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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DE367 it is the complementary color #621C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DE367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DE367 shade: #A2E362, #B3F575, #C4FF88, #D5FF9B and #E6FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DE367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DE367 shade: #9DE367, #8CD154, #7BBF41, #6AAD2E and #599B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DE367 shade: #9DE368, #BFE368, #E0E368, #E3C568 and #E3A468

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DE367 shade: #9DE368, #7CE368, #68E374, #68E396 and #68E3B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DE367 shade matches the following richer shades: #9DE368 and #9BF159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DE367 shade: #9DE368, #9FD476, #A1C685, #A3B893 and #A5A9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DE367 shade: #E1E368, #C0E368, #9FE368, #7EE368 and #68E372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DE367 shade: #71D226, #87DC45, #9DE368, #B4E98B and #CAF0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DE367 shade: #9DE367, #68E3C4 and #E368D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DE367 shade: #9DE367, #689FE3 and #E3689F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DE367 shade: #9DE367, #68E3C4, #AB68E3 and #E36886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DE367 shade: #9DE367, #68DDE3, #AB68E3 and #E36E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

Complementary color

CMYK 36 / 82 / 0 / 40

HEX #621C98

RGB 98 28 152

HSL 273.87, 0.69%, 0.35%

LAB 28.63, 52.18, -53.51

 

CMYK 29 / 0 / 57 / 11

HEX #A2E362

RGB 162 227 98

HSL 90.23, 0.7%, 0.64%

LAB 83.71, -41.3, 55.51

 

CMYK 27 / 0 / 52 / 4

HEX #B3F575

RGB 179 245 117

HSL 90.94, 0.86%, 0.71%

LAB 89.94, -41.36, 54.48

 

CMYK 23 / 0 / 47 / 0

HEX #C4FF88

RGB 196 255 136

HSL 89.75, 1%, 0.77%

LAB 93.9, -37.82, 50.69

 

CMYK 16 / 0 / 39 / 0

HEX #D5FF9B

RGB 213 255 155

HSL 85.2, 1%, 0.8%

LAB 95.17, -29.57, 43.42

 

CMYK 10 / 0 / 32 / 0

HEX #E6FFAE

RGB 230 255 174

HSL 78.52, 1%, 0.84%

LAB 96.57, -21.08, 36.1

 

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

CMYK 33 / 0 / 60 / 18

HEX #8CD154

RGB 140 209 84

HSL 93.12, 0.58%, 0.57%

LAB 77.17, -42.48, 53.94

 

CMYK 36 / 0 / 66 / 25

HEX #7BBF41

RGB 123 191 65

HSL 92.38, 0.5%, 0.5%

LAB 70.77, -42.3, 54.75

 

CMYK 39 / 0 / 73 / 32

HEX #6AAD2E

RGB 106 173 46

HSL 91.65, 0.58%, 0.43%

LAB 64.28, -41.95, 55.15

 

CMYK 43 / 0 / 83 / 39

HEX #599B1B

RGB 89 155 27

HSL 90.94, 0.7%, 0.36%

LAB 57.7, -41.37, 54.78

 

CMYK 31 / 0 / 54 / 11

HEX #9DE368

RGB 157 227 104

HSL 94.15, 0.69%, 0.65%

LAB 83.5, -42.46, 52.5

 

CMYK 16 / 0 / 54 / 11

HEX #BFE368

RGB 191 227 104

HSL 77.56, 0.69%, 0.65%

LAB 85.51, -30.05, 55.36

 

CMYK 1 / 0 / 54 / 11

HEX #E0E368

RGB 224 227 104

HSL 61.46, 0.69%, 0.65%

LAB 87.86, -17.09, 58.68

 

CMYK 0 / 13 / 54 / 11

HEX #E3C568

RGB 227 197 104

HSL 45.37, 0.69%, 0.65%

LAB 80.33, -0.72, 49.99

 

CMYK 0 / 28 / 54 / 11

HEX #E3A468

RGB 227 164 104

HSL 29.27, 0.69%, 0.65%

LAB 72.15, 16.7, 40.09

 

CMYK 31 / 0 / 54 / 11

HEX #9DE368

RGB 157 227 104

HSL 94.15, 0.69%, 0.65%

LAB 83.5, -42.46, 52.5

 

CMYK 45 / 0 / 54 / 11

HEX #7CE368

RGB 124 227 104

HSL 110.24, 0.69%, 0.65%

LAB 81.96, -52.99, 50.3

 

CMYK 54 / 0 / 49 / 11

HEX #68E374

RGB 104 227 116

HSL 125.85, 0.69%, 0.65%

LAB 81.37, -56.83, 43.76

 

CMYK 54 / 0 / 34 / 11

HEX #68E396

RGB 104 227 150

HSL 142.44, 0.69%, 0.65%

LAB 81.88, -51.38, 27.45

 

CMYK 54 / 0 / 19 / 11

HEX #68E3B7

RGB 104 227 183

HSL 158.54, 0.69%, 0.65%

LAB 82.54, -44.73, 11.16

 

CMYK 31 / 0 / 54 / 11

HEX #9DE368

RGB 157 227 104

HSL 94.15, 0.69%, 0.65%

LAB 83.5, -42.46, 52.5

 

CMYK 36 / 0 / 63 / 5

HEX #9BF159

RGB 155 241 89

HSL 93.95, 0.84%, 0.65%

LAB 87.29, -50.46, 63.25

 

CMYK 31 / 0 / 54 / 11

HEX #9DE368

RGB 157 227 104

HSL 94.15, 0.69%, 0.65%

LAB 83.5, -42.46, 52.5

 

CMYK 25 / 0 / 44 / 17

HEX #9FD476

RGB 159 212 118

HSL 93.83, 0.52%, 0.65%

LAB 79.48, -33.42, 40.96

 

CMYK 19 / 0 / 33 / 22

HEX #A1C685

RGB 161 198 133

HSL 94.15, 0.36%, 0.65%

LAB 75.86, -24, 28.65

 

CMYK 11 / 0 / 20 / 28

HEX #A3B893

RGB 163 184 147

HSL 94.05, 0.21%, 0.65%

LAB 72.34, -14.04, 16.43

 

CMYK 2 / 0 / 5 / 34

HEX #A5A9A1

RGB 165 169 161

HSL 90, 0.04%, 0.65%

LAB 68.71, -2.92, 3.62

 

CMYK 1 / 0 / 54 / 11

HEX #E1E368

RGB 225 227 104

HSL 60.98, 0.69%, 0.65%

LAB 87.94, -16.69, 58.79

 

CMYK 15 / 0 / 54 / 11

HEX #C0E368

RGB 192 227 104

HSL 77.07, 0.69%, 0.65%

LAB 85.58, -29.66, 55.45

 

CMYK 30 / 0 / 54 / 11

HEX #9FE368

RGB 159 227 104

HSL 93.17, 0.69%, 0.65%

LAB 83.6, -41.76, 52.65

 

CMYK 44 / 0 / 54 / 11

HEX #7EE368

RGB 126 227 104

HSL 109.27, 0.69%, 0.65%

LAB 82.04, -52.41, 50.42

 

CMYK 54 / 0 / 50 / 11

HEX #68E372

RGB 104 227 114

HSL 124.88, 0.69%, 0.65%

LAB 81.34, -57.1, 44.69

 

CMYK 46 / 0 / 82 / 18

HEX #71D226

RGB 113 210 38

HSL 93.84, 0.69%, 0.49%

LAB 75.91, -54.96, 68.71

 

CMYK 39 / 0 / 69 / 14

HEX #87DC45

RGB 135 220 69

HSL 93.77, 0.68%, 0.57%

LAB 80.05, -50.04, 63.1

 

CMYK 31 / 0 / 54 / 11

HEX #9DE368

RGB 157 227 104

HSL 94.15, 0.69%, 0.65%

LAB 83.5, -42.46, 52.5

 

CMYK 23 / 0 / 40 / 9

HEX #B4E98B

RGB 180 233 139

HSL 93.83, 0.68%, 0.73%

LAB 86.92, -33.06, 40.27

 

CMYK 16 / 0 / 28 / 6

HEX #CAF0AD

RGB 202 240 173

HSL 94.03, 0.69%, 0.81%

LAB 90.73, -23.96, 28.45

 

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

CMYK 54 / 0 / 14 / 11

HEX #68E3C4

RGB 104 227 196

HSL 164.88, 0.69%, 0.65%

LAB 82.84, -41.79, 4.74

 

CMYK 0 / 54 / 8 / 11

HEX #E368D0

RGB 227 104 208

HSL 309.27, 0.69%, 0.65%

LAB 62.33, 60.6, -31.69

 

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

CMYK 54 / 30 / 0 / 11

HEX #689FE3

RGB 104 159 227

HSL 213.17, 0.69%, 0.65%

LAB 64.39, 1.22, -39.9

 

CMYK 0 / 54 / 30 / 11

HEX #E3689F

RGB 227 104 159

HSL 333.17, 0.69%, 0.65%

LAB 60.55, 53.56, -6.43

 

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

CMYK 54 / 0 / 14 / 11

HEX #68E3C4

RGB 104 227 196

HSL 164.88, 0.69%, 0.65%

LAB 82.84, -41.79, 4.74

 

CMYK 25 / 54 / 0 / 11

HEX #AB68E3

RGB 171 104 227

HSL 272.68, 0.69%, 0.65%

LAB 56.19, 49.28, -52.51

 

CMYK 0 / 54 / 41 / 11

HEX #E36886

RGB 227 104 134

HSL 345.37, 0.69%, 0.65%

LAB 59.85, 50.66, 7.02

 

CMYK 31 / 0 / 55 / 11

HEX #9DE367

RGB 157 227 103

HSL 93.87, 0.69%, 0.65%

LAB 83.49, -42.56, 52.94

 

CMYK 54 / 3 / 0 / 11

HEX #68DDE3

RGB 104 221 227

HSL 182.93, 0.69%, 0.65%

LAB 81.95, -31.25, -13.01

 

CMYK 25 / 54 / 0 / 11

HEX #AB68E3

RGB 171 104 227

HSL 272.68, 0.69%, 0.65%

LAB 56.19, 49.28, -52.51

 

CMYK 0 / 52 / 54 / 11

HEX #E36E68

RGB 227 110 104

HSL 2.93, 0.69%, 0.65%

LAB 60.32, 44.95, 24.96

 

Description

Color code: HEX #9DE367 | qconv.com Color code: HEX #9DE367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 227 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 227 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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