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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA5B7 it is the complementary color #625A48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA5B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA5B7 shade: #A2A5B2, #B3B7C5, #C4C9D8, #D5DBEB and #E6EDFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA5B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA5B7 shade: #9DA5B7, #8C93A4, #7B8191, #6A6F7E and #595D6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA5B7 shade: #9EA5B7, #9E9FB7, #A49EB7, #AA9EB7 and #B19EB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA5B7 shade: #9EA5B7, #9E9FB7 and #9E9EB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA5B7 shade matches the following richer shades: #9EA5B7, #90A0C5, #829BD2, #7596E0 and #6791ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA5B7 shade: #9EA5B7, #ABABA9, #B9B09C, #C7B58E and #D4BA81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA5B7 shade: #9EB3B7, #9EACB7, #9EA6B7, #9E9FB7 and #A39EB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA5B7 shade: #6E7A94, #8690A5, #9EA5B7, #B5BBC9 and #CDD1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA5B7 shade: #9DA5B7, #B49EB7 and #B0B79E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA5B7 shade: #9DA5B7, #B79EA6 and #A6B79E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA5B7 shade: #9DA5B7, #B49EB7, #B7AF9E and #A1B79E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA5B7 shade: #9DA5B7, #B79EB2, #B7AF9E and #9EB7A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

Complementary color

CMYK 0 / 8 / 27 / 62

HEX #625A48

RGB 98 90 72

HSL 41.54, 0.15%, 0.33%

LAB 38.51, -0, 11.59

 

CMYK 9 / 7 / 0 / 30

HEX #A2A5B2

RGB 162 165 178

HSL 228.75, 0.09%, 0.67%

LAB 67.88, 1.53, -7.07

 

CMYK 9 / 7 / 0 / 23

HEX #B3B7C5

RGB 179 183 197

HSL 226.67, 0.13%, 0.74%

LAB 74.5, 1.35, -7.56

 

CMYK 9 / 7 / 0 / 15

HEX #C4C9D8

RGB 196 201 216

HSL 225, 0.2%, 0.81%

LAB 81, 1.19, -8.05

 

CMYK 9 / 7 / 0 / 8

HEX #D5DBEB

RGB 213 219 235

HSL 223.64, 0.35%, 0.88%

LAB 87.39, 1.03, -8.52

 

CMYK 9 / 7 / 0 / 0

HEX #E6EDFE

RGB 230 237 254

HSL 222.5, 0.92%, 0.95%

LAB 93.69, 0.88, -8.99

 

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

CMYK 15 / 10 / 0 / 36

HEX #8C93A4

RGB 140 147 164

HSL 222.5, 0.12%, 0.6%

LAB 60.89, 1.07, -9.79

 

CMYK 15 / 11 / 0 / 43

HEX #7B8191

RGB 123 129 145

HSL 223.64, 0.09%, 0.53%

LAB 53.98, 1.25, -9.36

 

CMYK 16 / 12 / 0 / 51

HEX #6A6F7E

RGB 106 111 126

HSL 225, 0.09%, 0.45%

LAB 46.89, 1.45, -8.93

 

CMYK 17 / 13 / 0 / 58

HEX #595D6B

RGB 89 93 107

HSL 226.67, 0.09%, 0.38%

LAB 39.6, 1.66, -8.5

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 14 / 13 / 0 / 28

HEX #9E9FB7

RGB 158 159 183

HSL 237.6, 0.15%, 0.67%

LAB 66.12, 4.56, -12.5

 

CMYK 10 / 14 / 0 / 28

HEX #A49EB7

RGB 164 158 183

HSL 254.4, 0.15%, 0.67%

LAB 66.34, 7.13, -12.13

 

CMYK 7 / 14 / 0 / 28

HEX #AA9EB7

RGB 170 158 183

HSL 268.8, 0.15%, 0.67%

LAB 66.84, 9.17, -11.33

 

CMYK 3 / 14 / 0 / 28

HEX #B19EB7

RGB 177 158 183

HSL 285.6, 0.15%, 0.67%

LAB 67.44, 11.58, -10.37

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 14 / 13 / 0 / 28

HEX #9E9FB7

RGB 158 159 183

HSL 237.6, 0.15%, 0.67%

LAB 66.12, 4.56, -12.5

 

CMYK 14 / 14 / 0 / 28

HEX #9E9EB7

RGB 158 158 183

HSL 240, 0.15%, 0.67%

LAB 65.86, 5.11, -12.9

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 27 / 19 / 0 / 23

HEX #90A0C5

RGB 144 160 197

HSL 221.89, 0.31%, 0.67%

LAB 65.83, 2.75, -20.86

 

CMYK 38 / 26 / 0 / 18

HEX #829BD2

RGB 130 155 210

HSL 221.25, 0.47%, 0.67%

LAB 64.03, 4.89, -30.93

 

CMYK 48 / 33 / 0 / 12

HEX #7596E0

RGB 117 150 224

HSL 221.5, 0.63%, 0.67%

LAB 62.49, 8.43, -41.17

 

CMYK 57 / 39 / 0 / 7

HEX #6791ED

RGB 103 145 237

HSL 221.19, 0.79%, 0.67%

LAB 61, 12.29, -50.77

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 0 / 0 / 1 / 33

HEX #ABABA9

RGB 171 171 169

HSL 60, 0.01%, 0.67%

LAB 69.93, -0.37, 1.02

 

CMYK 0 / 5 / 16 / 27

HEX #B9B09C

RGB 185 176 156

HSL 41.38, 0.17%, 0.67%

LAB 72.07, -0.19, 11.39

 

CMYK 0 / 9 / 29 / 22

HEX #C7B58E

RGB 199 181 142

HSL 41.05, 0.34%, 0.67%

LAB 74.28, 0.44, 22.24

 

CMYK 0 / 12 / 39 / 17

HEX #D4BA81

RGB 212 186 129

HSL 41.2, 0.49%, 0.67%

LAB 76.5, 1.33, 32.31

 

CMYK 14 / 2 / 0 / 28

HEX #9EB3B7

RGB 158 179 183

HSL 189.6, 0.15%, 0.67%

LAB 71.51, -6.37, -4.49

 

CMYK 14 / 6 / 0 / 28

HEX #9EACB7

RGB 158 172 183

HSL 206.4, 0.15%, 0.67%

LAB 69.61, -2.6, -7.3

 

CMYK 14 / 9 / 0 / 28

HEX #9EA6B7

RGB 158 166 183

HSL 220.8, 0.15%, 0.67%

LAB 67.99, 0.68, -9.71

 

CMYK 14 / 13 / 0 / 28

HEX #9E9FB7

RGB 158 159 183

HSL 237.6, 0.15%, 0.67%

LAB 66.12, 4.56, -12.5

 

CMYK 11 / 14 / 0 / 28

HEX #A39EB7

RGB 163 158 183

HSL 252, 0.15%, 0.67%

LAB 66.26, 6.79, -12.26

 

CMYK 26 / 18 / 0 / 42

HEX #6E7A94

RGB 110 122 148

HSL 221.05, 0.15%, 0.51%

LAB 51.12, 1.68, -15.52

 

CMYK 19 / 13 / 0 / 35

HEX #8690A5

RGB 134 144 165

HSL 220.65, 0.15%, 0.59%

LAB 59.65, 0.98, -12.28

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 10 / 7 / 0 / 21

HEX #B5BBC9

RGB 181 187 201

HSL 222, 0.16%, 0.75%

LAB 75.81, 0.68, -7.77

 

CMYK 6 / 4 / 0 / 15

HEX #CDD1DA

RGB 205 209 218

HSL 221.54, 0.15%, 0.83%

LAB 83.78, 0.34, -4.92

 

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

CMYK 2 / 14 / 0 / 28

HEX #B49EB7

RGB 180 158 183

HSL 292.8, 0.15%, 0.67%

LAB 67.71, 12.62, -9.94

 

CMYK 4 / 0 / 14 / 28

HEX #B0B79E

RGB 176 183 158

HSL 76.8, 0.15%, 0.67%

LAB 73.26, -6.93, 11.89

 

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

CMYK 0 / 14 / 9 / 28

HEX #B79EA6

RGB 183 158 166

HSL 340.8, 0.15%, 0.67%

LAB 67.48, 10.56, -0.76

 

CMYK 9 / 0 / 14 / 28

HEX #A6B79E

RGB 166 183 158

HSL 100.8, 0.15%, 0.67%

LAB 72.52, -10.56, 10.74

 

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

CMYK 2 / 14 / 0 / 28

HEX #B49EB7

RGB 180 158 183

HSL 292.8, 0.15%, 0.67%

LAB 67.71, 12.62, -9.94

 

CMYK 0 / 4 / 14 / 28

HEX #B7AF9E

RGB 183 175 158

HSL 40.8, 0.15%, 0.67%

LAB 71.69, -0.08, 9.73

 

CMYK 12 / 0 / 14 / 28

HEX #A1B79E

RGB 161 183 158

HSL 112.8, 0.15%, 0.67%

LAB 72.17, -12.34, 10.19

 

CMYK 14 / 10 / 0 / 28

HEX #9DA5B7

RGB 157 165 183

HSL 221.54, 0.15%, 0.67%

LAB 67.65, 0.9, -10.23

 

CMYK 0 / 14 / 3 / 28

HEX #B79EB2

RGB 183 158 178

HSL 312, 0.15%, 0.67%

LAB 67.83, 12.73, -6.95

 

CMYK 0 / 4 / 14 / 28

HEX #B7AF9E

RGB 183 175 158

HSL 40.8, 0.15%, 0.67%

LAB 71.69, -0.08, 9.73

 

CMYK 14 / 0 / 11 / 28

HEX #9EB7A2

RGB 158 183 162

HSL 129.6, 0.15%, 0.67%

LAB 72.06, -12.66, 7.82

 

Description

Color code: HEX #9DA5B7 | qconv.com Color code: HEX #9DA5B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 165 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 165 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 10 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 10% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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