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Color name
HEX #9DAC52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DAC52 it is the complementary color #6253AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DAC52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DAC52 shade: #A2AC4D, #B3BE60, #C4D073, #D5E286 and #E6F499

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DAC52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DAC52 shade: #9DAC52, #8C9A3F, #7B882C, #6A7619 and #596406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DAC52 shade: #9DAC52, #ACA252, #AC8A52, #AC7252 and #AC5A52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DAC52 shade: #9DAC52, #85AC52, #6DAC52, #55AC52 and #52AC68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DAC52 shade matches the following richer shades: #9DAC52, #ABC03E, #B8D529, #C6EA14 and #D4FE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DAC52 shade: #9DAC52, #8F9767, #81827C, #736E90 and #6659A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DAC52 shade: #AC8B52, #ACA352, #9DAC52, #85AC52 and #6DAC52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DAC52 shade: #6A7438, #839045, #9DAC52, #ADB96E and #BCC68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DAC52 shade: #9DAC52, #52AC73 and #9752AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DAC52 shade: #9DAC52, #529DAC and #AC529D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DAC52 shade: #9DAC52, #52AC73, #6152AC and #AC528B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DAC52 shade: #9DAC52, #52AC8E, #6152AC and #AC5270

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

Complementary color

CMYK 43 / 52 / 0 / 32

HEX #6253AD

RGB 98 83 173

HSL 250, 0.35%, 0.5%

LAB 40.9, 28.94, -46.31

 

CMYK 6 / 0 / 55 / 33

HEX #A2AC4D

RGB 162 172 77

HSL 66.32, 0.38%, 0.49%

LAB 67.82, -17.13, 46.87

 

CMYK 6 / 0 / 49 / 25

HEX #B3BE60

RGB 179 190 96

HSL 67.02, 0.42%, 0.56%

LAB 74.35, -17.54, 45.76

 

CMYK 6 / 0 / 45 / 18

HEX #C4D073

RGB 196 208 115

HSL 67.74, 0.5%, 0.63%

LAB 80.79, -17.86, 44.6

 

CMYK 6 / 0 / 41 / 11

HEX #D5E286

RGB 213 226 134

HSL 68.48, 0.61%, 0.71%

LAB 87.12, -18.12, 43.44

 

CMYK 6 / 0 / 37 / 4

HEX #E6F499

RGB 230 244 153

HSL 69.23, 0.81%, 0.78%

LAB 93.37, -18.33, 42.31

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 9 / 0 / 59 / 40

HEX #8C9A3F

RGB 140 154 63

HSL 69.23, 0.42%, 0.43%

LAB 60.82, -18.35, 45.06

 

CMYK 10 / 0 / 68 / 47

HEX #7B882C

RGB 123 136 44

HSL 68.48, 0.51%, 0.35%

LAB 54.03, -17.79, 45.87

 

CMYK 10 / 0 / 79 / 54

HEX #6A7619

RGB 106 118 25

HSL 67.74, 0.65%, 0.28%

LAB 47.09, -17.03, 46.04

 

CMYK 11 / 0 / 94 / 61

HEX #596406

RGB 89 100 6

HSL 67.02, 0.89%, 0.21%

LAB 40, -15.96, 44.81

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 0 / 6 / 52 / 33

HEX #ACA252

RGB 172 162 82

HSL 53.33, 0.35%, 0.5%

LAB 65.92, -7.25, 42.45

 

CMYK 0 / 20 / 52 / 33

HEX #AC8A52

RGB 172 138 82

HSL 37.33, 0.35%, 0.5%

LAB 59.49, 5.83, 34.67

 

CMYK 0 / 34 / 52 / 33

HEX #AC7252

RGB 172 114 82

HSL 21.33, 0.35%, 0.5%

LAB 53.4, 19.3, 27.01

 

CMYK 0 / 48 / 52 / 33

HEX #AC5A52

RGB 172 90 82

HSL 5.33, 0.35%, 0.5%

LAB 47.87, 32.59, 19.78

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 23 / 0 / 52 / 33

HEX #85AC52

RGB 133 172 82

HSL 86, 0.35%, 0.5%

LAB 65.83, -28.34, 41.62

 

CMYK 37 / 0 / 52 / 33

HEX #6DAC52

RGB 109 172 82

HSL 102, 0.35%, 0.5%

LAB 64.46, -37.11, 39.65

 

CMYK 51 / 0 / 52 / 33

HEX #55AC52

RGB 85 172 82

HSL 118, 0.35%, 0.5%

LAB 63.38, -44.65, 38.1

 

CMYK 52 / 0 / 40 / 33

HEX #52AC68

RGB 82 172 104

HSL 134.67, 0.35%, 0.5%

LAB 63.59, -42.08, 26.97

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 11 / 0 / 68 / 25

HEX #ABC03E

RGB 171 192 62

HSL 69.69, 0.51%, 0.5%

LAB 74, -24.46, 60.23

 

CMYK 14 / 0 / 81 / 16

HEX #B8D529

RGB 184 213 41

HSL 70.12, 0.68%, 0.5%

LAB 80.7, -30.15, 73.69

 

CMYK 15 / 0 / 91 / 8

HEX #C6EA14

RGB 198 234 20

HSL 70.09, 0.84%, 0.5%

LAB 87.44, -34.73, 83.63

 

CMYK 17 / 0 / 100 / 0

HEX #D4FE00

RGB 212 254 0

HSL 69.92, 1%, 0.5%

LAB 93.83, -38.4, 90.67

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 5 / 0 / 32 / 41

HEX #8F9767

RGB 143 151 103

HSL 70, 0.19%, 0.5%

LAB 60.74, -11.09, 24.38

 

CMYK 1 / 0 / 5 / 49

HEX #81827C

RGB 129 130 124

HSL 70, 0.02%, 0.5%

LAB 54.12, -1.54, 3.11

 

CMYK 20 / 24 / 0 / 44

HEX #736E90

RGB 115 110 144

HSL 248.82, 0.13%, 0.5%

LAB 48.02, 9.47, -17.85

 

CMYK 38 / 46 / 0 / 35

HEX #6659A5

RGB 102 89 165

HSL 250.26, 0.3%, 0.5%

LAB 42.29, 23.94, -39.34

 

CMYK 0 / 19 / 52 / 33

HEX #AC8B52

RGB 172 139 82

HSL 38, 0.35%, 0.5%

LAB 59.75, 5.27, 35

 

CMYK 0 / 5 / 52 / 33

HEX #ACA352

RGB 172 163 82

HSL 54, 0.35%, 0.5%

LAB 66.19, -7.78, 42.77

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 23 / 0 / 52 / 33

HEX #85AC52

RGB 133 172 82

HSL 86, 0.35%, 0.5%

LAB 65.83, -28.34, 41.62

 

CMYK 37 / 0 / 52 / 33

HEX #6DAC52

RGB 109 172 82

HSL 102, 0.35%, 0.5%

LAB 64.46, -37.11, 39.65

 

CMYK 9 / 0 / 52 / 55

HEX #6A7438

RGB 106 116 56

HSL 70, 0.35%, 0.34%

LAB 46.76, -13.56, 31.61

 

CMYK 9 / 0 / 52 / 44

HEX #839045

RGB 131 144 69

HSL 70.4, 0.35%, 0.42%

LAB 57.27, -16.42, 37.88

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 6 / 0 / 41 / 27

HEX #ADB96E

RGB 173 185 110

HSL 69.6, 0.35%, 0.58%

LAB 72.7, -15.94, 36.63

 

CMYK 5 / 0 / 30 / 22

HEX #BCC68A

RGB 188 198 138

HSL 70, 0.34%, 0.66%

LAB 77.82, -13.22, 28.99

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 52 / 0 / 33 / 33

HEX #52AC73

RGB 82 172 115

HSL 142, 0.35%, 0.5%

LAB 63.78, -40.07, 21.32

 

CMYK 12 / 52 / 0 / 33

HEX #9752AC

RGB 151 82 172

HSL 286, 0.35%, 0.5%

LAB 46.44, 43.48, -36.56

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 52 / 9 / 0 / 33

HEX #529DAC

RGB 82 157 172

HSL 190, 0.35%, 0.5%

LAB 60.68, -19.02, -14.97

 

CMYK 0 / 52 / 9 / 33

HEX #AC529D

RGB 172 82 157

HSL 310, 0.35%, 0.5%

LAB 48.56, 46.78, -24.17

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 52 / 0 / 33 / 33

HEX #52AC73

RGB 82 172 115

HSL 142, 0.35%, 0.5%

LAB 63.78, -40.07, 21.32

 

CMYK 44 / 52 / 0 / 33

HEX #6152AC

RGB 97 82 172

HSL 250, 0.35%, 0.5%

LAB 40.5, 29.01, -46.36

 

CMYK 0 / 52 / 19 / 33

HEX #AC528B

RGB 172 82 139

HSL 322, 0.35%, 0.5%

LAB 47.84, 43.86, -14.55

 

CMYK 9 / 0 / 52 / 33

HEX #9DAC52

RGB 157 172 82

HSL 70, 0.35%, 0.5%

LAB 67.49, -18.75, 44

 

CMYK 52 / 0 / 17 / 33

HEX #52AC8E

RGB 82 172 142

HSL 160, 0.35%, 0.5%

LAB 64.36, -34.3, 7.28

 

CMYK 44 / 52 / 0 / 33

HEX #6152AC

RGB 97 82 172

HSL 250, 0.35%, 0.5%

LAB 40.5, 29.01, -46.36

 

CMYK 0 / 52 / 35 / 33

HEX #AC5270

RGB 172 82 112

HSL 340, 0.35%, 0.5%

LAB 46.94, 40.07, 0.4

 

Description

Color code: HEX #9DAC52 | qconv.com Color code: HEX #9DAC52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 172 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 172 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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