #ACCCA7, #B4C1B2 and #BDB6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DE392 shade: #C9E291, #B3E291, #9DE291, #91E29B and #91E2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DE392 shade: #61D14F, #7FDA70, #9CE291, #BAEBB2 and #D7F3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DE392 shade: #9DE392, #91DEE2 and #E291BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DE392 shade: #9DE392, #919DE2 and #E2919D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DE392 shade: #9DE392, #91DEE2, #D691E2 and #E29591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DE392 shade: #9DE392, #91C6E2, #D691E2 and #E2AD91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

Complementary color

CMYK 10 / 74 / 0 / 57

HEX #621C6D

RGB 98 28 109

HSL 291.85, 0.59%, 0.27%

LAB 25.36, 42.79, -31.78

 

CMYK 29 / 0 / 38 / 11

HEX #A2E38D

RGB 162 227 141

HSL 105.35, 0.61%, 0.72%

LAB 84.25, -36.22, 35.61

 

CMYK 27 / 0 / 35 / 4

HEX #B3F5A0

RGB 179 245 160

HSL 106.59, 0.81%, 0.79%

LAB 90.52, -36.04, 34.49

 

CMYK 23 / 0 / 30 / 0

HEX #C4FFB3

RGB 196 255 179

HSL 106.58, 1%, 0.85%

LAB 94.53, -32.18, 30.49

 

CMYK 16 / 0 / 22 / 0

HEX #D5FFC6

RGB 213 255 198

HSL 104.21, 1%, 0.89%

LAB 95.89, -23.57, 22.9

 

CMYK 10 / 0 / 15 / 0

HEX #E6FFD9

RGB 230 255 217

HSL 99.47, 1%, 0.93%

LAB 97.37, -14.78, 15.45

 

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

CMYK 33 / 0 / 39 / 18

HEX #8CD17F

RGB 140 209 127

HSL 110.49, 0.47%, 0.66%

LAB 77.7, -37.35, 33.95

 

CMYK 36 / 0 / 43 / 25

HEX #7BBF6C

RGB 123 191 108

HSL 109.16, 0.39%, 0.59%

LAB 71.25, -37.53, 35.16

 

CMYK 39 / 0 / 49 / 32

HEX #6AAD59

RGB 106 173 89

HSL 107.86, 0.34%, 0.51%

LAB 64.7, -37.68, 36.41

 

CMYK 43 / 0 / 55 / 39

HEX #599B46

RGB 89 155 70

HSL 106.59, 0.38%, 0.44%

LAB 58.05, -37.74, 37.67

 

CMYK 31 / 0 / 36 / 11

HEX #9CE291

RGB 156 226 145

HSL 111.85, 0.58%, 0.73%

LAB 83.71, -37.16, 32.82

 

CMYK 21 / 0 / 36 / 11

HEX #B2E291

RGB 178 226 145

HSL 95.56, 0.58%, 0.73%

LAB 84.95, -29.7, 34.68

 

CMYK 12 / 0 / 36 / 11

HEX #C8E291

RGB 200 226 145

HSL 79.26, 0.58%, 0.73%

LAB 86.36, -21.74, 36.81

 

CMYK 2 / 0 / 36 / 11

HEX #DEE291

RGB 222 226 145

HSL 62.96, 0.58%, 0.73%

LAB 87.95, -13.44, 39.18

 

CMYK 0 / 8 / 36 / 11

HEX #E2D191

RGB 226 209 145

HSL 47.41, 0.58%, 0.73%

LAB 83.87, -3.28, 33.92

 

CMYK 31 / 0 / 36 / 11

HEX #9CE291

RGB 156 226 145

HSL 111.85, 0.58%, 0.73%

LAB 83.71, -37.16, 32.82

 

CMYK 36 / 0 / 31 / 11

HEX #91E29C

RGB 145 226 156

HSL 128.15, 0.58%, 0.73%

LAB 83.34, -38.87, 26.61

 

CMYK 36 / 0 / 21 / 11

HEX #91E2B2

RGB 145 226 178

HSL 144.44, 0.58%, 0.73%

LAB 83.77, -34.91, 15.76

 

CMYK 36 / 0 / 12 / 11

HEX #91E2C8

RGB 145 226 200

HSL 160.74, 0.58%, 0.73%

LAB 84.27, -30.46, 4.9

 

CMYK 36 / 0 / 2 / 11

HEX #91E2DE

RGB 145 226 222

HSL 177.04, 0.58%, 0.73%

LAB 84.84, -25.55, -5.89

 

CMYK 31 / 0 / 36 / 11

HEX #9CE291

RGB 156 226 145

HSL 111.85, 0.58%, 0.73%

LAB 83.71, -37.16, 32.82

 

CMYK 38 / 0 / 43 / 7

HEX #94ED86

RGB 148 237 134

HSL 111.84, 0.74%, 0.73%

LAB 86.3, -46.12, 41.59

 

CMYK 44 / 0 / 51 / 2

HEX #8CF97B

RGB 140 249 123

HSL 111.9, 0.91%, 0.73%

LAB 89.28, -54.88, 50.48

 

CMYK 31 / 0 / 36 / 11

HEX #9CE291

RGB 156 226 145

HSL 111.85, 0.58%, 0.73%

LAB 83.71, -37.16, 32.82

 

CMYK 24 / 0 / 27 / 16

HEX #A4D79C

RGB 164 215 156

HSL 111.86, 0.42%, 0.73%

LAB 81.23, -27.65, 23.91

 

CMYK 16 / 0 / 18 / 20

HEX #ACCCA7

RGB 172 204 167

HSL 111.89, 0.27%, 0.73%

LAB 78.89, -17.66, 14.94

 

CMYK 7 / 0 / 8 / 24

HEX #B4C1B2

RGB 180 193 178

HSL 112, 0.11%, 0.73%

LAB 76.71, -7.27, 6.01

 

CMYK 1 / 4 / 0 / 25

HEX #BDB6BE

RGB 189 182 190

HSL 292.5, 0.06%, 0.73%

LAB 74.82, 3.95, -3.18

 

CMYK 11 / 0 / 36 / 11

HEX #C9E291

RGB 201 226 145

HSL 78.52, 0.58%, 0.73%

LAB 86.43, -21.37, 36.91

 

CMYK 21 / 0 / 36 / 11

HEX #B3E291

RGB 179 226 145

HSL 94.81, 0.58%, 0.73%

LAB 85.01, -29.35, 34.78

 

CMYK 31 / 0 / 36 / 11

HEX #9DE291

RGB 157 226 145

HSL 111.11, 0.58%, 0.73%

LAB 83.76, -36.83, 32.9

 

CMYK 36 / 0 / 31 / 11

HEX #91E29B

RGB 145 226 155

HSL 127.41, 0.58%, 0.73%

LAB 83.33, -39.04, 27.1

 

CMYK 36 / 0 / 22 / 11

HEX #91E2B0

RGB 145 226 176

HSL 142.96, 0.58%, 0.73%

LAB 83.73, -35.3, 16.75

 

CMYK 54 / 0 / 62 / 18

HEX #61D14F

RGB 97 209 79

HSL 111.69, 0.59%, 0.56%

LAB 75.27, -56.25, 53.47

 

CMYK 42 / 0 / 49 / 15

HEX #7FDA70

RGB 127 218 112

HSL 111.51, 0.59%, 0.65%

LAB 79.51, -47.44, 43.59

 

CMYK 31 / 0 / 36 / 11

HEX #9CE291

RGB 156 226 145

HSL 111.85, 0.58%, 0.73%

LAB 83.71, -37.16, 32.82

 

CMYK 21 / 0 / 24 / 8

HEX #BAEBB2

RGB 186 235 178

HSL 111.58, 0.59%, 0.81%

LAB 88.48, -26.27, 22.65

 

CMYK 12 / 0 / 13 / 5

HEX #D7F3D3

RGB 215 243 211

HSL 112.5, 0.57%, 0.89%

LAB 93.12, -14.92, 12.37

 

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

CMYK 36 / 2 / 0 / 11

HEX #91DEE2

RGB 145 222 226

HSL 182.96, 0.58%, 0.73%

LAB 83.84, -22.64, -9.49

 

CMYK 0 / 36 / 16 / 11

HEX #E291BE

RGB 226 145 190

HSL 326.67, 0.58%, 0.73%

LAB 69.57, 36.9, -10.57

 

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

CMYK 36 / 31 / 0 / 11

HEX #919DE2

RGB 145 157 226

HSL 231.11, 0.58%, 0.73%

LAB 66.23, 12.15, -36.29

 

CMYK 0 / 36 / 31 / 11

HEX #E2919D

RGB 226 145 157

HSL 351.11, 0.58%, 0.73%

LAB 68.65, 32.14, 6.51

 

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

CMYK 36 / 2 / 0 / 11

HEX #91DEE2

RGB 145 222 226

HSL 182.96, 0.58%, 0.73%

LAB 83.84, -22.64, -9.49

 

CMYK 5 / 36 / 0 / 11

HEX #D691E2

RGB 214 145 226

HSL 291.11, 0.58%, 0.73%

LAB 69.5, 39.33, -30.75

 

CMYK 0 / 34 / 36 / 11

HEX #E29591

RGB 226 149 145

HSL 2.96, 0.58%, 0.73%

LAB 69.26, 28.51, 14.08

 

CMYK 31 / 0 / 36 / 11

HEX #9DE392

RGB 157 227 146

HSL 111.85, 0.59%, 0.73%

LAB 84.06, -37.14, 32.79

 

CMYK 36 / 12 / 0 / 11

HEX #91C6E2

RGB 145 198 226

HSL 200.74, 0.58%, 0.73%

LAB 77.22, -10.39, -19.42

 

CMYK 5 / 36 / 0 / 11

HEX #D691E2

RGB 214 145 226

HSL 291.11, 0.58%, 0.73%

LAB 69.5, 39.33, -30.75

 

CMYK 0 / 23 / 36 / 11

HEX #E2AD91

RGB 226 173 145

HSL 20.74, 0.58%, 0.73%

LAB 74.89, 15.65, 21.87

 

Description

Color code: HEX #9DE392 | qconv.com Color code: HEX #9DE392 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 227 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 227 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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