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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DE777 it is the complementary color #621888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DE777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DE777 shade: #A2E772, #B3F985, #C4FF98, #D5FFAB and #E6FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DE777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DE777 shade: #9DE777, #8CD564, #7BC351, #6AB13E and #599F2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DE777 shade: #9EE778, #BCE778, #D9E778, #E7D678 and #E7B978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DE777 shade: #9EE778, #80E778, #78E78E, #78E7AC and #78E7CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DE777 shade matches the following richer shades: #9EE778 and #9AF46B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DE777 shade: #9EE778, #A2DA85, #A6CD92, #AAC09E and #AEB4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DE777 shade: #DAE778, #BCE778, #9FE778, #81E778 and #78E78C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DE777 shade: #6BDA32, #84E155, #9EE778, #B7ED9B and #D0F3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DE777 shade: #9DE777, #78E7D6 and #E778CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DE777 shade: #9DE777, #789FE7 and #E7789F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DE777 shade: #9DE777, #78E7D6, #C078E7 and #E77889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DE777 shade: #9DE777, #78D6E7, #C078E7 and #E78978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

Complementary color

CMYK 28 / 82 / 0 / 47

HEX #621888

RGB 98 24 136

HSL 279.64, 0.7%, 0.31%

LAB 26.81, 49.98, -46.57

 

CMYK 30 / 0 / 51 / 9

HEX #A2E772

RGB 162 231 114

HSL 95.38, 0.71%, 0.68%

LAB 85.02, -41.42, 49.75

 

CMYK 28 / 0 / 47 / 2

HEX #B3F985

RGB 179 249 133

HSL 96.21, 0.91%, 0.75%

LAB 91.25, -41.37, 48.62

 

CMYK 23 / 0 / 40 / 0

HEX #C4FF98

RGB 196 255 152

HSL 94.37, 1%, 0.8%

LAB 94.11, -35.92, 43.3

 

CMYK 16 / 0 / 33 / 0

HEX #D5FFAB

RGB 213 255 171

HSL 90, 1%, 0.84%

LAB 95.42, -27.52, 35.85

 

CMYK 10 / 0 / 25 / 0

HEX #E6FFBE

RGB 230 255 190

HSL 83.08, 1%, 0.87%

LAB 96.85, -18.91, 28.44

 

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

CMYK 34 / 0 / 53 / 16

HEX #8CD564

RGB 140 213 100

HSL 98.76, 0.57%, 0.61%

LAB 78.51, -42.59, 48.23

 

CMYK 37 / 0 / 58 / 24

HEX #7BC351

RGB 123 195 81

HSL 97.89, 0.49%, 0.54%

LAB 72.12, -42.56, 49.31

 

CMYK 40 / 0 / 65 / 31

HEX #6AB13E

RGB 106 177 62

HSL 97.04, 0.48%, 0.47%

LAB 65.64, -42.42, 50.22

 

CMYK 44 / 0 / 73 / 38

HEX #599F2B

RGB 89 159 43

HSL 96.21, 0.57%, 0.4%

LAB 59.06, -42.08, 50.77

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 6 / 0 / 48 / 9

HEX #D9E778

RGB 217 231 120

HSL 67.57, 0.7%, 0.69%

LAB 88.57, -20.44, 52.04

 

CMYK 0 / 7 / 48 / 9

HEX #E7D678

RGB 231 214 120

HSL 50.81, 0.7%, 0.69%

LAB 85.22, -6.44, 48.23

 

CMYK 0 / 20 / 48 / 9

HEX #E7B978

RGB 231 185 120

HSL 35.14, 0.7%, 0.69%

LAB 77.9, 8.59, 39.14

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 45 / 0 / 48 / 9

HEX #80E778

RGB 128 231 120

HSL 115.68, 0.7%, 0.69%

LAB 83.49, -51.47, 44.67

 

CMYK 48 / 0 / 39 / 9

HEX #78E78E

RGB 120 231 142

HSL 131.89, 0.7%, 0.69%

LAB 83.49, -50.44, 33.76

 

CMYK 48 / 0 / 26 / 9

HEX #78E7AC

RGB 120 231 172

HSL 148.11, 0.7%, 0.69%

LAB 84.03, -45.06, 19.1

 

CMYK 48 / 0 / 13 / 9

HEX #78E7CA

RGB 120 231 202

HSL 164.32, 0.7%, 0.69%

LAB 84.69, -38.69, 4.33

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 37 / 0 / 56 / 4

HEX #9AF46B

RGB 154 244 107

HSL 99.42, 0.86%, 0.69%

LAB 88.27, -50.36, 56.69

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 26 / 0 / 39 / 15

HEX #A2DA85

RGB 162 218 133

HSL 99.53, 0.53%, 0.69%

LAB 81.58, -33.19, 36.17

 

CMYK 19 / 0 / 29 / 20

HEX #A6CD92

RGB 166 205 146

HSL 99.66, 0.37%, 0.69%

LAB 78.37, -23.69, 25.27

 

CMYK 11 / 0 / 18 / 25

HEX #AAC09E

RGB 170 192 158

HSL 98.82, 0.21%, 0.69%

LAB 75.27, -13.8, 14.66

 

CMYK 3 / 0 / 5 / 29

HEX #AEB4AB

RGB 174 180 171

HSL 100, 0.06%, 0.69%

LAB 72.62, -3.78, 3.85

 

CMYK 6 / 0 / 48 / 9

HEX #DAE778

RGB 218 231 120

HSL 67.03, 0.7%, 0.69%

LAB 88.64, -20.05, 52.14

 

CMYK 19 / 0 / 48 / 9

HEX #BCE778

RGB 188 231 120

HSL 83.24, 0.7%, 0.69%

LAB 86.6, -31.47, 49.19

 

CMYK 31 / 0 / 48 / 9

HEX #9FE778

RGB 159 231 120

HSL 98.92, 0.7%, 0.69%

LAB 84.93, -41.75, 46.77

 

CMYK 44 / 0 / 48 / 9

HEX #81E778

RGB 129 231 120

HSL 115.14, 0.7%, 0.69%

LAB 83.53, -51.18, 44.73

 

CMYK 48 / 0 / 39 / 9

HEX #78E78C

RGB 120 231 140

HSL 130.81, 0.7%, 0.69%

LAB 83.46, -50.76, 34.73

 

CMYK 51 / 0 / 77 / 15

HEX #6BDA32

RGB 107 218 50

HSL 99.64, 0.69%, 0.53%

LAB 78.17, -59.12, 67.35

 

CMYK 41 / 0 / 62 / 12

HEX #84E155

RGB 132 225 85

HSL 99.86, 0.7%, 0.61%

LAB 81.52, -51.73, 58.26

 

CMYK 32 / 0 / 48 / 9

HEX #9EE778

RGB 158 231 120

HSL 99.46, 0.7%, 0.69%

LAB 84.88, -42.09, 46.7

 

CMYK 23 / 0 / 35 / 7

HEX #B7ED9B

RGB 183 237 155

HSL 99.51, 0.69%, 0.77%

LAB 88.45, -31.72, 34.31

 

CMYK 14 / 0 / 22 / 5

HEX #D0F3BE

RGB 208 243 190

HSL 99.62, 0.69%, 0.85%

LAB 92.23, -20.75, 21.88

 

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

CMYK 48 / 0 / 7 / 9

HEX #78E7D6

RGB 120 231 214

HSL 170.81, 0.7%, 0.69%

LAB 85, -35.89, -1.55

 

CMYK 0 / 48 / 12 / 9

HEX #E778CB

RGB 231 120 203

HSL 315.14, 0.7%, 0.69%

LAB 65.54, 53.37, -23.88

 

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

CMYK 48 / 31 / 0 / 9

HEX #789FE7

RGB 120 159 231

HSL 218.92, 0.7%, 0.69%

LAB 65.4, 6.02, -40.46

 

CMYK 0 / 48 / 31 / 9

HEX #E7789F

RGB 231 120 159

HSL 338.92, 0.7%, 0.69%

LAB 64.1, 47.1, -1.13

 

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

CMYK 48 / 0 / 7 / 9

HEX #78E7D6

RGB 120 231 214

HSL 170.81, 0.7%, 0.69%

LAB 85, -35.89, -1.55

 

CMYK 17 / 48 / 0 / 9

HEX #C078E7

RGB 192 120 231

HSL 278.92, 0.7%, 0.69%

LAB 62.01, 47.24, -45.38

 

CMYK 0 / 48 / 41 / 9

HEX #E77889

RGB 231 120 137

HSL 350.81, 0.7%, 0.69%

LAB 63.53, 44.53, 10.61

 

CMYK 32 / 0 / 48 / 9

HEX #9DE777

RGB 157 231 119

HSL 99.64, 0.7%, 0.69%

LAB 84.82, -42.54, 47.08

 

CMYK 48 / 7 / 0 / 9

HEX #78D6E7

RGB 120 214 231

HSL 189.19, 0.7%, 0.69%

LAB 80.66, -23.45, -17.02

 

CMYK 17 / 48 / 0 / 9

HEX #C078E7

RGB 192 120 231

HSL 278.92, 0.7%, 0.69%

LAB 62.01, 47.24, -45.38

 

CMYK 0 / 41 / 48 / 9

HEX #E78978

RGB 231 137 120

HSL 9.19, 0.7%, 0.69%

LAB 66.7, 34.07, 24.56

 

Description

Color code: HEX #9DE777 | qconv.com Color code: HEX #9DE777 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 231 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 231 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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